(yumi)(no)(MONOGURUI)(ii):(MIMODRAMA)(i)(digital copy)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(which took a heuristic approach to the modeling of topological concepts .. compressible u_pulse flows, with maximum efficiency for either steady or unsteady flows: flicker-ghost: excluded middle (hebephrenic compound))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(there was determined a representative ur-point as a pivot for equivalence relations as the mechanism for goryo-derivation: it was then, as the process proceeded, required for the u_pulse flows in play to tie into this ur-point as a foundational representational framework: sometimes this would be, in effect, a more dynamic floating-point, whereas other times it would be more rigid: there was deviation, in practice, as to the precise mechanisms with which this was handled: this ur-point then would be a term in each function for u_pulse wave derivation for its given goryo moving forward: for the goryo:ghost this was experienced as a reverberation between two points drawing closer .. closer together at rates of velocity of reverberation increasing as the points converged: the effect being, in quasi-counterintuitive form, that of a growing velocity converging on perfect stillness, or equilibrium: so there is always, for the goryo, the promise, never realized, of the achievement of a kind of peace or calm, .. it is in the pursuit of this calm that the intensities of hebephrenic reverberation reach their greatest pitch: .. conversely this is the calm that the cowboy feels as hä watches the storm come in over the wide expanse: the fact that it is bigger than life, .. will break you, is comforting, because deep down you know that you are invincible, .. that nothing can break you: god, I found myself almost vomiting over everything: 'you can't pretend ignorance as some sort of defense: that's not even worthy of a cheap trick': (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00): in the construction of a static double identity it is necessary to first acknowledge that the concept of being 'static' is kind of fictitious: u_pulse is defined at its core as a movement, or a change from one compound to another, over continuous time-steps: the only thing that doesn't move, from a u_pulse point of view, is nothing-gaps)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(udoh(ii)'s goryo—a very pretty little ugartë in a fake-fur ghost-equipage with floral pattern, with här black hair done up tightly into big circular balls: in the pulsating white light shadows would form convulsively around här body as if unformed, gripping här face in their dark depths, such that only a hint of här cheeks .. glittering eyes were hinted at: hä propped här delicate hand on the underside of här chin for a moment .. leaned forward slightly: the fake-fur ghost-equipage protested with creases .. a faint rustling whisper: (00_00) (00_00) (00_00) (00_00): but här largely gathered up black hair would disappear completely with each interregnum of illumination .. would only return as a reverberating surprise or mystery: slight black markings ran over the upper curve of här cheeks .. edges of här forehead .. här gray-painted lips seemed poised to open in gathered restraint: there were markings on the insides of här wrists, dark gray splotches growing outward like mold or some kind of liquid perturbation: overlay patterns: hä turned them up towards här to look over more closely .. hä acquiesced, unresisting, but embarassed, almost beginning to pull away: but then hä pushed här gaze forward capturing här eyes .. pulllng them back towards här, lips opening slightly, 'yes?' whispered, .. hä lets här wrists drop away, becoming confused: glints of white light catch against här pupils: här fake-fur ghost-equipage holds här body in its grip like packaged meat, with black rubber insets: (0_0): 'projector regression allows us to undermark the currents with binding points for inflections: you were brought here with the intention of engaging you in the pursuit of the chryso-op.': y_ueghuru(ii) appears in white polymeratomic modular battle-armor, peeking around the corner of a narrow side-corridor: over the various floating monitors run the dense text of reports .. equations for u_models: a number of these appear to describe curvatures of space such that u_space in question turns back in on itself .. becomes a sphere or ball with perturbations floating over the surface such that the curvatures flutters .. changes over time: there are clear plastic bins filled with water placed at various points in the interior, each with hydroponic growths of little light pink .. red mini-chrysanthemums, tied by little clear rubber bindings to white plastic grid-formations beneath the water's surface: a plague of foreboding descends up y_ueghuru(ii) .. grays over här mind's inner consciousness, hä falters .. här eyes grow close: hä puts här hands to här legs as if to support härself: hä scans over the reports quickly in growing awareness of the consistent, repeated idea tucked into their content .. flips over an activation sequence on the c.a.m.(ii) to begin recording as much of the room's material as possible: other inner worlds are posited as the backdrop in the activities of u_agents in various of the reports, which for a number of reasons would appear to här to be impossible: hä knows though, in an instant, that there is nothing faked in these reports: hä recognizes too many points of contact for this to be the case, sees the convergences that they lay bare from previously interned gaps or mysteries, subconsciously, even, before hä can fully comprehend each distinct point: a flash of recognition: y_ueghuru(ii) whispers to himself 'hmmm, it appears that may have been a diversion': (0_0): 'tomorrow you will be given access to the bunkers lining the water's edge .. the matter explained to you in detail: there are three holding cells: you will be tied to udoh(ii)'s mapping .. initiated: had you really thought it was safe to come here?': här eyes drift back ot the markings on the inside of här wrists: hä shakes här head subtly: (0_0): 'look at me y_ueghuru(ii)': hä almost seems about to laugh: (0_0): 'you were going to tell me how you came to here: go back to the beginning: what are you leaving out?: don't give in to your forebodings': they loom over the crystal-formation protruding upward from the metal surface, suported by three chrome cylinders around which the crystals conglomerate: y_ueghuru(ii) rests här fingers just over it, as if probing: y_ueghuru(ii): 'I met an onnagatomaton version of you: did you kow udoh(ii) makes copies?': (0_0) lowers härself .. glowers at här chest darkly: (0_0): 'yes, I knew: I will destroy them all': yumi(no)gosuto: 'I assure you it is true, though…. the onnagatomaton will be our (*)region's future: slowly they will replace us, as more perfect beings, more adequately equipped to push forward with the renewed formation of a civilization oriented toward object-generation in its most protopian form: as hyper-madhyamaka takes hold it is the onnagatomaton that will interpenetrate these crystal forms .. metamorphosize into the new ugartë': y_ueghuru(ii)'s black rubber ½-mask provides haptic inputs for monadic projections, pulling in proto-mappings from great distances, .. collating them for their u.-potential outputs: här eyes linger over the bodies of här two cohorts even as hä turns .. departs, making här way back through the dimly lit metal-lined corridor: 'this would be phainoism, then', hä thinks to härself as hä makes här way back to the docking chamber: 'or its culmination: perhaps even the beginning of its change into something else: there are potential conduits within us that we know for our better selves to pretend do not exist: this is what we mean, perhaps, when refer to the impossible or unimaginable, why we equate the two: it is a coy refusal, one which promises to be conquered even as it pushes resolution further away, an interregnum of pause before the overtaking, always put off just beyond reach': hä enters the huge bright space of the hangar, makes här way past the activity of the assorted u_agents, to a dock where här white polymeratomic mech waits: hä activates the entrance protocols .. pushes through the clear plastic cockpit panel as it slides open, contorting här body to fit himself into the confined space, shoulders .. buttocks pushing against the white plush foam-rubber seat as the panel .. outer armature slides shut: hä unzips the small openings of clear rubber y.-suit .. pulls out metal rings attached to the white acrylic mecha-harness .. clasps the matching lanyards from white acrylic straps of the mech interior, tightening each with a quick pull before moving on to the next: in front of här through the clear plane of the mech-visor the expanse of mossy overgrowth .. marsh with rock formations emerging just over the still surface of the water: hä reaches back .. engages the release protocols .. the large humanoid mech, 10.5m., hums quietly as it pulls forward form the metal fortress embedded in the base of the mountain): (0_)(so the goryo is designed more or less as a circuit breaker, channeling these movements in one direction or another, or choking them off if need be: to cause the u_pulse pressure to rise one would reduce the flow-diameters inducing higher compression pressures causing a higher current to flow: so in this strata being 'static' is, in effect, a function of retaining a relatively consistent u_pulse flow): (hä pushes forward against the white straps: hä lets the cylinder of (00_00) come close to här mouth without touching it but hä can smell it: y_ueda: 'mmmm': hä licks the residue off the edge .. tips it, lets it roll around här mouth a little: hä coughs it forward but pulls it back in: everything seems white: u_ejento set up a framework for the interpretation of temporal events such that the interpolation between forward-backward movements of time .. u_pulse was strictly defined in minimal fashion)."
(00)(00_00)(00)(00) (00_00)(00) ヤメグル(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) ヤメグル(ii)(00_00)((00_00 )(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) ヤメグル(ii)(00_00)((00_00))(ii ): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (事後的な批評が多すぎる .. 分析では、暴力的な破裂としての * の内部の性質が省略されている .. 私たちが気づく前に私たちを半分飲み込んだ爆縮 到着: どこにでもあるベクトル規範が裏返されていた .. 表面では認識できない再構成された規範の流れとして他の場所に再出現: ここで u_objects セルは精神やコーディングのように考えることができます .. (00_00) における山伏の無意識の流れ (00_00) フレームワーク、生産的な存在として、代表的なものではなく、生産プロセスの集合的な融合): (灰色の歪んだ筋肉組織の人型幽霊像 .. 透明なゴムで形成された頭: (00_00): 透明なゴムに差し込まれた金属製の円形スタッド 1/2 ポンチョの約束 u_object または準備: 空間で身体を結ぶ線): (爆破後の u_objects 細胞の特徴付けにおける基本的で不安を招く欠陥は、鏡像または実体のない幽霊の性質に起因するものでした。 -ような品質)。" 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "((別名ユミ(ノ)ゴスト)、大柄で半ウゴール半ウラクオモリ、暗い色 二つの三つ編みにまとめた黒髪、やややつれた構造、微細に歪んだ筋肉組織: (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) ( 00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00))."(00_00)(モノグルイ: (ft CAPT.R.) (00_00) (00_00))."