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YAMABUSHI No.02: (MONOGURUI/ UMBRA)(ii)

YAMABUSHI No.02: (MONOGURUI/ UMBRA)(ii)

$400.00

(00)

00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "((thru the C.A.M.) walking real deviant-like style .. capt. r.'s circle goggles rubber slippers/ uber-phideyuki wears black 'We formed messages to attempt to establish against the white-tinted morning-time light express multi-strapped huge billowing skirtage dress/ communication, but we quickly realized that the power effectively här voluptuous univalence.’ capt. r. shrugs white rubber décolletage covered upper bodied of the effect derived from the purely formal structure one shoulder suggestively. contortion/ duplication .. overlapping until the of the missives .. abandoned the communicative aspect C.: 'We considered it a move with the height of integrity .. error is caught/ rock you like a hurricane, darling/ weak permanent blue semi-opaque circles outline each of the clear plastic balls of the headpiece: the interpulsion generation of the u channels relied on careful calibration of offsetting entropic forces, requiring each part of the system to be conceived as a resevoir or drain of u flows as an overlapping design function over .. above the particular considerations of its direct practical or functional purposes: let us take a look now into capt. r's mind: if you ever wondered what yamabushi were thinking but were afraid to say out loud, but suspected that, if you were to find out, you might not want to know, this is the report that puts that puts that theory to the test, .. you were right – you didn't want to know: this might possibly be the most disturbing piece of analysis ever recorded: yamabushi, first off, had an abhorrence of nike that bordered on the pathological: the distaste for nike among yamabushi was such that a portion of them even ponied up uniforms with the adidas logo .. the slogan 'we just did it, bitch.': yamegu(r)u felt hä could pull flows in to här in order to blow them out with voluptuous melodramatic force: everything seemed to be pushing in on this one point: hä stumbled .. collapsed to här knees: with each breath interpulsion was moving in .. out of här body such that it was becoming hard to force forward each subsequent breath: hä looked over the (00) with sympathetic eyes in calm expectation its powers rushing over här: hä growled .. frowned: 'the shortness of their petals .. the wind.': the surrounding morning air, cold .. almost weightless pushed downward on här: här head hurt with the cold .. the pounding: the __ cycle allowed for the deposit .. movement in the brain's organic tissues proteins associated with the pushing forward or backward of entropic flows: the yamabushi operated via the ability to control this cycle internally such that specific protein interactions could be pushed into procyclical feedback loops for the generation of interpulsion: the process functioned similarly to how one pushes one's consciousness through space, constructing a mirrored image of potential points .. flows .. then integrating the movements of one's own internally controlled flow-points through this 'imaginary' space, only instead of space one was forming and interacting with a plotting of time: or, instead of time, one could think of it more effectively as a mapping of entropy flows .. their coordination or relationships to one another: each shift in velocity of these flow-processes, in practice, corresponded with differences in spatial relationships, while shifts in direction of these flows could distort the temporal relationships between them: yamabushi, for all their concern .. care regarding the dangers involved – dangers present both imminently .. in the recorded ever present horrors of past failures – felt the process to be at its core natural .. in many ways even took it for granted: yamegu(r)u(miyabi_ghost(ii)): (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00): the yamabushi's powers of invisibility .. teleportation worked primarily as a function of the movements of the u_ghosts, .. represented an ability on the part of the yamabushi to control .. divert the inherent powers of the u_ghosts, inverting them for their own purposes: this was what was meant by the process of the bwo, as it was in this bodily control, the power to invert the very processes of their own internal material body .. use it to push out psychic forces, that their powers over the u_ghosts was formed: u_ghosts took possession of bodily hosts by populated their organs .. working their way in to their processes at the level of protein interaction: in fact, there were those in these circles who claimed that the u_ghosts as psychic or immaterial phenomenon did not exist at all, but were merely the causal ephemera of protein cycles, reversing the conceptual order such that the 'effects' of the u_ghosts in protein movements were deemed to be complete unto themselves: most yamabushi considered this point moot, one of mere semantics: command partnerships operated effectively as forms of mini-states, for the purposes of monadic flow generation, functioning off of stored internal values rather than outgrowth: the MEGABOKU agents gave their cells this form, such that there was a tiered or layered organization, on the order of concentric circles radiating outward, comparable to that of an inverted theory of types: yamabushi operated according to a monogurui form of decision theory: assumes systems, processes (large groups) move rationally dynamically but individuals movements are conducted stochastically: rational actors on the micro level are discarded, conceptually, as a naïve .. ineffective fiction:yamegu(r)u was able now to perceive the movement of temporal flows both forwards .. backwards: in this way the concept of identity as a deictic marker gained clarity: the idea that one was defined as a single point, pushing through a topological mapping of forces, pushing or pulling local regions as one moved through them: in reference to temporal coordinates, or entropy, or modality, or ultimately these were the same things, or for all intents .. purposes, different ways of framing coordinate systems .. describing them: in what way could the concept of the "good .. righteous" be mapped isomorphically on to the concept of material relationships?: the interactions between these points .. forces formed growths .. resonances, or perhaps at times carefuly delicate impermanent stasis: the minmod function pushes a convergence to 0: yamabushi were particularly diligent in the plotting of back formations, such that for any given array of points a mapping was formed to the u axis calibrated for a given time region, establishing a monadic loop defining the region of interpulsion: household transformations were used to push these monad-objects one direction or another: I could feel the cold water particles pushing against the glass as if they were entering into me: everything was pulling inward: monadic formations were collecting as growths everywhere in my body: regressive forces pumped through my veins: the protrusions .. growths caused by monadic interplay were correctly conceived as generated from flows moving backwards in time: phideyuki dark dark eyes/ phideyuki gaunt succinctly with a quickly sketched onslaught, The Hyperbaric Ocean. The white light of the effected red blood stains courtesy of a large cheekbones pink w/ the cold. a gaze sunken into 'Destroys itself…. Absolutely false… Repugnant,' (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) cold/bright morning hints at feminine pieces. empire. white rubber miasma-bullet .. I found här w/ body herself, because where is the rupture that has (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) the wind whips at Myamaka:aeropittura's bodice as torn open .. organs spread making a mess brought this pitched/ poignant moment to birth, if (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00). hä pushes down här Cerulean blue .. everywhere. Här closed eyes .. lips. One hand not in här very artificial pumping heart itself: .. w/ Ovolo-style balancer .. sci-fi feints dr. m. showed fixed firmly at hip w/ strange death-grip on a fold where have I decided that this obsessive mounting här battle tactics are smarter than här critics- .. that of här blooming skirtage .. the other fallen at discomfort .. vein-filling hunger will be brought to hä will remain resident of The Aufbauhaus. It is 10 uncomfortable angle on the white floor. Near the bear, if not in my cold cold rational mind years since hä launched här campaign, yet hä is still red-splattered plastic gun. Här weak indigo hair machine-like-for-grace?/ (0000)-head-ossoming/ the as innovative .. as unpredictable as when hä began. w/ dark streaks pulled into 3 messy balls. broken white Snow/ upon me/ forgetfulness but not eyeglasses. white slippers. billowing skirted short- forgiveness. Chin-up baby doll/ there is more fake present here w/ här collaborator: (00) back into their proper confines./ capt. r.: 'What complicated. Even today some amount of sophistication universe/ anticholinolytic/ weak permanent blue semi-opaque circles outline each of the clear plastic balls of the headpiece/ pressure-pt. tubular injections: anti-chöd armor: selecter-pt.)."

  • Image of YAMABUSHI No.02: (MONOGURUI/ UMBRA)(ii)
  • Image of YAMABUSHI No.02: (MONOGURUI/ UMBRA)(ii)
  • Image of YAMABUSHI No.02: (MONOGURUI/ UMBRA)(ii)
  • Image of YAMABUSHI No.02: (MONOGURUI/ UMBRA)(ii)
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