MONOGURUI ghost-suit: (YURIGHOSTS (DARK MATTER PHANTOMS))

Name: MONOGURUI ghost-suit: (YURIGHOSTS (DARK MATTER PHANTOMS))
Brand: (yumi)(no)(MONOGURUI)
SKU: 93538156
Price: 10955.0 USD
Availability: InStock

$10,955.00

(00)

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(yueghuru(ii), first off, had an abhorrence of yuigen_op. that bordered on the pathological: the obsession with for yuigen_op. among some u_ejento was such that a portion of them even printed up ghost-suits with the op. logo .. the slogan 'YURIGHOSTS (DARK MATTER PHANTOMS)': yueghuru(ii) felt hä could pull flows in to här in order to blow them out with voluptuous melodramatic force: everything seemed to be pushing in on this one point: hä stumbled .. collapsed to här knees: with each breath interpulsion was moving in .. out of här body such that it was becoming hard to force forward each subsequent breath: hä looked over the (00_00) with sympathetic eyes in calm expectation its powers rushing over här: hä growled .. frowned)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(y.phuma is perhaps best described as a professional onnagata, constructing a fiction of femininity .. voluptuous inverted force to pull in .. consume all of the cultural pretty decorative inanities of perfect destructive grace: the white cotton fabric of the jumper pushes back against här asserting its right to the material space här body is encroaching upon: discomfort was sometimes intended as a placebo for the kind of annihilating ruptures .. melodramas of psychic episodes: one could push regressions on variance channels .. approximate the flows involved: how does one push .. form the multiplier?: probably through *pulse, which In of themselves are effectively the management of the supply .. demand of proto-phasm with a temporal component: this is what the ejento missed – the impotence of 0-mass-u monad-pulse): (the clear proto-protein over white plastic of the op.-class undergound bunker of the YAMUEREDA(Xii) set deep in the white crytalline powdered residues of the plasma-fill region: humior(ix), phiyur(xix), .. mhiroch(vii) are onnagatomaton, each with clear rubber body of misshapen rounded contours: black lining helps define each crevice .. portent of their rubber flesh mysteriously: mhiroch(vii), large-bodied but shy, modest, .. crudely timid hovers just over the other two, waiting for yumi(no)gosuto(i)'s approach: yumi(no)gosuto(i), clear rubber bindings up här sore tired legs: the clear rubber armor surrounds här huge body: clear rubber mask, with bold black lines pushing into the center of the face: weak semi-opaque wrapping outlines each of the black rubber balls of the headpiece sculpted with gapping against här gray features: clear, multi-bulbous padding: the enclosed bunker, with 6 clear proto-protein white contoured protrusions pushing forward, running back to a central corpuscular mighur-pod capable of holding up to 400 u_ejento: u.phuma(ii) feels protected, perhaps irrationally, by a clear hooded acrylic coldsuit with u_chrema logo (in weak blue, with medium pink letters) which encloses här body: hä coughs .. winces: small circle patterns allow här body's humidity to breathe: u.phuma(ii): 'you shouldn't have subjected här to this burden: there are weights too all-encompassing to admit: I will not reconcile myself to this': the 5 figures fill the white-lit space of white porcelain rounded walls .. floor pushing back into 3 slightly sloped containment spaces): (här clear semi-opaque rubber jumpsuit over white cotton underclothes contained the pent up forces of här will, in check, for a moment)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(.. in this moment it was as if a ruptured dam was held in stillness, holding off collapse: one eye closed half-way in the pent up contortionary force of här face's conflicted movements, .. the small black collocated balls of här hair aginst här head trembled)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(monad-pulse is like mass in this respect: as long as it is sitting still it has little effect on anything except insofar as the effect is gravitational, in which case one is interested more with mysterious forces acting in .. around it, or if something runs into it by chance, in which case the same applies: *pulse are the effect of proto-phasm moving through space .. time: it is this material component which moves other material bodies: so one would push down the multiplier by pushing down on op.flux bulges wherever one could find them, for a perfect flat anti-gravitational space coldly wrapped around all components of the system, all interested parties: här body acts as the rayleigh-ritz ratio for a multitude of goryos, conceived of as the constraint that forms the convergence of a min max problem: the reversal of proto-phasm coefficient growth by the yamauereda was functionally equated with chrematism)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(pulling flows through eigenvalues was little more than a pretense at times for the turn .. the fold that converted a given (00-flux) into an indexed property, .. from there to the laying out of an entire vector space of mysterious .. vague potentiality, only to be mirrored back ultimately into one’s close out position: then one could pull options over the surface of the whole without needing recourse to a completed proto-phasm structure: at that point everything floats): (density can be thought of as a probability function)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(mini-commune:chur-unit: (df) following a fictitious 00-ueghurama structure of identity, six-pop. units for the integration of mathematical flows/interests, designed to overlap with one another via coextensive membership: optic signals emanated from their c.a.m.s to one another in direct connection, establishing a mesh quasi-u_array for communications .. information sharing purposes: the white bumpy textured fabric pushes forward from gapping of smooth white shimmering interregnums, of the bodysuit, such that the shoulders to forearms are bare flesh .. the ankles to white rubber slippers, .. the upward curve of the neck from the shoulders: här dark eyes glower at här, the dark black hair bunched up into six collections in messy disarray, punctuated by silver clips: här slightly puffy lips suggest hardships .. injuries gleaned in pursuit of the cause: the white plastic onnagatomaton (phurighura_op(vi)) with black rubber lining .. joints, plaited sections moving slowly in coordinated equilibrium as här weight shifts: small holes provide venting just above the hips: 'yes, of course it hurts', hä mutters quietly: around them are the close, jagged .. barren rock walls of the mountain cave, smoothed out floor surfaces of white rubber inset as perfect conjoining circles: metal storage .. work spaces are inset into the rock, gently lit by calm, white light: the others will be coming soon, .. the two hesitant participants hold back, perhaps, from putting forward yet everything which they would like to discuss one another, but each is insistent on obtaining certain information from the other: yuri_bjorghama(iii) touches här dark black hair adjusts här white bodysuit: mech::y_op.(v) wanders over the rocky basin below then, it's glistening metal form over four limbs terminating in powerful extended conical prongs which poke .. probe the landscape as they traverse it: it's gray plastic head sculpted into something like a protruding jawed face with huge layered, slitted white, glowing eyes over metal, only ½-protruding from forward leaning upper body, shoulders .. upper back lined with black plastic radiometers: hidden on the underside of its limbs are metal embedded hooks which release .. activate for climbing as it moves over the larger rock structures: phurighura_op(vi): 'you can think of this an aid to your consideration of outer worlds: you once were my protégé: I never forgot your inner confessions, your reveals in your quiet moments: I could use them still …. if I choose': yuri_bjorghama(iii): 'but perhaps the construction itself is the impediment to our hold: there are others things besides values .. properties: maybe this is all a façade, not the permutative data we take it to be': yuri_bjorghama(iii) picks up här white ceramic thermos of water from the hold .. sips on it weakly: putting it back här hand almost brushes a low glass ewer of strange white flowers: in the distance there is a periodic vibrating hum which neither acknowledges: mech::y_op.(v) see or hears something in the distance .. bounds after it with eager force: yuri_bjorghama(iii): 'but you were closer to me then: closer than I would have cared for: more possessive: more dominant: I struggled for my freedom from you then: it will not be given back lightly': phurighura_op(vi): 'your freedom is mine to give you, or mine to play with at my whim: you forget my powers over you if you claim such things: foolish little yuri-bunny': yuri_bjorghama(iii): 'if you like: many commutes have passed since then: I have stronger now than you imagine: you will ultimately have to choose: when I return to the outer worlds I ask that you bring to me the u_objects you protect, when I call for them: this will be your play in all of this: otherwise you become an aftereffect: this is the opportunity I bring for you, my reciprocation for former favors: there is no counter-offer to this': the power value of proto-phasm: (df) the effective value of proto-phasm as a percentage of the proto-phasm mass as an entity: the power value was used to determine the degree to which one's accumulated u represented a determining force within the whole, such that one's collocations, in of themselves as potential crystallization, influenced, whether by designated intent or naïve circumstance, the movement of surrounding masses of proto-phasm .. thus chremastic power structures: in a yamabushi regime the power value always decreases, such that this measure can be used as a kind of definition of monadism itself, while in the purest form of monadism (from an equilibrium stasis point of view), a form which does not itself give in to the impulse for the transformation toward the u_ejento form, the decreasing convergence of the power value is coupled with a cyclo-intension velocity strictly bound close to 0: within 20 commutes the disentanglement of the protopia net, as abundant proto-phasm flows had overran its basic purpose .. made it redundant, had left the compound, itself disappearing as more than an amorphous collecitvity of mini-communes, with an influx of vacated remants of social accommodation developments, particularly in former power centers, which themselves became almost ghost towns as populations dispersed widely across the landscape as mobile units: these former accommodation units were obtained by u_ejento as huge modernist fortresses, serving in this new function as decadent .. myopic playgrounds for the immsersive consumption of proto-phasm: the densely packed towering buildings of these quasi-vacated cities morphed office space into u_point-matrix mini-pods: some became headquarters for the hybrid defense/ military / agriculture / infrasture engineering units built out as control .. development entities: one of the key questions was whether proto-phasm restraints were effective (or, related, counterproductive): most u_ejento were of the opinion that the size .. opacity of the u_objects .. futures compounds allowed for more or less the complete escape from these restraints by advanced cell players, .., as such, they played little role: the restraints .. bindings experienced, in this view, were due primarily to insufficiencies of supply of proto-phasm *production relative to the interregional monadic reverberation, give or take some minor effects of frictions: u_ejento referred back to the thrift phase-push .. its aftermath, where flows quickly found new directions .. opportunities following the imposition of new calibration, .. one can see this same phenomenon repeated ad nauseum: if one can provide a coherant flow of point_waves explanation for the growth in mim** in the post-phase-push environment (i.e., one which does not resot to psychologism), then one can probably rather easily model out the rest: in an environment where (0) competes with cyclo-intension, .. the monadic phase is flat, one could reasonably expect huge morasses of inert point_waves to accumulate, .., it turns out, this is what did, in fact, occur: the masayoshi-kan league, formed in (0000), but previously underground .. invisible, growing .. taking hold only in the dark spaces of the social folds, came to the surface as a guiding force for these progressions, with u_ejento who would previously only have whispered of its imagined existence championing it aims .. motivations openly: these mobile units would interlock together at irrigation points as they moved over the schism, slowly .. inexorably pushing forward migration flows: one could see routinely in the range of 500 of these (usually) white plastic modular units stack up .. settle into forms built out from one another as fluidly evolving communities: hä had grown up in one such community coalescing around the u-agency in (0_0)(ii), which had become by this time a major irrigation hub .. emerged as a renewed agricultural region: the concept of power value was further extended as a critique of idealist conceptions of core-intensity, as a shortcut to defining modal points of the yamabushi substrata, jettisoning previous insistence on the foundational status of proto-phasm collocations in favor of an action-distribution model focusing primarily on the potential to effect change in the *region around one as a more accurate measure of anything that could remotely be defined as 'power' or its relatives: having a certain value with what approaches the limit-point of certainty: a process of deictic placement is at work, aligning the directionality of this pull: blue .. pink floral pattern): ((00_00)(00)monogurui:mirai(no)uchū(i)(00_00)(ch((00_00): (y.phuma's gaze drifts through the polymer-plasma courtyard, the white painted metal gridded drop-façade, the little, sparse trees .. carefully plotted vegetation: surrounded overhead by several levels of walkways .. ingresses: här attention drifts back to här meeting with midimute-ch.): (y.phuma, dark hair in 20 9-inch strands held by metal clips falling in front of .. over här head, held close by a black rubber hood of large poncho: over här lips one word starts to pass, whispered, but then hä stops .. replaces it with another: dark, semi-opaque patterned tights collapsing down to little dark gray slip-ons, .. här lip turned up at the side toward the little moles on the side of här face: hä stands in the dim, bland hallway in front of the white painted door .. passes här fingers gently over the small metal rectangular object on a tight chain around här neck .. whispers 'y.phuma' .. inside the room a disembodied low voice intones 'y.phuma requests entrance: do you permit?' .. y.phuma works här jaw waiting for the audible click, shudders at the cold of the metal door .. enters a tiled space with subdued fluorescent lighting in the middle of which, set into the floor, is a white porcelain tub of clear liquid, in which midimute-ch. lies semi-submersed with här head resting on the edge at the far end: midimute-ch.'s elegant, old wrinkled body pushes against the clinging rubber full-body disc-up goryo suit to här wrists .. ankles with vaguely floral-appearing multi-colored pattern: här white hair, wet is clipped back into two folds .. här voluminous fleshy face with deep, inset eyes over dark contours .. collapsing cheeks, här eyes almost ½-closed but large .. forceful: to the side of the little tub sits a white plastic chair with white towels .. white cotton cover-all, two white rubber slippers: midimute-ch.: 'you look tired, y.phuma, you should take a break from all of this, or better, quit entirely': hä pauses .. almost smiles as y.phuma pulls up a white plastic chair to sit beside här, looking over the white tiled walls .. the dim opening that leads further into the chamber: midimute-ch.: 'but I tell you this every time you visit, you must be bored of it: but you never obey – you must be the most petulant .. prissy of all my kleinie buka: you never do listen': y.phuma: 'you're teasing, miroku: you don't really have so many subordinates as you like to make out': midimute-ch.: 'perhaps, but more than you realize, perhaps: now even a minor corps like my own, must entertain whole legions .. layers of operatives .. semi-connected agents even to conduct actions anymore, until one is not certain even where it ends .. one becomes almost like a mega-region itself before one knows it: but then the mega-regions are less like single entities themselves anymore, .. more like interconnected little, competing micro entity fiefs .. silos: do any of them really control their own activities anymore?: probably not: but you tease back, my obstinate little buka: one day perhaps I will rid myself of you entirely, of my own volition, for your own good, .. probably mine, too: my reliance upon you makes me soft': y.phuma: 'you look well': midimute-ch.: 'ah, ….: you young people should learn to refrain from such comments with those my age: they always come with the unspoken asterisk floating around somewhere hidden away, even unintended, but thank you, …., you're probably right: ah, my little bunny': such dark shadows over här eyes: the tiles in their steady white grid perpetuate their implied order: 'well, but my veins trouble me: the rest of my body appears to have outlived their expiration date: our organs .. tissues obey the dictates of multi-dimensional time I suppose, as if each is one commutative division ring bouncing up against another, such that we always circle back to 0: flip everything over from sign values to curvatures .. pin these to one point .. then another': hä raises här arm awkwardly: y.phuma realizes that the floral pattern is not a floral pattern at all, but a depiction of onnagatomata enacting all kinds of unspeakable atrocities on (00) plebian regions in disturbing detail: sometimes midimute-ch.'s sense of humor is a source of concern for här)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(allowing just enough space against a small metal table pushes against the small oven whose metal surface reflects back the light against them): (här head hurt with the cold .. the pounding: the __ cycle allowed for the deposit .. movement in the brain's organic tissues proteins associated with the pushing forward or backward of u_pulse flows: white fluffed filling pushes out from creases in places: at här right hip in black block letters 'u____'))."

(00)(00_00)(00)(00) (00_00)(00) やがおうえだ(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00)(00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)(( 00_00)(00_00) (00_00)((00_ 00)(00_00)(00_00)((00_00)(00_00)).」 ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00 _00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ))."(00)(00_00)(00)(00) (00_00)(00) ヤガオウエダ(ii)(00_00)((00_00))(ii):"((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00)).」(00)(00) (00_00)(00) ヤガオウエダ(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_ 00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00)))."