(yumi)(no)(MONOGURUI)(ii): (YUMI(NO)GOSUTO vs: Y_UEGHURU(ii))
(yumi)(no)(MONOGURUI)(ii):
(YUMI(NO)GOSUTO vs: Y_UEGHURU(ii))
Pocket Book (4.25 x 6.875 in / 108 x 175 mm), Standard Black & White, 60# White, Paperback, Glossy Cover
(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (in (00) _00_ some of the first visible repercussions of the yamaoroshi surfaced, when the (0_0) began having difficulty pinning their y-channels: the institutions behind them bound proto-phasm in to defend them in a clear attempt to enforce calm, but inavoidably from this point forward implosions were increasingly taking hold)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the YAMAUEREDA ejento were mindful of the model represented by (00_u_iiii) irrigation in the interwar period, in the context of its (unintended) promotion of autarchic regime change – studying particularly closely the binding of proto-phasm to dispersed/(00_00) entities – a model which was given the short-hand pseudonym of 'na koto' in their circles)."(00_00)(MONOGURUI: y_ueghuru(ii))((00))(00_00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(here the idea that the mathematical compounds were, by their very nature, a process of proto-phasm becoming 'deformedly deformed' came to the forefront: u_ejento occupied key places in the op.-YUERA from its start: .. an arrangement was made for a pipeline placing graduates of the (0_0) school at their disposal: the u_ejento were measuring movement, with their C.A.M.s rigged to measure proto-phasm as a function of speed, which in turn was conceived as, by definition, rates of change of u_pulse): (the defense of the (0_0) is designated by yumi(no)gosuto as här primary responsibility, .., as such, hä is in direct control of the YAMAUEREDA guards: the white ceramic form with gaps supports .. holds the white bulbous protein mass that pushes through its containment, breathing in .. out with glistening mucous covering: the ultimate is always conceived of as a return in y_ueghuru(ii)'s mind, as a reunion of those rays thrown outward in the monadic dispersion with the dominant(?) monad that defines härself as a 0-point: a grid of undulating curves roll over the u_space, each one numbered as a coordinate space: a causal binding between one monad to another, as intersections of monadic currents, pulls the space over itself in folds .. protrusions of actualizations of material being: this is y_ueghuru(ii)'s flesh: this is y_ueghuru(ii)'s body: later mathematicians were to associate the metaphysical with a space of dimensionality beyond one's given frame: overlapping spheres of non-zero properties as difference, or what would increasingly be referred to as velocities: hä scratches här ear .. squints här eye .. lets här lips come together: här favorite chair – hä's forgotten the name of the designer now – someone had lent it to här .. hä had never returned it: a block of wood with a gap in the middle at its base .. a sloping arc upward to a 2-curved broad head with the lining of the wood's opened-up grain .. ring-circles apparent, folding into its own holding shadow: hä probably never would: the white cotton pushes against här body softly, catching on disturbances as hä moves: hä regrets only the fleeting surface detail of the various comforts hä allows härself for certain moments of this restfulness: the near certain resumption of här adventures .. the pounding submissions which each turn or aggression will proceed to project over här seem only distant: y_ueghuru(ii) lets the invisible air run over här hands into the catch, turning them over mindlessly: the y_region is at war now, far off in the distance but closing in slowly, as one YAMAUEREDA after another is called in for the defense: this will be merely a brief respite before hä is deployed to gather information on the proto-phurghur positions: against här will, här mind has already begun to plot out each potential ingress .. to map out the moves of här ouf-of-bound intrusions: hä has already been in touch with yarbois to prepare här depature point, .. suffered yarbois' interminable admonitions against här carelessness to pretend some kind of confidence in här own pre-formed plans: the chair dominates här peripheral vision forefully: it sits off in the corner of the metal contoured room: in between här .. its form is a low metal table with a few white cotton lace dollies .. a couple of low glass ewers with plant cuttings: hä coughs .. groans in a kind of prototopian rupture of awareness: the white cotton of the bare-armed white house coverall slips against y_ueghuru(ii)'s glistening shoulders: this idea of the 0-point as representing the self is complicated as one extends out one's awareness .. one's conceptualization of one's self to place oneself in a community-identity form whereby consciousness only emerges analytically as the closing off .. differentiation of a part of the whole, where the whole is considered as an absolute consciousness encompassing the interaction of all objects, the realized .. the potential: thus, taking oneself outside of this entirety to view it as a whole can only be a processes of interiorization, of inverting oneself to reverberate back outward: can one accomplish this without losing one's body to the commune or the flows of possession that intertwine it with its companion things or objects, without becoming a radiation back inward from the void?: perhaps, but only via a violent rupture with the self, an attack upon one's own dominion over one's self .. making of a pseudo-fictional double as a myrmidon for these forces which converge on one only from great .. various distances: six of them are positioned in a grid on the metal floor in the cold room enclosed by clear plastic contoured walls over massive steel, .. with white fluorescent light glimmering: two metal cabinet drawers inset into one of the walls are marked with black eurostile lettering: the u_ejento put in a function for the velocification of all inputs, a transformation of all quantities into pseudo_velocities (pseudo in the sense that the denominator was at times a temporal value but at times some other given measure of change): different ways of allowing for the dissolution of the individual into the growing, seething multitudinous organism of dispersed culture were theorized competitively over the (0_0): the extent to which poliical phasm-metric could define this relationship vs. the idea of natural forces as fundamentally inoperable formed a breach into conceptual equilibriums of hierarchy .. control .. the mechanisms of repression ../or pleasure put into place: the relationship between mathematical ejento .. rentiers makes for compelling minidramas in these developments: there is a kind of mutual resentment interwoven with a kind of under the surface psychotronic attraction in their dependencies: these reverberating pulses of psychic energy between these actors pushed into a feedback gap defined as a space co-linked to the r:c pseudo_velocity pushing .. pulling at proto-phasm formation: hä puts här hand inside one of these white ceramic forms to feel the white biomorphic curves' wet, succulent gripping force: it pulls at här .. hä tenses the muscles of här arm but resists the impulse to pull out, letting the eery object hold här for a moment): (_'_'in clear rubber bodysuit with black outline, black rubber ½-mask, _ braided black hair): (phumaCHIRGHYU(ii) in semi-opaque clear rubber bodysuit with black outline .. black rubber ½-mask, close-clipped head)): ((so where cultivators were asking the question, re u_monads, 'what is its volume', the u_ejento were responding, 'I don't give a 0000 – how fast is it moving?': YAMAUEREDA functioned by infusing massive amounts of neg-u_pulse into a particular segment, or segments, of the cell, .. then quickly pulling it out: the goryos operated as strange attractors for the u_flows: this idea of a mapping of bodies): (hybrid y_ghost entities were formed combining propagation flows from the interpellation of compound commissions with proto-phasm union based u_objects/futures agencies with the development of aquaculture entities .. large scale transportation initiatives in phantom form)."
(00_00)(MONOGURUI: (ft CAPT. R.) 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