MONOGURUI poncho: (MADHYAMAKA)

(00)

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(här gray-painted lips frozen still: with two large round op.-filters attached to each side .. black-rimmed tight contoured chrome visor set into a gray rubber face mask whose gaps impel the cold, unyielding features of här placid face: här lips twitch momentarily .. här flesh shimmer .. flutters, as if the light is turning itself out from här body as an inverted ray coverging back on its ultimate origin: hä pushes här gaze forward, intent on penetrating beyond the edge of här gaze: the quiet, almost whispered words float up from här c.a.m.(ii): '…. the question then is why is our consciousness bound .. finite rather than infinite .. unbounded: what makes us an object, as distinct from other objects: the question takes as given what is given, .. instead tries to approach an understanding of why what is not actualized does not come to be: all of this floats over the notion of tense, where introducing a range of time undermines .. subverts notions of modal incompatibility, allowing for sets of world-pairs which contradict one another: it is the breaking apart of these world-pairs then, in a synthetic world-building process, by which indeterminancies are introduced .. partitions are formed ….': the 6-bumped white cotton ghost-suit is strapped tight by white cotton bindings running up här neck to the metal head-piece: phuma-head(ii) turns on the machine .. a blip-pattern begins to come forth in pseudo-random process: the machine: (B/2) O O O O O : (D/2) O O O O O : (D/2) O O O O O : (D/2) O O O O O (B/2) O O O O O : (B/2) O O O O O : (D/2) O O O O O : (D/2) O O O O O (C/4) O O O O O : (C/4) O O O O O : (C/4) O O O O O : (C/4) O O O O O (D/3) O O O O O : (A/3) O O O O O : (A/3) O O O O O : (A/3) O O O O O (A/4) O O O O O : (A/2) O O O O O : (A/2) O O O O O : (A/2) O O O O O (A/1) O O O O O : (A/1) O O O O O : (A/1) O O O O O : (A/1) O O O O O (B/3) O O O O O : (B/3) O O O O O : (B/4) O O O O O : (B/4) O O O O O (C/2) O O O O O : (C/2) O O O O O : (C/2) O O O O O : (B/2) O O O O O (C/3) O O O O O : (C/3) O O O O O : (C/3) O O O O O : (C/3) O O O O O (D/1) O O O O O : (D/1) O O O O O : (D/1) O O O O O : (D/1) O O O O O (B/4) O O O O O : (B/4) O O O O O : (B/4) O O O O O : (B/4) O O O O O (B/3) O O O O O : (B/4) O O O O O : (B/4) O O O O O : (B/4) O O O O O): (200 *. by 50m., containing solid ice in thick glass walls: into which the mega_phurgur would push their white bulbous flesh through u_pulse currents: they were able to communicate with the urakuomori who cared to via a method of control of acoustic waves, such that their 'voice' would emerge as waves directly in the ears of the recipient/s: the effect was disconcerting, as if the voice was coming from one's own head, .. with a somewhat hollow, metallic tone, but allowed for a relatively comfortable exchange of communication: their interest in urakuomori affairs was of mildly piqued interest, .. they were able to pass on only vague suggestions of their own concerns)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(though not so much from discretion as from rather innate limitations in generating a comprehensive understanding)." (THE (0_0)((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(u_ejento had a tendency to go on uninvited abut their petty little microfascists, as if they were their petite pets in bows .. ribbons, frivolous diamonds: or, at times, it was almost as if they were referring, in admisssion unacknowledged .. perhaps unaware of themselves, to their goryos, as the master of their bodies .. their subsequent intermission into the affairs of the *region, .. the more gone they would get into their imagined phantasms the more clearly .. distinctly the features .. image of the dominant being in play would take shape in this direction: most u_ejento would have in quiet .. hidden reserve at least one medicine cabinet with arrays of carefully arranged .. polished, disinfencted, metal objects or implements of mysterious purpose: as polders .. mass instituitions merged into their joint ventures, mass officials morphed into hybrid cyclo-points, .. one would become hard pressed to find a YAMAUEREDA which was not filled with rows of prop.-monitors of u_C.A.M.s, packed as densely as any point-form firm: projects popped up .. out with uncontrolled .. disturbing velocity, such that no actor could effectively monitor their outcomes at an individual level, .. any perceived control could only be at the level of flow of point_waves between various compounds .. concerns: such that as they slow or are cut off pressures build up for militarization .. regimes of force: the (00_00) monad::war provided an experimental-like basis for comparison of divergent proto-phasm structures for military-political equilibrium, with the (0_0) on one end of the spectrum .. the implicit proto-phasm implosion architecture of the post-(0_0) regime on the other: psychological misformations on the micro level functioned off of these overpowering mirrored movements on the macro: u_points, as possibilities of system deterioration, function probabilistically as flow control, with identity relationships converging on completeness providing push/pull forces: the u_ejento treated, in their planning derivations, u_pulse as an inversion indexed to cyclo-intension with a term structure with a 0 flux convergence based on the probabilistic return to equilibrium)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(such that the expansive value of the c-inversion could be expected to fluctuate around that of a given deictic moment: their analysts plugged in proto-phasm processes for invisible processes, .. thought of u theory, at least functionally, as reverb theory, such that cyclo-intension points mapped to their projections were functions of the expanding or restricting of the monadic phase: in ____ urakuomori ejento partnered with the agriculturist(0_0)(ii) to develop their irrigation projects for u filtering, serving as early (00_00) prototypes: over the following ___ commutes this model of hybrid u-filtration-like structure propagation the buildup of irrigation cyclostructure for u_pulse flow control purposes)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(alongside the buildup of agricultural .. then residential/phasm development pushed forward urbanization .. desakotification, with the urakuomori becoming active in (ch.), in particular, following the wars): (wearing clear semi-opaque poncho with hood .. black rubber straps pushing its folds down against här body .. against the bumps of här white acrylic chrome studded clothes in awkward agglomerations)." (THE (0__)((00)(00_) (00_00)(00_00)(00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(their mappings treated cyclo-intension as reverse-co-emergence .. vice-versa, constructing a statistical mechanics of proto-phasm, with these concepts in parallel roles to neg-information .. **information, for the implementation of the time-symmetric op.flux framework that underpinned the u_objects cell): (math farms put into place within the phasm development lining the (ch.) canal projects pushed forward the cultivation of the probabilistic mathematics that formed the mechanical interworkings .. processes of the systems at work)." 00. (00_00)(00)(00_00)(00_00)(MONOGURUI)(00_00)(00_00)(ii): "(six mega_phurgur, protein formed membranes glistening: passageways, .. egress corridors overlooking vast underground expanses of budding mini urban growth .. development): (looking over vast rows of clone hybrid poplar dogwood saplings)." 00. (00_00)(00_00)(00)(MONOGURUI)(00_00)(00_00) (00_00)(00_00)(ii): "(a mega_phurgur bay, in the large front window of which were exposed _ mega_phurgur in semi-opaque fissured ice: the mega_phurgur, on occasion, would choose to settle in with the urakuomori, usually for a period of a few periods or so): (a huge expansive white light)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(much of the u_ejento' conceptual foundations was based on a somewhat phenomenological reversal of causation suggested by conventional monadics, while accepting correlation of the given relationships, prioritizing productive forces over representational, particularly where forces could be empirically observed to be under the influence of ugartë made movements: (00_00) (00_00) (00_00) (00_00) (00_00)(00_00) (00_00)(00_00))." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(they originally focused on land reclamation system/ water conservancy works: the u_ejento, while not engaged in engineering works, were encouraged to grow crops in military colonies: black visquine was pulled tightly over soft bulges .. padding against här head .. distinct points of här body, tied off by black rubber straps: exposed gray flesh in between these plush-points pulsed quietly .. calmly with här breath against the imposed pressure: här bare shoulders glistened in the white light: hä approached slowly, in implied perturbed gravitational pull, as if falling back into a trance disintegrating material mappings .. implications .. the taking control of här body by alien forces: a small u_chrema logo decal was pasted to här little curving belly, bouncing just slightly with each step: the mega_phurgur were found to be using the u_ejento' u_point-matrices in (0_0) as augmented synapse repositories, bound to them as extensions of the proteins of their mental processes to expand their powers: cytoplasm entities were grown in vast colonies until they covered much of the u_verse .. were submerged in the oceans, co-linked with these mega_phurgur processes: human bodies were seeded into these protein masses .. incorporated into virtual worlds, generated .. maintained by the imagined sub-processes of the mega_phurgur, of huge scope, encompassing civilizations .. populations of a multitude of expanding star systems, where power .. entropic force functioned as a product of the processing power pulled in for their formation .. developments from these moist white glilstening uber-microsomic forms pushing into the crevices .. mountains of the u_verse like a pungent mold growth: the ugartë .. ugartë of these uber-future civilizations acted in full cognizance of the fact that their material worlds had been replaced by immaterial fantasy-constructs, but this did little to change the human interpersonal dynamics at either a micro or macro level for mankind: entropic struggles .. wars persisted, pushed out at a scale without material limitations, but bound simply by the limit velocities of information flows: individual lifespans were constrained only by their ability to control .. pull in these information flows, but continued to ebb .. flow as they always had: the shuttle maids(1-500), ranging from 20 to 00* proliferated .. pushed proto-phasm expansion: virtually all of it pushed into (00-flux) with tightly defined interpulse controls, pushing high reverb into this mass, almost like an alternative op. point_waves cell where offsetting obligations could coagulate: floating c-pulse ingressions of both op.-yamaueredas(::) .. polders were pushed into newly formed futures exchanges where they would mirror (00-flux) .. other u_objects concrescences: for the major u_continuums this meant, in practice, that the vast majority of their proto-phasm ingressions were crossing over their borders, finding cyclo-ship .. point-form opportunities in the most obscure regions): (midimute-ch.: 'there is only the one material body, or bodies, in the universe, dear: the monads: .. they are just imaginary points, a convenient coordinate system for the forces that hold between them: it is these forces that form our reality, that form our bodies: hold on to this: everything else will ultimately slip away: you'll turn to grip it at your moment of darkness, .., poof(!), it will be gone': phuma-head:crystal: 'what is this project you wanted to discuss?': midimute-ch. hovers into somber repose for a moment: midimute-ch.: 'ah, …: not a project so much: a personal matter'): (in a dim room the cold dark grey opaque visor covers the upper half of phuma-head:crystal's face: hä sub-vocalizes 'print()' .. it comes up in crisp black sans serif on the overlay: 'you should just be grateful you are still alive': but I suppose this is true for all of us, hä imagines with dark humor: it becomes a process of changing phase-space density, bending it form y.i to y.u until it is unrecognizable: the passage of time being just one deformation after another: I am not causing this to happen: I am being deformed: I am a rubbery plane of curves .. contours being pushed .. pulled by forces inconceivable to me, just outside the range of any potential perception: but, of course, one says the categories push past this boundary: I suppose we've embraced the consequences of this aside, this neglected intuitive grasping of other, unpursued passageways, that affords us entrance to foreign, alien planes: one can always find one's way back, one deceives oneself: I am become a center: I am become a self-orientation: I am a coordinate system for fuzzy phase-spaces arriving from the future, .. other directions: I probably should have pushed back harder: acceptance is for the meek): (midimute-ch. looks over .. här eyes drift off: midimute-ch.: 'ah, yes, ….': hä drifts off into sleep, här heavy breaths pushing här body .. the clear fluid: phuma-head:crystal waits patiently for a few minutes .. then gets up cautiously from the chair: hä runs här hand over the white waiting towels, their soft bumps: with one more backward look passing over midimute-ch. .. the ripples passing from här through the clear fluid surface, phuma-head:crystal walks back into the dim passageway at the rear of the room: at its end are two white doors .. hä passes through the first to the right, bringing här into a kitchen space with white fluorescent light .. metal appliances, .. hä opens a couple of metal cabinets .. begins to make herself some tea, with practiced, unconscious movements: a large window sliding-door opens out on to a little polymer-plasma balcony looking over the polymer-plasma grounds with inset empty irrigation channels: phuma-head:crystal: 'house-op., are you there?': house-op.: 'yes, phuma-head:crystal?': phuma-head:crystal: 'could you tell me about this project that midimute would like me to look into for här?': assume bodies without extension: let us think of them as attached to forms of consciousness: would we describe them as imbued with intentionality?: the purity of statistical mechanics, as a machine for convergence on equilbrium, belies the challenges of defining equiibrium itself, which is taken more or less a given: can we justify this?: what does it mean for one phase-state to be in equilibrium relative to another: comparative equilibria are difficult to conceptualize without first establishing a coordinate system which, at least implicitly, fixes the terms of engagement of the points of the state, .. implies the forces between them as a measure of 'closeness' to another given phase-point: the movement toward a given terminal phase-state as the equiibrium state is then given as a function of the presumed directionality of changes to the phase-state as given by the coordinate system, as free variables imbuing the process with a define momentum: once you've set up your probability space the 'most likely' outcome of the functions you lay over it come out in circular fashion: thus are we are as likely to find ourself far from any given phase-state which might be subsequently conceived as equilibrium, prior to defining it, particularly if the process itself of putting the coordinate system into place is to be thought of as a projection forwards (from the phase-state where we are now) (to another distinct phase-state): (for the mega_funj the process of metamorphosis was one of complete implosion, point by point, of one's material body: each equation rewritten to reflect the effect of each wave such that the jump in the characteristic variable placed one precisely in the cross-mapping of the temporal fold desired: they used to travel along the rivers in the guise of yose performers: this was the cheap trick that they all yearned for): (vague though this sounds, it was perfectly comprehensible to yueghuru(ii), though hä knew that it was but a feeble expression of här sensations: that there was, indeed, perfection in those abnormal moments, that they contained the highest crystallisation of understanding, hä could not doubt, nor even admit the possibility of doubt)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(so, for example, where an increase u-reverb might be suggested by observers to represent an increased accommodation on the part of ejento for future growth, u_ejento suggested that the u_pulse was itself pushing growth forward as a propagated force, .. commented on the observed correlation between an expansion of expansive proto-phasm volume with such an effect as evidence for its being, at least theoretically, manageable)."

08. ショッピングマシン

radboy .. yokoro ベンチに座って .. 部屋の椅子で話している .. krit は注意深く耳を傾けます。 radboy は yokoro に求愛しています.. här の言葉に神経質につまずき、här を感動させようとしますが、yokoro はただ静かにそこに座って.. 時々笑い、.. 誰よりも美しく見えるだけです。
radboy: 人に説明する方法がわからないからです。撃墜された..山の民に救われた。とにかく最初に出くわした場所です。この子が私のところに来て、うわーバム、彼らが私の命を救ってくれたのを見て..これらの子以外はみんな貧乏だった。かろうじて次から次へと食事をまとめたり、次から次へと片足をまとめたりします。だからこの子は私を見つけた..私はそこに横たわってビジョンを持っている..死にかけている..すべてのたわごと..飛行機を飛ばす代わりにゲシュタポに参​​加するだけだったら、このがらくたは起こらなかっただろう..この子は羊かヤギの群れと一緒に、たぶん15歳くらいの私を見ている。たぶんその時点で本当にうさぎだと思っていたのかもしれません。しかし、彼らは私をこの小さな小屋に連れて行ってくれました。まず、戻らなければなりませんでした..男性を何人か連れて行きました。しかし、当時の経済の複雑さはもっと複雑でした。あなたが知っている戦争がありました。横郎、ビッグ・ホワイトのジョーク言ったことある？あなたはこれを好きになるでしょう。私はあなたがこのことについてちょっと哀れであることを知っています.だから、ある町から次の町へと旅をしている野生の西に、この男がいます。ヘーはこの古いボロボロの馬に、ヘーが所有するすべてのものを運んでいます.. ヘーは食料がなくなっています.. 水.. すべて.. ヘはちょっと疲れています. hä はこの町に来ますが、誰も住んでいません。 hä は家から家へ、.. 小さなビジネスから小さなビジネスへ、.. 文字通り誰も家にいません。それで、hä は地元の酒場に来ます.. どこかに誰かがいるかどうかを考えているので、hä は中を見ます。
ヨコロは自分をコントロールできずにヒステリックに暴れ始める。 hä は här たばこを床に落としそうになりました。
radboy: ヨコロ、ヨコロ！そうじゃなくて、まだオチまでたどり着けてない。いい加減にして！クソ野郎！あなたは常にこれを行い、20 歩先を行っているかのように振る舞います。くそっ、そんなことをしていた頃は、何がどうなるか半分も分かっていなかった。
yokoro は落ち着いて.. radboy を注意深く見て、片方の足をもう一方の足に交差させます。
yokoro:すみません、続行してください、中断しません。
radboy: ほら、ちょっと静かにして、ここにいる小さな男の子に説明しようとしてるんだ。それで彼らは私をこの小屋に連れて行きます.. しばらく私の世話をします.. 彼らが本当にやりたいことは、私が少し回復したら、私を彼らの手から離すことです.私は彼らの食べ物を食べ、彼らのベッドで寝て、自分自身のかなり一般的な迷惑をかけていますが、私はこれらの神に見捨てられた山で一人で出かける準備ができているほど100％ではありません..とにかくどこに行けばいいのかわからない。横郎、そのクソニヤニヤを顔から拭き取るか、または-または-または私がそれを拭き取ります、私は真剣です。とにかく、だから子供が入ってくる.. カウンターの後ろ以外には誰もいない.. アルコールをすべて片付け.. 鍵をかけている.. なんてこった、クソバーテンダーは正しい.誰に奉仕するつもりですか？そこには誰もいません..ハは、そこから出る準備をできるだけ早く行っているように見えます.ハァルの顔は青ざめています....そこでこの子供はバーに歩いて行き、バーテンダーに「0000って何？みんなどこ？街には誰もいないみたいだけど、どうしたの？」と尋ねます。
krit: ええと、radboy、邪魔するつもりはありません-
まさにそれをしようとしている人のように聞こえますが、
krit: でも、私はそこにいる時間があまりない.. クロエは、あなたからこの小さな情報だけを入手する必要があると言いました.押し付けるつもりはありませんが、本当にあなたを頼りにするべきではないかもしれません。たぶん今は続けるべきだと思いませんか..クロエに言ってください-あなたは情報を持っていませんでしたか？
radboy (かなり憤慨しているように見える): 岩のように、ベイビー、岩のように。 「radboy」、「radboy」、または「ivolgin」と言うのは、「ロック」と言うのと同じです。
yokoro はまた爆笑するが、今度は radboy は här を無視する。
radboy: ちょっと待って。これは重要な部分です。バーテンダーは här を見て.. hä は言います。しかし、待ってください、ちょうどその瞬間、子供が答える前に、この低いゴロゴロ音がバーに忍び寄り始めます.. ゴロゴロしています.. テーブルが揺れ始めます。うさぎについては後で少し話せたらいいなと思っていました。うさぎの話をしたかった。クリット、ウサギについてどう思いますか?
krit: うーん、えーと、あれ… えーと、不快に感じます。私は、ええと、私はここでテレビを見ているだけです..あなたはただ、ええと、いつ私に知らせてください.