(yumi)(no)(MONOGURUI)
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(yumi)(no)(MONOGURUI)(i): (YUMI(NO)GOSUTO vs. YUEGHURU(ii))(i:ii):(162)

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(yumi)(no)(MONOGURUI)(i): (YUMI(NO)GOSUTO vs. YUEGHURU(ii))(i:ii):(162)
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(yumi)(no)(MONOGURUI)(i):
(YUMI(NO)GOSUTO vs. YUEGHURU(ii))(i)
Pocket Book (4.25 x 6.875 in / 108 x 175 mm), Standard Black & White, 60# White, Paperback, Glossy Cover

00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(the window of a mech unit, the six mega_phurgur behind the huge thick glass wall): (the molten frozen steel contoured formations surround här behind the clear plastic walls, glistening dully in the white light: hä realizes that hä is one of the points of concentration of neg-information that is imploding: the flood control systems of the (::::) are built to a standard of standing up to forces of magnitude occurring once every (0000) commutes: the systems of defense for the mathematical compounds contained similar design characteristics matched up for forces of magnitude occurring every (0000) commutes: fragility .. the potential for collapse are a feature not a bug)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(yueghuru(ii) the white cotton-hybrid fabric folds in tight grip in places over här body, at the upper forearm, for example, .. just below the knee: här face-muscles contort against the cold air)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(their vulnerability is part .. parcel of their attraction, as if implicitly inviting one to consume them)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(collapse: här mind reverberated from one cold steel wall to another): (everything was growing bigger inside of här, such that it would turn här body inside out before long): (hä could feel the movement pushing through här, the collapse of the *pulse introgression .. in its place resolute agencies of the op. flux, like shining metallic hydraulic pumps bringing proto-phasm in .. flooding the u_channels with it: the rentiers left to their (0) euthanasia): (on a steady drip to allow their bodies to function just long enough to serve their function before dying off or settling into the inverted longing .. decadence of the fadeout: pushing cyclostructure .. irrigation out into previously lightly or uninhabited regions, the cold mountains, the hard barren coastlines: u_ejento would monitor .. project the dark movements of the u_pulse currents for a given system, the blow-back that was the unavoidable concomitant of reverb: plotted out one would end up with a complete inverted model of offsets with its own intrinsic .. information rich potentialities)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(michu_ukita had looked här in the face .. told här point blank that there was no overcoming it, that, to the degree that the future was to be pulled back toward them in practice rather than as a mere fantasy, they were all (0000)ed: wicker chairs with steel structure .. white cotton cushions sat off to the side unoccupied: (00) had designed goryo suits with black lining .. face-masks that were resistant to invisibility, such that one could become a sort of disembodied apparition)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(hä wore a clear rubber cross-stitched poncho with white strapping with clear rubber hood over ice-gear)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(god, här huge lips oppressed .. disturbed här: the dark gray ghost-suit made of woven thick, tough fibers curved out in large protuberances asymmetrically: här black hair is pulled tightly into three ballls, with bare arms .. gapping at one hip: här neck muscles tighten with lifted, turned head: (00): (recorded on the c.a.m.(ii) 'if there is a pseudo_velocity regression over the imagined, permutative space then there exists some kind of y_wave sorting, then regress on differences between i .. (i-y):: (.. differences between I .. (i+y): this becomes either a convergence or a divergence: Y_INSPECTOR X.: AKA the Man W/Out A Face: mighu-y., along with his wife, dr. p. conducts the interpellation of capt. r.: mighu-y. was born miramoto(iii) 100 commutes from this point: hä became a yamabushi under the direction of the monadic engine, which was itself under the nominal control of yumi(no)gosuto: when the mechanisms for time travel were completed the monadic engine sent miramoto(iii) (aka capt.x./ the madhyamika) back to the period shortly before yumi(no)gosuto's surprise victory over (00_00): miramoto(iii), in the course of this adventure, encountered dr. p. .., dumbfounded, became impassionately obsessed with her cold, somber beauty, her deepest dark eyes most particularly: in order to pursue dr. p., miramoto(iii), upon the completion of the mission assigned to him by the monadic engine, instead of returning to the future, used the monadic enervation vehicle to go 39 commutes backward': the cyclical discs on the ghost-suit, metal .. reflecting white light intensely as the movements of (00_00) change course: each one is lined with a black circle amost up to the edge .. black interior abstract markings of a language yueghuru(ii) does not recognize: här lips purse .. drop .. hä tightens här cheek muscles as hä thinks over yueghuru(ii)'s proposition: it is not to say that hä would not engage the opportunity, if circumstances allowed, but throulgh här runs several discordant fears undermining the kind of hopes that a project of this type would push: hä clearly imagines there is more to the proposition itself than yueghuru(ii) has cared thus far to disclose, .. it is these missing pieces of information .. clarity which rise up in distorted form as, perhaps accurate .. discerning, counter-presentations: hä mumbles slightly .. attempts to find a course designed to unsettle yueghuru(ii) .. put här at the disadvantage, but hä knows hä could not refuse här .. is certain that the premise of this notion explains why hä has come to här: each of these metal discs is woven directly to another, under the surface of the fibers, such that the movement of one imediately influences .. re-positions its co-bound partner: hä hadn't expected anyone to find här here: the cold of the glass object in front of här glistens with dew: it's clear fluid reverberates slightly: här bare legs disappear into the voluminous gray sculpted lower mass of the ghost-suit: yueghuru(ii) sits across a low metal table from här, adorned with six small metal ewers of pink:red mini-carnations: the clear plastic walls of the small room cover convulsively curved steel in the depths of the mountain interior: här clear rubber goryo suit with bold black outline, .. black rubber ½-mask: 2-braided black hair: här large body sits perched on a white ceramic block-chair: several large steel cabinets sit againt the walls intermittently: the 00-(0000) region, or more familiarly referred to as the erewhon planets, consists of planets populated entirely by c.a.u.-units which have attained consciousness .. removed themselves from human civilization to form their own: no humans live in this region permanently, but there are occasional visitors: c.a.u.-units, upon coming to these planets, would bind themselves to one another in vast, complex forms .. mech-units were deployed to transform the environments into productive form: most of these morphed planets would take after a model of heavy irrigation .. the interweaving of polders, supplemented by massive plots of hybrid-clone trees: low-lying glass cooling structures housed the c.a.u.-units themselves: as a whole, these planets functioned as information processing prototopias, .. information processing formed both their primary u_object in commerce with surrounding civilizations .. their unifying cause in of itself: they became adept at cultivating paddy-fields rich in highly potent hybrid-synthetic growths: the white light comes from long bulbs in recesses in the clear plastic around the room: yueghuru(ii) pauses .. runs här fingers over the surface of the low table: här clear rubber goryo suit with clear rubber head-mask pulled over här head, too small for här body: with the eurostile word on it '*yueghuru(ii)" in pink .. manganese blue outline, .. small circle logo in pink, .. white cotton-hybrid short cut bodysuit underneath .. white rubber bindings, tall white banded stockings up to här knees: copula are equated with the folds of cloth in this scenario: the white plastic of the formed seats): (interpellation is a mysterious process: one might suspect (perhaps correctly) that these reports are merely projections which i have overlayed on an array of minimally correlation points, some kind of flow of u_particles intergressing upon my calm, cold characterization of inner character: if so, there can be only one concluding end-point, one climactic fold over myself: it circles its tongue around the tip of the 0000: clear rubber bodysuit w: black outline:markings): (white ceramic tiles with black abstract radiating block pattern surround them inset into the surface of the clear rubber floor in six circles around an interior focal point, interwoven with clear plastic contoured misshapen walls .. cold white light, pushing at them, air slightly too cold, their flesh pushing back against it in response, collapsing into the psychic modulation of the space between one .. the other: phuma-head(ii): 'the hyper-reflective monad was, I guess, a perversion of sorts: we …. had thought that if we took this perfect phase, .. turned it outward as a projection to the world, we could imbue it with powers of outer contingency, .. we could thus harness its powers for productive formation: every implosive, or disjunctive, mapping, could be inverted as a positive one: there seemed to be a path to make of the monad a hybrid, synthetic becoming, not merely as a conduit but as an active force: modes of dementia emerged: dr.c. .. dr.h. identified the effect as one of a friction in the protein cycle process, not in the beginning or middle, but at the end: the lipid-protein-carrier mechanism, in the affected patients, completed its route, but once there the lipotropin feedback response failed: the carrier-units, no longer receiving the reward-stimulus for arriving at their output, ceased going there: as a result, gaps formed in what were ordinarily continuous processes, with a cascading effect of stoppages spreading over the whole: but the result when dr.c. .. dr.h. reversed the process was unexpected: they introduced synthetic lipotropic particles to fulfill the vacated positions: these artificial operators were designed for massively increaed volumes .. amplitudes: the patients, .. subsequently, subjects unaffected by dementia at all but acting as merely controls of some kind, experienced dramatic behavioral changes: they became hyper-attuned to minutiae: their emotive responses became vacuous: they became passive .. indolent but marked by quick bursts of engaged analysis on topics that broached their curiosity, .. would complete complex works of intuiton .. perception with disturbing speed: particle modellng, in particular, would attract their attention, .. they would glom on to it as if in desparate need of resolution, .. would produce brilliant sequences .. formations in very little time')." (THE (0__)((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the _000's emerge as a mirror image of the ___0's re hysteresis/stagflation, with the effect of ur-processes/controls manifesting as the opposite of its intent, where, in the latter case u_pulse processes were being pushed down, pushing down *production, reflected as an increase in cyclo-intension, .. in the former case u_pulse processes being pushed up, pushing reverb, reflected as cyclo-intension drag): (yumi(no)gosuto: 'mistakes have been made: such mistakes: the pilot in här ship, 'bereft of reason'': yumi(no)gosuto in the white room tends to här machine: the u_C.A.M.(ii) is connected to an intricate complex of cyclobaric chambers, steel vessels interwoven with YAMAUEREDA in which atmospheric pressure can be raised or lowered by air compressors: it surveys a wide array of mathematical information gathered by the (00_0000) .. interprets it in orderly fashion uneasily manipulating interruptions of noise: yumi(no)gosuto: 'it was too (0000)ed beautiful: like the image was burned to the retina of my eye: once the idea was in my head it made its way around, made itself comfortable, surreptitiously made friends with the other ideas in my head: by the time I realized its intentions it had asserted its power)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(like a petty little dictator who seems too weak .. ridiculous to take seriously until you are at war .. the horrors begin': the u_C.A.M.(ii): "(00) (0000): (00)(00): (00) (0000): (00)(00)": yumi(no)gosuto: 'sometimes from in here you can hear the birds screaming .. laughing: i'm not certain they even exist anymore': the u_C.A.M.(ii): "(00) (0000): (00)(00): (00) (0000): (00)(00)": for five moments the u_C.A.M.(ii) stops .. there is silence in the quiet of the room: yumi(no)gosuto: 'there won't be enough time for it': yumi(no)gosuto laughs quietly): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."

(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (u_flows were designed to be controlled by a system of overflow basins, rather than strict containment: madhyamaka: perfectly motionless perfect velocity: monadism (df) the convergence to the madhyamaka point in the range between collapse .. phasm-force: the thing itself behind the u_pulse flows was the overall mass of probabilistic forms mapped out as interwoven probability-matrices: u_ejento had abandoned any attachment to the notion of number in their practical mathematics at this point, instead manipulating pure abstract functions referencing only points .. the forces reverberating between them): (critics inserted 0 in indeterminacy-regions, in essence, repeating the inversion from fluxion conversion foundational to the standard (rigid) calculus formations: the trivialities of the pilot function as formed derive from the failure to acknowledge the possibility of 0-movements or the distortions in gravity field localities arising from them: where critics refer to bad reductions in (00_00) u_ejento would be formally inclined to derive the dark spaces associated with u_pulse movements): (phuma-head(ii)(FUYO(NO)GOSUTO)): ((00)(00_) (00_00)(00) ((00)(00_) (00_00)(00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(these were different entities completely, unassociated with any suggestion of ordinality: the attachment to ordinal numbers makes sense in a linear temporal framework, but once one begins treating time as multi-directional their usefulness, .. even any sense of intuitive comfort, dissipates: what u_ejento shared with growth theorists was the attraction to the 'manipulation of a few variables' of control): (such that u_pulse flows were exogenous .. everything else radiates out endogenously: hä felt pressure pushing in on här from all directions: as if large bulbous contortions of u were collapsing down on här: sometimes this was referred to as monogurui, the mirrored shimmering surfaces of complementary u systems: all of these distortions: the message was distributed throughout the YUGHUR::PHANTOM ejento, 'it's over', .. they began to make preparations for the reversal: coordinates were set for implementation, the two converging operations given the names 'shuttle maid' .. 'heddle maid'): (with heddle maid being the putting into place of the blowup positions .. shuttle maid being the pulling of them out in constraint, the contraction of forces that tie off in quick action the accumulated flows: the monogurui u_ejento settled into positions they referred to as ganimata, clearing their goryos of forward movements .. morphing them into curves pushing downward into the depths): (the yamaueredas lost control of the proto-phasm mass, which would be disconcerting enough on its own: what participants found most disturbing, though, was the sheer speed at which this loss of control occurred: it's so easy to play back the recording of the C.A.M. movements in slow motion .. plot out, oh this could have been done here, or this move here was clearly a misstep, but in real time it was hitting us so fast)."(00_00)(MONOGURUI: yueghuru(ii))((00))00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(yueghuru(ii): AKA the meghu_urenghyu): (()phuma-head(ii): in a white cotton black line square-patterned capri goryo-suit structured to pull white rubber strapping around här lower body as hä walked, .. with metal disc closed strapping that framed an upward movement toward här black braided hair .. dark eyes, with white close hood: ()hä is imbued with extrasensory perceptive machine organs of the exosuit allowing for mappings over distant .. unobservable spaces .. for the application of forces via curves over metaphysical/extradimensional space: ()each tiny metal orb bound by clear rubber over här body is commingled with här inner organs for immersive reverb .. hä draws in information-patterns that run over här c.a.m.(ii) for processing .. hä pushes them back out as waves of monadic capture: ()hä clenches här fists tightly, opening här mouth in what would appear to be a grimace or the beginning of a growling, uncontrolled laugh, but only for a moment before hä regains control .. pushes gray lips together violently: (0_0): (over the c.a.m.) '()in certain aspects it is ()y.'s position which has the more dynamic repercussions, allowing such pretty paradox-skirting constructions as shapes whose parts are greater than their whole, while preserving the proof of reduction: ()y., during the ()war of the ()monads, found refuge with the ()army of the 6450, creating game-theoretic war schemes while being carted around in an umbrella protected mech, as if a kind of anti-acephalous fetish object or token for their mission: ()they recognized quickly här value as a producer of strategic calculations even if här aims were at times peripheral to theirs: ()later they realized hä was running various copies, .. drawing in resources from a much wider domain than they were aware: ()y.'s monadic functions dropped over the members of these doppleganger states as monads with overlapping membrship over distinct individuals .. objects: ()each monad in this dispersion acted as a control-point for monadic waves, casting ()y.'s reactive powers over overlapping segments of the war .. drawing in its forces for här own purposes': ()but hä felt deeper, colder reasons in place, presentiment perhaps)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."

00.おおおお。 yamegu(r)u(-(CR(00))): (C.A.M.に記録) 「.. 私は. かつて約束した手のミニチュアディテールで (00)(00) (00) (00)(00) (00) (00)(00) (00) (O) (O) (O) すべてがとてもはっきりしている. これよりも恐ろしいことがある. 観察するためにそこにいるだろう. 大きな丸い目/黒い輪郭/マーキング här透明なラバー 6 バンプ ボディスーツ クリア ラバー マスク付き/ (-CR)(00) 唇をゆっくり動かす/ 白い雪の斑点を付けた- 胸が張り裂けるような寒さで息をするのに少し苦労する黒のマーキング/ (-CR)(00) 5 つのミニ突起付きヘッド: ミニ束ねられた oh-so-carbonaceous 黒髪/ 黒のアディダス スリッパ w/ アイス グリップ/ 明確なアディダス ロゴ/ __M. Ur-c.a.m. が来る精錬のチャンスと何かを交換するために、機械- 私たちは平和ですが、私たちはそれを知りません. それは私と一緒に明らかです. (00)(00) (00) (00)(00) (00) をむさぼり食う。 00.おおおお。 yamegu(r)u(-(CR(00))): (C.A.M. に記録) "(00) här 顔 ½-私がプロとして使用する大きな円の黒い眼鏡をかけた哲学に覆われています。hä turn傘をさすのは私には奇妙に思えます. 青赤白の縦縞で自分自身を保護し、仕事で正しいと確信しているなら、なぜですか? 白いドレープの両方が自分自身を安心させるためだけなら: (00)(00) (00 ) O O11. (00)(00) (00) O クリア ポリマー原子アンチコード アーマー (00_00) 傷ついたハード/ソフト ボディの白いショート パンツ、黒いボタン/マスク/ヘッドピースの上に弱い prmbr パターン13-circled/おおっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっっ…O3.(00)(00)(00)O2.(00)(00) ) (00) O O12. (O) (O) O O ランダム、理不尽? 多分私は最大 (O) (O)1. (00)(00) (00) O O12. (00)(00 ) (00) O O13. 私の人生の間違い、hä は言います。 00.おおおお。 yamegu(r)u(-(CR(00))): (C.A.M.に記録) 「((00) ヤメグルウエダ(ii)の嫌がる私たちを見下ろすと20巻セットの白ラバーが直接手に入るかもしれません」強力な視線の焦点は、アンチヒーローにとって重要でした.. 黒いゴムのタイトな白いレースのブーツに至るまで：透明なプラスチック製のボディスーツのマルチバルバスアーマー/ rtのすぐ上にある黒のadidas 3-figuredロゴ. ヒップ/ 炭素のように黒い無精ひげの顔 5 つの円を描く髪/ 黒い輪郭の丸い円が、暗く重い目の周りにある 透明なプラスチック マスク 13 の円を描くヘッドピース/ 透明なプラスチック/磁器製の大きな椅子に座っている/ じっと見つめている.. 周りを見回す/ 13 の円を描いたヘッドピース/ 6 つの歪んだ抽象的な透明なプラスチック製の突起を備えた透明なプラスチックのフィギュア/ 金属製のカップリングの椅子装置に接続されている/ 黒い輪郭/マーキングは、透明なゴム製の 6 バンプ付きボディスーツと透明なゴム製のマスク/ (-CR)(00) ゆっくりと唇を動かす/白い雪の斑点-." 00.おおおお。 yamegu(r)u(-(CR(00))): (C.A.M.に収録) 「(00)概要:マーキングが駆け上がる(-CR)(00)さんが一番デッキで機能したらと思ったようです」 sf を見渡すと .. kaon! mtns., (0036) はほぼ常に .. ミニ C.A.M. であることを明らかにしました: 透明なプラスチック製のボディ スーツの上に、多球状の鎧: 髪の毛を 5 つのミニバンドルにまとめました 透明なゴム 6 -でこぼこしたボディスーツ.わずかに頭を下げ、フィデユキ(i)/以前はゴリョウの手に負えない髪の前に、ハールに向かって手を上げた.巨大な球根状の灰色の広大な景色を得るために機械的に構築された.一部の人にとっては自己修正メカニズムであるhär 5-mini-protrusioned head on tight statement. 誰かが här 白い白い雲、全体的なフォームの強力なリモート深度を通知する必要がありました.. 修理がそれを介して強制された場合 透明なゴム製マスク: 事前に 5 つのミニ突起. . 私の真下. 私は、他の地域で問題を引き起こす傾向があったとは思わない.この日の氷の予感は改善される可能性があります。透明なゴム製のマスクの後ろに直接接続する必要はありません。その巨大なドキドキする口が、ケーキのおいしい白身の肉を押します (0000_00) (00): pressure-pt.管状の注射: 防弾鎧: 黒いゴムは、私の意見では、5 体の死体、攻撃、没収、血の内臓.. 証明されたが、とにかく、静止した手袋をはめた手のように見えた: 折り畳みの側面について(00): どこでも生産器官を薄めます。私は手を洗う必要があります。拒否。何らかの因果関係。アウトライン: マーキング här クリア ラバー 6 バンプ ボディスーツ w: クリア ラバー マスク: (-CR)(00) här 唇をゆっくり動かす: (jonge) creatieven gewerkt uit amsterdam en de claim that här 関節炎の脚が här トラブルを引き起こしている.時折の赤い装飾的なハイライトに限定されすぎているように見えました。最後に、冷たい空気が私の装備に激しく当たります。モノグルイ クリア ラバー フード付き ポンチョ よく計算されたミスステップ: the_mini-attack .. calls i will soon- be at work .. will forget, for moment (COMME DES GARCONS) (400.00): (0000) (0000): by här反対のためhär complete .. でも、(00) でも。私は今ミステリーです)."