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(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (yumi(no)gosuto .. y_ueghuru(ii) walk down an embedded walkway, clear plastic walls surround them blankly at all turns. y_ueghuru(ii): in white u_ejento(mega) equipage .. white fake fur chaps .. clear rubber head-mask purses här lips unequally in dismayed .. cheerful thoughtlessness)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(y_ueghuru(ii): 'It was discovered that geometry was not logically unique .. that other geometries based on different axioms were not necessarily internally inconsistent: the question was raised about the nature of physical space: do lines .. figures in physical space obey the theorems?': y_ueghuru(ii) walks down the white polymer-cem causeway inspecting the clear plastic walls closely .. hopes indifferently for splendors in white close-hooded courier uniform with big circular white discs placed at här back .. stomach: (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): 00000. (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000): (00)(00): (00) (0000)): (I was most struck by här eyes, which were of unnatural clarity, pushing forward a disturbing form of uncomfortable peace in a peculiar way: yumi(no)gosuto wore a white cotton-hybrid cross-stitched uniform with white strapping with clear rubber hood over ice-gear: (00)'s broken body: här clear rubber short yurisuit with tight hood-mask pulled over här head with the eurostile word on it '*u(00_00)" in black outline, .. small circle logo in black, clear rubber arm warmers .. clear rubber slippers)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(tall white leggings up to här knees, vacant face staring upward)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(y_usege is perhaps best described as a professional onnagata, constructing a fiction of feminity .. voluptuous inverted force to pull in .. consume all of the cultural pretty decorative inanities of perfect destructive grace: the white cotton fabric of the jumper pushes back against här asserting its right to the material space här body is encoaching upon: discomfort was sometimes intended as a placebo for the kind of annihilating ruptures .. melodramas of psychic episodes: här body acts as the rayleigh-ritz ratio for a multitude of goryos, conceived of as the constraint that forms the convergence of a min max problem: the reversal of proto-phasm coefficient growth by the yamauereda was functionally equated with chrematism): (metal cabinets .. appliances fit into place against one another)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "((pause) y_usege(ii) grabs the (00_00)(ii) from här multi-bumped ghost-equipage .. rests it on the table before (00_00): the clear plastic surface trembles as hä runs här hand over it: (00_00)(00_0000): (00_00)(00_0000) (00_00)(00_0000): (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000): c: (df) reverb between u_pulse points: c: (_0*(r+_)+_) :: (_0*(r-_)-_ : (_r(*)+_+(_(-_)(*)-_) : or a u-series such that (u0*(r+y)+y) :: (_0*(r-y)-p : (00_00) touches the (00_00)(ii): hä understands, in a theoretical sense, the u reverb confined within its interior, but its mere physical presence .. closeness pushes an indefinable foreboding into här body's core)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(a sense that even the unforgivables are being approached .. breached)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(allowing just enough space against a small metal table pushes against the small oven whose metal surface reflects back the light against them)." (THE (0__)((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(cyclo-dense .. cyclo-distant mappings they had been corrupted: the goryo, re its role as a brownian bridge, tied off u flows into an ultimate culminating pre-determined point, anchoring reverberation in u to a bounded reality: without this control the destructive reverb would consistently lead to madness, in the u_ejento involved but also, in all probability, any ejento or actors within their direct gersgorin radius: in this way the goryo could be compared to the compound poles of monadism: from _00_ to _00_ the yamabushi were pulling proto-phasm from forward points in time back into the inversions cell so powerfully .. robustly that yamauereda processes of minimization were pushed to their effective limits: this built up force of contraction to contain the outward propagation of proto-phasm formation would then reverb backward violently .. in uncontrolled unexpected fashion)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(här white cotton capri jumper bunching around här body, contorted, as hä recoiled from the force of the blow): (här head hurt with the cold .. the pounding: the __ cycle allowed for the deposit .. movement in the brain's organic tissues proteins associated with the pushing forward or backward of u_pulse flows)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(with the release of the reverse-tension represented by these contingent flows)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(it is at this point that one would most like to proclaim one's innocence, but is faced instead with the clear demonstrable wrongness .. impossibility of such comforts: this is the point where the paranoid breaks, .. confess calmly, quietly, in a breathed whisper, 'it was me', for all the wrongs in the world: one finds oneself in between the convergence of these two ineffable series): (turning on two brilliant white lights to replace the dim grayness: sitting down on a metal chair in the corner of the polished wood .. metal lined room, .. pressing the palms of both hands on här knees, the gray multi-folded cotton yurisuit, black circle patterned down from the shoulders to mid-chest, pushing down här _ black banded shaved head reflecting the white bouncing nauseous light)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(white fluffed filliing pushes out from creases in places: at här right hip in black block letters 'u_648')." (THE (0__)((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the isomorph function of the y-filter had been broken, but, in theory, if used vigorously could be a powerful force: in effect, over time through a variety of processes, it had had multiple double binds built into that would be difficult to disentangle, such that it served as an ineffective tool in the midst of phase-push, unfortunately: as such, most of the initial programs created by the op. flux in response to the unwinding of the * proved important, as implicit or explicit extensions of the y-filter function)." 00. (00_00)(00_00)(MONOGURUI) (0000).(00_00): '"(in gray black banded acrylic multi-gapped yurisuit, with metal discs, .. här 4 braided head glistening slightly with sweat)."

(00_00)(MONOGURUI: y_ueghuru(ii))((00))(00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(viewed phenomenologically the * clearly had the character of a contractionary event, with tightnesses in proto-phasm as the motivating factor for all of the tremors .. damages popping up in one place .. then another, fulfilling 'in their succession the described conditions of the collection' as a reduction in quantity of flows of proto-phasm .. u_objects reverberations: u theory's conceptual history could be viewed as one of invisible ejento taking actions that u theory would predict to have a given effect, observing the occurrence of the effect, .. then incoherently attempting to amass an array of non quantity based theories to form a coherent matrix-filter: fictions of a distorted .. science fiction like character were regularly passed off as the most rigid .. sane of cold hard entropic contemporaneous theory)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(a big fold-over gray ghost-equipage with black circle-pattern): (certain of these flows would consist of high levels of reverb, tied back in to their representative ejento' goryos: the principle of indifference was applied freely to these effects, as their pursuant aims were driven primarily into probability sets: the white plastic module stood up from the glass surface, attached by metal screws, in one rectangular block on a pivot, with 3 glass rods set into its front face: it pursues a minimalist predictive model such that inputs are transformed into minor functions .. outputs are morphed into contorted shapes on an undulating surface plane: here, u_monad misformations can be viewed as flowing in from invisible effects in the modern form: behind the module in glass gridded case sit various forms of crystal (magnette, quartz, mesolite, oligoclase, rhodonite, kunzite): their perfect, vitreous inner reflected light settles into a kind of repose against the aggressive activity of the large bunker facility: in a kind of quiet agony hä puts här hand out toward them: off in the forefront ahead of här three squat white plastic mecha with assortments of radial cyclo-monadic propulsion cylinders make their way toward the large opening with cold, gray morning skies behind it: paranirvana (as reaching the transcendent or the beyond): (df) the folding over .. closure of monadic entelechy: the realization that we have already transcended: we exist (right here: right now) in the beyond, as transcendental objects, .. it is this very completion of the process of reaching out to the beyond .. then back into ourselves by which we conceive ourselves as 'ejento' of a higher or other plane: our bodies reach out to our surround environment, making of ourselves a micro-ecosystem of our flows, out on to the beyond, .. the beyond, .. the beyond… until we've converged upon the notion of the body as extending out to the phantasms that push in on us from the other regions: hä runs här hand over the white plastic forms of the collected contours intergressing, propped up from a little pod of water in metal, connected out from the white façade grid covering, behind which chambers run back into little greenhouse cisterns .. dew-collection pools: (0_0): 'enclose me in your hand for a moment: let me feel your pulse, your inner regions': y_ueghuru(ii): 'I had thought I wouldn't be able to return to you: the intensity of our endeavors picks up there are entire regions now which are crossed with battalions, waiting': (0_0): 'you wouldn't be able to: I am always pulling you back in: I have my onnagatomaton to arrange, to deploy to push you back to me: you know many of them have become ours, yes?: we take them in .. cultivate them, .. use them for our own purposes, .., ultimately, they devour us, or possess us, if you prefer, .. we morph into their ghost-forms that play under the bubble surface tension of the (*)region as we imagine it may exist or reform itself, as if it is our own interior MMORPG: **(00_00): u_ejento sought productive processes in the imaginative value of models, such that they generated predictions outside the range of conventional solutions, displaying a future-realism effectively retrodicted back on to the past, effectively producing phantoms which might transform the preceding data as forcefully as the proceeding: in such a way they reimagined themselves as artificial mirrored versions of their extant identities: u_plots for a wide array of property types were tied back into major institutions via back end proto-phasm channels that would not have been observable, at this time, to most observers, ultimately supported by implicit compound backstops: it was to these inputs into the op.-yamaueredas(::)'s proto-phasm portals that the u_flows constructed were ultimately aimed'): (hä realized, of course, that ultimately the one autarchic hä would need to defeat, the one that would stand in front of här when hä was closest to victory, would be härself)." ((00) y_ueghuru(ii)(00)(the YUGHUR::PHANTOM)(ii): "(the one effete bastard that could grip här inner organs in psychic power .. destroy här)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(a marking on här upper left chest just below the shoulder of a circle surrounded by _ smaller circles: the y_usege crouches low over the white plastic ground, it's six eyes set against its dark gray flesh .. powerful jaws, a four-legged beast with rippling muscles bound in black rubber with gapping: the y_usege are capable of c-ray communication over vast distances, via invisible light rays that are projected .. received by their clear orbular eyes: mykita-archon(i) has invited yumi(no)gosuto .. maha-kiso(iii) to meet här at the edge of this white polymeratomic .. steel aqueduct channel: they watch the clear water flow beneath them, surround by fields with plots of organic compounds: maha-kiso(iii) in light pink padded ghost-equipage with light blue stitching: här gray rubber features gaunt .. highlighted by darkened lips .. brows: här long, delicate fingers clutch the air at här side: black hair billowed up into three large bunches, .. interwoven with light pastel flowers bouncing about on lithe, black boughs: white rubber ice-slippers: yumi(no)gosuto realized hä was not an onnagatomaton at all, but rather a new form of c.a.m., the communications channels embedded in the particles of här body passing distortions in the u_pulse channels via wave morphings continuously: yumi(no)gosuto's semi-opague clear rubber yurisuit with clear rubber ½-mask, 2 black braids: hä shifts här feet .. examines maha-kiso(iii) carefully: yumi(no)gosuto: 'are you prepared to bring the op. into the fold?': maha-kiso(iii): 'we are prepared: we have been waiting': mykita-archon(i): 'we have all been waiting: but the time for patience has reached its end: it Is itme to push forward: we have several assemblages in place: they will be activated over the course of the next few days: I have asked for both to come here in order to confirm your cooperation: we must be united in this': yumi(no)gosuto: 'I will intervene with yarbois: we will bring several agents with us, .. do what must be done: we are able to infiltrate the YAMAUEREDAs at several points .. can assert control over a considerable portion of the fleet: once we have engaged you will be able to proceed with your movements unhindered': mykita-archon(i): 'may peace pass over us .. imbue us with clarity: the star-crystals are primed .. ready for formation'): (the low sound of (00)'s undulating voice: its white bulbous flesh contained in the clear plastic containment pod to här left, large, probably 3 or 4 times här volume .. mass, amorphous, semi-opaque clear balls of conglomerated tissue, glistening in the white light, moisture running over its curves: (00): 'where is (****yh****)?': y_ueghuru(vi): (distracted, mumbling quietly) 'I delivered här to y_usege(ii): I tried to pass it over as a kind of … an affront: I meant to challenge här …. to force a confession as to the (*), the ommission from the (u_u)-period episode: instead hä went into a quiet fury, hä wouldn't speak: hä grabbed my face in här delicate hands .. made as if to try to crush my head between them: there was a moment where hä relented .. sighed .. the pressure pulled back .. I could see här eyes go to distant places, but it was followed by a resurgence .. hä imprinted här fingers deep into my flesh .. contorted my head towards här: for a moment I thought hä might aim to follow it through to its conclusion .. destroy me, här body was imbued with cold forces .. I could not recognize här): (hä became something else: (****yh****) is with här: hä will care for här now: här little boughs .. leaves, the curve of här stubby branches .. mis-growths: I carry här with me only as a memory now: I would have told you but I …. I didn't want to accept these memories: I had renounced them, .. all the reminisces they brought with them'): (00_00): (00_00): (00_00): (00_00): (00_00): (00_00)): (.. the slightly pukish water was streaming over här glass monitor blinking with u_pulse analysis: on the other side of the clear plastic contours of här workspace the grayish, seething plasma of THE YAMAUEREDA(iii) pulses in sync with (00), clear fluid occasionally bubbling against the opposite surface of the plastic .. then quickly receding: its huge mass pushing back behind här, compared to the close arrangement of mechanisms .. process conduits in the pilot-hold: through the clear plastic of the contoured walls around här embedded metal cylinders with monad-chambers arranged just inside their outer circumferences: white rubber straps pulled down tightly over the synthetic contours, plush, of the access points, inset into clear plastic .. formed in co-opted complementary retrogression: the YAMAUEREDA(iii) pretends to collapse over här: hä can run through the processes which provide its propulsive inter-engines with their quiet force: hä's amassed debts to them which hä will now never repay, or perhaps this moment in of itself, insofar as it might be crystallized .. re-disbursed to the inter-engines as a present, or the prmise of uncollected potentials: crystal formations .. metal outcroppings inset with dim white effervescent lights are latched on to the interior, encroaching on the tight space along with three metal coolant units: (00): 'is it inopportune that we would be discussing this now?': y_ueghuru(vi): 'perhaps …. I find it disorienting ….'): (y_ueghuru(i), following the current adventure, is in the unusual .. awkward position of undergoing interpellation for four continuous periods at once: we were watching: the acquirement of information will always be a mode of binding, or domination: y_ueghuru(i), in this process, collapse: we were able to find a way inside': y_ueghuru(i): 'you have taken control of u_agents?': white rubber presses close to här joints as hä contorts här body as if in reflex): (only by facing the possibility associated with features of existence as contingent for their stability on a particular u_pulse flow could u_ejento reconcile positions generated by flows in widely disparate regions: even if this still took as given a particular framework of space .. time for the mapping of its probabilities it reflected a perspective suggestive of powerful shifts in the array of options in play: to go under this depth, to the *production of abstract forces pushing/pulling its contours as mere differential relations, would require the plunging of previously untouched invisible conceptual regions: u_ejento' use of u_pulse could be thought of in this framework as reversals .. misdirections of these regions of gravitational interaction: again, from an operationalist framework, one could look at the question pairing 'what was the goal pursued?': 'what was the outcome?': .. come to the conclusion that the regime of controlled, moderate low growth, low cyclo-intension was the result….): (everything the yamaueredas were pushing into the period of _00_-_00_ was being pulled back via goryos to the period of _000-_00_, inflating the mathematical compounds to massive proportions: the apparatuses of the compound managing the organization of proto-phasm flows): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."

(00_00)(MONOGURUI: yagao_ueda(ii)(ii)((00))(00)(00) (00_00)(00) yagao_ueda(ii)((00_00)(00_00))(ii): "(は härの前に立っている役人の指をしゃぶる価値がないと叫びながら床をなめた..彼らはhärをなだめた.härに積極的に礼儀正しかった.. 検査は 3 時間続いたと言われています: 彼はすべてを告白し、すべてを告白し、すべてを詳細に話し、彼が知っていたことをすべて、すべての点を話し、彼らの質問を予期して、急いですべての胸をきれいにし、尋ねられずに不必要な情報を自発的に提供しました): (yagao_ueda(ii): '資本がデリバティブ市場から流出し、コマーシャル ペーパー市場で流出を引き起こし、証券化を弱体化させている..CDO 市場': 暗い目.. yagao_ueda(ii) の透明なラバー ゴリョー スーツ): (u_agents は、先物/デリバティブ市場が信用供給そのものに変換されるようにエンドゲームを認識しました, (df), .. 賃金労働を私的/共同体の配当に押し込んだ企業スタイルの生産: r(g) リバーブの合成脈動空間への資本の非物質化の究極のユートピア的ビジョン: または、一部の u_agents が皮肉を好むように、r* の安楽死: 前反射的、前客観的な資本体：限られた空間内で2つのジャンプの不連続が発生したときに発効した破裂は、テレポーテーションプロセスが機能する機能として認識されました。 最小限のジャンプのみ: 数学的プロセスを多次元行列として押し出すことで、標準的な線条集合理論の枠組みよりも柔軟な概念マッピングを実現できます.." 00. (00_00)(00)(MONOGURUI)(00_00)( 00_00)(ii): "(彼は十分に知っていた..かなり正確な光で物事を提示した.)" (00_00)(MONOGURUI: yagao_ueda(ii)(ii)((00))(00)(00) (00_00)(00) yagao_ueda(ii)((00_00)(00_00))(ii): "(悲劇 (00) の .. yagao_ueda(i)(00_00)(ii)、危機、(00_00) の死、.. 残りはバックグラウンドに追いやられました): (phumaCHIRGHYU(ii)、秘密 社会、組織、..ネットワークが最初に置かれた.非常に多くの消去..スキャンダル..卑劣な暴行の目的は何かと尋ねられたとき、彼は熱狂的な速さで答えた. 基盤を崩し、社会を組織的に破壊する..すべての原則）" 00. (00_00)(00)(モノグルイ)(00_00)(00_00)(ii): , .. その後、社会がよろめき、病気で.. 関節が狂い、冷笑的で.. 懐疑的であるが、自己保存への強い熱意に満ちていた.. 何らかの指針となるアイデアを求めて、突然それを彼らの手でつかみ、その基準を引き上げた. 反乱..行動した細胞の完全なネットワークに依存する その間、新兵を集めて.. 攻撃できる弱点を探して'): (yagao_ueda(i)(00_00)(ii) は、概念の理解を yagao_ueda(ii) に説明する際に、 特定のモダニスト建築理論のフィルターを通してそれを特定し、金融手段は、生産的な流れを促進するように設計された形に現実を引き込む.. 社会的結束の成長を促進する.. 白い綿のシーツの壁は、穏やかな空気の脈動が定期的に流れ、やや心を落ち着かせます。 00. (00_00) (0000).(00_00): "(00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) )(00_00)(モノグルイ: yagao_ueda(ii)(ii)((00))(00)(00) (00_00)(00) yagao_ueda(ii)((00_00)(00_00))(ii): "(( 00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) 徐々に体に歪んだ力を吹き込みます.. u_pulse-contraction の凝集、または空のポケット 撤回: yagao_ueda(ii) の黒い輪郭の透明なゴム製ボディスーツ .. 頭の上の透明なゴム製マスク: ゴーストフェイスは、内部的に「(何でも) の自然率」という言葉を自動的に「残余」に置き換える慣行を採用していました)。 00. (00_00)(00)(ものぐるい)(00_00)(00_00)(ii): 「(結論として、ここ山上田でプマチルギュ(ii)は、いわば、そのような組織的無秩序での最初の実験だけを組織したと言った。 プロとして さらなる活動のためのグラム、.. すべての細胞のための —.. これは自分自身の (((00))) の考え、自分自身の理論、「.. 彼らがそれを覚えてくれることを望んでいた.. どのように心に留めておくべきか」 率直に här は här 情報を提供していた.. したがって、役に立つかもしれない': 細胞がいくつあるかを明確に尋ねられた.彼は、膨大な数の細胞があると答えた. 証拠を転送しないでください、私は信じています)."

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