MONOGURUI memory drive i: (MIMODRAMA)
(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (to cut off/ cut thru: Its theoretical basis was to generate massive ergodic volume by acceleration of u by the combined means of u_pulse currents, the implementation of y_phantoms, .. careful cultivation .. development by the u_ejento: u_adic rings were generated binding curves to the conceptualization of u as a measurement of emergent proto-phasm velocities: essentially, a u_pulse wave was a residual curve off of these rings: the purpose of the u_yamabushi was to find .. produce convergences: where one had multiple convergences one could form a u_object: the u_object, or, more potently, the interaction of multiple u_objects, was a device for control of monadic flows: one could map out the process such that the monadic flows would push toward a u_object as a potential outcome: once one had arrayed these potential outcomes .. had them under one's control, one was in a position of choosing among them for the optimal: sometimes this process of choosing was in turn interflluxed to where various options could be tried .. optimized: there was a double-binding of math .. physics here, where particles were correlated to various dimensions .. then accepted as one's foundational ur-objects for a mathematical model: the only difference between this new way of doing math vs. the old being that the existence of one's mathematical objects was material instead of immaterial, .. the consequences of one's functions were actual effects on actual bodies: predictor variables focused on (0_0) or (00_00) curves, .. a variety of relationships between them, while outcome values focused on u_monad *production, cyclo-intension, .. the proto-phasm mass measured as a function of the two: one still ended up with models or sets, or, as they were referred to now, possible worlds or u_spaces, which could not be determined or pinned down by the convergences of one's model, but this was accepted as productive of the possible worlds methodology they were attempting to achieve, rather than an undermining of it: what once were thought of as paradoxes were reconceived as protodoxa: u_spaces which cannot exist in this u_space but might be actualized by one or more u_jumps outside of this one: if each was a hypercurvature of the other then returing to one's initial u_space was a matter of bending one's u_jumps back to an origin point: what disturbed the u_agents was that this re-binding or double-overlap promised a doubling of one's own body, of one's intentions, such that one could come up in competition vs. oneself, one's own being could proliferate, .. the question was raised was this something to be achieved, was this a new kind of power, or was this a detachment from oneself until one was nothing but phantom versions of oneself almost existing but not quite?: from these one could plot out the chremastic forces conceptualilzed by the u_ejento, whose movements dominated their mapping of real (*)region potentialities to the flows of the mathematical compounds: the (00_00) plan was a 6-phase document codifying a reorganization of the yamaueredas analytic structures to allow for the redeployment of their functions toward para-objectification, ultimately pushing toward a consolidation of invisible .. (0)-gauge departments under a more powerful domain of monadic channel engineering: when the up-..-out call gets knocked out what happens?: arguably each of these little flutters is a tightening of the proto-phasm mass, .. u_ejento treated it as such: more critically, this could be seen as a particular case of the more general phenonemon of a u_monad's u_pulse pull around a 0 u_pulse point, where a u_monad could be conceived as a transformation from 0 value which would ultimately, on a given range, curve back to return to 0: the function for each u_monad v(t,x) would cross a precise ring at one .. only one point, .. this point itself could be used to generate curves further outward: a u_ejento could cite at any given moment this precise point on which their entire range of goryos was founded): (miughu_op .. yumi_ph.*(v) walk through the grass .. trees of the circular park center of the campus with y_ueghuru(ii), the research buildings radiating out form its circumference: their low voices underly the calm, .. the light cooling breeze: miughu_op: 'it was all these emergences floating on top of one another: you didn't really notice in when you were inside, the mappings were such that one could experience the (*)region with a slight hint of artificiality or impermanence, but otherwise as if one was entrenched in the material world: it would only be afterward, thinking back on one's experiences, that one could analyse the differences .. start to put together a picture of macro-properties interacting with micro-properties in ways so as to distort them: one unconsciously took to accounting for these distortions in one's runs .. plays automatically: but continuity was clearly running along angles .. immersed introgressions in ways one was not accustomed to experiencing: sometimes it was no more than that – just a hint of something feeling wrong: after a while I began to pick up on the underlying processes, to some degree .. realized that the primary feature was that of causality features being run over all kinds of unusual u_monadizations: it wasn't just that it ceased to be asymmetric, it wasn't fixed to any directionality at all: there were clearly bindings there, but where they were coming from was impossible for me to imagine': the white acrylic creases against the two tight collocations of hair over här head, bouncing just slightly one way or another as hä walks: här eyes are low, but a little to vividly directed somewhere off too far ahead, as hä pulls back the details of these memories)."
00.おおおお。 yu::eghuru(-(CR(00))): (CAMに記録) 「(00)は私の出席者のまばらな開いた棺に入った。一世紀が財団を攻撃した。代わりに、あるいは小型機械体に似た避けられない出来事があった。」 (00:00) (00)(00)ueghuruomo_ueda(ii) の闘いは、超勝利者であり続けるためのものだった: コンパクトなポリマー原子の PRMBR アーマー/ ゆっくりと脈動する心拍が共鳴する装備/ 肩、白い短い 13 個のスタッドのかつら 、ダーク (00) 繊細な指でその動き/優雅にその中で u_chrema スリッパ / ジッパー付きレギュレーター付き カジュアル / 圧力ポイント透明プラスチック ミニシリンダー注入: ゴム製 6 口グリップ ブラック u_chrema スリッパ ディスク/ P.II のすぼめ 、短く刈り取られた頭からしっかりと密閉された不活性な5つの小さな突起が付いています.. ミニC.A.M.: 誰が眉をひそめます.. 歩くと口をとがらせます/ 対チョド装甲の選択された部分で注射が飛び出します/ 大きな 丸い目/ phidi::yuma の場合。 i) ueghuruomo_ueda(ii): 「ああ、だめだ。私は決定力のない形のない性質の動きを正したい。」 彼は返事をしなかった。」 00.おおおお。 yu::eghur(-(CR(00))): (C.A.M.に記録) "(00) ?. 過去 20 年間、傾向はポジティブでした。 支離滅裂な甘い言葉を耳元でささやきます。 .. yumi(no )gosuto は図形をグラフィカルに構築することができ、地図を描く試みが初めて行われた phidi::yumas は、他の場所の ugarte と同様に、その後、冷たく .. 系統的に殴打されました。här (00)-めったに結婚しない、(-CR) (00) の透明なゴム製マスクの後ろの黒い無精ひげの顔/歪んだうめき声/口が開いている/空腹/(-CR)(00) の丸い目/黒い輪郭/マーキング「-CR」 .. 透明なゴムに対する u_chrema のロゴ 山伏装備、ミニC.A.M./ .. 紫色の傷だらけの体が共鳴で痛む割合が増加.. The Proof of Reversionによって形成/ yumi(no)gosutoの黒ベクトルがそれ用に/ モナディック電流は生産性に関与するように形作られました カウンターワーク。クールで落ち着いた拘束具。(-CR)(00) の透明なゴムマスクの後ろの黒い無精ひげの顔/歪んだうめき声/開いた口。」 00.おおおお。 yu::eghuru(-(CR(00))): (CAMに記録) 「(00)お腹空いた/(-CR)(00)の目は丸い/黒い輪郭/マーキング'-CR' ..u_chremaロゴ ハークリアラバーヤマブシ装備、ミニカメラ/ハーオフィスの窓に対して、計画の予測不可能性は、苦労して獲得した利益を遠ざけることから、スノーウィーフィールズを監視する脅威にさらされています。P.IV ラインで描かれた顔は、白いポリマーヘルメットをかぶったユミ（ノ）ゴストの激しい模倣で構成されているのが観察できました/明確な指示はありませんが、「今、研究に行っています。1つのミニ」とコメントしていました。 -放射計は定期的に引き出された濃度を送信します...うなる風が白いポリマーマスクの後ろの大きな目/苦しんでいます。 うーん。時々 CGEC は最小限のバックグラウンド ミュージックを強制的に、整然としたものにしました。唇の白い壁が外で壊れ、開口部に向かって前に押し出されました/大きな体がオフィスに押し込まれ、ゴースト スーツが中型のザ ヤマウエレダ (ch.) を上げました。」 00.おおおお。 yu::eghuru(-(CR(00))): (CAM に記録) 「(00) 冷たい衝撃を与えました。特に目的地もなく終了しました。The_Kaon!::mtns.、 どこまでも広がる広大な景色。手を洗わなければなりません。手をしっかりと握り、うねるゴーストスーツと裸の青白い腕で、私の周りのコリン溶解薬の学校全体に静けさが滲み出ているのだと思いました。: ueghuruomo_ueda( ii)、rt. ほとんど病弱な肌で半分閉じた手: アルビノブラックミゴリ: これ: 冷たい白い光が入る: 白: 後ろに向いた 0: 彼の中で.. ドキドキする頭/唇/ヘルメット/P.XIV が始まる バストアップ: 白い内股と内股/P.I rt. 臀部/血/アドレナリン。「私はそれが利点だとははるかに認識していました。透明なゴムマスクの後ろに顔/歪んだ威厳、この愚かさ、ミス phidi::yuma。ポイント 1。 カップリング/ ueghuruomo_ueda(ii) の身体には、半透明の血が流れていて、唇に厳しい不信感がこれまで以上に急速に現れていました。手足 - 偶発的なまばたきは今、中央の敷地の周りで行われますが、側面の 1 つではなく、脚が大きく開かれています。 スタンス: ueghuruomo_ueda(ii) 暗く疲れた虚ろな目: The_Haunted: the_* が頭の中でささやく 傷を負ったグロテスク: ueghuruomo_ueda(ii)/ The_de(00)(00)(00) ゴムの中に座っている/ 金属が自分の呼吸で窒息している/ 息をしている The_5 エージェント/ P.IV が好きすぎて、この機会をマークするには弱い永続的な青い半不透明のうめき声/ 口を開けた/ 空腹/ (-CR)(00) のばかばかしい、(0_0) コミカルな出来事。 透明なプラスチックの複数の球根の下で静脈を通って素早くポンピングすると、その時は確かに問題が拡大するような感覚がありました。 phidi::yuma: 透明なプラスチックの多球状装甲: rt のすぐ上にある黒の u_chrema の 3 桁のロゴ。