MONOGURUI y-shirt(hooded): (GHOST-FACE)
00. (00_00)(MONOGURUI) (0000).(00_00): '"(the cotton pushes against här body against the pressure of här fingers, lightly initially but pushing harder as hä pushes each breath against the cold air, .. some kind of awareness or foreboding of something ominous comes upon här: where it comes from is mysterious to här, whether from y_ueghuru(ii)'s muscles or organs themselves or some kind of pyschological entanglement within här, or perhaps somewhere out there from yumi(no)gosuto or from här various grotesque constructions, or perhaps from within härself: här 2-braided hair pulls with micro-gravity force against här head as hä leans it over slightly, .. här lips feel cold: hä can feel the clear rubber of här yurisuit pushed up against här body awkwardly as it has shifted out of placement just so, pushing it upward weakly but persistently: the clear rubber pushes up agianst här intrusively)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(discarding most of the conceptual architecture that had been built up upon this foundation previously: if necessity is the mother of invention then proto-phasm is its bunny, u_ejento would coyly remark: YAMAUEREDA formed as a grid of u_ejento with a plan for the overthrow of the mathematical system .. the assertion of a process of control for the formation of a hybrid yamabushi-u_ejento compound: at times the would refer to this hybrid system lightly as 'phasm-force, but the way capt.y. would do it')."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(at its core the proposed model functioned off of the conceptual conclusion that the realization of a u_ejento compound could, in practice, be implemented, not by its archetypal command phasm-metric apparatuses, but rather by powerful control of invisible forces: conceptually this plan reached for an actualization of the core u_agent principle of distribution of the means of *production)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(certainly one couldn't expect the u_pulse flows to tie up in neat little bows that would comfort one: (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000): a delicately disced neckline serves as the fulcrum for pushes of air .. gathered up rubber: (00_00) wonders what it is about the mini-carnations that aggravates här so much: one could write it off as ingratitude, or the carefully miasma of a complete egoist whose disregard for one's victories could be assessed as a kind of unformed misanthropy): (hä wore a clear rubber cross-stitched poncho with white strapping with clear rubber hood over ice-gear: här clear rubber goryo suit with clear rubber head-mask pulled over här head, too small for här body — with the eurostile word on it '*y_ueghuru(ii)" in pink .. manganese blue outline, .. small circle logo in pink, .. white cotton-hybrid short cut yurisuit underneath .. white rubber bindings, tall white banded stockings up to här knees: copula are equated with the folds of cloth in this scenario: the white plastic of the formed seats): (the first phase of the implementation of this plan was the implosion of the control over proto-phasm of the yamaueredas)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (a large humanoid, 2.65m with white-ish pink .. light blue veined rubber covered with clear fluids, 3-circle-protrusioned head: contorted towards the white light, in horror: the powerful nauseous stench of its entrails forces its way into här .. then bubbles up against the muscles .. organs of här body: hä surveys the three u_agents before här in the small chamber, mirror-reflecting walls .. floor probing back at them: the u_agents in clear rubber black outlined y-suits over white acrylic mech-harness, black rubber ½-masks, .. gray hair balled up in messy collocations: hä deploys them to the underground RIUCHU-fortress, anticipating the convergence there of forces: yumi(no)gosuto(ii): 'my cute rogue outfitters: when you encounter y_ueghuru(ii) impress upon här my apprehensions regarding här recent activities: I want här closer to me: hä must be under my control for these incipient maneuvers: remind här of where här commitments lie in this matter': with flat, emotionless faces the u_agents nod there heads slightly .. disperse)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the mathematical cell sought after, at all times, mathematical instruments of a perfect brownian bridge nature: (0)-cyclo-intension binding seemed to promise such: the question of what would happen to the forces closed off from flowing into cyclo-intension, as one expanded, were prominent: one theory was that, in the absence of exogenous *production growth, interior cell concresence would be tightened: or perhaps the process would fail to calibrate .. the u_pulse level would float, bringing the indexed proto-phasm velocity with it: clearly runups in productive powers seemed, paradoxically, a neg-information to the system by increasing the denominator faster than the numerator could match .. forcing a minimization feedback): (y_ueghuru(ii): AKA the meghu_urenghyu): (pushing out against the white rubber is a small metal stunt, positioned to just prevent the muscles touching, with a diamond fastened on each end)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(inside the white cotton of the jumpsuit här body breathes heavily: hä can feel the pulsing of fluids .. air pumping through it: här hand pushes up against här lips: there is a rawness, or a physical weight to their touch that belies their apparent delicacy or weakness: somehow in between two breaths hä briefly imagines the pulsations of air begin to reverberate against här mouth): (trying to process the ramifications of the preceding blur of moments: everything is so slow .. cold now)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(I attempt to push my mind back to the overspace, to the study of irrigation, systems of polders, control): (in a white cotton black line square-patterned capri goryo-suit structured to pull white rubber strapping around här lower body as hä walked, .. with metal disc closed strapping that framed an upward movement toward här black braided hair .. dark eyes, with white close hood: but hä felt deeper, colder reasons in place, presentiment perhaps): (the large antechamber of the compound: u_phuma(ii) was standing at the farthest monitor on the right looking intently at the dim glow of the pulsing plots: hä was alone in the clear plastic lined room, behind which the contoured steel shimmered slightly, unevenly: hä was wearing the acrylic jumper—a very tight light gray fichu jumper, flesh visible behind circle-hole pattern in commingled orbs: hä went up to the monitor again .. pressed här forehead against the cold pane)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(hä is a friend of (00_00)'s, .. one of the few to be aware of its absence from the YAMAUEREDA: här failure to impart this piece of information to yumi(no)gosuto is indicative of a certain malevolent streak in her character: the clear plastic runs over the metal foil, latched into the white plastic at two distinct points: hä rests här hands on the two protruding contoured forms hesitantly: the question had little draw from quantity values, acting instead as an inversion of 'the division of productive proto-phasm', where this division into distinct .. variously engineered reservoirs .. channels drove op.flux-like passages: the ebb from the *production of compound proto-phasm flowed into yamauereda u mappings, whose u-cell processes played catch-up on monadic reverberation that was blowing past them .. inflating proto-phasm values .. decaying crystallization surpluses: officially provided maps of the surrounding regions cover the walls: no matter how far inward one recedes in reflective dispersion the pursuit as a wave of these processes comes with one: the low white dimple plastic floor with black rubber gapping stretches out in multiple directions converging on the wood panel gridded ceiling .. the windows opening up on to greenhouse atriums: op._m, an onnagatomaton of clear rubber humanoid form with circle-protrusion growths, moves through the room putting the polished wood curving forms into place at regular intervals: white circle-pattern sections of printed overlay run over här body between .. over the outward pushing forms: här clear eyes with black focal irises .. specks look over each object carefully: four little clear rubber circles protrude partially from här head: three blue .. pink insignias decorate här upper chest up to the lower curve of här shoulders: memories of other worlds float through här head, particularly the (00_00) region where hä had spent many commutes working on a collocation of farm-units, living in underground bunkers whose tightly confined spaces put the communities in the close pressure of continued daily contact as colleagues .. co-workers but also as a kind of co-conspirators to a unique .. undisturbed communion: hä never wholely gave up this bond, .. would reminisce on its particular imbued formalities .. cultivate its presence in här forethoughts .. purposes: hä breathes slowly .. softly: the pushes the three ewers together: later they will be filled with flowers): (mathematical institutions do issue claims on commodities, whether those commodities take the form of yamauereda proto-phasm ingressions, (0_0) ingressions, precious metals, a basket of indexed object classes, …., …., …., .. so on .. so on: actors conversion their proto-phasm because it represents a claim on some u_object deemed of equal or greater value in the future: these commodities can be inverted out of the cycle as fetish value, in which case the value of the proto-phasm mirrorings is deflated: u_ejento pulled a multi-directional regression over the plane for the generation of pulses between various points: everyone was driven headlong into the brightening, the illumination of radiant potentialities via transcendental transformations: ph._COMM.(ii) put up cyclobolic (00_00)-nets, via cosmic ray mapping, softing accumulated accelerators into pools of untapped insulators: these floated out in surrounding space, linked to ground receptors by relays, where they could be drawn in .. focused on controlled points)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) " ((00) MEGHA_YAMAGAORO U_OPERATORS. u_ejento promoted to the next level by the Institute of the Defense become megha_yamagaoro u_operators: prototopia as reducing necessary labor time (labor value), thus expanding relative ergodic volume: thus, the draw on ergodic volume via u_op for prototopia is balanced by an increase in the overall volume of ergodic volume, hence smoothing out distributions of labor value, but not affecting its overall volume, the effect netting to 0: re the difference between chrematism or its multi-distributive forms (as redistributive chremastic phasm-metric) vs. phasm-force (as the direct resetting of the equilibrium function determining possession of the means of *production): the use of the chrema for the purpose of transfer Is almost 100% imaginary .. discursive, representing movements of proto-phasm through spheres of *production .. circulation without affecting the overall circuit as a whole: this becomes even more apparent as one plots the effets on to atemporal point-arrays binding, without spanning, given periods of collocated proto-phasm movements: one must remember that it is the underlying conditions that determine rankings, so any push/pull that intends to effect the total output levels must matrix-filter for its simultaneous effects on the variable inputs: hä looks into the mirrror-walled corridor, with the large glass pane overlooking the hydro-pod greenhouse behind här, with black hair pushed up into three large vertically protruding bunches at various angles, .. här white acrylic ghost-equipage over här large body, misshapen, forming all kinds of distraught crevices .. bumps: här dark eyes underlined by gray painted marks over black scars: multiple versions of härself stare back at här defiantly, as if in disgust: här large disfigured feet covered by white rubber slippers against the white rubber dimpled floor)."
(00_00)(モノグルイ: ヤメグル(ii))((00))(00) ヤメグル(ii)(00_00)(ch.)(00)(ii): 「（ガラス張りのスチール階段を下り、大きな鏡張りのはめ込みを通過） ): (phideyuki(ii) は、別の u_pulse * 領域/均衡を想像します。そこでは、2 人の子供とともに、バニーの通勤を管理する外側の領域に住んでいます。カップケーキ、クリスタル、決してあり得ない他の素晴らしい現実のように、背後に置かれた狂気 起こったこと: u::ejento は、u_flux .. c-flux .. の評価に関連する傾向を綿密に追跡した u_flux .. c-flux に基づく u_pulse の計算後の残差としてエルゴード ボリュームを定義しました: この値の c-forms: 半ば (00_00) 空位時代.. *モナド戦争に代表される階級構造の断裂に続いて、大量のu_fluxがシステムに持ち込まれ、現在は消滅した権力体制によって蓄積された将来日付の価値の貯蔵庫から吸い上げられました../または bereft: この残差は、現在の時点から未来へ流れる、u_flux の逆方向に流れていた部分を表します: したがって、エルゴード体積: u_flux の関係は、u_pulse: neg-u_pulse: のような状況で反映されます。 (0_0) 爆縮、減衰フェーズのプロセス (または同様の状況では、より単純な前進) は、u_flux を後方に押し戻し、それをエルゴード ボリュームに変えます。これらの動きを収束または *生成と呼ぶ慣例ほど誤解を招くものはありません。 システム全体について: 価値の保存は質量と同じくらいしっかりと保持されます: 重要なのはその動きです.. * 領域のモナド チャネルを構成するフローの質量に対するそれらの影響): (これらの u_pulse フローは大規模な上に描画されました) 集水盆地: 集水盆地は狭く層状になっており、深さはわずか _ ～ _ メートルですが、数百キロメートルに渡って伸びていました。冷却水上の流れの u_pulse 効果により、ゴリョの動きは特定のパラメータ内で制御できるほどでした)。 "(00_00)(モノグルイ: ヤメグル(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) ヤメグル(ii)(00_00)(ch. )((00_00)(00_00))(ii): "(クロムの中で..隙間のある透明なゴムのボディスーツを着たガラスの浸漬プール..金属のボタンと透明なゴムのフードが透明なゴムでマスクされた頭にしっかりと密着しています:化合物 *生産バブルは、(_) 世代のウラクオモリのタイムトラベルの取り組みによる直接的な影響であり、未熟で世間知らずな... 微調整された制御を導入せずに情報を逆戻りさせようとする傲慢な試みによってその地域に導入された残響減衰効果の最終的な平衡結果です。 _nd 世代の取り組みに関連したもの): (別名 THE MOUNTAIN IS CALLING .. I MUST GO: THE MOUNTAIN IS ALWAYS CALLING YOU CAN WAIT: (00_00 によって作成された 15 個の p秀行、擬似ゴム ボディのうちの pideyuki(i:xv)) ) ハーが空位期間から戻り、彼が実行に移した計画の手綱を握るときに使用するためです。金属クリップでハーの黒いゴム製の1/2マスクに接続された黒いゴム製のストラップが、ハーの上で調整された最小限の休息をとりながら静かに呼吸するゴムの上を走ります。 体は、その動きに激しく抵抗して押し返します：灰色の髪は頭の上で二つの小さなボールに束ねられています：コンクリートの展望台の端まで歩き、山の裂け目を見下ろします、それは階段状のプラットフォームです...テラス、水田 : 強力な山の風が、一瞬、ハーに強く吹きつけ、ほとんどハーを押し戻しそうになりました。黒いゴム製のストラップは、おへそのすぐ上の金属製の留め金のところで収束します。.. わずかに湾曲した広大なグリッドに向きを変え、黒いゴム製のバインディングが 太ももの真ん中あたりを引き上げる: 手を頭の上に倒す .. 顔に手を当て、手を唇に押し付ける.. 首に沿って裸の肩まで下ろす: 黒いゴムがしっかりと引っ張られるのが好き ハー: サイクロインテンションは、個々の u_flux 保持者にとっての跳躍の残響源として機能し、ハイパーマディヤマカが平衡プラットフォームの放射状の境界を押し進めて次の場所にジャンプする限り、エントロピー アクターがその推進力に乗って前進することを可能にしました: u::ejento 彼らは、部門..干拓地..堤防の分析において、一種の逆位相力を提起しました。ポテンシャルパルスのミラーリング..u_fluxを生成する目的で労働力を濾過することを示唆するu_flux支出は、逆転されました..プッシュされました。 労働力を活性化する目的でu_fluxの濾過として逆方向に戻す: yumi(no)gosuto vs. capt.r. 部門へのフローを定式化する代替概念として考えられました。 私 vs 部門 ii: 灰色のコンクリートで作られたこれらの小さなモジュール式ミニメカ。透明なプラスチックのモニター区画が山腹の低地に定住し、そこで居住者が農業開発を行っていた。これらの量は、時には流れとしてではなく、互いに跳ね返る重力パルスとして作用する。 )."