MONOGURUI memory drive i: (BIG HORROR)
(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (in (00) _00_ some of the first visible repercussions of the yamaoroshi surfaced, when the (0_0) began having difficulty pinning their y-channels: the institutions behind them bound proto-phasm in to defend them in a clear attempt to enforce calm, but inavoidably from this point forward implosions were increasingly taking hold)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the YAMAUEREDA ejento were mindful of the model represented by (00_u_iiii) irrigation in the interwar period, in the context of its (unintended) promotion of autarchic regime change – studying particularly closely the binding of proto-phasm to dispersed/(00_00) entities – a model which was given the short-hand pseudonym of 'na koto' in their circles)."(00_00)(MONOGURUI: y_ueghuru(ii))((00))(00_00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(here the idea that the mathematical compounds were, by their very nature, a process of proto-phasm becoming 'deformedly deformed' came to the forefront: u_ejento occupied key places in the op.-YUERA from its start: .. an arrangement was made for a pipeline placing graduates of the (0_0) school at their disposal: the u_ejento were measuring movement, with their C.A.M.s rigged to measure proto-phasm as a function of speed, which in turn was conceived as, by definition, rates of change of u_pulse): (the defense of the (0_0) is designated by yumi(no)gosuto as här primary responsibility, .., as such, hä is in direct control of the YAMAUEREDA guards: the white ceramic form with gaps supports .. holds the white bulbous protein mass that pushes through its containment, breathing in .. out with glistening mucous covering: the ultimate is always conceived of as a return in y_ueghuru(ii)'s mind, as a reunion of those rays thrown outward in the monadic dispersion with the dominant(?) monad that defines härself as a 0-point: a grid of undulating curves roll over the u_space, each one numbered as a coordinate space: a causal binding between one monad to another, as intersections of monadic currents, pulls the space over itself in folds .. protrusions of actualizations of material being: this is y_ueghuru(ii)'s flesh: this is y_ueghuru(ii)'s body: later mathematicians were to associate the metaphysical with a space of dimensionality beyond one's given frame: overlapping spheres of non-zero properties as difference, or what would increasingly be referred to as velocities: hä scratches här ear .. squints här eye .. lets här lips come together: här favorite chair – hä's forgotten the name of the designer now – someone had lent it to här .. hä had never returned it: a block of wood with a gap in the middle at its base .. a sloping arc upward to a 2-curved broad head with the lining of the wood's opened-up grain .. ring-circles apparent, folding into its own holding shadow: hä probably never would: the white cotton pushes against här body softly, catching on disturbances as hä moves: hä regrets only the fleeting surface detail of the various comforts hä allows härself for certain moments of this restfulness: the near certain resumption of här adventures .. the pounding submissions which each turn or aggression will proceed to project over här seem only distant: y_ueghuru(ii) lets the invisible air run over här hands into the catch, turning them over mindlessly: the y_region is at war now, far off in the distance but closing in slowly, as one YAMAUEREDA after another is called in for the defense: this will be merely a brief respite before hä is deployed to gather information on the proto-phurghur positions: against här will, här mind has already begun to plot out each potential ingress .. to map out the moves of här ouf-of-bound intrusions: hä has already been in touch with yarbois to prepare här depature point, .. suffered yarbois' interminable admonitions against här carelessness to pretend some kind of confidence in här own pre-formed plans: the chair dominates här peripheral vision forcefully: it sits off in the corner of the metal contoured room: in between här .. its form is a low metal table with a few white cotton lace dollies .. a couple of low glass ewers with plant cuttings: hä coughs .. groans in a kind of prototopian rupture of awareness: the white cotton of the bare-armed white house coverall slips against y_ueghuru(ii)'s glistening shoulders: this idea of the 0-point as representing the self is complicated as one extends out one's awareness .. one's conceptualization of one's self to place oneself in a community-identity form whereby consciousness only emerges analytically as the closing off .. differentiation of a part of the whole, where the whole is considered as an absolute consciousness encompassing the interaction of all objects, the realized .. the potential: thus, taking oneself outside of this entirety to view it as a whole can only be a processes of interiorization, of inverting oneself to reverberate back outward: can one accomplish this without losing one's body to the commune or the flows of possession that intertwine it with its companion things or objects, without becoming a radiation back inward from the void?: perhaps, but only via a violent rupture with the self, an attack upon one's own dominion over one's self .. making of a pseudo-fictional double as a myrmidon for these forces which converge on one only from great .. various distances: six of them are positioned in a grid on the metal floor in the cold room enclosed by clear plastic contoured walls over massive steel, .. with white fluorescent light glimmering: two metal cabinet drawers inset into one of the walls are marked with black eurostile lettering: the u_ejento put in a function for the velocification of all inputs, a transformation of all quantities into pseudo_velocities (pseudo in the sense that the denominator was at times a temporal value but at times some other given measure of change): different ways of allowing for the dissolution of the individual into the growing, seething multitudinous organism of dispersed culture were theorized competitively over the (0_0): the extent to which poliical phasm-metric could define this relationship vs. the idea of natural forces as fundamentally inoperable formed a breach into conceptual equilibriums of hierarchy .. control .. the mechanisms of repression ../or pleasure put into place: the relationship between mathematical ejento .. rentiers makes for compelling minidramas in these developments: there is a kind of mutual resentment interwoven with a kind of under the surface psychotronic attraction in their dependencies: these reverberating pulses of psychic energy between these actors pushed into a feedback gap defined as a space co-linked to the r:c pseudo_velocity pushing .. pulling at proto-phasm formation: y_ueghuru(ii) crosses här arms .. looks at yarbois(ii) in dismay: p.vi .. comm. uko(v) wait impatiently for a rapport which is perhaps not forthcoming: y_ueghuru(ii): 'perspective .. dimensionality being intertwined: dr.u. argues that mathematical logic is a constraint to filter out the madness: but the madness is the noumenal reality, mathematico-logical formalisms are the imposed fantasy overlaid as a fiction: so the hebephrenic is the one for whom this filter is ommitted, who sees through the glass clearly: this is the change of perspective argument re the unreconciliability of the projections against the measurement or defined point, the idea that one's equations are misformed, at least in relation to one another, they occupy different dimensionalities .. thus cannot be bumped up against one another conceptually, .. if one tries one will inevitably find non-cummutative disconnects, dimensional homogeneity being what it is': yarbois(ii): 'you come to me with your silly little paradigmatic cases: I consume them all: my powers dwarf yours: if you come with gifts then bear them, otherwise disappear: I have no need of you': y_ueghuru(ii)'s cold flesh vibrates against clear rubber bindings: hä puts här hand inside one of these white ceramic forms to feel the white biomorphic curves' wet, succulent gripping force: it pulls at här .. hä tenses the muscles of här arm but resists the impulse to pull out, letting the eery object hold här for a moment): (_'_'in clear rubber yurisuit with black outline, black rubber ½-mask, _ braided black hair): (phumaCHIRGHYU(ii) in semi-opaque clear rubber yurisuit with black outline .. black rubber ½-mask, close-clipped head)): ((so where cultivators were asking the question, re u_monads, 'what is its volume', the u_ejento were responding, 'I don't give a 0000 – how fast is it moving?': YAMAUEREDA functioned by infusing massive amounts of neg-u_pulse into a particular segment, or segments, of the cell, .. then quickly pulling it out: the goryos operated as strange attractors for the u_flows: this idea of a mapping of bodies): (hybrid y_ghost entities were formed combining propagation flows from the interpellation of compound commissions with proto-phasm union based u_objects/futures agencies with the development of aquaculture entities .. large scale transportation initiatives in phantom form)."
(00_00)(モノグルイ: ヤメグル(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) ヤメグル(ii)(00_00)(ch.) ((00_00)(00_00))(ii): 「(システムの各部分を、直接の実用的または機能的目的の特定の考慮事項を超えて、重複する設計機能として、U フローの貯留槽または排水管として考える必要があります) )。」 ((00)(00_) (00_00)(00) ヤメグル(ii)(00_00)(ch.)(00_00)(the UORUOP_PHANTOM)(ii): "(確かに、両方の質量の純粋な密度..半質量 地域間の数学的複合における調整は、この分野の制度改革が山伏のイノベーション戦略の重要な側面となることを意味した。原始有機特性の構築): (ヤメグル(ii)(00_00)(ch.) 時々、ハーは唾を吐きかけた 地面..『ふぅ、私の貢献だ、もう放っておいてください』とつぶやく、まるでそれが問題をマトリックスフィルターで処理するかのように、あるいはまったくの激痛を通して..苛性神経がその地域の欠陥から身を守るかのように）。 00. (00_00)(00)(モノグルイ)(00_00)(00_00)(ii): "((00_00))." ((00)(00_) (00_00)(00) ヤメグル(ii)(00_00)( ch.)(00_00)(UORUOP_PHANTOM)(ii): "(完璧な白い形成されたプラスチックの鋳造曲線 .. カムのディボットにより、ハーは潜在的な交差モードに置かれます)。"(00_00)(MONOGURUI: yameguru(ii) )(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) ヤメグル(ii)(00_00)(ch.)((00_00)(00_00))( ii): 「(白い光からの影がそのくぼみの上を通過します。.. ケーシングの裏側の周り: それは、ハーグリップに重みを与え、ハーを壊れる日に対してしっかりと固定します。.. ルーチンの系統的なステップに向かってハーを引き戻します。 ハーリング前の手順: それは、壊れそうに見えた白いプラスチックの壊れた装備と一致しますが、これには力が吹き込まれており、今はコミカルに、(00) の体を所定の位置に保持するという失敗した試みを追求しているように見えます。 ヤメグル(ii)(00_00)(ch.) は、周囲の死体からの悪臭が外から自分の中に入るのではなく、自分の腹の奥から外に向かって反響しているように思えます。 、あたかも här の内部の何かがこれらすべてをもたらしたかのように): (hyakhiru::II の特定の部分を ______ (::::) トラクトに戻すことができます。goryo チャネライゼーション プロセスの基本的なトリックは、 を回すことです。 . プロトファズムを後方に戻し、残り – u_objects 全体.. 固定構造 – は単なる姿勢です: これを構造化するために、ゴリョ灌漑プロセスは 2 つのポイントをマトリックス フィルターに取り込みます: プロトファズムが注入されるポイント。 . 引き抜かれるポイント .. 後方に戻す: y_phantoms のプロジェクトは、脆弱性を生み出す目的でリバース (00_00) (不可視 (00_00)) を構築し、テスト実行として最初に (00_00) をヒットすることでした。 ある種の...その後、それを(00_u_iiii)に適用します。計画は、原始相フローの制御ポイントを破壊し、それらを独自のメカニズムに置き換えることを目的としており、最終的には制御を主張する計画です。 選択された制御ピボット ポイントの優位性によるシステム: u_objects はフローを閉じるための制御スイッチとして誕生しましたが、最終的にはフロー、つまり閉じるかチョークするように設計されたフローになるように、独自の堅牢なシステムに開発されました。 "(00_00)(モノグルイ: ヤメグル(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) ヤメグル(ii)( 00_00)(ch.)((00_00)(00_00))(ii): 「（合成物質が登場すると、それらはもはや補助的なものではなく、実際にはそれ自体が原動力でした。それらの爆発は他のすべてを押しのけていました。.. それらは * の範囲を超えて大きくなりました: ある時点で、その区別さえも維持できなくなりました: u_objects がどこで終わるのか .. * が始まるのかが不明瞭になりました: 「『物自体』とは何か」という質問がされました。 y 形態に続く反転の.. 順列」: 彼らは、批判理論家.. 原始相を明確に区別する積極的なエジェントの失敗に気づいていた.. それが流れた山伏の人物たち自身: そのような、 少なくとも大まかには、シクロポイントを、原始ファズムのプロセスによって（0000）教育されている特定の原始ファシストと定義することもできるだろう。原始ファズム自体が、現在の政権を転覆させるための大衆の生き物またはエジェントとして機能した。 力のメカニズム: 反転ポジションはサーキットブレーカーとして u_ejento によって構築され、ポジションを閉じると原始相の流れが特定の方向にそらされるようになりました。.. これは高度な精度で制御できました: ポリマー流体の中でうごめく 液浸プール: 理論上であっても、マーチンゲール過程がフリーズする可能性があるかどうかは疑問でした。特定の点の周囲で上下の動きの記録をやめるには、特定の u_pulse フローと一致する必要がありますが、 ここでは、実際上だけでなく、純粋に数学的な定式化としても、提案された「0」ベースラインの周囲を飛び交う微小偏差は、例外なく常に存続することが示されました。)."