(yumi)(no)(MONOGURUI)(ii):(U_MUAMAKA(ii))(digital copy)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(flux velocities were pushed .. pulled by the fuyo_yurei as reverberations between cell velocities .. their co-link: in this sense velocities were viewed by the u_ejento as being transcendental, as being from beyond the realm of the real, from an imagined pre priori conceptualization of a prototopian future: hä walked down a steel corridor angled slightly downward, lined with inset white shimmer-orbs from every direction: hä could almost remember what was at the end of the corridor, approaching: .. then, as hä walked forward, hä felt that hä was being pulled backward, away from instead of converging with här forward movement: hä could see .. feel every particle bouncing off of or pushing through här body: hä knew that in a moment här perceptual framing would catch up with här reversal, .. the forces pushing här backward would throw här violently back up the corridor, perhaps further: hä grasped for recognition: hä realized hä was observing outliers: the pure 0 mean was far far away: one could observe it only as the backwash of one's distorted distributions, as their reconstituted resolution: it was our bodies, of course, that provided the residual drag that prevented us from attaining the pure land: everything pointed there as straight, unbending lines converging on the same point: it was our material bodies that operated on curves that forced the asymptotic purgatory of our existence): (the goryos being run were functions of the phase value, with the reverberation associated with them having an inverse relationship to the calls .. puts accumulated around them: the average value over the collection was then associated closely with overall sum proto-phasm levels in the system: everything was being pumped up by the phase value: y_ueda(ii) functioned as a brownian bridge)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(such that the specific deictic moment that it converged upon was the point at which hä turned on the abutment in goryo-suit with 3-mini-circled hair)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(on (00) __ _00_ the overwhelming majority of the proto-phasm that the yamabushi had moved into the mathematical system from forward points in time was blown out via u_objects positions: by (00) __ the substantive portion of the outflows was complete: everything that unfolded afterward was simply a progression from the events of these few days, yamaoroshi: over the course of the next commute the breath slowly came down the mountain: in early _00_ it began to overcome the weakest members of the *pulse introgression: by the end of _00_ it would have swept away even the strongest had countervailing defensive measures not intervened)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(this breath coming down the mountain was at this moment channeled through y_ueda(ii)'s clear rubber yurisuit covered body, through the muscles, .. organs, .. proteins of what would pass for här corporeal self)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(.. passed through y_ueghuru(ii): .. it was at this moment of being passed through by this invisible forward moving force that y_ueghuru(ii) understood with clarity the comforting delicate reassuring presence of här pervasive paranoias as the one, .. perhaps only, thing that hä could hold on to: .. hä understood the space that was in between the two phrases, 'the petals in the wind like snow' .. 'the thing that falls away is myself', there was nothing else: mysterious .. strange instruments were working through här): (y_ueghuru(ii) follows här through the field of grass .. variously colored little flowers: around them is low forest cover: the wind pushes clouds through the light blue sky: hä turns back to look .. see if hä is following, här stubby little body covered with light gray fur, .. large black fur-patches drop down from each side of här head: här large, cute eyes draw här forward: at the edge of the field the grass .. low vegetation comes to a brink with a patch of brutal red flowers stuck up in the air against a backdrop of shimmering blue water engulfed by rocky cliffs with white plastic ridged .. terraced structures stretching far off into the distance: they stop short .. hä turns .. looks up at här cloyingly, as if eager to be petted: off to the left on a lower plain hä can see the powerful thrusting upward sculpture made of curved polymer-plasma for a memorial site: hä seems to recall that it opens up into underground passages: hä finds här eyes to be throbbing: här fur bristles against the wind: hä tries to avoid looking at här: hä giggles: hä falls back into a soft patch of bumpy moss .. wriggles around emphatically .. playfully: hä feels sick, like something dark is foaming up inside här)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(('elsewhere' (over the c.a.m.(ii) ominously)): dr.c. equips unger with the m.e.v. .. such, residing in an abandoned mechanic's mech in disrepair, in (00): dr.c. is currently caring for här very ill ugartë-toy hiroku: the snow is falling: hiroku bed-ridden makes unruly noise confined to här unit: the mech is equipped with an operating irrigation system, situated at the edge of (00_0000) looking out over a couple of waiting to be 0000ed basin-polder plots: unger wears a large white op.-poncho .. white large multi-pocketed chaps .. discs array over här bindings with blue pink .. white thigh-boots, with mannish gray facial hair .. här pinned down short sleeves reach out to här white rubber-gloved hands as dr.c. in a short clear rubber yurisuit with black outline .. black imitation ice slippers sorts through the various equipment occupying the white unit: mechanical surveillance equipment, gears, levers, spare parts .. such cover the floor .. racks: y_ueghuru(ii) was criticized at one point by y_insp.ch. for what was suggested as an unsympathetic view of y_ueda(ii), for a cold approach to the horrible (0_0) that hä was made to bear, but hä felt strongly the unfairness of this critique: här view of y_ueda(ii) was one of identification .. empathy)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the onnagatomaton: (00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the wind was roaring .. pounding the clear plastic ceiling: the narrow metallic ringing causeways were damp .. slippery: (00_00) walked along as hä was, gray rubber pseudo-flesh budding slightly with dew, in black rubber yurisuit)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(kufre_UOTO set off with yuiro, dressed in white rubber clasped-hood poncho-ghost-equipages with gray lined grid pattern, white rubber stitched lace-up thigh-slippers)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(.. from an indeterminate direction (0_0) was reverberating quietly on repeat .. hä was nowhere to be seen)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(hä felt här motives were pure: for här interest lay completely in the fact that within här, at almost all moments, was the urge to destroy any innocent objects that might be present, with här bare hands or an umbrella, .. that containing this urge occupied, for all intents .. purposes, här every waking moment, .. had done so for as long as hä could remember: for här it was (00_00), in particular, that were in danger, that served as the focal point of här potential release: the answer to the question, what do you want to do today, for y_ueghuru(ii), every morning upon waking, would, if answered honestly, be that hä would like to destroy every (00_00) in the u_verse: .. every (00_00) he had ever encountered hä had sized up the (00_00) present for this purpose, to gauge internally whether they might be a match for här force): (there was a sort of little foyer up there too with u_point-matrix mini-pods)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00) was floating 2 cm from the ground there behind the metal door, in the middle of the curved steel clear plastic lined walls of the small foyer leading back to two offshoots filled with rows of u_point-matrix arrays blinking white lights, in a compound of madhyamaka, här body flickering from intermundia .. back to this (*)region such that one could vaguely see through här material body in semi-opaque clear rubber yurisuit .. ½-mask over white acrylic mech-harness to the far end of the cold room swathed in dim white light against two large windows overlooking the steel venting bays below)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(här body pushes against the clear rubber yurisuit .. with heavy breath .. sweat that grows cold against här: hä can taste här lips for a moment: black bold outlines run over the clear rubber: the white cotton, medium pink .. manganese blue (0000)-patterned fabric was pulled tight over its bulges .. contours with clear rubber bands, _ protruding growths, even in the cold a quiet pulsating force could be observed: a slightly disconcerted, confused expression comes to y_ueda(ii)'s face .. hä looks up): (the cold morning waiting for them outside through huge glass walls of the corridor): (the madness: the process of inversion implemented by the fuyo_yurei ejento pushed minimal proto-phasm down while pushing (0) up in the range between r' .. r')."
(00_00)(リーダー: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. ) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00)."(00)(00) (00_00)(00) ヤメグル(ii )(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)(00_00)( 00_00) (00_00)(00_00)(00_00) 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(00_00)(00_00) (00_00)(00_00) (00_00) (00_00) (00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00 )((00_00)(00_00) 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(00_00)(00_00) (00_00)(00_00)(00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) 00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) . )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(00_00)(00_00) (00)(00) (00_00)((00_00)(00_00)(00_00)。 )(00_00) (00_00 )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00)(00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)). ((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(00_00)(00_00) (00) (00) (00_00)((00_00)(00_00)(00_00)。 )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00)(00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(00_00 )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00). ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00_00) (00_00) (00_00)(00_00)(00_00) 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 ) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) )"(00)(00)(00)(00_00)(00) ヤメグル(II)(00_00)(00_00)(00_00)(00_00))(I): "(00_00)((00_00)(00_00)(00_00) (00_00)(00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(00_00)(00_00)(00_00)( 00_00)(00_00)(00_00)(00_00)(00_00) (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(00_00)(00_00)(00_00)(00_00)(00_00)(00_00 )(00_00)(00_00) (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)( 00_00)(00_00) 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( 00_00)(00_00). ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00) (00_00 ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)( 00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) 00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00)(00_00). )( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00 ) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)). 00)(00) (00_00)(00 ) ヤメグル(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00)(00_00). )(00_00) (00_00) (00)(00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00 ))."