MONOGURUI memory drive ii: (GIVE THEM DIAMONDS:: or CAKE)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):)." (THE (__0)00. (00_00)(MONOGURUI) (0000).(00_00): "(the assumption of stochastic behavior from the monogurui component relieves one of the impulse to find predictive patterns or relationships acting upon this process: rather, invisible processes can work as a calibration device to fill the gaps pushing or pulling flows into decadent movements: the form .. function of the implosion .. the question of its replicability was of critical import to the tactics of YAMAUEREDA: could one design, intentionally, an implosion .. enforce its perseverance until it achieved equilibrium, .. once having done so, how would one push out of it?): (()y_ueghuru(ii) floats in the clear acrylic fluid of the containment-unit, immersed body, wearing clear, rubber mech:suit, arms .. legs forward pulled against taut clear rubber cords in an attempt to find equilibrium at its projective center: ()yumi(no)gosuto had led här earlier into the underground chambers of the u_monad-engine loaded with y_vessels for anonymous u_ejento, floating in clear fluids, where ()yumi(no)gosuto controls their access to their *worlds within the u_space, explaining it's conception to här in terms of projection operators commuting over potential monadic interactions: y_usege() comes to the containment-unit, hesitating, it's huge black acrylic hood hovering forward over its head, leaving only gray lips visible: the mini-goryosuit comes to forearms .. thighs with accumulated zippers bringing tight its engagement with här gray flesh body: over här delicate shoulders drifts a small black fake fur shawl, hyper-reflective with beads of white light glistening over it as it moves: här fingers curl up against the base of här palm: little black fake fur mini-chaps fixed by black rubber straps to här hips: ()when asked how they are mapped to one another hä described a system of difference calculus where paths are measured via relative complexity indices bound to a given u_object: hä suggested that the idea of emergence in this was mislaid, that it was nothing but emergence permeating its entire being, building up from ur-relations into a kind of aufbau with variants in properties asymptotic: each little form-construction then being a vehicle for moving u_pulse forward, with everything over-determined by its category-type: the tendency for this process to pursue the aims of the powerful .. pre-engaged in feedback loop directions disturbed y_ueghuru(ii) pervasively): (y_ueghuru(ii) was criticized at one point by y_insp.ch. for what was suggested as an unsympathetic view of y_usege(ii), for a cold approach to the horrible (0_0) that hä was made to bear, but hä felt strongly the unfairness of this critique: här view of y_usege(ii) was one of identification .. empathy): (in white rubber clasped-hood poncho-ghost-equipages with gray lined grid pattern, white rubber stitched lace-up thigh-slippers): (hä felt här motives were pure: for här interest lay completely in the fact that within här, at almost all moments, was the urge to destroy any innocent objects that might be present, with här bare hands or an umbrella, .. that containing this urge occupied, for all intents .. purposes, här every waking moment, .. had done so for as long as hä could remember: for här it was (00_00), in particular, that were in danger, that served as the focal point of här potential release: the answer to the question, what do you want to do today, for y_ueghuru(ii), every morning upon waking, would, if answered honestly, be that hä would like to destroy every (00_00) in the u_verse: .. every (00_00) he had ever encountered hä had sized up the (00_00) present for this purpose): (to gauge internally whether they might be a match for här force): ((00_00) was floating 2 cm from the ground there behind the metal door, in the middle of the curved steel clear plastic lined walls of the small foyer leading back to two offshoots filled with rows of u_point-matrix arrays blinking white lights, in a compound of madhyamaka, här body flickering from intermundia .. back to this (*)region such that one could vaguely see through här material body in semi-opaque clear rubber mech:suit .. ½-mask over white acrylic mech-harness to the far end of the cold room swathed in dim white light against two large windows overlooking the steel venting bays below): (här body pushes against the clear rubber mech:suit .. with heavy breath .. sweat that grows cold against här: hä can taste här lips for a moment: black bold outlines run over the clear rubber: the white cotton, medium pink .. manganese blue (0000)-patterned fabric was pulled tight over its bulges .. contours with clear rubber bands, _ protruding growths, even in the cold a quiet pulsating force could be observed: a slightly disconcerted, confused expression comes to y_usege(ii)'s face .. hä looks up: the little creases of the taut fabric fold in on themselves: dark cleavages or immersions hold off the light, hiding little passages .. inner containments: around them the white glistening room holds inset cabinets with metal semi-reflective covering .. open cubes holding machine parts of white plastic, metal, white rubber, clear wrappings: y_usege(ii)'s 3-circled prussian blue hair against här head, här dark eyes: här breath catches for a moment .. hä pushes här gaze back forward over the curved surfaces as if forcing härself to remain focused .. present): (the cold morning waiting for them outside through huge glass walls of the corridor): (u_ejento complemented in their models ergodic volume with inversion, or proto-phasm retention/stasis, .. equated it with the concept of growth value, as a force for the distribution of the means of *production in the form of proto-phasm): (underground are two vertical cases driven by _ mass condensing units: solenoids control the levels: these are to control u_pulse growth): (()hä had led här deep into the underground chamber .. provided här access to one of the y_vessels: ()somehow it has seemed so peaceful: the immense volume of dark space surrounds the clear protein-mass ship bound into metal architecture, clear rubber containment-pods, backed/fronted by six large metal cyclo-boosters respectively: this would be innnervenience: the actualization of micro-objects as properties co-bound to the macro-objects which contain .. are formed by them: in this process one works backwards from one's indexed perspectival domain to an inner range, but with the provision that these spatial dimensions, too, like the temporal, are symmetric: the distinction here of the larger vs. the smaller acts as a function of our specific deictic placement: one can push one's perceptive organs further into the large objects which contain us, out into interuniversal forms, or inward into the particles of our material being, but one converges in either direction on the monad, one's placement on such a sphere of radiant lines as a point of coordination: the constitutive consciousness is our power to perceive the one or the other as a velocity differential: exchange processes can plot us from one frame to another, but these points of radiance affect us only via their interaction with one another, .. in relation to our placement in their frame of reference over us): (the white mask has white polymeratomic lips .. facial features, fake glass colorless eyes, gaps exposing the gray flesh beneath: the ceiling of the interpellation room has five metal optic tubes from which the subject is watched by the 5 agents: the machinery of the interpellation room measures the intake/radiance of monadic currents via the subject's body, measurements which are then interpreted into an array of numeric-valued attributes: the process is intensely physically/mentally grueling: a clear rubber face-mask pulls inward on här face tightly under the white polymeratomic conturs of the over-mask: här eyes ½-closed: hä stares at the white porcelain object, its throbbing curvatures, turning inward on intself .. then pushing out to probing stubs ending in inversions upon themselves, supporting its weight: as if to suggest it contains only tenuously its own fluids little buds of moisture rise up on its surface: in places it bends back .. returns to its core to cycle out in new extensions: hands closing in on themselves: lips pushing against on another softly): (()här eyes circle .. drift over white-light control grids floating in space before här as multi-dimensional array images: ()one gathers in the enfolded order of the y_vessel's form, less of a vehicle than a contoured machine, with its mini-chambers running through it's protomorphic mass for monadic containment .. outflow, pushing up into .. out of the units continuously: (00_00) lets här hand drop slightly, feels the ache, .. the cold, the purposeful encroachment of each breath on här gathering concentration): (much of the conceptual underpinning of u mapping work was founded on the expansion of the use of the moment generating function, reversing it out to transform it into the dependent variable .. worked out as a projection of neg-information build up, full of folds, inversions, .. all sorts of abnormal topological features)." 00. (00_00)(MONOGURUI) (0000).(00_00): "((00_00)).(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00))."
00. (00_00)(MONOGURUI) (0000).(00_00): "(measures of *production were always controversial: there were adherents to other methods, but u_ejento more or less settled on the idea that the exchange of proto-phasm was, in effect, the measure of productive quantity contained in the product, .. that there could be no underlying force or manna other than that intertwined with the c > * > c process itself: it was viewed as mathematical in the purest sense, as unfiltered, crystallized markov cardinality: from there it could be terraced out in aleph fashion to push out into temporal ranges .. potentials): (the form .. function of the (0_0) mechanism designed for the performance of the latter aim required that it bypass the monadic channelization (re the U_CHROMA) .. control of a conceived permanent U_CHROMA was the endgame of the yamabushi: at the time they referred to it euphemistically as 'the winter ghost'): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00))." 00. (00_00)(MONOGURUI) (0000).(00_00): "(as the U_CHROMA had not been conceived .. brought into existence yet: first, though, their plan required the upending of existing structures .. safeguards for control, to provide the opportunity for them to assert themselves in these positions, via a process of reverberating outward palpitations of increasing volume to a create a massive buildup of white proto-phasm: these movements of restraint-release would ultimately conclude in the construction of an array of newly formed proto-phasm flow channels under the control of the u_ejento of YAMAUEREDA): (ghostly clear plastic formations: the white fake fur dampeners lining the white plastic corridors: attached with a metal fasteners .. hinges: the white light bounces off surfaces circumspectly: hole patterns denote vents: large metal piping: a slight hum underneath it all: plastic with black rubber bindings .. black metal screws .. hinges at pivot points, the size of (00_00)s: edges are curved .. folded over: their contours suggest an attempt at aerodynamic flow or properties of proto-phasm inversion: some contain circular entry points for tubular injection, with glass .. clear plastic vials inserted for this purpose: a black gapped faux-mask is inked directly on to y_usege(ii)'s gray phasm contoured face: hä smiles, här gray-painted lips parting slowly .. hä pushes här shoulders forward against the clear rubber manganese blue oh-so-pink pattern yurisuit: hä states at här intently .. dims här eyes: här breath slows: white rubber bindings drop over här shoulders .. converge at här lower back pulling in tightly, compact 3-circled prussian blue hair bounces slightly with each movement: y_usege(ii): 'at a certain point the u_agents realized that they had misunderstood the concept of convergence: the question among the u_agents had always been why, given that everything converges on perfect 0 equilibrium, do we find ourselves in a state far from this point: it was only after a long time struggling with this conceptual problem, that they came to understand that they had been asking the wrong question: it was the wrong question to ask why we are so far from 0-point convergence because the u_space is, .. is always, in a state of 0-point: it never diverges from this: with every hodon-movement the entirety of the complement-space monads shift in response to retain a new *future in perfect 0-information stasis: there is only, .. can only be, madhymaka: u_phuma:: the WIRE-HAIRED UGARTË: 24 commutes old: aka proto_androgyne nadja the aeropittura (of the poppies): the wire-haired ugartë: hä has been the sidekick of yumi(no)gosuto for the past 4½ commutes, abducted during the war of the monads, is secretly an onnagatomaton of dr.y.(ii)'s construction: she is perpetually a ** having ceased, according to dr.y.(ii)'s design, to invert: she was your responsibility in your role as defender of the proto_androgyne, .. the failure, on your part, represented by här abduction, led to the decimation of your reputation within the circles of the institute of the defense: i've given up on everything non-commutative: i insist that everything return to its center, if pushed: non-commutative systems can only be a function of undisclosed inertial states or hidden forces: the mirroring always holds: we have raised up our powers: let us now unfold them .. cultivate our peace': y_ueghuru(ii) in semi-opaque rubber ghost-equipage with light manganese blue .. light cadmium red markings over white acrylic mech-harness, 2-braided black hair, .. clear rubber ½-mask lets här fingers drop under the glass underside of the (00_00) .. lowers här gaze, tongueing the inside of här mouth: y_usege(ii): 'for each little hodon-jump: (00_00): what is consciousness?: the rest of the hyperbound u_agents set up an ethics such that consciousness is conceived as the reception or passing through of a flow which reverberates through u_space with an infinite capacity for interconnectedness: a consequence being that in one's interactions with other conscious beings one is always (df) interrelating with a form of one's self: this was referred to as the concept or methodology of inter-prototopia: the implosive notion of information waves controlling, in part, (or influencing) the paths of particies like a u_c.a.u. permeates into this process-system as a notion of micro-will-to-power on the part of the individual particles themselves: each particles exhibits properties of free will: each collection of particles itself, in overlapping being, makes it own contiguous choices: each collection of collections of particles acts as a secret society bound by its own histories/codes of maintenance: each hodon-jump is then a rotation over u-group, indexed as a future tense proposition or force pulling coordinates toward one another': y_ueghuru(ii): 'how are these jumps controlled?' (asking a question to which hä could foresee the answer): y_usege(ii): 'via the u.-engines': the mega-YAMAUREDA surrounds them, submerged in the cold ground with sparese, low-lying vegetation, with occasionally small trees being pushed about lightly in the wind, .. rock crevices .. outcrops, dull gray hubs pushing up past the surface intermittently to reveal its presence, like protracted bunkers of protective chambers: y_ueghuru(ii): 'I am departing now: are you to remain here, or will you be gone when I return?': y_usege(ii): 'this is my home now: I will continue to cultivate our developments here, .., in time, we may even be able to re-access the mu_oroghoma region's communications: you know, as I do, that much will depend on the endeavors of the (00_00): if they find us here we will be uprooted again, .. will hide away again in some new recluse: but we hope that we will not come to this, if not for many commutes should it be permitted': y_ueghuru(ii) puts här hands together .. bows slightly: y_ueghuru(ii): 'then as it shall be, it shall be: I hope to return here to find you in peace: may your buds grow, and your boughs never break': y_ueghuru(ii) turns .. departs quickly down the narrow metal chamber against the dim white light): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."
MONOGURUI PUBLICATIONS seeks fiction related to math, economics, machines, conceptual fashion, utopia:dystopia, .. the future, for print-on-demand publication.
Submit completed works to:
[email protected]