PLAYER:(mhideyuki)
((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(u_pulse collapsed .. (C-OP.) dropped in the (*)region cell: although it was recognized that cyclo-intension as a product of an increase of the proto-phasm volume could drive growth .. equitable distribution doubts were pervasive as to the ability of given systems to defend against capture .. closing off of flow)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(in ways which would further distort their distribution rather than opening up: it required a leap of faith on the part of the yamabushi involved, conceptually, to put their actions in service to a pure flow reverb framework, in confidence that these flows would, in of themselves, permeate all attempts at control or restriction, fundamentally rejecting the centrifugal force of the body in favor of operations of convergence of consciousness .. object): (while a member of the YAMAUEREDA yumi(no)gosuto designed .. constructed y_phantoms to help with the implementation of the plan: after the disbandment of the YAMAUEREDA some remained in här control, while some were adopted by other of the YAMAUEREDA, while most were unbound: monadic control is about making a change in our interior space .. inverting it out into the (*)region: u_pulse is its reverb back to us: much of this about the reidentification of the self with a multitude exterior to our material bodies, rather than solely interior: we can redifine ourselves as actors in an interrelationship with the (*)region around us, or portions of it as mapped to given definitions, such that the reach of our volitional will .. responsibility expands to contain changes in the (*)region as being changes to our own "body", in this extensive, imaginal sense, .. that this multitudinous mega-body that we claim can overlap with that of others .. commingle with their conceptual organs .. movements, .. our intentions can bundle with others in this expanded proxemic space: we are coding the potentialities .. probabilities, not only of our own mental models, but of their actual material embryonic material in the form of physical interaction with .. our perception of phenomenal bindings: proto-phasm becomes a potential flow for such a mega-body greatly enlargening one's domain .. impact in powerful .. quasi-fictional ways: these proto-phasm flows, by their very nature, are driven into stasis for its fragmentation .. dispersal, .. the ghosting of retained *production .. forms of proto-phasm sedimentation that revert into static, impotent masses, i.e. objects as stasis, as opposed to objects as commodities or fetishes to be possessed: it was all regression, one after the other: or, in other words, the attempt to shape .. mold one's residuals such that they were interacting back with one in communication or binding: to have one's residuals possess one, .. to be transformed by them, into something new: the one final convergent point of all of these processes shone like a bright point of white light: to allow oneself to be called by it, to paraphrase: hä is one of the * buildings: this project was put into place 20 commutes before, a series of 50 tall white modular structures of 500 units each with narrow bases opening up to vertical shafts, with flared observations protocols segmented at their tops: between them low parks with vegetation fill the space: observers populated the project, in regimented white uniforms with the color-coded logos of the * project attached to their shoulders: 100s of white plastic discs spun rapidly behind the glass covering at varying speeds: slight pulses of air would periodically push out from gridded sequences of holes in the covering in little puffs: the grids of the white discs extended back 20 layers deep in an array inset into the steel foundation): (fuyo_yurei cells were increasingly responsible for managing the flows in a more direct a manner, though few were open to acknowledging this shift .. discouraged commentary on a number of its consequences: propagation flows were becoming distorted by the fantasy .. dementia of individual u_ejento, but there was little functional capacity to bring them under control in any composed way: these took repulsive, but exciting forms)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(hidden openly in outposts .. subdivisions, small bunker spaces with outer face-up windows covered over by flower patterned tenting or barriers, .. discretely lettered coded identification… 'urighma', 'churyinga', 'yumi_eguchi', etc.: larger spaces were set off underground from irrigation channels, as centers for communes referred to as yamabuio_ch., cavernous .. disorientating spaces of curving corridors .. offset levels, where the darker forces of the u_ejento undergirding conceptualizations would be given material form: it was here, in these spaces, that the y_phantoms emerged, quietly, with minimal direct effect or imposition, but observing .. making themselves available as receptive mirroring morphisms to co-op: large, dense pockets of these formations eventually took hold in the mountains: the radiant grid-formed urighma logo could be found on rock-formations high up into the most desolate unreachable deep spaces, for entrance into these interiors, connected on the back end to the large underground (00_00)(ii) utility conduits of the culvert channels that were now diffused over the (*)region: these implosive regions were tethered to (00_00)(ii) u_morphisms: there was still underneath all of this a powerful push/pull between the remaining pockets of rentier consolidation .. the goryo flows disseminating their collocations: with landed property diluted .. commingled with massive synthetic undermappings, consolidated space became interiorized: one might live next to an opulent heiresss or proto_androgyne in the compound down the corridor from one without ever knowing unless invited in, at which point one would be astonished at an interior dense with diamond-masses .. small but opulently formed fetish objects, .. densely detailed sci-fi fantasty role-playing games on their c.a.m.s if offered a glimpse)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(architectural tendencies shifted from large scale polymer-plasma .. steel mega-projects into an increasing use of wood for building material, maintaining the use of cotton sheets for interior divisions: structures became low-lying .. diffuse, pushing out over the low density expanse of mid-city regions, intermingling with both op.-urban .. agricultural developments, .. mixed with lush plant growth: the irony of (00_00)(ii) was that they were looking for other worlds, but instead found out how to control this one)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(outbound u_pulse flows would flow back inward to the monadic core, through the mini-chods through which they flowed outward, via reverse spin processes: so each mini-chod functioned as a reverberations unit, expanding .. contracting, from a u_pulse standpoint, in sync with the entire monadic organism as a whole: rings of mini-chods were formed in co-linked binding via point-map mirroring, with the principle of mutual defense against encroachment underlying the vast majority of the whole): (y_ueghuru(ii): 'but better then, if the (00_00) had…. you were closer…. I was certain hä would…. instead indomitable…. the yurighost, it's comforts…. there, upon the mountain…. no, closer…. you were with them….'): (to imitate the kind of peace that lies at the crossing over from stasis into conflict): (hä pulls här hood down over här head .. reflects on the growing cold .. calm: it seemed at this point that all här ghostlines were converted into trailing minors, weakly pinning down control points: the umegha-maru stared back at här disgruntled: all the curving bulges of its clear rubber form, 5'6", push against floral pattern in light pastel blue red .. pink, .. its somewhat large inset clear eyes work their way over the room .. y_ueghuru(ii)'s glistening body: umegha-maru: 'if it were only the outer plots I wouldn't be concerned but there are soft spots in the interior also: it would comfort me if you were to go out .. review it today: the drop into the mountain regions can wait'): ((00) yumi(no)gosuto aka yumi(no)gosuto: u_ejento: YAMAUEREDA: after the YAMAUEREDA cut short the implementation of the plan .. disbanded yumi(no)gosuto secretly continued to pursue the plan's achievements on här own: the clear rubber contours pulse just slightly, breath semi-audible in forced persistent reverb: hä turns .. pauses, .. backs away from här as if embarassed: white light glistens against här facial features, as hä turns här eyes up at här: the perception of time by our bodies was conceived of a similar in form to a cyclo-intension mapping process, indexing the temporal flow to a mapping of neg-information levels at a prescribed velocity around which it would fluctuate: perceived movements from one moment to the next would be bound by the degree to which they converged on this baseline variable: you end up with mental conceptions that look very much like complex u_objects, arranging themselves around conceptual flows at different velocities .. contextual framing: a free competition regime for the mathematical compounds allowed for the unbound mirroring, doubling of proto-phasm as a marker or relationship against itself: this would be the propagation reservoir for both material .. immaterial development, where communities were abstracted as mini-commune forms .. then further into pure implosive space as artificial mental processes that could overlap .. bind together various actors: each point of här clear throbbing rubber seemed matched to a future convergence of imagined actions .. re-formed movements of muscles .. organs pushed by här intertemporal bodily fluids: but här eyes divulged an underlying stillness or repose, as if part of här remained outside of all of this .. could perceive the various points as one shape that retained some conformity to basic premises that ground .. comforted här most isomorphic controls)."
(00)(00_00)(00)(00) (00_00)(00)が変更されました(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00) )(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) 変更 )(00_00))( ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00) )( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00) )((00_00)(00_00)) ): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) )(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00))."(00)( 00) (00_00)(00) 変更 (ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00) (00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."