MONOGURUI y-shirt(hooded): (YUMI(NO)PHUMA)(ii)

Name: MONOGURUI y-shirt(hooded): (YUMI(NO)PHUMA)(ii)
Brand: (yumi)(no)(MONOGURUI)
SKU: 91070358
Price: 500.0 USD
Availability: InStock

$500.00

(00)

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(….not of errors in invisible processes, but in their well-executed implementation)." (00_00)(MONOGURUI: y_ueghuru(ii))((00))((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(after the implosion, during the *, of u_phuma by the (00_00) for y_ueghuru(ii)/ the winter ghost: mesh u_fluxes were popularized, mirroring (00-flux) .. puts across mathematical concrescences binding the obligations of two or more polders, .. moving the role of the mathematical institution as hub out of the design: these grew to be augmented by vast indices, such that a u_pulse movement or dislocation in one cell would be smoothed out by flows in from polders in other fields: there was a constant quiet ripple to these movements, maintaining a kind of enforced equilibrium across the whole in a form of mutually assured stabilization, or pure mathematical chrematism: many of these started out as unions between polders in diverse fields but cohabitating a particular space or region, but as they developed they extended across geographical considerations broadly: base-form pools of auf-quality u_monads often formed a backing, .. resolution mechanisms were built in: in ph_yamamoto cities were developed as tightly bound conduits along irrigation channels: in warmer regions cooling pools were put into place for mecha population, with water levels that could be raised or lowered to allow for the mech to be partially submerged, facilitating cooled .. hydration intake: maintenance crews would traverse up .. down the length of these channels taking care of the facilities, pushed by the developers via perpetuities: plots of trees .. other agriculture were inserted as spines that would radiate out at right angles from the channel: white rubber migratory tent cities would make their way up .. down the banks as well, consisting of varieties of minor u_object commodes): (it glides slowly out from the wall .. the uri(00)ughuryor runs stubby black tipped hands over it: inset into the walls are black rubber divisions with white grid-lines: set into these are periodic holes the size of a balled-up fist: the body gathers the shadows .. reflections over its carefully structured features, passive lips, .. forward-facing form: causality emerges as a measure of proximity over a u_space, with dimensions mapping out potentiality via a process that ends up something like an accessibility function: monadic waves take a mass (or degree) .. a reverberation space (or curvature): a white light monitor image glimmers over one of the surfaces running out a series of generative equations in the abstract permutative characters of a proto-mathematical formalism): (hä can hear the wind pounding from just outside the walls, pushing its force into their hold, as if massive accumulations of nodes from around the (*)region were converging on them: hä imagined this in terms of the very micro constituents themselves, turning the doctrine of rational exepctations into a methodology on the inner psychological mechanisms .. congruences themselves, the little fluttering micro-forces that make passage through our heads, down to the op.flux probablistic states of the flux convergences .. reverbs themselves: the clear plastic modules in the wall’s interior shift .. rotate forward .. units containing inactive yumi(no)gosuto bodies circle through before one pushes forward out of the wall unit .. is installed in metal clamps in the center of the room: the uri(00)ughuryor’s head turns to examine the wet surface body with blank expression .. motionless features: from a clear glass cylinder the uri(00)ughuryor pushes out a clear plastic cannister containing clear fluid .. positions it against one of the 6 circular openings in the yumi(no)gosuto body’s stomach .. pushes it in, where the soft rubber grips .. in automated response pulls it in: the white rubber shifts .. covers up over the opening): (the uri(00)ughuryor repeats this process with the other 5 holes)." (00_00)(MONOGURUI: y_ueghuru(ii))((00))(00_00) y_ueghuru(ii)(00)(the YUGHUR::PHANTOM)(ii): "(the body-count they left in their wake was, given their relatively small numbers, distinctly impressive: they operated the first megha_yamagaoro, with offensive capabilities so far surpassing their opponents that they retained an unhealthy optimism in their undefeatability: the black rubber half mask pulls over the gray flesh of här face .. into the three large collocated balls of black hair: shadows fall along the ridge of här cheekline to här neck: hä wears a sleeveless white acrylic ghost-equipage with a large black circle centered at the chest .. large black blocking to each side, with tight crevices pulled to här torso .. around här hips: hä gestures apologetically: at 6'6" hä poses här narrow, tightly muscled body in straight, centered balance but with one hand contorted behind här .. the other palm upward to the side: the light glints off här gray shoulders, which moisten slightly: ergodic volume is pushed forward from the machines themselves, the productive proto-phasm formed algorithmically from the baseline of monopulsive increase as the kind of pure abstraction defined as the convergence conceptually to predicateless states: this is what is taken as 'pure', perfect potentiality, a perfect void or gap to enter into, perfect cold equilibrium: everything mathematical ejento were doing would ultimately be virtualized .. pumped into code for the pushing out of advance proto-phasm .. the pulling back inward of its transformations: what was done haphazardly with grit .. labor .. intuition would be formalized as mathematical operations internalized .. distributed via huge underground bays of cyclo-u_point-matrices, all of which operating on the principle of pushing out predictions on flows out to the future .. then analysizing the offset residuals flowing back in from the future, in recursive fashion: u_ejento would oversee these operations from their base at YAMAUEREDA, conversing casually with the abstract intelligences embedded within the u_point-c.a.m. frameworks, with these discursive pseudo-plottings serving as the basis for their gauging of their communication/control function, to the extent that could even be imagined at this point, actors which would find material identity in the form of the y_phantoms): ( .. when completed backs up slightly .. rests a hand on the metal clamps holding the body in the middle of the room, 2-braided black hair: probably no one would be expecting this unit to be deployed just yet: this would buy it a close opening to run the u_pulse sequences required before observation was applied: perhaps this would be enough: conversely, pop-ups from grids .. their associated inhibitors made y_ueghuru(ii) worry that the resultant u_pulse structures were so lathered up that the (confirmed) strength of their foundations was all but meaningless: the u_pulse unit inset into the clear plastic wall pushes arrays of blue pink white circles over the monitor: this is the significant productive refinement in invisible processes that ejento have brought to the table): (looking at introgressions as pseudo-fictitious controlled experiments creates data points for the establishment of patterns with improved predictive power: one can look at the flows .. buildups prior to previous introgressions .. establish certain consistencies: now one ceases to be dealing with phantom or real convergences or *production, but instead can engage entirely in the concern of managing flows as a positioning of volume across the term structure: one can push a wave function between these two brownian points: adding more pivot points, one can construct multi-dimensional spaces across the term structure in topological fashion): (intermundia is mapped by the u_ejento as the space between multiple perfectoids: here, again, it is the bindings that clearly define the contours of the objects as occupying a given u_pulse space, .. from which is derived the force of the movements associated with them: to the extent that this represents a powerful force for the mapping of commingling of regions one is floating off of the conceptual acuity provided)."

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(prime factorizations are conceived of as synthetic growths into parallel u_pulse regions, placing mathematical processes as path-dependent: a prime factorization of a number is considered to be an isomorphic but distinct object compared to the quantity itself: monoids form a series of shimmering mirrorings to the real numbers rather than being identified as one .. the same set of entities: the process of packaging proto-phasm into compounds during the buildup should be conceived of as the generation of a more robust system of irrigation channels for the movement of proto-phasm, as opposed to the generation of proto-phasm *production: these two processes must remain distinct: complex u_matrices .. synthetics form conduits for attaining cyclo-velocities of proto-phasm distribution allowing monadic reverberation to operate in equal measure on a more minimal proto-phasm base provided, thus upping the ratio of *production to stasis .., as a result, allowing for a more powerful distribution of resources: proto-phasm flows could be choked off via one narrow control point, as the residue of the mhiru hub .. spoke framework still dominated the CHROMA grid of yamaueredas: u_ejento cells were permuted into the folds of the cross-points such that they could inject .. pull out proto-phasm via the goryos invisibly: these cells were almost indistinguishable from a kind of a-hierarchical concubinage, with each member tightly bound to the bodies of the others via chaining .. retrofitting, with cellular inputs distributed via carefully protected vials of fluids: on a morning metal balcony of the YAMAUEREDA, eyes focused urgently on something unseen in billowing clear rubber poncho with hood: everything hä touches turns to diamonds: pale beauty sleeps among lazy chrysanthemums: formerly the child proto_Androgyne::::Unruly::Hair)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(här 3-mini-circled prussian blue hair holds carefully 23 metal clips: (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00) (00)(00), här white rubber slippered feet .. här clear rubber poncho plays against här gray semi-opaque hosed legs as the wind howls: hä carries a decorated box with handle weak blue .. pink .. white: in black-line i-hua depictions of floral landscapes .. birds .. the (00_0)s weep .. surrender: the hachibushu_mitsu came into existence during the early stages of the antebellum (the 6 guardians/ defenders of the law): (00_00)(0): myrghuru_phyamoto(vi): yumi(no)gosuto: (00_00)(0): phumaCHIRGHYU(ii): okoye_mehur(iii): they set about to construct a plan for a methodology of u_pulse, such that the formerly random .. disordered attempts which had previously met with varied success might be systematically ordered .. experimentally researched: the (UORUOP_II)s(i-vi) were 6 vast mega_phurgurs returning from mega_phurgur expansions, pushing back into internal space on the waves of dismantled ring structures: each was a city unto itself, with hydroculture regiments .. supply renewal *production units overlaid with residential quarters .. interior park spaces, stretching 84 miles with multiple interconnected levels, .. about 20 miles wide: the u_ejento here monitored the u_pulse flows over the u_verse on u_C.A.M.s intertwined with earth systems via entanglement)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(YAMAUEREDA operations dominated the bulk of the operations for each of the 6 mega_phurgurs: its metal fan unit pushed back into the recess emits a low purr, captures flows in the glass cylinder unit with clear tubing to various white plastic modules: a gray putty seals connecting points: the u_pulse waves form an imaginal mapping of contours .. bended flows of differentials: when velocity flows converge they set off undulating shocks that settle into a new cautious or calm equilibrium,.. so on .. so on: the act of what u_ejento ironically refer to as ‘intelligence’ is to apply a brute force overlay upon one’s local region, or at most to control flows up to a certain stage of development: whether one knows one is doing this or not one is cultivating mathematical functions, their integration: though one is always a data point in someone else’s theorem as well: the yumi(no)gosuto body coughs .. shudders periodically as its muscles pull in upon themselves .. push outward: this process will take several days, before the yumi(no)gosuto is ready to be deployed: it is the possibility of convergence .. divergence that, more than anything, defines the u_pulse flows: possibility in the sense of probabilistic futures controlled/imagined by filters laid upon filters: a u_ejento’s process is always one of defining a point or points to start with against a point or points to end with, .. then filling the space in between with probabilistic codes of convergence within given broad ranges of certainty): (there was a white light shining reflecting off of the metal contoured walls, .. low murmurs came from it)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the white ceramic block table: the white rubber ball)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(a white-wood box lined with white cotton, six metal objects)."

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(clear plastic contours run over misformed metal enclosures: white rubber nodules run over the walls): (these op.flux phenomena bouncing flluttering around form our notion of the forward direction of time via their information theoretic properties, such that the future direction is that in which information probabilities diminish, whereas the past direction is that in which information probabilities expand: the present is said to be spectrally dominant over the past .. the future probability spaces: the present forms a spectral radius of information dense norms that disappear into it: the u_ejento abandoned all forms of parametric curves in favor of radiating circles converging on certainty .. expanding into continually dispersed formations which break down ultimately in indeterminancies or inconsistencies: the semi-opaque white pink light blue floral acryclic pushes into här body at each floral point, capturing the interwoven synthetic threads' converging pressures, hood pulled tight over 2-braided head: with one hand on shoulder .. the other pushing downard .. backwards: här exposed neck taut with aching muscles: (00): (over the c.a.m.(ii) 'it was at this time that the shadow-command began to form: it emerged with the formation of cells as counter-command units, small bands of u_ejento with aims running counter to the power structures: they formed these cells, initially, in the somewhat innocent motivation of providing a vehicle for communications of counter-interpreted courses, imagined prototopias of diverse form: they would issue pseudo-commands, not in th pursuit of obedience to their drives, but rather to pose an incorporated moel as a mirror-form, suggesting outcomes for possible paths: these communications grew over time until they had become immersed quietly in the mesh of multiple distinct civilizations, overlapping, .. binding them together in ways that no one could be said to have foreseen: their issuances began to form pressure on othe power centers from without .. were formalized as prototopic missives carrying the weight of co-bound masses': the gap-forms allow här flesh to capture the cold waves of air coming in over the massive hydro-bins .. driven down through conduits into the inner underground compounds: här arms ache .. här shoulders collect the pressures of här hyper-aware body: gray flesh glistens light with buds of frictive sweat: hä reaches back into the recesses of här memory to points of divergence, moments where the u_flows culminating at this point had seemed most powerful, sweeping away all other forces with the kind of delicate anathema of assembled point-bases, the kind of formation that always left här tongue feeling bloated .. giant, too large for här mouth, swelling up against här body .. här attempts to control it: the c.a.m.(ii) is so quiet hä can barely make out the words: (00): (over the c.a.m.(ii) 'it is maikyogen': time is not asymmetric, it is a-directional period: our past is merely one possbile potential future: PHUMA.HEAD: 42 years old: aka the former princess unruly hair the princess (of the chrysanthemums): aka to be oh-so-fragile: aka 01sp: aka the long arm of justice: p.I/XV of the 15 phuma.heads, robot bodies created by (00_00) for här to occupy when hä returns from här interregnum to take the reins of the plans hä has put into motion: phuma.head, for a period during the antebellum, was one of the ch.yuoghors, a group formed to oppose the implementation of the plan by the hachibushu: would you view här as one organ of a body ranging over the organization, over the phuma.heads, of (00_00)?: would you view här as a mega-collective of particles, with each particle assigned its own movement, its own actions?: would you accept each individual particle, mapping out its own possessive future .. bind yourself to it in communion?: are our futures accelerating towards us faster than we can prepare ourselves for?: with a force greater than we can hold against?: will we be wiped away in its passing?: you can never capture your mirrored form: it has always passed over distances: it is always you in some other future: you are always pre-reflective, un-doubled, unbound: you are only your own pure unbounded immaculate peace': yueghuru(ii) feels här body pulse against the cold air of the containment vessel embedded in the metal floor: här gaze floats over each floral center, compelled to draw them in, to be pulled inward by them: här muscles flex .. vibrate intermittently: hä has to impel härself not to scream continuously: hä hears things breaking in the distance, machines .. glass .. metal units: too far away to be of concern to här now, growing more .. more distant)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."