(yumi)(no)(MONOGURUI)(ii):(YUMI_PH.*(v))(digital copy)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(every goryo had built into it frozen martingale processes at control points: this was the irrigation function component, pushing flows via boundary condition limits: these processes were constructed as mott insulators, locking the photons of a given u_objects position into place via the repulsion to one another being generated: this could be managed at the u_pulse level): (in essence the micro-compound stood as the projector on a complex arrangement of intergressions to phasm entities pushed by a hybrid of the various parties' u_monads .. yamauereda ingressions: polders folded the residual while the micro-compounds bound the offset, pushed by u_arrays from the yamaueredas: in turn, the interstellar polders that had controlled the preceding cosmological epoch found themselves struggling to keep up with the phasm vehicles flooding the channels in between the overwhelming surge of mass cyclostructure point-form: most of these failed, but the survivors grew at profligate velocities, only, in turn, to themselves blow up, replaced by newly formed competitors before accumulating the kind of cell volume generated by the previous giants: but this only confuses här further, as, if this is correct, hä should have seen it projected forward against them long prior in anticipation, .. it should have been bound to their incipient pathways, unless it is moving .. conforming to their monadic region at velocities far exceeding any plausible course: the points are evolving on a micro-converging ball, certainly, .. doing so faster than hä is able to accept or appreciate, making all other considerations of faithless vapidity, offsetting ghost-modes everywhere: the little ewers they were in didn't break, each one with little irregular pink blue red lines curving up from the base but never reaching the upper rim: what, in all of this, is phenomenal manifestation 'before me', .. what is opposed to me as an alternate being who might be victorious over me?, y_ueghuru pushes back .. attempts to hone in on some kind of reduction: the various conduits .. holds of the ship pulse with power laws bubbling up from the mini-simulations, popping up as hä runs one after another .. then just as quickly disappearing: the limits of the YAMAUEREDA(ii) as a physical system for mechanistic dimensionless flows are being pushed: hä thinks of the 6 proto_androgynes: it was for this eventuality that they were established .. their powers formed: any prototopic virtues or designs over the pseudo-perfect functioning of a multitude of civilizations was secondary to the defense function, the placement of their forces against kinds of potential implosion: they functioned as a kind of auto-correlation control, assuring that monadic waves would not overflow their channels: this shouldn't be possible: but hä was not in one of their regions now: perhaps it would wash over them untouched, but even as hä projected this imagined fantasy where the regions of the 6 proto_androgynes were preserved hä knew the untruth of the proposition itself, .. could understand clearly that nothing would be immune: these monadic movements would not allow for reduction because they were the reduction, too perfect as a convergence to allow for residual outputs: op.-analysts bent over backward to decry the unsustainability of this growth: composition::resolution inteflux pushed out in multifarious forms, the white protein-growths taking orb-forms .. hole-forms in protrusions out form the central core: counterpart to oneself)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(but the clear counterfactual of what mathematicians liked to condescendingly refer to as 'reality' blew persistently back at them: monadic op.flux, or u_pulse, closes the circle of apperception by changing it from a passive, receptive act to one of ejento-based action: perception, in this form, becomes an action characterized by taking possession of outward forces .. reversing them .. bringing them inward,taking them into oneself, .. making them part of oneself, bodily .. materially insofar as the immanent .. the metaphysical have been folded conceptually upon one another: cyclo-transcendence becomes becomes just such an action, but with the circle pushed out further, such that the beyond itself is inverted .. sprung forth from the unconditioned universal as the self within ourself: this conceptual closing of action as perception is, to the u_ejento, the internal definition of potential-pulse itself, conceived as the inversion of proto-phasm, or the overturning .. binding of the alien form: this is the conversion of the action into the hybrid ghostly:material form, as an embodiment of dark forces, but purified .. cleansed as providence-come-into-being, where the purity of ideals become bodily substance .. are pushed into the (*)region: the clearing of fields for agriculture .. their subsquent entrenchment of irrigation becomes the foundation for the development of civilization .. urban chremastic phasm-metric, .. becomes the principle that future developments continuously return to: the sloping curve of the pollished wood form reconciles itself to the base: här gray grid-pattern ghost-poncho begins gripping här body more tightly .. hä releases här hand from the metal object which is suddenly ice cold to the touch: all the air stops .. everything goes perfectly quiet: hä feels the breath of something invisible on här shoulder pushing här backward .. hä feels something growing from inside här pushing up .. filling här: här tightly bound hair blows backward as if by some huge force: hä starts pushing härself just slightly forward on the seat: suddenly something lifts här up .. tilting här backward: hä begins throbbing in mid-air, hands reaching but failing to grip something: sometimes this was referred to as monogurui, the mirrored shimmering surfaces of complementary u systems): (yumi(no)gosuto in clear rubber yurisuit, attached by clear rubber tubing to a complex mechanical apparatus inset into the metal contoured wall: the (00): "(00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)":: (00): (recorded on the c.a.m.(ii) 'NIRODHA.: the violent radiant dispersion of one's monadic being': y_usege(ii): 'the 00-depletion seems to be coming in to this region from a number of monadic channels: some of the decay seems forced, as if for some ulterior motive which I am not, at this point, capturing, but I feel certain that as we push forward we can attain more perfect clarity, even to the point of understanding an underlying process: I understand you to have been in contact with dr.u. regarding co-opting the u_space research for mygumun-deployments: keep us informed as to these developments: reports have been vague': y_useg(ii), in shimmering indistinct image, does something for a moment with här hands, altering the position of some small metal object in front of här, the black rubber of här mini-gloves blurring for a moment .. y_ueghuru(vi) fails to follow: y_usege(ii): 'y_ueghuru(vi), I am concerned about the u_YHUOGAMMON forces: my contacts there have all gone cold: something is in cultivation there: some of my u_pulse readings seem to bend .. contort in what should be unformable pathways: it seems the no-penetration filter over the ghost-line may be, in certain distinct points, compromised: distances between monadic currents which should be invariant are closing in as if to suggest the potential for eventual convergence': y_ueghuru(vi) is drawn back to the undulating mapping to the side of här image .. hä throws här hand out impulsively: y_usege(ii)'s 3-circled black wig bound tightly by clear rubber: dark sleep-deprived eyes: y_ueghuru(vi) closes out här image: hä kept staring at the monitor-glass in disbelief: 'petals in the wind like snow… (0000)…' the latter addendum referencing the fact that hä'd knocked over 3 out of the 4 glass vials of pink * red mini-carnations that hä kept out of some sort of ceremonial pride at the right of här monitor: circles of white light on the glass monitor converge on one another, .. making contact collapse into one another: hä hesitates: the folded over petals of the mini-carnations in ½-crushed disarray: (00): (recorded on the c.a.m.(ii) 'nirodha adheres to a 3 curve regression (mas-min-midi), dropping over the u.op.-monads in specialized, mechanical cases of questionable repute: if objects have merely their sparse properties than where does the rest come from - ha, 'other worlds' the adherent murmurs - but there is no claim being made on other worlds in actuality, but rather in immaterial, metaphysical terms: can one then accept this as transcendental space?: clearly, if one is to attempt to manipulate or observe or map the properties of these other worlds - .. if one is not pursuing this undertaking when doing math then one must question what is one doing? - then the suggestion that this exists only outside of our given immanent reality somehow becomes facile: we cannot have this cake .. eat it, too: nirodha is the process by which the plan takes effect, .. it is from the slow process of nirodha that the disappearances have occurred: there are four stages to the process: i) the random popping off from one's body of the individual monads making up one's material existence; ii) the emergence of protrusions .. misgrowths as one's body becomes deformed by its attempt to take its new form; iii) a brief period of super-powers which includes the acquisition of the power of teleportation; iv) disappearance (the chod): the u. formalisms bend the operations of the standard formalisms over a mapping to the u_monads as precursive: one is always pulling in from this completed conceptualization in equal measure to the force with which one is pushing out: 'chinese-handcuff mathematics' it has been quipped as a dismissive (?) pseudonym: madhymaka becomes in some way the theoretical convergence between these two processes .. powers any conception of nirodha: the nirodha is associated with the white::birds (refers to the individually popping off monads): also closely, but informally, associated with the u_ghosts, the nirodha similarly falls under the general class of chod-processes: there are conflicting theories among the mathematicians as to the precise mechanism by which the nirodha is kicked off: the particular placement of one's actions in time is not an inconsequential component': u_monad-engine: 'where did these recordings come from?': yumi(no)gosuto: 'it is unclear: y_ueghuru(ii) uncovered them .. provided access, but we have not determined their origin': clear plastic mini-armor grips clear rubber over yumi(no)gosuto's gray flesh in modular, gapped placement: occasionally black parallel markings accentuate the edges: through the large bay windows on all sides they receive views of the greenhouse interiors lined with various plotted vegetation .. fluid-receptacles: yumi(no)gosuto hovers over a floating monitor with pulsing semi-opaque optic images of dispersed regions: yumi(no)gosuto: 'yes, my pretties: yes my pretty ones...": the (00): "(00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)": yumi(no)gosuto: 'once there was a u_ejento(mega) who lived alone in the low depths of an abandoned grounded mega_ship long ago, many commutes before, hä had fought in the wars .. had journeyed all over the star systems in pursuit of the object of här faith: now only här memories keep här company, the wonders .. horrors which hä once came upon: not of one bird but of many': the (00): "(00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)": yumi(no)gosuto: 'there you are my pretty one: what are you doing?')."
(00)(00_00)(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00) )(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) 変更されました )(00_00))( ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00) )( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00 )((00_00)(00_00)) ): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00))."(00)( 00) (00_00)(00) 変更されました(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00) (00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."