MONOGURUI u-op: (MAITR)(iv)
(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (yumi(no)gosuto .. y_ueghuru(ii) walk down an embedded walkway, clear plastic walls surround them blankly at all turns. y_ueghuru(ii): in white u_ejento(mega) equipage .. white fake fur chaps .. clear rubber head-mask purses här lips unequally in dismayed .. cheerful thoughtlessness)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(y_ueghuru(ii): 'It was discovered that geometry was not logically unique .. that other geometries based on different axioms were not necessarily internally inconsistent: the question was raised about the nature of physical space: do lines .. figures in physical space obey the theorems?': y_ueghuru(ii) walks down the white polymer-cem causeway inspecting the clear plastic walls closely .. hopes indifferently for splendors in white close-hooded courier uniform with big circular white discs placed at här back .. stomach: (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): 00000. (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000)): (I was most struck by här eyes, which were of unnatural clarity, pushing forward a disturbing form of uncomfortable peace in a peculiar way: yumi(no)gosuto wore a white cotton-hybrid cross-stitched uniform with white strapping with clear rubber hood over ice-gear: (00)'s broken body: här clear rubber short bodysuit with tight hood-mask pulled over här head with the eurostile word on it '*u(00_00)" in black outline, .. small circle logo in black, clear rubber arm warmers .. clear rubber slippers)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(tall white leggings up to här knees, vacant face staring upward)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(y_ueda is perhaps best described as a professional onnagata, constructing a fiction of feminity .. voluptuous inverted force to pull in .. consume all of the cultural pretty decorative inanities of perfect destructive grace: the white cotton fabric of the jumper pushes back against här asserting its right to the material space här body is encoaching upon: discomfort was sometimes intended as a placebo for the kind of annihilating ruptures .. melodramas of psychic episodes: här body acts as the rayleigh-ritz ratio for a multitude of goryos, conceived of as the constraint that forms the convergence of a min max problem: the reversal of proto-phasm coefficient growth by the yamauereda was functionally equated with chrematism): (metal cabinets .. appliances fit into place against one another)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "((pause) y_ueda(ii) grabs the (00_00)(ii) from här multi-bumped ghost-equipage .. rests it on the table before (00_00): the clear plastic surface trembles as hä runs här hand over it: (00_00)(00_0000): (00_00)(00_0000) (00_00)(00_0000): (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000): c: (df) reverb between u_pulse points: c: (_0*(r+_)+_) :: (_0*(r-_)-_ : (_r(*)+_+(_(-_)(*)-_) : or a u-series such that (u0*(r+y)+y) :: (_0*(r-y)-p : (00_00) touches the (00_00)(ii): hä understands, in a theoretical sense, the u reverb confined within its interior, but its mere physical presence .. closeness pushes an indefinable foreboding into här body's core)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(a sense that even the unforgivables are being approached .. breached)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(allowing just enough space against a small metal table pushes against the small oven whose metal surface reflects back the light against them)." (THE (0__)((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(cyclo-dense .. cyclo-distant mappings they had been corrupted: the goryo, re its role as a brownian bridge, tied off u flows into an ultimate culminating pre-determined point, anchoring reverberation in u to a bounded reality: without this control the destructive reverb would consistently lead to madness, in the u_ejento involved but also, in all probability, any ejento or actors within their direct gersgorin radius: in this way the goryo could be compared to the compound poles of monadism: from _00_ to _00_ the yamabushi were pulling proto-phasm from forward points in time back into the inversions cell so powerfully .. robustly that yamauereda processes of minimization were pushed to their effective limits: this built up force of contraction to contain the outward propagation of proto-phasm formation would then reverb backward violently .. in uncontrolled unexpected fashion)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(här white cotton capri jumper bunching around här body, contorted, as hä recoiled from the force of the blow): (här head hurt with the cold .. the pounding: the __ cycle allowed for the deposit .. movement in the brain's organic tissues proteins associated with the pushing forward or backward of u_pulse flows)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(with the release of the reverse-tension represented by these contingent flows)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(it is at this point that one would most like to proclaim one's innocence, but is faced instead with the clear demonstrable wrongness .. impossibility of such comforts: this is the point where the paranoid breaks, .. confess calmly, quietly, in a breathed whisper, 'it was me', for all the wrongs in the world: one finds oneself in between the convergence of these two ineffable series): (turning on two brilliant white lights to replace the dim grayness: sitting down on a metal chair in the corner of the polished wood .. metal lined room, .. pressing the palms of both hands on här knees, the gray multi-folded cotton bodysuit, black circle patterned down from the shoulders to mid-chest, pushing down här _ black banded shaved head reflecting the white bouncing nauseous light)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(white fluffed filliing pushes out from creases in places: at här right hip in black block letters 'u_648')." (THE (0__)((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the isomorph function of the y-filter had been broken, but, in theory, if used vigorously could be a powerful force: in effect, over time through a variety of processes, it had had multiple double binds built into that would be difficult to disentangle, such that it served as an ineffective tool in the midst of phase-push, unfortunately: as such, most of the initial programs created by the op. flux in response to the unwinding of the * proved important, as implicit or explicit extensions of the y-filter function)." 00. (00_00)(00_00)(MONOGURUI) (0000).(00_00): '"(in gray black banded acrylic multi-gapped bodysuit, with metal discs, .. här 4 braided head glistening slightly with sweat)."
(00_00)(MONOGURUI: y_ueghuru(ii))((00))(00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(viewed phenomenologically the * clearly had the character of a contractionary event, with tightnesses in proto-phasm as the motivating factor for all of the tremors .. damages popping up in one place .. then another, fulfilling 'in their succession the described conditions of the collection' as a reduction in quantity of flows of proto-phasm .. u_objects reverberations: u theory's conceptual history could be viewed as one of invisible ejento taking actions that u theory would predict to have a given effect, observing the occurrence of the effect, .. then incoherently attempting to amass an array of non quantity based theories to form a coherent matrix-filter: fictions of a distorted .. science fiction like character were regularly passed off as the most rigid .. sane of cold hard entropic contemporaneous theory)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(a big fold-over gray ghost-equipage with black circle-pattern): (certain of these flows would consist of high levels of reverb, tied back in to their representative ejento' goryos: the principle of indifference was applied freely to these effects, as their pursuant aims were driven primarily into probability sets: the white plastic module stood up from the glass surface, attached by metal screws, in one rectangular block on a pivot, with 3 glass rods set into its front face: it pursues a minimalist predictive model such that inputs are transformed into minor functions .. outputs are morphed into contorted shapes on an undulating surface plane: here, u_monad misformations can be viewed as flowing in from invisible effects in the modern form: behind the module in glass gridded case sit various forms of crystal (magnette, quartz, mesolite, oligoclase, rhodonite, kunzite): their perfect, vitreous inner reflected light settles into a kind of repose against the aggressive activity of the large bunker facility: in a kind of quiet agony hä puts här hand out toward them: off in the forefront ahead of här three squat white plastic mecha with assortments of radial cyclo-monadic propulsion cylinders make their way toward the large opening with cold, gray morning skies behind it: paranirvana (as reaching the transcendent or the beyond): (df) the folding over .. closure of monadic entelechy: the realization that we have already transcended: we exist (right here: right now) in the beyond, as transcendental objects, .. it is this very completion of the process of reaching out to the beyond .. then back into ourselves by which we conceive ourselves as 'ejento' of a higher or other plane: our bodies reach out to our surround environment, making of ourselves a micro-ecosystem of our flows, out on to the beyond, .. the beyond, .. the beyond… until we've converged upon the notion of the body as extending out to the phantasms that push in on us from the other regions: we take them in .. cultivate them, .. use them for our own purposes, .., ultimately, they devour us, or possess us, if you prefer, .. we morph into their ghost-forms that play under the bubble surface tension of the (*)region as we imagine it may exist or reform itself, as if it is our own interior mprpg: **(00_00): u_ejento sought productive processes in the imaginative value of models, such that they generated predictions outside the range of conventional solutions, displaying a future-realism effectively retrodicted back on to the past, effectively producing phantoms which might transform the preceding data as forcefully as the proceeding: in such a way they reimagined themselves as artificial mirrored versions of their extant identities: u_plots for a wide array of property types were tied back into major institutions via back end proto-phasm channels that would not have been observable, at this time, to most observers, ultimately supported by implicit compound backstops: it was to these inputs into the op.-yamaueredas(::)' proto-phasm portals that the u_flows constructed were ultimately aimed): (hä realized, of course, that ultimately the one autarchic hä would need to defeat, the one that would stand in front of här when hä was closest to victory, would be härself)." ((00) y_ueghuru(ii)(00)(the YUGHUR::PHANTOM)(ii): "(the one effete bastard that could grip här inner organs in psychic power .. destroy här)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(a marking on här upper left chest just below the shoulder of a circle surrounded by _ smaller circles: the y_ueda crouches low over the white plastic ground, it's six eyes set against its dark gray flesh .. powerful jaws, a four-legged beast with rippling muscles bound in black rubber with gapping: the y_ueda are capable of c-ray communication over vast distances, via invisible light rays that are projected .. received by their clear orbular eyes: mykita-archon(i) has invited yumi(no)gosuto .. maha-kiso(iii) to meet här at the edge of this white polymeratomic .. steel aqueduct channel: they watch the clear water flow beneath them, surround by fields with plots of organic compounds: maha-kiso(iii) in light pink padded ghost-equipage with light blue stitching: här gray rubber features gaunt .. highlighted by darkened lips .. brows: här long, delicate fingers clutch the air at här side: black hair billowed up into three large bunches, .. interwoven with light pastel flowers bouncing about on lithe, black boughs: white rubber ice-clippers: yumi(no)gosuto realized hä was not an onnagatomaton at all, but rather a new form of c.a.m., the communications channels embedded in the particles of här body passing distortions in the u_pulse channels via wave morphings continuously: yumi(no)gosuto's semi-opague clear rubber bodysuit with clear rubber ½-mask, 2 black braids: hä shifts här feet .. examines maha-kiso(iii) carefully: yumi(no)gosuto: 'are you prepared to bring the op. into the fold?': maha-kiso(iii): 'we are prepared: we have been waiting': mykita-archon(i): 'we have all been waiting: but the time for patience has reached its end: it Is itme to push forward: we have several assemblages in place: they will be activated over the course of the next few days: I have asked for both to come here in order to confirm your cooperation: we must be united in this': yumi(no)gosuto: 'I will intervene with yarbois: we will bring several agents with us, .. do what must be done: we are able to infiltrate the YAMAUEREDAs at several points .. can assert control over a considerable portion of the fleet: once we have engaged you will be able to proceed with your movements unhindered': mykita-archon(i): 'may peace pass over us .. imbue us with clarity: the star-crystals are primed .. ready for formation'): (everything the yamaueredas were pushing into the period of _00_-_00_ was being pulled back via goryos to the period of _000-_00_, inflating the mathematical compounds to massive proportions: the apparatuses of the compound managing the organization of proto-phasm flows): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) 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(00_00)(MONOGURUI: ミフマン(ii)(ii)((00))(00)(00) (00_00)(00) ミフマン(ii)((00_00)(00_00))(ii): 「（この場合、ウガルテの中の小さなウガルテは、目に見えない世界を駆け巡る、デコードのプロセス、つまり再コーディングのプロセスを行うために、より良い瞬間をすべて費やします。 財務諸表の最も美しいものに縮小されます。ugh: 主観的導管 vs. 客観的導管 (集中波 vs. 成長形成): 主観的導管は、「体」の支配的な部分を形成する u_pulse 波です。 これはそのような方法なので、mighu-man(ii) の場合、たとえば、これら __0 の支配的なチャネルは、ある瞬間から次の瞬間への här のアイデンティティを指示します: .. här self を表す連続性のパターンを提供し、 一方、これらの客観的な導管は、はるかに支配的ではありませんが、自己完結型でもなく、ギャップを埋めます..体に含まれる前方の運動量を形成するのではなく、通過するu_pulse波を表します ざらざらしたもの、複数の体を通り抜け、再び、隙間を通り抜けます。 .. 「マイクロファシスト」、ちっぽけなろくでなしを見つけるのは、これらの客観的導管の領域にある.. 彼らがそうであろうとなかろうと、愚痴: あなたの与えられたマルクス主義者/共産主義者が組み込むことができなかったこの側面 彼らのモデルは労働力の総和が次第に減少するというものだった.. システムのこの種の基本的な基礎となる量的緩和の実現がゆっくりと行き詰まりつつあることは、ポスト・フォーディスト的認知資本主義と呼ばれるものである。 u_pulse を伴う労働力: (あなたが与えられた資本家は、習慣的に「労働力」というフレーズを口にすることができず、小さなニヤニヤしたり、憤慨した質問のように聞こえるようにします): här 御料に対する här の情熱は、マンハッタンでの här の成功の時代からさかのぼります (00_00)(モノグルイ：ミグマン(ii)(ii)((00))(00)(00)(00_00)( 00) mighu-man(ii)((00_00)(00_00))(ii): "(しかし、hä は明らかに här を恐れていた.. ke a a Slave in här presents: hä は漠然とした何かを恐れていたことがわかりました.. hä が言葉にできなかった..神秘的.. hä はしばしば mighu-man(i)(00_00)(ii) を探す視線を盗みました。 、反射的に här を精査しています...: .. 見よ — 野獣は突然 här の爪を示しました): (山上田の CERN(ii) の手術室で、白いプラスチック製のプールの長椅子に座っている phuma は、ゴム製のストラップが付いていて、短い黒髪が結ばれています 束、白いゴム製のショート パンツで構成される水着.. 2 つのストラップは、小さなクロムの留め金でつながれたハーの体を覆っています。ハーの胃に対して白を引き上げています。ハーの暗い目は、ハー自身に対して押し下げています。手術の男の子の 1 人が、ハーにこのメンテナンスの使用を許可しています。 場合によっては部屋: 部屋の一方の端に大きな壁の窓があり、メインのコライダー チューブの経路が見えます: 部屋の中には __ サーバー ラック .. _ 冷却ユニット、複数の配管ライン、金属の輪郭を描いた床: __ uv があります。 ランプは、天井のリギングから白色光を押し下げます (エリミネーター rpt) ): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00) )(00) ミフマン(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) ミグマン(ii)( 00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00))."
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