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MONOGURUI phuma-dress: (THE SHORTNESS OF THEIR PETALS .. THE WIND!)

$8,928.00

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(00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(hä begins to run här hand along the inside of här arm: white rubber bindings over coded designs of white .. clear rubber: (000000): the u_pulse currents that from _00_ to _00_ were to blow open the control points: (00_00) (00_00) central to the control of u_pulse flows was the pinning down of points of u_pulse stillness: once one had a collection of static u_pulse points to 'push off' from one could assert control of a wide variety of related oscillations: the u_agents viewed mathematics as the manipulation of conceptual matrix-like objects: a priority was placed on the ability to visually model one's mathematical entities .. processes: if you can't look at it .. turn it around in your hands you don't understand it, they would say: or, if it's not a body you can't 0000 it: you could still find u_agents who would, in isolation, cover their bodies with gray body paint .. reach into the primal depths for their own purposes): (at this moment hä had in mind the financial crisis joke a friend had relayed to här, although why hä thought to consider it at this particular moment was unclear: 'what was the defining characteristic of the financial crisis?': 'the greeks got (0000)ed')): (whether or not the effect of such movements could be determined or otherwise controlled was unclear: certainly there were gaps in the overlaying systems of coding via the material coordination of commercial goods .. their incipient consumption): (cold white light pushing through the clear plastic)."(00_00)(MONOGURUI: mighu-man(ii))((00))00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(the wind pushes against här body powerfully .. här clear rubber ice suit pushes in against white cotton hybrid bodysuit .. white rubber bindings: här head hurts massively now): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) mighu-man(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) mighu-man(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) mighu-man(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) mighu-man(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (hä runs här fingers over the rock crystal bead counters, without much more cognition than rote counting .. forming the various potential pathways for their emergence in här mind, as hä attempted to compose a reconciliation of the events of the day: clear rubber mini-pods were bound to här body in 6 places, in the gaps of the white cotton undersuit: här black 2-braided hair: the common .. preferred holders of the commercial paper in the system were pushed into enclosed, protected positions of a diminutive nature, confined to mere mitigation of the dispersal of their gains: all of this in a context where private credit was being inverted .. turned into govt. credit packages in the form of convertible repos: anywhere from 90 to 96% of cp was flowing through the cpff by this point, depending on one's precise estimates of the opaque masses mirrored by cds in the derivatives pool: the winter ghost was consuming everything: every govt. project was backed by a co-entanglement with a private corporate bond issue: as this channel became dominant the tax flow channel became, over time, obsolete, .. the irs was merged into credit union offices under local post office management: the damaged couplings of the u_connector hum quietly against the reverberating air passing over them underneath their white rubber tenting)." ((00)(00_) (00_00)(00) mighu-man(ii)(00_00)(the UORUOP_PHANTOM)(ii): "((00), in medium gray cotton bodysuit with black outline)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(puma(no)yari(ii): the folds of här clear dress dominate the contours of här body, shifting awkwardly as hä moves: short sleeves bind här upper arms)." (THE (0__)((00)(00_) (00_00)(00) mighu-man(ii)(00_00)(the UORUOP_PHANTOM)(ii): "(* was viewed as a function of the restriction of monogurui in the system, such that m(0)phur was being pushed down toward its minimal baseline: occasionally u_agents would map out a proposed relationship such that m_*(r p)=m(0)phur, as an approximation: where r was the real yield curve rate, p production growth, .. the collocation (r*p) was treated as u)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(with a multitude of pinned white plastic folded (0000) decorating här shoulders, over white cotton bodysuit, dark braided hair: bold black abstract design radiates out to a point at each side, as hä moves toward the table grimly: reflections from the ceiling lights work over the clear rubber surface of här dress: the white cotton panels line the room's walls set modularly): ((THE (0__)((00)(00_) (00_00)(00) mighu-man(ii)(00_00)(the UORUOP_PHANTOM)(ii): "(over dimpled circle-pattern cement, like the printout from a failed formula): (tucked just under the ice surface, with concrete walls embedded in clear plastic casings)."

(00_00)(MONOGURUI: (ft CAPT. R.) (00_00) (00_00) 00.OOOOO. yamegu(r)u(-(CR(00))): (C.A.M.に記録)"(これらは参照された 0-mind ボディとして: ここでは master (predictor(exogenous)) :::: myrmidon(outcome(endogenous)) のコンストラクトは u_pulse の内部化され、オブジェクトとしてのアクターのアイデンティティ、または疑似アイデンティティを意味で描画します。 対 現象としてのアクター、または、df、yameghuru(i) .. yameghuru(ii) の間の残差: 単項バイタリズムは、確率的コロケーションを、非単調な形で、または曲線ではなく、多数の重複する地域の疑似平衡に注ぎ込みます。 時には矛盾した曲線:パッド入りの白い装備、折り目の間に明るい灰色の円格子模様が走り、足首からフード付きの頭まで体を包み込み、白いゴム製のスリッパの上に:目は輝きを放ち、内部環境を移動する熱意を持っています。 そのパターンを見つけるために.. 神秘的な囲い.. それらすべてを明らかにするために、無秩序に対する手ごわい回帰で、 体の 6 つの異なるポイントでそれぞれを締め、布をそれぞれの小さな結び目に向かってしっかりと引っ張る際に、ループを介してタイオフを引っ張ることができずにくすくす笑う瞬間を人間に渡します。この同じダイナミクスは、 対象化されたものから潜在的な(または将来の)生産力へのプッシュを表し、u_fluxが確実に突入する真空を形成するように、ハイパーインテンションマーキングの概念。 それをポイントマップする:または、白いアクリル製のえくぼのあるアームスリーブの間の前腕のスペース..小さな曲線としての白いアクリル製の傾斜した肩の縫い目の内側の折り目:中心から外れた:härのボリュームのある黒い髪のカバー..härの顔をゆがめる : 覆われていない片方の目はヤメグル (ii) に向けて猛烈に輝き、あたかもハがハーの犯罪の代償を払うことを知っているかのように、抽象的な意味ではなく、正確な瞬間..形式で..」)."