PLAYER:(miyabushi_miuku())

Name: PLAYER:(miyabushi_miuku())
Brand: (yumi)(no)(MONOGURUI)
SKU: 105971016
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(00)(00_00)(00)(00) (00_00)(00) y::ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "(u_ejento referred to the reverb of u_pulse flows in .. out of goryos as murasame, .. it was treated as a distinction of great care as to whether an ejento was one of those who could handle the flows of murasame at its most intense, vs. those who could not: the ghost, with its gray vapors running over it, only ½-visible to (00_00), .. ½-formed amorphous body .. face, peered closely into här gaze as if in interrogation or judgment, as if reevaluating här status, in dark interpellation: the cold steel walls .. clear plastic contours of the room enfold them, white mirrored fluorescent light pushing off of racks of moist filtered plants .. the grids of clear tubes running along the ceiling .. base of the walls, metal .. white plastic kitchen appliances on the steel countertops of a small enclosure): (in parts of yumi(no)gosuto's work R .. U are treated as u_waves applying a kind of deictic mapping over c-points, with r-processes pinning down 0-points as reflecting the present experientially .. u-processes as reflecting the past/future symmetrically as indeterminant, non-actualized potential: the u_wave mapped to the present pushes utward in pursuit of actualilzing the concepts, as potentialities, that are hidden from it, unencountered but hypothesized intuitlvely from one's circular channels of realization derived from past experience: these hidden potentialities are like invisible machines, lurking, observing, waiting only to be turned on by a receptive actor in order to reverberate against them: or powers, primordial .. deep, in the gaps between the prehended .. grasped curvatures of our inadequately .. incompletely realized psychic mapping of reality: through such channels one makes oneself vulnerable to a return force, reaching out to one even as one reaches out to it, in the form of psychic entities equipped to move through one's mind .. one's body as their own worlds, enforcing perhaps their own movements .. intentions: tight rubber ankle-boots grip här feet, with white insignia on each outside facing curve: black rubber harness .. bindings with clipped metal devices .. c.a.m.(ii), up to the clipped, dark hair of här asymmetrically shaved head: hä pulls härself up the wire rigging: här eyes send out u_waves, seeking out the concealed entrance somewhere up the rock-hewn vertical face, trying to pull it back to här, but so far it remains hidden: hä is beginning to be concerned at this failure, though hä can feel its covert presence nearby: the invisible moving the visible: is it what hä guesses?: hä knows hä will soon find out: if there were shadows falling over här from various angles här features would have revealed a stoic calm in the face of här fears: little white circles of glimmering light hover somewhere above här but hä is having a hard time pinpointing their location: här hands grip the little white rubber holds tightly as hä pulls härself up: soon it will be light enough to make här presence here a bright radiant dot of circumcision for anyone to apprehend: här body tightens, acheing with protest against these last few pulls: hä needs to get closer: sweat glistens over här body, but hä has forgotten about that now: hä feels the inner pulses, feels them taking residence in här body, replacing it: hä knows what hä will find there: a massive hangar pushed deep into the mountain's core, occupied by an army of mecha, preparing themselves for deployment: once there hä will need to find their receptor-core .. countermand it, before their immanent directives are received: once this occurs, if hä fails to stop it, it will be too late for här .. här cohorts: their defeat will then have begun: hä works här way up over the next outcropping .. tightens här grip: the early morning light is beginning to illuminate the expanse of vegetation far beneath här: suddenly hä looks up .. sees yghora(vi) looking down at här, a large humanoid onnagatomaton covered in gapped plates of metal body-armor with dark metal disjointed mask from which clear rubber eyes gaze outward: yghora(vi): 'come'): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "(architectural tendencies shifted from large scale polymer-plasma .. steel mega-projects into an increasing use of wood for building material, maintaining the use of cotton sheets for interior divisions: structures became low-lying .. diffuse, pushing out over the low density expanse of mid-city regions, intermingling with both op.-urban .. agricultural developments, .. mixed with lush plant growth: the irony of (00_00)(ii) was that they were looking for other worlds, but instead found out how to control this one)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "(outbound u_pulse flows would flow back inward to the monadic core, through the mini-chods through which they flowed outward, via reverse spin processes: so each mini-chod functioned as a reverberations unit, expanding .. contracting, from a u_pulse standpoint, in sync with the entire monadic organism as a whole: rings of mini-chods were formed in co-linked binding via point-map mirroring, with the principle of mutual defense against encroachment underlying the vast majority of the whole): (y::ueghuru(ii): 'but better then, if the (00_00) had…. you were closer…. I was certain hä would…. instead indomitable…. the yurighost, it's comforts…. there, upon the mountain…. no, closer…. you were with them….'): (to imitate the kind of peace that lies at the crossing over from stasis into conflict): (hä pulls här hood down over här head .. reflects on the growing cold .. calm: it seemed at this point that all här ghostlines were converted into trailing minors, weakly pinning down control points: the umegha-maru stared back at här disgruntled: all the curving bulges of its clear rubber form, 5'6", push against floral pattern in light pastel blue red .. pink, .. its somewhat large inset clear eyes work their way over the room .. y::ueghuru(ii)'s glistening body: umegha-maru: 'if it were only the outer plots I wouldn't be concerned but there are soft spots in the interior also: it would comfort me if you were to go out .. review it today: the drop into the mountain regions can wait'): ((00) yumi(no)gosuto aka yumi(no)gosuto: u_ejento: YAMAUEREDA: after the YAMAUEREDA cut short the implementation of the plan .. disbanded yumi(no)gosuto secretly continued to pursue the plan's achievements on här own: the clear rubber contours pulse just slightly, breath semi-audible in forced persistent reverb: hä turns .. pauses, .. backs away from här as if embarassed: white light glistens against här facial features, as hä turns här eyes up at här: the perception of time by our bodies was conceived of a similar in form to a cyclo-intension mapping process, indexing the temporal flow to a mapping of neg-information levels at a prescribed velocity around which it would fluctuate: perceived movements from one moment to the next would be bound by the degree to which they converged on this baseline variable: you end up with mental conceptions that look very much like complex u_objects, arranging themselves around conceptual flows at different velocities .. contextual framing: a free competition regime for the mathematical compounds allowed for the unbound mirroring, doubling of proto-phasm as a marker or relationship against itself: this would be the propagation reservoir for both material .. immaterial development, where communities were abstracted as mini-commune forms .. then further into pure implosive space as artificial mental processes that could overlap .. bind together various actors: each point of här clear throbbing rubber seemed matched to a future convergence of imagined actions .. re-formed movements of muscles .. organs pushed by här intertemporal bodily fluids: but här eyes divulged an underlying stillness or repose, as if part of här remained outside of all of this .. could perceive the various points as one shape that retained some conformity to basic premises that ground .. comforted här most isomorphic controls)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y::ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y::ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (y_usege, for a period during the antebellum, was one of the (00), a group formed to oppose the implementation of the plan by the YAMAUEREDA: 6 y_usege formed a counter-cell calling themselves the mm unit, who managed (0_0) designed to offset monogurui flows as collocations with the 00-ueghurama: they wore white polymer-acrylic uniforms with cross-stitching .. utility holds, little white rubber ½-gloves: clear rubber face-masks with black overlay markings: when these six arrived before mynu-op. in the hyperphasm region, (*), här lips shook for a moment as hä turned to recognize their approach, formed over in heavy white polymeratomic armor with pink .. blue rubber bindings: här large, light eyes tracked a point far behind them: y_usege(v): 'yes, mynu_op., it is time': the underground steel-contoured bunker embedded deep in the mountain was filled densely with green succulent plants in clear plastic little water-filled bins, over the floor .. on surfaces .. attached to the walls, clinging outward: three little metal balls sit on the low metal table before här, with white plastic contoured receptors embedded into its plane: though hä considered resisting, for a moment, hä was aware that the ability to resist or forestall was far behind här now: their u_pulse .. u_monads flowed into independent research institutes formed for the purpose, with specializations in an array of areas across bioengineering, optics, agricultural methods, .. communications: surrounding här is a huge appalling mass of polymer-plasma buttresses .. embedded irrigation channels, currently empty: by this time the cyclo-intension convergence band of 20 to 40% had been implemented .. the (*)region phasm-metric was experiencing cyclo-growth across many sectors, as well as migrational patterns at a large enough scale to disrupt all but the most persistent social equilibriums: the ultima-force projects forward through every niche of the yamauereda, inundating it with the pulsing throb of monadic implosive interplay: they are experts in mathematical psychology .. have developed a means by which the mind may be kept in perfect equilibrium as a defense against the emergence of the chod: this method they keep in strict confidence, allowing outsiders only glimpses of its theoretical underpinning: it was the yun-kang in which (0_0)(00) deposited the u.-c.a.u. during the war of the monads .. from which p.vi::(the former proto_androgyne unruly::hair) absconded with it: the pursuit of p.vi thru the underground escape routes of the yun-kang .. the kaon! mtns. was one of the more harrowing adventures ever recorded: past the edge of the polymer-plasma formations were large plots of newly planted clone poplar/dogwood trees): (previously yumi(no)gosuto was the opponent of (00_00): the u-morphs .. the u_morphPHUMA underwent inversion .. reemerged in various hidden underlying processes: propagating of the chrema was brought under the wing of the yamaueredas, who took a polder .. dyke approach to managing the balance between u_op .. *production of compound proto-phasm for the purposes of managing the immanent domain: the *production of proto-phasm is, for all intents .. purposes, the *production of u_pulse: the only thing binding proto-phasm to compound proto-phasm is calibration proscribing that this proto-phasm be introgressed by op.-flow via proto-phasm processes: remove this link from the structure .. you have holomorphic mega-commuting .. a multiplicity of ch.-forms circulating with one another: yamaueredas stopped worrying about controlling this stock .. instead focused on the flows from one sector to another .. the overall velocity in the system: more .. more the founding .. implementation of a u-agency .. the rise of a community radiating out from it were isomorphic: it came to be taken for granted that one went with the other: these ryojusen-combines incorporated the yamabushi-corps for the entire age range, from child to adult .. continuing throughout, .. interwoven with, one's material body: sloping tapered cylinders of polymer-cem cooling facilities pockmarked the landscapes of these growing cities, as c.a.u., .. hence the management of its monopulsive properties, was interwoven increasingly into cyclostructure to the point where urban developments were in effect large u_point-c.a.m.s, embedded in polymer-plasma silos underground, overlaid with residential .. phasm surfaces: the extensive grid of canals .. irrigation channels pushed into landlocked areas was in large part driven by its function as a cooling mechanism: some people thought of this irrigation plan as a redeployment of the commons, .. the design of the aqueducts incorporated offset compound mini-complexes almost universally): ((00_00) sitting on a white ceramic block stool in clear rubber goryo:suit with black rubber ½-mask, .. black type over chest "(00_00))": hä felt hä was sitting at the point from which all of the adrenaline of the preceding day had been pumped backwards from, leaving här emptied .. calm from the inability to care or question: super direction, but quasi-(0000)ed: accretions of motivational uncertainty pull inward: the onnagatomaton hyakujo-kegon(xviii) in light blue .. pink polymeratomic equipage with gapping runs over här body letting the muscles of här quietly throbbing clear rubber body push against it: här gray lips .. blank still eyes focus through här over the interior of the cold .. tightly confined space, här 3-mini-circled manganese blue synthetic hair pullng tautly to här head: (00): (over the c.a.m.(ii) quietly) 'the y_chosa-in represented an attempt to balance the roles .. effects of the various institutional agents for a focus on information gathering as a constructive or additive effort: yamabushi passing to the next level of the institute of the defense become Y_CHOSA-IN: the y_chosa-in control: i) the assignment of proto_androgynes to defenders; ii) investigations of unexpected events; iii) the creation of independent mini-units for special purposes; iv) refinement .. protection of founding principles; v) .. recruitment: their operation center is the ryojusen, but they are assigned posts thru-out the snowy::fields: they were a primary player in the expanding of ideas of u_pulse control .. the development of apparatuses for the control of potentiality regions: the idea of a line representing a series of numbers mapping a given monadic current was abandoned in favor of overlapping spheres with accessibility relations: accessibility was given a relational definition via the concept of observability within a given frame, filtering out the observable as distinct from the underlying pre-space of unobservables: these frames, though, could always be thought of as being in movement, interlocking overlapping u_frames undergoing rotations: the axiom of choice gained clarity in this model as a noumenal object, an asymptotic projective point forming a guide-point, a space for binding-formation': hyakujo-kegon(xviii) pauses .. pulls här shoulders back: the low white light flickers momentarily .. then re-normalizes: hyakujo-kegon(xviii): 'you want to return there?': y::ueghuru(ii) ignores the question .. pushes at här eye: hyakujo-kegon(xviii): 'your contacts, op._1, op._2, op._3?: have they provided any suggestions as to where hä went after meeting with the *mighur?')." 00. (00_00)(MONOGURUI) (0000).(00_00): "(hä shoves här hands in här poncho pockets .. works här gaze over the patterned stitching)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the folds .. creases of the fabric turn against the movements of här lungs .. push up to här stomach: 0000: hä spits out här own flesh .. fluids from här mouth: god, här body ached with each pounding breath): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y::ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y::ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (the YAMAUEREDA compartments would be able to provide certain comforts: the (00))."

00.おおおお。ユエグル(-(CR(00))): (C.A.M.に記録) "(insp.x. (00)(00) (00) (O) O .. (00) に余分なパディングがあります .. the( 0/_) (00)(00) (00): (0/_) (00)(00) (00) O O: (O) (O) (O) have had. 私は再び人々に信仰を与えたい大きな (00)(00) (00) (O) O : (0/_) (00)(00) (00) (00)(00) (00) 後ろで冷たく燃える白い光 The O. de( OOOOOOOO) 白い椅子のフレームに黒のウエグルモウエダ(ii)/中性的な身体を持った私たちの行動の残りの意志/繊細な目/穏やかな期待.大きな丸い目/(-CR)(00) w/ 5-mini- 突き出た頭部: 圧力ポイントの透明なプラスチックのミニシリンダー射出物が、ueghuruomo_ueda(ii) の体の選択されたポイントで対チョード装甲から飛び出たり、ミニの黒い丸いトップの金属ネジが透明なポリマーの部分を結合したりします。アーマーを断続的に/ セレクターを押す: (00) ハーの上の透明なポリマー原子の対チョードアーマー (00_00) 打撲傷を負った硬質/軟体白いショートパンツ、黒いディスク付き/ マスク上の弱い PRMBR パターン/ヘッドピース 13 円形/ とても炭素質の黒い無精ひげの顔大きな目透明なプラスチックの下にある 5 つの円の髪 / ミニ束ねられた、とても炭素質の黒い髪 / アイスグリップ付きの黒い u_chrema スリッパ / 透明な u_chrema ロゴ / 白いカーテンから身を守ります: 手袋をはめた手に .. ueghuruomo_ueda(ii) (あなたが本当に近くで見れば、ピショピショ: 空に近い水差しを注ぐ: 白い部屋の空の静けさ/ 静か/ 遠く/ の本体を認識するかもしれません) ヤーボアの暴力的な白いマルチパッドの山伏の装備に同情的な目で緊張しながら後退するウラマキ/明確な興奮。鉄の桟橋が海に突き出ていて、その傾向は抑えられています。あなた: 白いポリマーセムのゴムマスク/ 胸に青く太字の「00」: (00)(00) (00) (00)(00) 世界を追い越す黒の透明な 3 桁のロゴコホートはエアコンを付けて出てきました (00) (00)(00) (00) (00)(00) (00) (00)(00) (00) (00)(00) (00) 室温のすぐ上。ヒップ: Y の機械的な体のビート: (0000): メカニズム。 iii) 浴場。 iv) 頭 .. しかめ面/無愛想 (00)(00) (00) カドミウムレッド 06. セルリアンブルー 00. インディゴ at the_ (00)(00) (00)(00) O: (0/0) (00) (00) (00)(00) (00)(00) リズムの変化/ 突然の噂話 08. 青白の白い眠り/ ウエグルオモ_ウエダ(ii)(グシャモト) 笑う/ きれいな白い (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) 日陰の過去のマルチカラーのプラスチック製ミニ BwO ガーデン。/ プラスチック ( 00)(00) (00) (00)(00) (00) (00)(00) (00) (O) (O) (O) (00)(00) (00)(00) 氷の繰り返し / エンディング/ アウトライン:マーキング透明なゴム製の 6 つのバンプのボディスーツと透明なゴム製マスク: (-CR)(00) 唇をゆっくりと動かす: 透明なプラスチックの装甲ヘッドピースの下にある感情の範囲は、マイクロカレントによって接続され、隙間を埋める人の（単項的な）物質体内では、マクロの流れの間にあります。マイクロカレントは、私たちが最も無視しがちなものですが、実際には私たちを効果的に定義するものです。山伏はこれらのマイクロカレントに集中し、その育成は直接対応していますプロセスとともに.. フェチの対象の開発に関する実践: ここでは、人の身体の物質的な対象を吹き込むことが問題です.. 人の所有物に、個人のダイベストメントによる精神的支出が含まれています: その巨大な衝撃 (0000) が、ケーキのように美味しいハートの白身肉。臀部: 圧力ポイント。管状注射器: 対チョッド装甲: 壊れたものが気づかずに落ちていることに注意してください。ボディスーツの複数の球状の鎧: 頭、唇、放棄されたダンスホールの建物からしっかりと形成された 3 つの円形の髪。明らかに予備だった。これらのマクロ流は広大なエントロピーギャップをカバーします...与えられた物質体を通過する前に多くの実体を通過し、..その後さらに多くの実体を通過します: u_chrema 5つの円を描いた髪に3つの数字のロゴ: 脅迫されたThe Interpellation Room/ K .-ミツは胸に、とても青い「00」という太字の、とても炭素質の黒髪のことを考えながら震える: (00)(00) (00)(00) Y. ueghuruomo_ueda(ii)(と会話する) グシャモト)/ 透明ポリマー製対コッド装甲: (00)(00) (00) (00)(00) (00) (O) (O) (O) (00)(00) (00)(00): 透明なゴム製のハイアップ足首、輪郭の黒い破線形成。装飾品/黒いゴム製の1/2マスク: 短く刈り上げた頭からの5つの小さな突起.. ミニC.A.M.: 白磁のマルチカラー Y.は座って待っている (00)(00) (00) (O) (O) O O.5金属光学会議pt. w: ハード:ソフトボディの白いショートパンツ hä は静かです、yumi(no)gosuto(miomoto) の頭のために。'/ phidi::yuma(i) が調整します w: ショートパンツ w: 黒のディスク: 弱い PRMBR ハーボディはコバルトオレンジ 15. 常設のレッド 16. 模様のある部屋と白い椅子。 (00)-飢えた唇/かわいらしさ: 透明なプラスチックの下にある 5 つの丸の髪: (00) 白磁の非対称不透明ミニ呼吸ヘッド付き白いテーブル 4 つの突起成長プラスチックヘッドマシン付き $。

(*): (0)(0)