(yumi)(no)(MONOGURUI)(ii):(MADHYAMAKA)(digital copy)

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(yumi)(no)(MONOGURUI)(ii):(MADHYAMAKA)(digital copy)

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(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(congruence in the * sense .. in the (0) sense were intertwined but began to become disentangled somewhere around the mid-point of _00_: inversion structures were falling into inverted reverb patterns where proto-phasm was pulled out of the system vigorously .. put into u_objects .. shielded structured hybrids of mech compounds .. palliative collocations: free will itself became conceptualized in a *'s ghost kind of way, with the idea being that the decision process is foundationally the ability to control .. manage u_pulse flows: the urakuomori abilities in this area were a function of their being able to broaden the range:domain of this activity, .. rather than working within a confined deictic point): (y_ueghuru(ii): 'proto-phasm is flowing out from the u_objects compounds, producing outflows in the point-flux cell, which is turn weakening the interpellation .. U_MATRIX compounds’: dark eyes .. y_ueghuru(ii)'s clear rubber goryo-suit covers här awkward tendencies: a white ceramic block chair)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(to bubble this out such it could be applied to a whole array of u_pulse flows): (y_ueghuru(ii) in clear rubber goryo suit with black outline .. black rubber ½-mask: part of this meant reversing, or nihilating the information flows at work: such that one became a gap in the information flows within this u_pulse array)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(it is in these gaps that they were able to apply their work: their movements consisted, in effect, of jumping prehension potentials, by responding to passive rather than active effects): (y_usege(ii)'s face was calm, as usual: här glittering eyes watched y_ueghuru(ii) with an intent stare against the backdrop of the glass .. hinoki wood wall .. the two (monogurui)C.A.M.s: hä runs här fingers over the white rubber balls collected on the metal surface in their parallel grooves: fruculent plants decorate the hinoki wood wall on little metal outcroppings, along with porcelain dishware: y_usege(ii) staggers här steps a little as hä traverses the quiet space, här gray lips poised to speak but nothing comes: hä glances at the floating monitors .. assesses their movements: the calm is clearly full of misformations .. hidden pretences: y_usege(ii): 'the indeterminancy of the monadic level as pivots on u_space jumps: we should be examining the jumps themselves rather than their connection points: what do these gaps mean to us, that we can float over immaterial distances, where do we go when we pass over from one point to another?: do you know, y_ueghuru(ii)?: what comes of your body, when the monads it consists of jump from one point in u_space to another?: are you still y_ueghuru(ii), or something else? something which cannot be touched, or understood': they occupy a terrace of a huge megacity composed of modular white, plastic units ranging over the cold, barren steppes leading up to a collection of cliffs formed by huge gashes in the tundra formed ground .. extending deep beneath into chambers .. bays where their forces gather: moisture collects at various random surfaces of the room, little buds of moisture droplets forming .. unforming: white ceramic block-stools surround the low metal table which has been cleared of accoutrements .. waste .. reflects polished images upward, lined up in front a large window bay letting in the surrounding, vast outer regions: y_ueghuru(ii): 'these are our little futures: potentials for convergences: we are not the monads of our materials beings, we are the gaps .. the forms around them': y_usege(ii): 'where are you going?': y_ueghuru(ii) gazes at her intently .. then stops prior to responding, caught by här dark eyes .. foreboding withdrawal: the white balls move positions slightly at här touch, settling up against the cold metal at rest: a pattern of mysterious darkness against the white lights runs over här body on här clear rubber yurisuit (weak blue, pink, .. white), här 3-circled prussian blue hair: over the white cotton sheet walls gentle pulsations of air would flow periodically in a manner somewhat calming): (too many disturbing futures to count seemed to stare back at här): (if monadism is defined by it's push-back against u_pulse then it is always going to function by the resistance of pressures against one another, .., in sync with this, will run counter to the growth of information qualities that run in matched flow with u_pulse flows, or, in other words, there will always be a quality of mystery attributed to it because it operates in the gap between information accrual .. neg-u_pulse): (u_ejento were taken aback somewhat mysteriously when they came to realize that the mega_phurgur were able to communicate directly with their u_point-c.a.m.s, .. that some of the darker .. more opaque movements reflected on their C.A.M. monitors were the recording of such conversations: no one knew what to make of this)."

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(här clear rubber yurisuit with the word 'y_ueghuru(ii)' written on it in eurostile: light pulses bounce off them in overlapping superposition reflecting the multi-colored illumination of the floating-point monitors: shadows push into them in places .. outline their contours: little white points of light: hä stops breathing for a moment: y_ueghuru(ii): 'those little pauses – those are YAMAUEREDA ejento deriving an outflow: it's monopulsive, self-converging: its own reverberations push it forward: yumi(no)gosuto equated data with consciousness, in the sense that each data-form is a consciousness-form: or, in other words, consciousness is the force that binds objects .. allows them to persist: the question then ceases to be one of how beings attain consciousness in contrast to dumb objects, because all objects are imbued with a force of consciousness by definition: this power of consciousness is characterized by a distance-differential from monadic equilibrium, or the white space, as yumi(no)gosuto referred to it: all objects converge ultimately on the white space, but are able to persist in divergence from this horizon to varying degrees: if this divergence from the white space is conceived as a potentiality gap the u(0) points that the object flows through mark its projected future': y_ueghuru(ii) looks intently at här again, as before: här 3-circled head .. dark eyes: the clear fluids push against här: yumi(no)gosuto looks over the patterns calmly, här eyes following their movements .. attempting to jump ahead of them in anticipation: shadows form .. then disappear over the curves of här head .. over här body, as each stillness becomes confused with movements which only implode on themselves: in this way här body becomes part of the monitor, reflecting what can only now be the residue of consumed .. forgotten information: the clear bluish shmmering falls away from the pink, blue, .. red points representing u-points over the massive surround distances collapsing over här .. y_usege(ii): their quiet breathing fills the room)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the mega_phurgur themselves were able to provide little clarification, as they viewed such affairs as simply a matter of course: clearly they made little differentiation between animate or inanimate beings, or even conscious or unconscious, in the manner that we would presume obvious .. indubitable: yamauereda(ch.) commander(i)'s quip that there was no such thing as an intensive cell was mirrored on the u_ejento' part by the aphorism that there could be no such thing as an a-ideological invisible processes, or, to put a finer point on it, that there were 'no such thing' as ghosts or mysterious forces from the deep either but this hardly prevented them from devouring us: the idea of there being 'no such thing' as any conceptual entity, to the u_ejento, could hardly be more irrelevant .. inconsequential: proto-phasm, to the u_ejento, was always viewed as a fictitious construct)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(hä had had the uncomfortable feeling that yumi(no)gosuto was holding a dark future between them)." (00_00)(MONOGURUI: y_ueghuru(ii))((00))(00)(00_)(00)(00_) (00_00) (00_00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(that hä was returning to här from the conclusion of a horrible drama: the more this presentiment took hold the harder it had become for y_ueghuru(ii) to look yumi(no)gosuto in the eye, until this moment, when the weight pressing against those past moments could be felt all around här)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the u__ (00) (0_0) that disappeared over the course of the * was a reminder of the need to count mathematical u_monads in the measurement of one's cyclo-intension index: clearly this was pushing the u_pulse level down as forcefully .. in as 'real' a way as the u_pulse of plastics or food goods or back-disced cotton fake-fur ghost-equipages: there is no 'paradox' to be found here: (ch.)'s small grid of office cell had been inundated with the placement of u_ejento, who closely coordinated the development of the channels .. communications systems necessary: large polymer-plasma underground bunkers lined the canals, put into place for mapping services .. other managerial requirements: here u_form-denominated transfers .. flows were funneled for various purposes in what came to eventually be referred to as the u_form cycle)."

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(?): (0)(0)