(yumi)(no)(MONOGURUI)(ii):(PRETA-(U))(digital copy)
(00_00)(MONOGURUI: y_ueghuru(ii))((00))(00) y_ueghuru(ii)(00_00)(ch.)(00)(ii): "(down the glass-lined steel stairs past large mirrored insets): (y_usege(ii) imagines an alternate u_pulse (*)region/equilibrium where with här two children hä lives in the outer regions managing the commute of bunnies .. cupcakes, crystals, the madness put behind här like some other fantastic reality that could never have happened: u_ejento defined ergodic volume as the residual following the calculation of u_pulse based on proto-phasm .. c-flux .. closely tracked trends relating to the appreciation:c-forms of this value: in the mid-(00_00), following the rupture in class structure represented by the interregnum .. the monad::war, massive amounts of proto-phasm were being brought into the system, siphoned off from future-dated stores of value accumulated by power regimes which were now decimated ../or bereft: this residual represented the portion that was flowing the opposite direction of proto-phasm, flowing from the present point in time to the future: thus, the ergodic volume: proto-phasm relationship mirrored that of u_pulse: neg-u_pulse: in a situation like that of the (0_0) implosion, the decay-phase process (or in similar situations a more straight forward inversion) pushes proto-phasm backwards, turning it into ergodic volume: nothing could be more misleading then the convention of referring to these movements as convergences or *production for the system as a whole: conservation of value holds as firmly as mass: what matters is its movements .. their effects on the mass of flows of which the monadic channels of the (*)region consist): (these u_pulse flows were drawn over massive collecting water basins: the water basins were narrowly layered, only _ to _ meters in depth, but stretching over hundreds of kilometers: the u_pulse effect of the flows over the cooling water was such that the goryo movement could be controlled within certain parameters)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(in a chrome .. glass immersion pool dressed in a clear rubber yurisuit with gapping .. metal discs with the clear rubber hood close tight to här clear rubber masked head: compound *production bubbles were a direct effect from (_) generation urakuomori u_space folding efforts, the end equilibrium results of reverberation decay effects introduced into the region by the immature, naïve .. presumptuous attempts at bringing information backward without the finely tuned controls put into place that were associated with the _nd generation efforts): (aka THE MOUNTAIN IS CALLING .. I MUST GO: THE MOUNTAIN IS ALWAYS CALLING YOU CAN WAIT: y_usege(i:xv) of the 15 phumas, gray pseudo-rubber bodies created by (00_00) for här to occupy when hä returns from här interregnum to take the reins of the plans he has put into motion: black rubber straps connected to här black rubber ½-mask by metal clips run over här softly breathing rubber in coordinated minimal repose over här body, pushing back against its movements poignantly: här gray hair bunched up into two little balls atop här head: hä walks to the edge of the polymer-plasma overlook, looking down over the crevices of the mountain, it's tiered platforms .. terraces, rice paddies: the powerful mountain air blew against här forcefully, almost pushing här back, for a moment: the black rubber straps converge at a metal clasp just over här navel .. redivert in an expansive, just slightly curving grid, such that the black rubber binding pulls up across här mid-thigh regions: hä collapses här hand over här head .. här face, pushing här hand up against här lips .. dropping down along här neck to här bare shoulder: hä likes the way the black rubber pulls tightly against här: cyclo-intension served as a reverberating source of leaps for individual proto-phasm holders, allowing entropic actors to bound forward on its propelling momentum, as long as hyper-madhyamaka was pushing forward radiant boundaries of equilibrium platforms to jump to: u_ejento posed a kind of reverse-phasm-force, in their analysis of departments .. polder .. dyke: the mirroring of potential-pulse .. proto-phasm outlays that suggested the filtration of labor for the purpose of generating proto-phasm, was reversed .. pushed back the other direction as a filtration of proto-phasm for the purpose of activating .. giving potency to labor: yumi(no)gosuto vs. capt.r. was thought of as an alternate conception formulating flows into dept.i vs. dept.ii: these little modular mini-mechs made of gray polymer-plasma .. clear plastic monitor plots settled in on the lower regions of mountainsides, where their occupants cultivated agricultural developments: these quantities act at times less as flows than as gravitational pulses bouncing off one another): (yumi(no)gosuto: 'when we studied under (00) hä always asked us to find out wherein lay the happiness of (00) .. (00) .. what they found pleasurable': yagao_ueda(ii): 'why did you create us only to destroy us?': yumi(no)gosuto: 'it was only a game': yagao_ueda(ii): 'has anyone been granted as much joy as I have?: only to have parceled out här suffering in return?: when you gave us life with your god-forsaken act of creation you gave us also the aptitude to appreciate life .. enjoy the (*)region we found around us: we did not know that it did not belong to us: we presumed that we too might partake in this: who informed us of the difference?: (0000) you, after all': yumi(no)gosuto: 'it will be much less painful than you think': yagao_ueda(ii): 'we, too, like to examine the (00_0)s': yumi(no)gosuto: 'we can discuss cruelty .. gentleness later: now we have more pressing concerns: you should be contemplating the putting into order of your affairs: gather your thoughts: count the moments, as they say: there isn't much time': yagao_ueda(ii) stands with hand on the hip of här (00)ish figure .. looks distantly past the clear plastic wall of the room with white rubber yurisuit with black outline .. lettering .. an u_chrema logo centered at the chest)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(yumi(no)gosuto: 'we've considered ourselves as researchers in a way: what is the potential of the human psyche?: how may the various pieces of human existence be arranged so as to bring about the most perfect convergences?: we must experiment: your eyes'): (one can observe in goryoification mappings done retroactively over this period the pattern of compound *production .. weakening of op.-yamaueredas(::) regressing against what was the current observable variance: y_usege(ii), making här departure from the compound after one of their more violent fights, looked back at yumi(no)gosuto as hä passed into the corridor, in white acrylic, gray makeup mixed with här drying tears, turned back .. said to här 'the struggle doesn't have to be real'): (yurighuma-00's BIM:S(the collection of all (u(o: j), o=_,_,…,k) for j=_,…) was, by leaps .. bounds, more unstable at this point than anyone realized: had anyone known, the thought that yurighuma-00 was perhaps going to rescue anyone would have been received as high comedy: .. going through reports in the aftermath it was striking how, whenever it would come to describing some particularly porous or indelicate behavior that contributed to the weaknesses that were turned over in the *, yurighuma-00 would seem always to prove right at the front of it: a hybrid between BIM .. the D-spectrum, BIM-spectrum, was constructed that allowed for many of the movements that had escaped description to be recorded .. mapped .. handled in a satisfactory manner, allowing for, if nothing else, some degree of estimation .. ranking of various u_flows without full information: the job of the u_ejento then became, in large part, picking up divergences from the norm)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(doing so early enough .. acting quickly enough to recalibrate before problematic momentum was built up of any nature: this meant, in practice, developing a system highly sensitive to residuals, though such that one wasn't overcorrecting so over intensely as to bring in some kind of tight range of cyclo-reverberation: this was always a danger that u_ejento were very cautious of: här black rubber yurisuit with metal clips .. gapping, .. face-mask bordering här cheeks .. lips .. burdensome eyes, 2-balled gray hair pushing upward: it was the point in their evolution when the ugartë became semelparous androgynes that we began to see through the glass clearly: hä put the white frill cotton object in här mouth, letting its edges brush här lips lightly: fingers pushing down on the fold white metal surface of the low dais: there it was, almost visible or shimmering, a faint disturbance in the air, its reverberations of code entering into här: (monocarpic): u_chu(iii) hesitates, här clear rubber body pushed up against white cotton coverall with four large blocks of hole-pattern, här translucent white eyes fluttering, black acrylic 3-circled hair in tightly bound little balls, gray-painted rubber lips: hä gestures at the huge window overlooking the mountain crevices .. the mist filled depths: u_chu(i), drops här hands down to här sides .. pushes up against the glass plane, här clear rubber amorphous curves almost indistinguishable from clear rubber yurisuit with black markings, head-mask over 4-circled manganese blue acrylic hair, little metal barretes, meal clasps, pink yamabushi logo mid-chest: his intent had been to retreat from the mountain hold .. make här way back down the mountain, to disclaim its protections: här eyes droop .. hä can feel consciousness fading: hä hears little murmurs from far away .. här stomach tightens against itself, .. for a moment all hä can feels is här heart pounding här violently, each beat like a hyperblast to the chest): (turning on two brilliant white lights to replace the dim grayness: sitting down on a metal chair in the corner of the polished wood .. metal lined room, .. pressing the palms of both hands on här knees, the gray multi-folded cotton yurisuit, black circle patterned down from the shoulders to mid-chest, pushing down här 2 black banded shaved head reflecting the white bouncing nauseous light)." (THE (0__)((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)(00_00)(the YUGHUR::PHANTOM)(ii): "(control apparatuses: the effect of moves in any of the parts was then modeled out via intensive circles as a process of transduction): (the reverb .. pull of each object in the series contained the potential for catastrophic movements, pulsating mysteriously .. ominously: the relation (u:u), a function reduced now to pure mathematical formalism, ties the monadic points of one u_space to another: it functions off of pure proximity in a pseudo-homomorphic space, but a non-commutative proximity which closes off any prospect of return by the paths by which one came: incongruities, as the u_agents would come to call them,were the (0)::not-(0) machinery: pulling orthogonally would impute a new axis or dimension over the course of which indices to one valuation or another would glide: hä put här hands on the little push of the white amorphic, succulent, rubbery .. firm leaves full with collected water .. oils, growing out from crevices in the steel contoured .. layered walls of the underground chamber: they moisten här hands with a mild irritant, causing a numbing hypertension: the lithe muscles of här bare upper arms constrict: här lips grow heavy: mini-whiskers on här upper lip pushed down into här rubber: 'the madness')."
(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00 ) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00 ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)( 00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) )(00_00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) ( 00_00) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00)."(00)(00_00)(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00) )((00_00 )(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."