MONOGURUI paperback (IMPOSSIBLE IS NOTHING)
(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(pinching off controlled points to push forces off in one direction or another, but can do little to offset the overall net force deployed by the wave as a complete entity): (it will inevitably blow up in one place if not another, by the sheer dominance of conservation: u_ejento could always offset yamaueredas' invisible moves with complementary moves further into the monadic phase or pulled backward into the preceding temporal regions: in the pre-* region interior u flows converged with upcoming flows at a point constructed by yamabushi in (00) of _00_: any u flows after this point would have to be reconstructed, with their reemergence intended to provide cover for the insertion of monogurui cells into their control centers): (an unacknowledged innovation of the interpellation of material proto-phasm was that it could allow for intensive meta-crystals on u_plots that were themselves extensive, via the redistribution of the neg-information in the mapping: the proliferation of 0-material .. complex vehicles was not about increasing the reverb but about accessing the modality: if regions of the universe are moving forward .. backwards in respect to equilibrium, thinking of it here as an equilibrium of probabilities of pure information, as opposed to monopulsive or other properties, then our perspective on the progression of time is defined by the operational design of our memory, as a holding basin from which one pushes forward: one could imagine a program designed such that its 'perception' of time is a function such that memory generates a domain pushing forward to an image operating as the perception of the present, constrained by a codomain representing potential futures: here the constraint of the codomain, by design, communicates conclusions as to the possible vs. the impossible)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(with the image progressively pulled into the domain: shuttle maid .. heddle maid were vehicles set up, initially, to hold the imaginal fashion developments that were to become a handful of fashion compounds operating at the service of the u_ejento in an under the radar violation of anti-retention clauses so vigorously defended by protocol: this perhaps should have been the first sign that u_pulse flows were drifting off-course, when goryos' outfits started pushing into unexpected realms of cyclo-dramatized fictions: the first goryo stepping foot into the given regional park of YAMAUEREDA wearing mori-ghuma could mark the onset of the slow regressive disturbance of the calm moderation that had preceded .. dominated previously: the shuttle maid .. heddle maid offsite vehicles had fallen out of use, replaced by other channels, by the time the yamaureda_ghosts began to put into place their plans for the inversion, but they were never completely retired, .. they were picked up for redeployment for their efforts, with perhaps some sense of irony or dark humor intended)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)(00_00)(the YUGHUR::PHANTOM)(ii): "(u_ejento thought of these u_spaces as polders for productive flows off of which synthetic positions could be indexed): (y_ueghuru(ii)(00_00)(ch.)): (a soft blue line runs across the top with a centered red logo): (pushing their botanic mass forward, in the sense that proto-phasm bubbles were forming misformations across the diked up landscape attempting to determine flows, digging out ruts .. polders: coding/recoding: 0000ing up the stratus .. then reforming it: to what extent can invisible processes control cyclo-intension .. can it refine its performance based on the experience of the past?)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(proto-phasm that has been freed of its bindings, where does it go?: what kind of beast does it become, to populate the veins of ejento with invisible u_pulse in place of human fluids: what is a ugartë whose organs have been occupied in this way?: the one extant mirroring allowed us, in these circumstances, is the shimmering reverb of retrenchment, of our collapse as a re-possession of our future imaginings as distorted growths .. markov sequences: it is the bindings as much as the flesh that produces the imminent force of emergence: the standard mhyaka_house design consisted of a radial central unit that served as a core center for operations, with 6 mega_divisions pushed out from it in a semi-circle: the gaps in between the divisions typically served as mass courtyard space: white circles representing indeterminancies converged inward on the u_C.A.M.s toward various u_pulse flows: the proto-phasm coefficient: this is the alien power that transforms monadic processes into an amorphous property, the emergence of other worlds: proto-phasm is not mapped to monopulsive properties: rather they are mirrorings of another such that the distinction between subject .. object disappears in infinite regress: but somewhere a convergence to a pulsating equilibrium is evoked, madhyamaka: this limit pulls in all inversions: this is dynamics at its coldest point, its most nihilistic .. hollow, where underneath the surface of kinematic functions the domain .. codomain binding itself controls the ultimate teleological utopian/dystopian processes at work to dominate us all, unforgivingly, consuming our bodies for the *production of some crystal future): (the large,flat, dark gray hover-barge takes them to the edge of the ocean, it's marshy coast populated with 29 inverted cylindrical cyclos consisting of a clear pseudo-plastic material allowing one to see down through the levels, the cr.-phuma's activities .. their ever-industrious workings .. projects: y_ueghuru(ii) .. yarbois(0) stand with a few of the ch.aeghu(h) at the edge looking over the vast reaches of the turbulent, dark ocean .. the marshy low-lands: off to the side of the submerged units are several pockets of cultivated bamboo, primarily devoid of ch.aeghu(h), with the occasional exception: y_ueghuru(ii) runs här hand over the semi-opaque clear rubber of här ghost-equipage: ch.aeghu(h): 'we are aware of the *beings, with some limited notion of their activities: there isn't much we can tell you in this respect, as they are a mystery to us as much as you, but we can perhaps point you in their direction: they stop here on occasion, always coming from .. heading toward the same pathway: we are apparently a waystation for them, with little to draw them here in particular, from what we can tell, other than being a convenient stopping place to recoup resources: we do some commerce with them, as we are adept ship-builders: we provide them with improvements .. repairs in so far as they are need, .. they supply us with information about outer regions .. sundry material goods': yarbois(0)'s white rubber body, stocky .. .. rounded with multi-curvatures, 3-circled head .. horrid maw: it hunches its large shoulders slightly: yarbois(0): 'the institute will be sending out yu-hsieh to follow us: the yu-hsieh are operatives of the defense, their methods being developed to the point at which conflict rarely arises but requiring maneuvering .. preparation beginning many commutes before actual battle: they are assigned with the mission of protecting mathematical implementation against outside forces: the yu-hsieh operate out in widespread divergent formation to dictate the establishment of saddle-pts. in pre-arranged patterns: they will treat the optic waves as a kind of r-function according to an array of isomorphisms of optics::time in a statistical mechanical sense utilizing non-discrete 0-point coordinates: the phase-transfer from the past to the future as non-commutative: do not resist their efforts, they will only quickly overpower you: provide them with the correct guidance as to our visit here, .. our projected path: we will encounter them on our own terms, regardless': embedded into the marshy ground at periodic intervals are the openings to white plastic loading bays for submerged large-form production units: venting pops up at surface level in their immediate radius: each of these production centers is divided into multiple units, each laid out form the entry point .. extending out as a strip, over which conductor belts .. mecha equipage fills the echoing space with activity)." (00_00)(MONOGURUI: y_ueghuru(ii))((00))(00_00) y_ueghuru(ii)(00_00)(ch.)(00_00)(ii): "(nevermind the suggestion that this 'utopia' is not for us but for our masters, or for our doubles who will have replaced us: we were even yet only pre-embryonic beings, or pre-formations of beings, vehicles to push forward the growth of u_pulse flows whose emergence .. decay lie far outside the span of our own preferred mortality): (insp.murighuma(v): 'is this här?': gazing over the contours of the .5m tall plant in a clear plastic water-filled module on the metal table: it's boughs curve in random growths, tubular .. ridged with rough browning, succulent, green, dewy surfaces of tubular forms, protracted, semi-limp light green leaves commingled with one another in contorted directions: y_ueghuru(ii): 'yes: hä is my protectorate now, I suppose: this is – there is more to this outcome than I was prepared from: …. but I care for här: the – you know the cycle-forms of the transfinites, when mapped to a filmic u_space, are mapped to the complex plane: interdimensionality can be mapped over the unlimited domain of curves .. rays at one's disposal, making of it a flat ultra-plane, reduced to its vital minimality': around them the white phasm curves of the compound glisten with plasticine light, with little circles of embedded glass viewfinders both before .. behind them: insp.murighuma(v) in white polymeratomic, globular armor, large, glass visor-mask embedded into its form pushing forward myopic, huge eyes: black markings convey the role of u_agent for the (*) to which hä is contracted: y_ueghuru(ii) hunched on the white ceramic block stool, 2-braided black hair, in calm watchfulness or introspective, meditative entrapment: här right eye quivers against forced memories: occasionally a point of moisture unclings from a bough .. falls to the clear plastic module, where it is quickly collected by filters .. retained: y_ueghuru(ii) impulsivley grabs the white ceramic dish of noodles from the metal table surface, as if suddenly remembering it is there, .. begins pulling noodles up to här mouth with metal hachi, glancing over quickly at insp.murighuma(v)'s large girth inquisitively .. vaguely apologetic in här posture, perhaps guilty of grotesque but quiet ruminations: hä puts off a question for the moment, turning här full attention to the moist, white-cake noodles .. their rangy, powdery suck: semi-clear yurisuit over white acrylic mech-harness with black outline .. clear rubber ½-mask: insp.murighuma(v) flickers .. disappears): (the use of growth-plastics was extensive in YAMAUEREDA, biological plant-based materials used for the development of biomorphic entities: u_ejento would at most mouth 'implosion' as a whisper, as a suggestion that was understood only to be a murmur of some underlying decay/growth process: there would be no reemergence of blown up entities .. facilities passed through at this time: these beasts' violence .. ruptures were such that not only the future but all memory-traces of the past of their prey were devoured, as if to never return: y_usege runs här hand over the surface of the glass with metal object on the table in front of här, allowing the medium gray black grid-patterned tied-off accumulations of här ghost-equipage to pull inward mirrored by shimmering reflection of the metal misformed contoured surface of the table, its various curves .. irregularities the product of air pressure applied in the cooling process: hä grimaces slightly with puffy lips, hair bunched up in six collocations on här head: the white light bounces off metal .. glass surfaces, held by white cotton sheets enclosing the small room: from behind them comes a slight murmur)." (00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)(00_00)((00_00)(00_00))(ii): "(its easy enough to look backward .. pinpoint where calibration was too soft or hard, following an implosion or breach or run up: but looking forward .. predicting the correct control points to converge to is another matter: for u-point calibration to improve performance over a cyclo-intension mapping process one would be required to answer the question as to how one would avoid missing one's convergence: this holds regardless of the process chosen: in _00_ by the time it could be clearly determined that the convergence was being missed one was already immersed in it: if a future-form cell is to resolve the issue for u-point calibration then why didn't y_op. resolve it for the cyclo-intension mapping process?): (one can always map out an equilibrium formation as a sub-mapping of a non-equilibrium system over u_pulse regions: här medium clear rubber yurisuit with black grid pattern marked by overlaid folds in a regular sequence: här bunched up dark hair, dark eyes running over metal reflective surface of the contoured object in front of här, as hä runs här hand over it gently: hä hears something behind här .. turns quickly: hä waits .. listens, body slightly hunched in an attempt to reach out with här awareness further, probing the dark channels that surround här: hä hesitates .. lifts the object slightly, for a moment)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(there is an echo of pulsating wind running through här mind, huge swaths of air .. gray foreboding clouds pushing inward against här from somewhere far away: the pulse of pressure flows in at regular intervals now, pushing a tightness to här body that ranges in to the core of här stomach in a tightly gripping reverberating ball: hä would never be clean again, hä knew: all the impurities being pushed into här were incorporated into här material being such that här bodily fluids would hold within them residual growth-impurities, dormant but cold, waiting, for all här potential futures: y_usege touched här gray painted lips .. tried to slow här consuming breath: proto-phasm inverted on itself imploding its foundations in real monadic reverberation, driving the 'pressures' that pushed into every area of the *pulse introgression, possessing even the material bodies of the ejento that were contaminated by their ingestion: yoshida:minor-captain was a u-filtration set up to take in the monadic waves from these propagation regimes .. distribute the underlying 'bodily fluids' via the calls .. puts of the major institutions to minor bodies interconnected as a (00-flux) package, (00)hanago, that flowed into multiple of yumi(no)gosuto's goryos: the decorative distribution of the material fetish object transforms it from a functional repository of core-intensity to an arbiter of convulsive will, a metamorphosis of will that turns it into a dominant commander that one submits to as a form of infiltration .. chemical dispersion, the u_objects of which process form cells upon cells of communal embodiment until it is indistinguishable from the criminal undermining its order, .. the criminal's punishment is indistinguishable from här overturn .. reordering of the institutions of repression as protectors .. champions of här cause)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (CAM に記録) "(これの以前の使用) このプロセスは地域全体に広範な影響を及ぼし、間伐と衰退の癌のような蔓延をもたらした。彼らはこの経験から、将来の情報の蓄積に基づいた行動の影響は、完全に否定的な偏りがあるわけではないにしても、もしそうなれば、 それ以外の何ものでもない、事実上制御不可能なほど不安定な性質のものであること：あなたの(0_0)店に雄牛を持ち込むようなもの)。」 00. モノグルイ (0000).(00_00)(iii. ブーム .. バスト)(00_00)(モノグルイ: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (C.A.M.に記録) (雄牛自体は破壊的な目的を念頭に置いていないかもしれませんが、それにもかかわらず、あなたの中国は(0000)edされています): (u_pulse (フリッカーゴースト効果を誘発するアセチルコリンベースの薬剤で、u_pulse 波の除外された中央に収束します) コロケーション)、u_pulse ポイント間の残響効果で自分自身のゴリョーゴーストになるような、ゴリョープロセスと対になった急性ヘベフェレン性化合物の誘発): (((00_00)) ((00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) ヤメグル(ii)(00_00)((00_00)(00_00 ))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)( 00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) ヤメグル(ii)(00_00)((00_00))(ii): " ((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))。"(00)(00) ( 00_00)(00) ヤメグル(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00))."