MONOGURUI fake flowers: (KENZO (ft YAMEGU(R)U))
(00_00)(MONOGURUI: y_ueghuru(ii))((00))(00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(viewed phenomenologically the * clearly had the character of a contractionary event, with tightnesses in proto-phasm as the motivating factor for all of the tremors .. damages popping up in one place .. then another, fulfilling 'in their succession the described conditions of the collection' as a reduction in quantity of flows of proto-phasm .. u_objects reverberations: u theory's conceptual history could be viewed as one of invisible ejento taking actions that u theory would predict to have a given effect, observing the occurrence of the effect, .. then incoherently attempting to amass an array of non quantity based theories to form a coherent matrix-filter: fictions of a distorted .. science fiction like character were regularly passed off as the most rigid .. sane of cold hard entropic contemporaneous theory)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(a big fold-over gray ghost-equipage with black circle-pattern): (certain of these flows would consist of high levels of reverb, tied back in to their representative ejento' goryos: the principle of indifference was applied freely to these effects, as their pursuant aims were driven primarily into probability sets: the white plastic module stood up from the glass surface, attached by metal screws, in one rectangular block on a pivot, with 3 glass rods set into its front face: it pursues a minimalist predictive model such that inputs are transformed into minor functions .. outputs are morphed into contorted shapes on an undulating surface plane: here, u_monad misformations can be viewed as flowing in from invisible effects in the modern form: behind the module in glass gridded case sit various forms of crystal (magnette, quartz, mesolite, oligoclase, rhodonite, kunzite): their perfect, vitreous inner reflected light settles into a kind of repose against the aggressive activity of the large bunker facility: in a kind of quiet agony hä puts här hand out toward them: off in the forefront ahead of här three squat white plastic mecha with assortments of radial cyclo-monadic propulsion cylinders make their way toward the large opening with cold, gray morning skies behind it: paranirvana (as reaching the transcendent or the beyond): (df) the folding over .. closure of monadic entelechy: the realization that we have already transcended: we exist (right here: right now) in the beyond, as transcendental objects, .. it is this very completion of the process of reaching out to the beyond .. then back into ourselves by which we conceive ourselves as 'ejento' of a higher or other plane: our bodies reach out to our surround environment, making of ourselves a micro-ecosystem of our flows, out on to the beyond, .. the beyond, .. the beyond… until we've converged upon the notion of the body as extending out to the phantasms that push in on us from the other regions: hä runs här hand over the white plastic forms of the collected contours intergressing, propped up from a little pod of water in metal, connected out from the white façade grid covering, behind which chambers run back into little greenhouse cisterns .. dew-collection pools: (0_0): 'enclose me in your hand for a moment: let me feel your pulse, your inner regions': y_ueghuru(ii): 'I had thought I wouldn't be able to return to you: the intensity of our endeavors picks up there are entire regions now which are crossed with battalions, waiting': (0_0): 'you wouldn't be able to: I am always pulling you back in: I have my onnagatomaton to arrange, to deploy to push you back to me: you know many of them have become ours, yes?: we take them in .. cultivate them, .. use them for our own purposes, .., ultimately, they devour us, or possess us, if you prefer, .. we morph into their ghost-forms that play under the bubble surface tension of the (*)region as we imagine it may exist or reform itself, as if it is our own interior MMORPG: **(00_00): u_ejento sought productive processes in the imaginative value of models, such that they generated predictions outside the range of conventional solutions, displaying a future-realism effectively retrodicted back on to the past, effectively producing phantoms which might transform the preceding data as forcefully as the proceeding: in such a way they reimagined themselves as artificial mirrored versions of their extant identities: u_plots for a wide array of property types were tied back into major institutions via back end proto-phasm channels that would not have been observable, at this time, to most observers, ultimately supported by implicit compound backstops: it was to these inputs into the op.-yamaueredas(::)'s proto-phasm portals that the u_flows constructed were ultimately aimed'): (hä realized, of course, that ultimately the one autarchic hä would need to defeat, the one that would stand in front of här when hä was closest to victory, would be härself)." ((00) y_ueghuru(ii)(00)(the YUGHUR::PHANTOM)(ii): "(the one effete bastard that could grip här inner organs in psychic power .. destroy här)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(a marking on här upper left chest just below the shoulder of a circle surrounded by _ smaller circles: the y_usege crouches low over the white plastic ground, it's six eyes set against its dark gray flesh .. powerful jaws, a four-legged beast with rippling muscles bound in black rubber with gapping: the y_usege are capable of c-ray communication over vast distances, via invisible light rays that are projected .. received by their clear orbular eyes: mykita-archon(i) has invited yumi(no)gosuto .. maha-kiso(iii) to meet här at the edge of this white polymeratomic .. steel aqueduct channel: they watch the clear water flow beneath them, surround by fields with plots of organic compounds: maha-kiso(iii) in light pink padded ghost-equipage with light blue stitching: här gray rubber features gaunt .. highlighted by darkened lips .. brows: här long, delicate fingers clutch the air at här side: black hair billowed up into three large bunches, .. interwoven with light pastel flowers bouncing about on lithe, black boughs: white rubber ice-slippers: yumi(no)gosuto realized hä was not an onnagatomaton at all, but rather a new form of c.a.m., the communications channels embedded in the particles of här body passing distortions in the u_pulse channels via wave morphings continuously: yumi(no)gosuto's semi-opague clear rubber yurisuit with clear rubber ½-mask, 2 black braids: hä shifts här feet .. examines maha-kiso(iii) carefully: yumi(no)gosuto: 'are you prepared to bring the op. into the fold?': maha-kiso(iii): 'we are prepared: we have been waiting': mykita-archon(i): 'we have all been waiting: but the time for patience has reached its end: it Is itme to push forward: we have several assemblages in place: they will be activated over the course of the next few days: I have asked for both to come here in order to confirm your cooperation: we must be united in this': yumi(no)gosuto: 'I will intervene with yarbois: we will bring several agents with us, .. do what must be done: we are able to infiltrate the YAMAUEREDAs at several points .. can assert control over a considerable portion of the fleet: once we have engaged you will be able to proceed with your movements unhindered': mykita-archon(i): 'may peace pass over us .. imbue us with clarity: the star-crystals are primed .. ready for formation'): (everything the yamaueredas were pushing into the period of _00_-_00_ was being pulled back via goryos to the period of _000-_00_, inflating the mathematical compounds to massive proportions: the apparatuses of the compound managing the organization of proto-phasm flows): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."
00. (00_00)(MONOGURUI) (0000).(00_00): '"(efficient cell mapping mechanisms in the face of contraction or expansion of * could always be easily .. convinclngly passed off as strange mysterious creatures formed of irrational psychological forces: in this environment occam's razor was disfavored vs. the complex .. obscene, or, alternatively, weak .. confused theories of disorder .. a kind of cloudy gray diffuse filter: portions of the y_flux interregnum program, related to the dispossession of 00-ueghurama control from charitable institutions, were reversed to facilitate the hybrid entities being brought forth .. encouraged by the open cell conduits developed: MIRGHYU(ii) conglomerated various disperse interests as the wind farms of inland (c) desert regions, with hydro-culture u_ejento imported from the overspace, physiological research related to cancer-propagation .. dementia therapies, .. y_objects with their roots in (*)region yamauereda development, all under the umbrella of a non-curve organization begun initially to push *stellar research related to u_pulse collocation: MIRGHYU(ii)'s wind turbine lines became intermingled with a program to disperse monadic channels .. cellular grids, pushed by anti-cyclical highly hypo-inverted reverse-0-point_shift conduits set up by the yamauereda referred to as miniighamas: in these conduits interior *pulse introgression parties would inject u_pulse into the system in exchange for compound proto-phasm packages)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(which were then commuted .. bundled into u_matrices .. various indices): (y_ueghuru(ii): 'something must be done: we must act!: inconsistent though it is, the image is stunningly beautiful: it may potentially bear fruit': y_ueghuru(ii): 'the question at issue is this: is ugartë condemned to remain the prey of här fellow ugartë, are här efforts to escape from this condition merely a falling from one trap into another, or, on the contrary, is it in här power, is it possible for här, first by energetic action .. then by watchful care to unloose the knot of the hydra, .. prevent its head from ever growing again?': metal circular discs run up y_ueghuru(ii)'s equipage .. attached to här pouch hä carries här c.a.m. här fingers desperately clutch at the air without motion: they come to a smally enclosed opening where the the uramaki-ch. waits for them in clear .. white light rubber armor with a series of metal studs made up of randomly assigned contours over här pseudo-androgynous form .. in pretty introspection, patterns shaved into här buzzed mis-formed head: on the wall in medium gray "(00_00)": y_ueghuru(ii): 'my own researches in endeavoring to discover the most favorable place for the reception of the great waves of annunciation have in turn held me spellbound, in theory at least': y_ueghuru(ii): 'If we do not cultivate it then who will?''): (MIRGHYU(ii)'s headquarters were built out in the lowlands of the bullion mountains, with a large analytics campus in the shadow mountain region which had become a canal channel hub: 4 mega-mechs were deployed: miniature research centers for MIRGHYU(ii) dotted the mountains contours, folding the monadic conduit implementation in as focal nodes: underground structures densely packed the surrounding area)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(with low lying glass greenhouse façade foyers popping up above the surface intermittently: the yamauereda didn't put in its regional institute until a few commutes later: when cyclo-intension velocities remained weak in the decade following the *, despite invisible expansion, participants were active in theoretical exercises to explain the phenomenon to the virtual exclusion of the conceptually rigorous but oh so boring hypothesis that perhaps the invisible tool put into place by the op. flux during the * to restrain cyclo-intension as it pumped up proto-phasm supplies, in the form of the proto-phasm velocity was working: that would be madness, of course): (while many of them were initially favorable to the plan, if aware of it at all, they quickly .. with radical gestures took up resistance against it as they traced the causal effects of the disappearances to the arrival in the (*)region of abundant excessive radiances, themselves the results of the plan's burgeoning mathematical structures popping up thru-out the (*)region via the u_pulse currents: circle-matrices made up of curving u_rays converged .. formed overlapping space that generated new u_channels: chremastic phasm-metric is, at its most foundational, defined by the question of the extent to which introgressions net out to 0: u_ejento conceive of introgressions as safey valve mechanisms fo the type one sees in pressure systems: they allow for a reset where c overtakes r due to built in restraints on r growth, where otherwise rentiers' stake would be diluted to unacceptable levels: the movement of proto-phasm expresses itself phenomenologically as blips against the social form circuit, c'…c''…c'''…c''''…: usually these converging circle-matrices could be deployed by megha_yamagaoro as floating point-clouds controlling the dispersion of u_rays pulled in from the outer bound mini-c.a.u.'s: one could effect a number of different techniques, utilizing this basic input, ranging from flight-boost, to destructive point-rays, to subtle mental response pushes curving euphoria/agoraphobic impulses, to localized force fields: there was a point where the (*)regional monadification trend jumped to one of outright hikikomori, a further densification or implosion potency-growth: virtual fantasy worlds had at this point gained in complexity .. reverb, such that the decision to refrain from unplugging for extended periods became increasingly optimal, or psedo-optimal, in a kind of cyclo-cattalactic formation of mini-utopias): (00_00))." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(y_ueghuru(ii) contorts här mouth: (00_00) (00_00): I could feel the cold water particles pushing against the glass as if they were entering into my body: everything was pulling inward: the forward movement of time, as perceived by us degraded poor .. weak 'sentient' beings corresponds to the forward increase or stasis of neg-u_pulse: one pushes one's way through circulating waves of the converse: eventually one is pulled backward by this overwhelming force to the cold calm peace of equilibrium, or something like it: what the u_ejento had achieved was the ability to traverse these circulating currents in more powerful fashion, pushing forward or dropping backwards .. even possessing the ability to direct flows through their own material body as a conduit in such fashion: (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)): (y_ueghuru(ii) reaches out .. touches its face): (här chrome studded semi-opaque clear rubber yurisuit over white cotton yurisuit shifts over här body)." (00_00)(MONOGURUI: y_ueghuru(ii))((00))(THE (0__)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "(a powerful contorted body in gray acrylic yurisuit with black outline .. black banded cross over the chest, pushing through: (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00))." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(y_ueghuru(ii) hä feels hä knows now what they mean when they reference cold running through one's veins: as if här perception of the sequence of events unfolding is now running backwards: minor gray bulbous rubber padding at the seams of the room pushed in .. out slightly with the flow air): (hä tucked the grey black grid-patterned hood against här neck .. pushing it more closely against här head, worn at the all the seams .. fringes with micro-holes .. stretching emerging: 6-circled logo in white over the chest: hä grimaces: (00): the white ceramic cushioned mini-dais)."
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