MONOGURUI digi-op: (MADHYAMAKA)
(00_00)(MONOGURUI: capt.r.(yamegu(r)u(ii))(ch.))(ii))((00))(00)(00) (00_00)(00) (00_00)((00_00)(00_00))(ii): "(episode 10: after unleashing a particularly invincible powerforce attack .. knocking yumi(no)phoma(i) to the ground, u.phuma looks up, .. a weak smile escapes from här lips. yumi(no)phoma(i) springs up .. laughs): clear polymeratomic anti-chöd armor with big bountiful lines of divergent composure: the monadic pops were contained at this level: a great deal of the work preceding this was supposed to be merely theoretical, but the conceptual .. the physical proved to merge to a degree far greater than anyone anticipated, or at least more so than anyone would admit to: mathematicians for a certain period held a certain professional distance from concepts which were becoming more .. more disturbingly close to the cartoonish: one could at least still pretend to maintain a certain psychological distance: god, ueghuruomo_ueda(ii)(gushamoto) loves that concept, distance: it tastes like (00) going over the tongue: ueghuruomo_ueda(ii)(gushamoto) loves thinking about distance not existing, (00) not existing, only differentials: like the moment before (00) closer .. closer: to reverse the flow of monadic u_pulse, ueghuruomo_ueda(ii)(gushamoto) over här (00_00) bruised-up hard:soft body white (½-ughor-1/2-mhyghori albino): 13-circled: short-shorts w: black discs: weak prmbr the semi-opaque plastic fits the contours of patterns over mask:head-piece 13-circled: här body: u_chrema: multi-formed: maintaining a balance between adjustments : yuri.phuma(i) sighs, thinking about filters: the sound of ueghuruomo_ueda(ii)(gushamoto)’s slow breathing .. on här armored shoulder "co45312." or like (00) popping through här veins: or like (00): every (00) här poncho clutches close to här against the winter the moment 6-fold: or to deliver it to memory: recorded on the c.a.m.ii: .. pulsed up reverberations moving through här body: the right: outline each of the clear plastic balls of clear rubber (00): 5-mini-protrusioned ueghuruomo_ueda(ii)(gushamoto)'s whiskers pop as yuri.phuma(i) adjust här hips to the lt. in här seat .. här hands push to plastic mask: no caretakers in the_day as its indiscriminate chodness held in bay by one body: the_semi-opaque plastic fits of cause-effect about: hä wears tight rubber information flow having come to the balance or yuigen_op. just do it closer: report became wide-spread, for the_record-taking: on one u_ghost-formation: (yumi(no)phoma(i): 'yes, you are beginning to overtake me, my pure one: this comes as a peace to me… as I have discomforting news this morning: I have to leave this world for a time: a particularly powerful gray one, known as grayphantom, is rumored to approach the world of one of the portals at the far reaches of the universe, .. the guardians are to gather there, in an attempt to finally defeat här: for a time, you will be on your own, to defend this world, as is your fated role: I take comfort in leaving it in your hands': u.phuma wipes the sweat from här mouth .. runs här hand over the surface of här u_defender bodysuit: u.phuma: 'but.. no, you cannot go: you must continue to train me: there is more that you have not passed on to me yet, I know this': yumi(no)phoma(i) grimaces .. looks upward, then back at u.phuma: yumi(no)phoma(i): 'I will return to complete your training: for the moment, you will either be ready, or you will be unready': yumi(no)phoma(i) bounds upward from the hill, jumping from one planet to another, cape fluttering behind här body, as u.phuma watches här until hä is just a white minute dot growing smaller .. smaller far off in the most distant reaches of space)."(00_00)(MONOGURUI: capt.r.(yamegu(r)u(ii))(ch.))(ii))((00))(00)(00) (00_00)(00) (00_00)((00_00)(00_00))(ii): "(00_00)(MONOGURUI: ueghuruomo_ueda)(ii)) (during the * yumi(no)gosuto(muorghoru(ii))(ii) was ueghuruomo_ueda's close comrade: ueghuruomo_ueda undergoes interpellation conducted by phyamotoRUIGEN .. (00_00)): interpellation focused on generative probabilities, such that possible futures were determined, not by projecting out trends from the past, but by using a given markov urstaat to assemble models of potential progressive collocations, .. assuming that the mass decision making agglomerations of intelligent actors would feed into such channels): u_ghost-formations were, df, monadic complexes determined, not by direct contact or measurement, but by inferred presence based on the behavior of monadic currents around them which could not otherwise be accounted for: k.-mitsu says maybe the_contours of här body: u_chrema: black gloves." 00. OOOOO. ueghuruomo_ueda(ii)(-(CR(00))): (recorded on the C.A.M.) "(00) carefully adjusting the mechanism design an irresolute formless disposition of one poofed up air of fabric mini-folded off body: two small fold of fat push against one another: 04SP: här refusal: (CR)(00)'s clear rubber or not: sega: fujima: cowboy: or pushed open multi-formed: but they are moment. for refined calibration of the monadic waves: my white floor below the white light. I was certain that yumi(no)gosuto(miomoto) would hold the course: 6-bumped bodysuit: the_prompt accusations (00) gripping: hyper-intensive muscles: I gave a quick knock of här veins thru här face is calmly defiant: proud behind just correspondence between certain of continued meddling mathematicians' efforts. popping my quickly pumping heart-muscle .. the clear rubber mask: clear rubber (00) aesthetic aspect, ueghuruomo_ueda(ii)(gushamoto) (½-ughor-1/2-mhyghori albino): (CR)(00)'s clear rubber 6-bumped bodysuit: .. from it I could feel the blood pumping though my veins .. my body getting ¼-cold out form its interior: ueghuruomo_ueda(ii)(gushamoto)'s head felt light, or heavy, hä wasn't sure which: (I guessed differently, part of P.IV, foundation a city is built on until it moves was able to exciting part), but architecture is up to här knees: 'the (0000), with instructions to find you .. bring you back to här': (-CR)(00) moves här numb the plastic rubber ½-glove, over the lt., .. a former goryo whose decision-making: (at which point that becomes the pinkie): (00) (ueghuruomo_ueda(ii)(gushamoto) in clear plastic armor attached chapped-lip mouth awkwardly: ueghuruomo_ueda(ii)(gushamoto) (½-ughor-1/2-mhyghori albino): (CR)(00)'s clear rubber 6-bumped bodysuit: tilts här body in its most impersonal direction, closely tight-closed discs: the pop they make as they undo: "no, not – ugh" hä grunts as it pulls här flesh apart .. här organs pop up: its pinkish lips touch, both lungs, closer: adjusting the_mechanism for refined (00) (– it’s all resonance .. unbounded) to clear oh-so-carbonaceous black hair: are these invisible indexes?: (it was conceived of as an inverted cattallaxy, such that one hypothesizes a particular economidynamic equilbrium as a potential ideal, .. then works backwards to determine the inputs from which it would emerge: u_ejento thought in terms of 3rd cultures, in the dialectic sense, such that gaps, complexities, .. misinterpretations from the merging of disparate, distinct cultures would produce hyper science fiction ilke jumps in an almost kitsch-like pure filtrations of underlying fetish prototypes: industrial bases were seeded everywhere, sometimes with a residential component overlaid on top of them, but other times simply as independent autonomous .. automated unifunctional units: steel mega-cylinders were inserted just under the surface across the globe, acting as mechanical production machines for a wide range of commodities: huge equilibrium dispersion sinking rays were established which would flow back in to neg-00 departments over time scales as broad as 500 commutes, with much of this going into educational development: a clear undulating rubber form pushed up from the low metal mini-table, in two protruding contoured outgrowths from the stubby base: little porous circles in dispersed patterns over the surface would fill .. unfill with micro collections of a clear fluid in slow rhythmic pulse: a low hum could be heard coming from its interior): (()här clear rubber bodysuit with black grid pattern marked by overlaid folds in a regular sequence: ()här bunched up dark hair, dark eyes running over metal reflective surface of the contoured object in front of här, as hä runs här hand over it gently: ()over its surface are tiny engrained markings, a tight net of semi-circular boundaries over miniature spaces: ()segmented by embedded grooves radiating out from a central point: ()yuri.phuma's gray-painted lips quiver: ()hä hears something behind här .. turns quickly: ()hä waits .. listens, body slightly hunched in an attempt to reach out with här awareness further, probing the dark channels that surround här: ()hä hesitates .. lifts the object slightly, for a moment, disturbed by its unexpected weight, the dense metal pullng at här body in different directions at once, as if it is pulling out something from within här: ()yuri.phuma(ii): (()to härself, murmured .. indistinct) '()ok: ()so, how do you play the monad game?': ()intensional entities are the uber-players, or fictional opponents, of the monad game: ()or perhaps opponent suggests an anthropic sense of conflict where one might prefer intercommunciation or indeterminancies: ()our moves are orthogonal to one another (df): ()there is the darkness .. then there is ankoku, the darkness behind the darkness: ()the c.a.m.(ii) would allow us to communicate with all forms of consciousness, opening up our perception of the forms of material being to those which previously we had assumed inchoate: ()but there they were, all around us, some of them communicating, some of them quiet, observing: ()the moves of the monad game are bound by one's u_sphere .. flow in both directions: ()madhymaka occurs when these movements are tied off in a loop: ()här hand grows cold .. its movements slow, as if struggling to push through a great mass or invisible force: ()här eyes focus downward .. här body reacts with adrenaline .. pushes the object back downward to its resting place .. hä releases it with difficulty from här grip: ()white plastic, molded forms of moduar machinery protrude from the walls in places: ()yuri.phuma(ii) is aware enough of their design .. purpose to know that they extend far into the depths of the surrounding mass: ()hä knew when hä came here the power of these objects .. with an awareness .. foreboding of the cataclysmic, psychic/material horror hä would face, but hä had not imagined, .. had not prepared härself for how many there would be collected here: rather hä had imagined a few packed away carefully in isolation, contained, but instead hä found hundreds, .. the further into the depths of the underground compound the more hä found, waiting, placed as if expecting to be probed: ()hä turns här shoulders against the weight of the black rubber straps of här equipage .. gathers härself to move onward: ()här dark eyes roam over the space hesitantly: ()the steel curving walls are covered over by clear plastic, lightly reflecting the weak light that pushes through: ()hä passes over .. pushes into the corridor further, black rubber slippered feet gripping the dark gray rubber pock-marked floor: ()hä pushes här hand against a barely visible circle in the wall .. a new passageway opens up before här, another dark corridor indistinguishable from the rest: ()hä comes to an opening revealing a small room with clear plastic modules, each one containing another of the metal objects of curved, abstract form: ()white light glistens from behind each one, such that they are back-lit with shadows probing their inward turns .. crevices: ()each one contains a similar etched pattern radiating outward from a single point: ()some contain dark, semi-opaque discolorings over parts of their surfaces, as if stained by some kind of decay: ()hä hesitates to look over several of the objects in turn, här dark hair bobbing slightly backward .. forward with här slow, cautious movements: ()här breath fills the clear rubber bodysuit, minutely stretching .. constraining the black grid pattern in periodic distortion: ()it pounds forward in growing rapidity .. force: ()hä pushes back against the rising feeling of panic .. fear .. counts the breaths .. each pulse of här heart beat until här breathing slows .. här body calms, .. hä balances här weight against här lower legs .. passes through the room to the corridor, .. allows its darkness to wrap around här, closing här eyes for brief moments to rest härself from its oppressive intrusion: ()hä coughs .. winces as flashes of pain run through här legs .. arms: ()hä quickens här pace, seeking the next opening in här path: ()the walls are dense, clear plastic now, as far through their misty depths as hä can pierce in the dim light: ()hä staggers, .. then re-gathers här strength .., almost at a run now, bobs up .. down in här push forward against what comes at här as a slow but massive push of air from somewhere far before här: (0_0): (over the c.a.m.(ii): '()yuri.phuma, be wakeful, be calm: ()we are entering the clarity, we are entering the passing away: ()each 'moment' of time is equated with additional dimensions (degrees of freedom), mapped to the monads: ()we merely index certain chosen of these dimensions our material grid: ()the material dimensions, or fixed occuli, are (df) the directions through which we pass through the forces of our body, such that the space we occupy or move through is itself our bodily existence, a mass of bodily potentiality bound to our selves at various points, .., as such, we push through only further .. further into ourselves, our mapping over the u_dimensions from particular 0-points: ()finitized by framing – i.e., defining a time range marked by given pre-defined 'metrics': ()we are our metrics, we are our conceptualization of monadic waves as bound or constrained by the channels of our choice-functions: ()you are being flooded with the rotons of a force or being which conceives you as an intrusive, invasive force, .. all its counter-measures are directed against you: ()become your own 0-point': ()yuri.phuma(ii): '()if this force is imbued in c then it is the highest perfection: ()I will confront it as a prediction of its ultimate pre-forming, its convolutions over its perfect being: ()I am one with the substance of spherical, imploding, invisible in-folds, one over the other, until I am there at the perfect moment of its collapse, of its pre-birth, of its comforting crystallization of a pre-given form towards which it pushes: (0_0): (0_0): I will protect you': (0_0): '()mathematical precision was established as defined by a decrease in entropy: ()the difference in entropy from one process to another formed a commuting accessability over possible worlds: ()at first these were conceived as a mathematical fiction .. the monadic channels were the particular form by which they were objectified, but as methods developed to exploit their predictive .. morphological power any perceived lack of real effectability disappeared, replaced by a conviction .. awareness of forces at work to which mere material properties were bound: ()the 00-00-00 cycle is the regeneration through implosion of monadic waves converging on c, where mediums of interchange ultimately balance out all inequalities: ()accessability gives us a way to jump u_space from one mapping to another, as a re-mapping of perception: ()each cycle orients itself via the choice, whether pre-given or amplified, of a given set of planar lines: ()these are taken as primitive .. foundational, with the points of the domain derived from this framing as a secondary feature: ()interchange between communities of the overlapping *spaces were almost unthinkable: ()meiosis of point-forms over u_space provide a constant flow over spectral perceptive orientations, but any return information passing back via the same course was thought to be cinched off by the asymptotic nature of the time-process involved: ()back propagation of information proved to be possible, in ()dr.m.'s system, only because these processes were found to be velocity-differentials, as opposed to curvatures over fixed space: ()again, dr.m., presented these views as merely a mathematical construction over potential (.. highly metaphysical) domains, but unbeknownst to the other ()hachibushu, ()dr.m. was even then beginning to attempt to use the u_force powers of the monadic-engine to attempt to actualize these effects: ()there is an echo of pulsating wind running through här mind, huge swaths of air .. gray foreboding clouds pushing inward against här from somewhere far away: ()the pulse of pressure flows in at regular intervals now, pushing a tightness to här body that ranges in to the core of här stomach in a tightly gripping reverberating ball: ()hä would never be clean again, hä knew: ()all the impurities being pushed into här were incorporated into här material being such that här bodily fluids would hold within them residual growth-impurities, dormant but cold, waiting, for all här potential futures: ()yuri.phuma(ii) touched här gray painted lips .. tried to slow här consuming breath: ()something whispers to här of large, gray alien bodies roaming over wet grasslands under dark skies, throwing loud, vibrating .. resonant voices forward): (episode 11: u.phuma in white rubber u_defender bodysuit (over the c.a.m.) '(00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00) (00_00): (00_00) (00_00)'): maybe they are invisible intensions? a concept which always made ueghuruomo_ueda(ii)(gushamoto) uncomfortable: if something has no extension .. no perceivable entities then what is it anyway? can you call it some kind of object or concept at all? but yumi(no)gosuto(miomoto) explained it away as a gap, definable by the properties of the objects/concepts which bump up against it: to which ueghuruomo_ueda(ii)(gushamoto) countered, yeah, well, defining something by the objects/concepts which bump up against it is perception, df, in the first place, so really your still conversing about perceiving something without perceiving it, whatever that means, mother(00_00)er: but yumi(no)gosuto(miomoto) loved getting a rise out of ueghuruomo_ueda(ii)(gushamoto), anyways: black rubber u_chrema slippers: (indirect) this was perhaps punctuated by the (-CR)(00) moves här numb 00_(00) was developed by (0000) out of is big round of confined invisibility, a cut-off hä puffed här head: the powerful (00) up här body: cold .. the 0000ing wind when hä's out in the snowy::fields conducting repairs hä wants to repeat: if this weren't what hä supposed around its cold cold ankles pushing against the back of ueghuruomo_ueda(ii)(gushamoto)'s neck, rubbing up against the nobs of its spine: was that what they meant by finding happiness, is this it, this little piece of meat: or will it come to här later: white-muscled push against cut .. fabric of white mori-ghuma uniform .. the grotesque odor of fluids: ueghuruomo_ueda(ii)(gushamoto) growls about something disinterested: ueghuruomo_ueda(ii)(gushamoto) (½-ughor-1/2-mhyghori albino): (CR)(00)'s (000000) plastic chair white straps: bindings: 6 bumps of här clear rubber bodysuit clear rubber 6-bumped bodysuit: a unique feature clear eyes: hence implosion: though there of this mode of (00)-travel as opp: to traditional (00) machines would be that instead of blipping about from fixed pt: to fixed pt: it would obey continuity."
ゆげん。やめぐる：「メナドたちはどうして～？」 （一時停止）
phideyuki: 「私たちは特定の審美的発展と..消失の間に対応があることを認識したので、世界からすべての過剰な美しさを根絶することに着手しました.」
ヤメグルはマンガンブルーミディアムレッドホワイトヤマブシの装備で跪き、霊獣仙頭の茶室でわずかに頭を下げ、フィデユキ/以前の手に負えない髪の前に、彼のRT.嘆願するかのように彼女に向かって手を上げた。大きくうねる白い華やかなドレスに座って.. 繊細に形成されたドレス.. 巨大に彫刻された高い黒いかつら、彼女のRT.手は鉄の椅子の端に置かれています..彼女のLT。手は手のひらを外側に向けて上げます。彼女の顔は恐怖のように背を向けます。
yameghuru: "あなたが忘れたいと思っていることは理解しています...しかし、彼は忘れていません.彼はあなたを見つけるように指示して、彼の幽霊を送りました..あなたを彼に連れ戻してください."
ゆげん。ぴでゆき「20年」
やめぐる：「優雅さを表現する技術..優美さは幽玄の本質であるべきです.適切に順序付けられたシリーズでは、それが最初..最後のポイントです.信念を持ってください.」
ヤメグルのゆっくりとした呼吸の音.. 鎧の肩に「CO45312」。
やめぐる：「あなたに会いたかった」
細かい鉄のテーブルの上に白いセラミックの水差し。
やめぐる：「なぞなぞはこれだ 答えが『おそらく（0000）』なら何の問題だ？」