MONOGURUI uramaki-dress: (DOGGYBOY: by FATBOY)
(00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "monogurui (00) (KENZO (ft CAPT. R.) (80.00): black outline:markings run up (-CR)(00)'s clear rubber 6-bumped bodysuit: hä wears tight rubber black gloves: carefully adjusting the mechanism for refined calibration of the monadic waves: här face is calmly defiant: proud behind the clear rubber mask: clear rubber (00) up to här knees: (-CR)(00) moves här numb chapped-lip mouth awkwardly: massive gray clouds forming:massing overhead wind turbulent super-strong every direction: (-CR)(00)'s black-stubbled face behind clear rubber mask: contorted groaning: mouth open: hungry: (-CR)(00)'s eyes round: black outline:markings ‘-CR’ .. adidas logo against här clear rubber YAMABUSHI equipage, mini-C.A.M.: was that the superposition of dr. m.s reconstructed mapping (determined via researches of 4 of the inspectors .. leaked to yameghuru_uereda(ii)) over the Institute's mapping." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(00) was producing distinct .. seemingly carefully calibrated moire effect: perhaps this was coincidence but yameghuru_uereda(ii) tended to perceive it otherwise: of fragmented broken glass shards from some kind of blow or projectile: foreclosure: for closer inspection yameghuru_uereda(ii) found himself bowed over a rock edge on här stomach: getting to old for this of course: carefully adjusting the mechanism for refined calibration of the monadic waves: här face is calmly defiant: 5 mini-protrusions from här close-cropped head .. a mini-C.A.M.: (-CR)(00)'s cold numb lips quiver vibrantly behind the clear rubber mask: black rubber gloved hands in stillness: over 5-mini-protrusioned head oh-so-carbonaceous black hair: clear rubber bindings up här sore tired legs: proud behind the clear rubber mask: clear rubber (00) up to här knees: (-CR)(00) moves här numb chapped-lip mouth awkwardly." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(00) such that hä might perhaps vomit (inwardly) or choke because the air which hä is trying to breathe is simply too far away: if hä could only push forward just closer: or if hä could push the 0000ing white rubber (??) off of här body: hä should head down to the engine room: or down into the monadic chambers: anything to get här mind somewhere else .. off the oppressive certainty of phideyuki's maneuvers: (00): phfggt..: the practice initiated by districts of recruiting soldiers from amidst the mathematicians, leading to the formation of the institute: wu-white puff-jacket: this eye (the lt. sibling of a slightly darker blue) or carefully watching the space against the white wall to the rt.: 2 sec.) '000000' (2 sec., voice slows): off-site: adidas acrylic arm warmers: never know when you'll return: the monadic chamber system is lightly referential to the classic mechanism of ball bearings for flow-movement systems." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(00) .. as with a ball bearing system the perfection of the mechanisms: monadic control-pts. with perfect information: implosion-pts.: we turn now to a more specific kind of construction: 6 bumps of här clear rubber bodysuit decorated by 6 black bold circles: rubber-formed: här oh-so-carbonaceous 5-circled hair: 1 raised eyebrow for a moment: big round eyes: the clear rubber black-outlined (00): so-called constructions with perfect information: these constructions are characterized by the fact that at every point in every move every initiator knows precisely the choices that have been made previously: so far as the mapping of the construction is concerned, this means that every information set is a 1-element set: each circle-designation encloses just one branch point: each move is thus heavily subordinated to the previous move/s." 0228 (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(00) coming closer: yameghuru_uereda(ii) in plastic clear plastic bulbous armor w: huge clear plastic circular misformations, large black-09 on rt.-circled breast: RKUCH this-.: 3 bold weak super-red semi-opaque lines converge on the face of the mask: weak permanent blue semi-opaque circles outline each of the clear plastic balls of the headpiece: 13-circled: the semi-opaque plastic fits the contours of här body: adidas: multi-formed: yameghuru_uereda(ii) in white rubber short-shorts: clear plastic black-outlined mask: yameghuru_uereda(ii) in clear plastic armor attached to clear plastic chair white straps: bindings: hä wears tight rubber black gloves: carefully adjusting the mechanism for refined calibration of the monadic waves: här face is calmly defiant: proud behind the clear rubber mask: clear rubber (00) up to här knees: (-CR)(00) moves här numb chapped-lip mouth awkwardly." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "yameghuru_uereda(ii) doesn't intend to reduce everything, all acquaintance or friendship, to occupational prerequisite: but phideyuki I is a particular case: there is information hä needs to acquire from här .. for which hä cannot go empty-handed: the architectural effects of the ryojusen white room are such that yameghuru_uereda(ii) feels a little uncomfortable, weak permanent blue semi-opaque circles outline each of the clear plastic balls of the headpiece: pressure-pt. tubular injections: anti-chöd armor: selecter-pt.: but adept operators are able to out-maneuver the limitations: the quiet hum of the air-conditioning pounds yameghuru_uereda(ii)'s body forcefully: phideyuki turns här head to the side: it's not yameghuru_uereda(ii), it's the mountains: yameghuru_uereda(ii)'s lips touch the white ceramic with abstract pattern of the teacup: yameghuru_uereda(ii) has to catch himself – for just a moment, from the outside of här peripheral vision." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "monogurui (00) (IMPOSSIBLE IS NOTHING) (80.00): .. on 2nd look there's only the vaguest of correspondence: hä pushes it down to här stomach: over the clear plastic body-suit multi-bulbous armor: adidas 3-figured logo in black just above rt. hip: oh-so-carbonaceous black-stubbled face 5-circled hair: hä's overreacting to everything on a micro-scale, indefinitely: the C.A.M. II oppresses him: so does everything else: I am not a yamabushi: after witnessing the results of their outing hä is inclined to put it off: or some kind of hybrid-machine, like the mechanical bodies of (00)? or Y.: the ranks of the mathematicians .. appropriating institute land: the effect was of a inter-integration reversal: a backwards-movement coup of control-pts.: this eye was passed down to me in recessive genes- along with close curiosity .. forethought: oh it 0000ing aches or not." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(00) phideyuki's gray-painted lips: or invisible movements: or (00): yameghuru_uereda(ii) has formulated 5 micro-corporations for här uber-identity (corporate): i) the rokudo-ch. ii) ? iii) the de(000000)ed iv) the bwtwoas v) the (0000): for mountains or over this: re-introducing button-up futurism: phideyuki: 'the outdoor-riggers have been fogging up. you've noticed?': yameghuru_uereda(ii): 'no, but this will always happen this time of year in this climate. they weren't designed for this type of – for this – obviously.' phideyuki: 'hmm, it hasn't been something I've noticed. i've been out there for a few morning recently, over the last couple of weeks or so, .. it seemed – it seemed noticable or different. i find it oppressive.' yameghuru_uereda(ii): 'you've been anxious then? you're waiting for something?': phideyuki: 'i don't know. yes, i suppose. i've begun feeling old I guess.': obesity." 0232 (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(00) hä catches the abstract pattern on phideyuki's teacup .. is convinced that it is a match for the monadic mapping for the micro-conductor hä was working on earlier that morning in the snowy fields: puts här black rubber mini-gloved hand to här lips: här clear rubber mask restricts här head tightly: big round eyes: (-CR)(00): pursed numb chapped lips: but it was too cold then .. här body too non-functional for him to be held acountable for any kind of clear or accurate recollection: hä's only imagining silly things: huge mounds of folded-over vibrating flesh: the smells of it, or the nausea, or the weight. the sweat .. body-fluids mixed together which hä can now taste on här lips: or the misformed protuberances: everything, for yameghuru_uereda(ii), now, is about the chöd: or the methods of derivation proposed by K.-Mitsu: yameghuru_uereda(ii) looks at här C.A.M. II." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "monogurui (00) (YOU SAY YOU WANT A ↻: YOU SAY YOU WANT A REVOLUTION) (80.00): it's registered notes regarding messages received from 4 of här outward deployed monadic filibrators: the documents .. structures of the mathematicians were appropriated for military purposes: it was last seen calculating in old Hushimoro's horry visage with gray painted lips: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00)." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O." 0236 (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00)." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "monogurui (00) (I LIKE TO CONFUSE PEOPLE: THROW THEM SLIGHTLY OFF) (80.00): (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00)." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00)." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00)." 0240 (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00)." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "monogurui (00) (000000) (80.00): (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00)." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00)." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00)." 0244 (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(00) i) yameghuru_uereda(ii): 'Oh no. I'd like to occasionally to the white floor below the white design an irresolute formless disposition of my light. I was just hopelessly heart-broken __ __ recognized a correspondence between certain aspect, .. from it I could feel the plastic': their co-opting of secular power thru integration: they orginally focused on land reclamation system / water conservancy works: the yamabushi, while not fighting, were encouraged to grow crops in military conolines: oh-so-carbonaceous black mini-bundled hair atop 5 mini-protrusions: clear rubber 6-bumped bodysuit equipage w: clear rubber mask over 5-mini-protrusioned head: oh-so-carbonaceous black hair: big round eyes: their efforts were co-opted by the hachibushu, in order to effect the ground-level operation of the (0000). down to black rubber tight white-laced boots."
(MONOGURUI(i:ii)): yagaö::ueda は 60 代半ばのような大柄な男性で、頭の近くで黒い抽象模様の髪を刈り上げていました。 ややくぼんだ目は、ハーのスピーチに下線を引くために積極的に目を細めるという頻繁な習慣がありました: ハーの大きな体はハーの肩をわずかに前に押し出すことができました, ハーの黒いアクリルのオフィスチェアの安静時でさえ, .. ブロックのような輝き. här の前にある金属製の机は、蓄積された低腐食の鈍い緑青で落ち着いていました: här のグレーのリサイクル ポリエステル製の襟のないジャンプスーツには、金属製のジッパーが付いていて、軽い汗をかいた場所で här の体にくっついており、黒いプラスチックのボタンがしっかりと押されて、ぴんと張った筋肉質の脚につながっています。 黒のローカットのスリッポン ドレス シューズを履いて、机の下に靴下を履いていない: 相互に排他的な命題が両方とも成立することを可能にするものとして時間を定義した瞬間、完全に理性に縛られた概念空間としての時間の理解が開かれます。 その可能性の範囲: vis を理解しました 私は、彼らとの短い会話から、この世界における彼らの人型の形態.. スピーチは、彼らの世界.. 私たちの世界の間のインターマンディアを通過する一種の投影の産物であると信じています. 私の理解が正しければ、フォームは、彼らが私たちのフォームであると理解しているもので、私たちに自分自身を提示しようとする試みです.. 歪んだ人物.. 曇った.. 彼らが私たちの形であると理解しているものを模倣しようとする漠然とした試み.. 行動: 訪問者の体の周りにかすかな光がわずかにあり、それは外部から反射されているのではなく、内部から来ているように見えました: hä 想像上の巨大生物 明確な光の点によって定期的に区切られた薄暗く暗い闇の中で遠く離れた世界を歩いています: hä は、彼らについて、彼らがどこから来たのか、彼らが何をしていたのか、これらの寒い場所で非常に系統的に、もっと知るべきだと感じました: そのうちの 1 つは、 探している ハーに戻って…。 (00_00)