MONOGURUI mono-dress: (DISTURBING AND UNCOMFORTABLE)

Name: MONOGURUI mono-dress: (DISTURBING AND UNCOMFORTABLE)
Brand: (yumi)(no)(MONOGURUI)
SKU: 91735108
Price: 3681.0 USD
Availability: InStock

$3,681.00

(00)

(00_00)(MONOGURUI: yueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) yueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(these 'white proto-phasm' pools, in this methodology, were of a scale such that the entire mathematical cell could be interpreted as a mere bubble, or confluence of bubbles, upon its surface: (00_00) (00_00): positions passed for symmetric gauge functions regularly, as everything became inverted: u_objects of op. u_pulse processes with respect to reverberation became increasingly mysterious: the reliability gradient vector measures the reverberation of up-down states based on patterns of proximity, filtered through a probability framework: in effect it measures the probable potential contagion in play: the waves that figured prominently in the (U_00) models used by the u_ejento were defined as 'disturbances in proto-phasm which is propagated because proto-phasm has elastic properties': one could keep a pretty decent handle on forthcoming movements by tracking the convergence of border-states of the grid, or a particular region of the grid that one was interested in: one could move one's positions such that one minimized or increased the proximity, depending on the directionality of the positions assumed: in these instance the BIM-spectra was handled as a concentration of topological factors .. would override other significant factors: though the elasticity of proto-phasm figures in the process of the yamauereda it dropped off as an important understood property in both the major introgressions: in the first case the ghostline froze up on the achievement of the 0-point confinement .. in the second upon the achievement of the cinched low-level cyclo-intension mapping: (0_0))." (00_00)(MONOGURUI: yueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) yueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "((0_0): yumi(no)gosuto stood still .. looked intently into här radiating eyes: (0_0): (0_0): this is what pushes proto-phasm through the system .., in consequence, through the conduits: the u_objects constructed by the u_ejento were self-adjusting hybrids with built in shock switches allowing for the propulsion flows of supply shocks to propagate in predetermined manner: these were what were referred to at the time as 'invisible distances', the channels through which unexpected flows would be transformed into expected flows): ((__)((00) (re (0_0))) the u_ejento operated according to the calibration of a modular guild of actor/agencies, without any centralized control: enforcement of guild protocol was implemented via impugnment or strictures in minor cases, or madhyamaka or banishment in major ones: disputes were moderated via internal arbitration: banishment was enforced via lobotical procedures referred to as 'clipping': the yamabushi could be fairly called 'micromechanics' in the full let's-blow-everything-out sense of the word: they were, by dual mandate, ejento for the management of approaches in .. around what get passed off as non-equilibrium systems, .. were responsible for the calibration of inter-coordinations between multiple of these systems with overlapping parameters: people are fond of referring to the emergence of 'the madness' in respect to the buildup to the *)."(00_00)(MONOGURUI: yueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) yueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(but, of course, this is a naïve approach: 'the madness' is merely business as usual for the mathematical compounds, by definition: you can't remove the madness component from the proto-phasm process – the proto-phasm process is the madness component: what people frequently observe as an emergence is simply the mathematical cell's processes moving into an area where they hadn't previously been active, or to where they hadn't previously been observed: u equations are highly particular as to the range of movement allowed waves, or how many points to the right or left permitted during a given unit of time, which is in turn tightly bound on u_pulse conditions: here 'intimate associations' with (0_0) conditions euphemistically refer to the bounces up .. down allowed for: 'mm, I'll always be your cowboy: say thank you, dear': hä mumbles something: in somewhat rhymthmic gyrations hä contorts herself: balls of white cotton are pressed firmly to här body in various places by the clear rubber gapped bodysuit: här pull outward in quiet wail or grimace: despotic machines are instances of force which fold back from the object .. dominate the bondsman, wresting it from the bondage of the master: thus, they can be experienced as a kind of rescue, or fairy-tale ending whereby the princess is removed from capture by illuminous creatures: but there is always an exchange, a reciprocation of bodies which serves as the counter-value for här freedom, .. which is bound, by virtue of this process, to the rescuer as a re-morphed despotic machine binding of renewal .. reformation: as the mathematical institution is pulled under by the rapidly growing force of centripetal gravity the alien u_objects devour it, not as an exchange of gifts but as a repulsion: uber-paradoxical, fantastical u_objects were issued by such institutions by which they imbued shorts on their own continued existence)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(ch.)(00_00)(the YUGHUR::PHANTOM)(ii): "(yueghuru(ii)(00_00)(ch.) had been running multiple goryos through integrated accelerators, which, in mid-_00_, hä began to wind down .. shift over to other fronts: most of this was in synthetic (0_0) that pushed point-flux, though there was some light (00_00) base-form floating around in there as well: hä began the process of moving these flows over into minimal 0-point_shift where it would be easy to pull out quicky)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(ch.)(00_00)(the YUGHUR::PHANTOM)(ii): "(anything encumbered by direct density-collocations or longer term commitments was pushed around .. shifted into portal adjacent areas, in large part via synthetic engineering, but also, in some cases, simply by run-out drift .. re-application: at the same time there was a subtle shift in the same vein, but from the other direction, in the (00_00) compounds)."(00_00)(MONOGURUI: yueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) yueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(where yueghuru(ii)(00_00)(ch.) .. other u_ejento were pushing commuted vehicles into 0-point_shift dematerialization, where it could be mirrored out into propagation flows for the mathematical institutions involved in originating the flows in the first place, inversing these flows out into implosive loops: this move no one saw coming, as a method of making proto-phasm disappear: in effect, the flow direction in these compounds was reversed, via a subtle shift that went unnoticed .. unremarked upon at the time, other than your occasional flow of point_waves report that no one paid much attention to: rather than (0_0) concrescences backing 0-point_shift .. point-flux, at this point in time in _00_, _00_, these interior propagation vehicles were, for all intents .. purposes, compounding the y-cell: it was almost a perfect micro-canonical u_pulse shift, invisible under the reverberating shifts between the two adjacent systems, each in near equilibrium states which appeared, at least from a position close to these flows, to be perpetual: u_ejento would look at these flows on their u_C.A.M.s .. watch, for even a moment, what appeared to be y_phantoms forming, but they would disappear just as quickly as they formed .. the observing u_ejento would swear it to be merely the product of an exhausted mind .. the encroachment of melodramatic imagination, like the voices of ghosts one can pretend at times to hear in the wind): (the last points of the indices for a given u were equal to the limits of integrations, where there was a flux of weightings of nodes against a closed inversion structure: the probability factor of the shock switch is close to 0 as the velocity of cyclo-intension approaches the velocity of the range of reverberation, .. approaches _ as it approaches the 0 floor or exceeds the range of reverberation)." (00_00)(MONOGURUI: yueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) yueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(it works as a combination of multiple different forces, but for the most part it can be framed as a relationship between u_objects .. point-flux: the functional reverberation that drives the system will be found primarily in this dynamic, such that the rubberiness of the u_objects cell is the quality that controls for .. allows the invisible gases at work in the point-flux cell to blow up .. outward, pushing *_ .. such to greater volumes: when this dynamic weakens or deflates everything else follows: if no, for snow is falling, then perhaps in the moves of the wind one or the other, the heavy drifts: it all collapsed on här, not on här body, but on här heart: it all crushed här, every time: no one ever understood what hä was talking about, 'oh, it will be fine': a nice thing to say to someone whose entrails are being devoured: but at this point hä didn't 0000ing care): (the construction of eidetic imagery leads to the creation of the y_phantoms: yumi(no)gosuto, in här (00_0000) examined 100s of possible (00) forms in order to research the assemblage of monadic constructions .. their manipulation of the human psyche, .. the *region of materiality: the y_phantoms exist entirely as figments of the imagination, fearsome creatures that once having made passage into the mind refuse to leave: the defenders used them as a means of orchestrating in actuality the intended effects of the plan: respect for the kind of intelligence that enables grass seed to grow grass: the cherry-stone to make cherries: phuma-head(ii) walks with gray rubber slippered feet upon the polymer-cem ground of the snowy::fields white .. slightly cold against the frozen sky .. the hem of här short-sleeved/short-panted gray-rubber contoured cover-all touches the black rubber leg-warmers tightly gripping här legs: här bare hip pushes against the upper contour of the lower portion .. a large diametered gray sun-hat covers här head distinctly: the shadow that it casts over här weary face leaves här expression indistinct, hidden away almost mask-like: hä carefully pauses at each of the cuttings, arranged in a grid, ultimately compose so as to capture .. redivert u_pulse complexes: it is intended that growths such as this will supervene over foundational u_pulse flows, .. will exhibit the ability to sustain predictable causal interactions: phuma-head(ii) has taken an interest in their development: ultimately, these kind of plots will function as little more than minimal accessibility operators, even under their most well developed form, with the actual u_objects themselves unaffected, but access to their innermost intrinsic properties should allow for transparent observation .. provide the opportunity for cultivation of pure growths: the shadows pulsate .. flow over här body as the strong winds push cloud-formations: minute dew holds in places: hä bends down .. looks through their rows, examining for deformations: clear rubber tubing .. micro-channels flow through the rows for hydration .. mineral delivery at times passing through little submerged metal culverts: on the chest of här cover-alls 'MIDORI' in black letters: hä whispers something indistinct: hä rises .. continues här slow pace through the growths, resuming här overview inspection: this is här morning routine now, one push after another, allowing the protocols to imbue här with regular purposefulness: at times it feels as if the growths are a process cultivating här, as hä slowly becomes aware of the changes to här internal composition .. momentum: hä breathes cautiously, avoiding the impulse to fall out of the mindless routines, pushing härself back into procedural modes)."

00.おおおお。 yameghuru_uereda(ii): (the_C.A.M.に記録) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) ( 00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00). O (0/0) (00)(00) ( 00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) ( 00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) ( 00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00) )(00) (00)(00) のうち: (0/0) (00)(00) (00)(00) (00)(00) のうち: (0/0) (00)(00) (00 ) )(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) ( 00) )(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00): (0/0) (00)(00) ( 00) (00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) ( 00) (00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00) )( 00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00) )( 00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) O (0/0) (00)(00) (00) (00) ) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00) )(00) ) (00)(00). (0/0) ( 00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) ( 00)(00) (00)(00) (00)(00)。 ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00): ( 0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: ( 0/0) (00)(00) (00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0 /0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0 /0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の (0/ 0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) 0) (00)(00) (00)(00) (00)(00)。 (0/0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00)。 ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00): ( 0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: ( 0/0) (00)(00) (00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0 /0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0 /0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00).” 00. OOOOO. yameghuru_uereda(ii): (the_C.A.M.に記録) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00 ) ) (00)(00) (00)(00) のうち: (0/0) (00)(00) (00)(00) (00)(00)。 ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00): ( 0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: ( 0/0) (00)(00) (00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0 /0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0 /0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00).” 00. OOOOO. yameghuru_uereda(ii): (the_C.A.M.に記録) "(0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00 ) ) (00)(00) (00)(00) のうち: (0/0) (00)(00) (00)(00) (00)(00)。 ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) O: (0/0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00): ( 0/0) (00)(00) (00)(00) (00)(00) の: (0/0) (00)(00) (00)(00) (00)(00) の: ( 0/0) (00)(00) (00)(00) (00)(00) ○ (0/0) (00)(00) (00)(00) (00)(00) ○ : (0 /0) (00)(00) (00)(00) (00)(00) の : (0/0) (00)(00) (00)(00) (00)(00) の: (0 /0) (00)(00) (00)(00) (00)(00) O : (0/0) (00)(00) (00)(00) (00)(00).”