MONOGURUI u-op: (THE deFORMITIES)
00. (00_00)(00_00)(00)(00_00) (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(hä begins to run här hand along the inside of här arm: white rubber bindings over coded designs of white .. clear rubber: capt.r.(yamegu(r)u(ii))(ch.))." (00_00)(MONOGURUI: ueghuruomo_ueda)(ii))((00))((00)(00) (00_00)(00) capt.r.(yamegu(r)u(ii))(ch.)(00_00)((00_00)(00_00))(ii): "((000000): the u_pulse currents that from _00_ to _00_ were to blow open the control points: (00_00) (00_00) central to the control of u_pulse flows was the pinning down of points of u_pulse stillness: once one had a collection of static u_pulse points to 'push off' from one could assert control of a wide variety of related oscillations): (episode 19: u_phuma in white rubber u_defender bodysuit falls backward against the radiant blow of force from the augma_wind of gray_phantom: it wraps around här holding här at the edge of the precipice, the distant void reaching deep behind här: captured in the augma stasis, hä cannot move): (y_ueghuru(ii): (recorded on the c.a.m.(ii) 'Y.: 90 commutes: AKA the Radiant: AKA the Official Counter of the Institute of the Defense: an expert in mini-mathematics. the opponent of yumi(no)gosuto in the Controversy Concerning the Existence of the * (AKA the War of the Monads): the inherent consequences that come intact with it: Y., for a long time, was viewed as the reactionary to yumi(no)gosuto's revolutionary in this matter, but this has recently become revisited: minob.u was said to act as a courier for Y., being the go-between for Y. .. the mighu-phurs via various cut-outs: the construction of u_monad-engines with counter-dimensional mappings drove new growth in monadic channel control: i.e. spatial dimensions of more than or other than the standard three, time-dimensions of more than one: as competing postulates of reality their performance vs. humano-versions (man-data versions) proved powerful .. opened up new pathways: the coefficients were not bound to anything like an attempt to mirror some underlying reality, but rather were conceived as morphism-boundaries for a given outlook: these other-dimensional coefficients then populate the hidden variables, but only as a shift from one inconceivable to another: u_ejento pushed back consistently against the treatment of these as state-conditions, preferring instead models based on the idea of functions as processes .. their convergences: motion is always a two-dimensional quantity, at minimum, as contained equally in the observer as much as the observed, with the motion in the observed thought of as the 'spatial' component .. the motion in the observer as the 'temporal' component, though perhaps it might be better conceived as a reverberation between these two forces: the black acrylic form of här yurisuit collapsed over här shoulders with gapping at mid-arms .. midriff with semi-opaque covering with markings: raw, light-gray painted lips with gray splotches over här cheeks .. forehead up to 6 mini-collated dark gray bundles of hair: hä told me in the clearest terms that there would be no return: I watched här as här body slowly disappeared, each material particle of här being becoming a glowing white-light orb .. then receding into some unreachable orthogonal cavity: the shadows sculpting the contours of här neck .. face turned to glimmering blurs merging with their surroundings: my knees buckled .. I threw up all over the white plastic floor .. lost consciousness: when I awoke there was a quiet humming reverberating through the room but the moment I tried to focus on it it was gone': här eyes push forward, blink heavily: it pushes hand into här mouth, pushing här body down: (00) mathematicians who argued against the monogurui uniform här white body sits in the white (000000)(00)/ or to multiple cut-off but intra-connected (KNOW WHERE YOU'RE HEADING?) (500.00) privacy-units came to the fore around this mini black round-topped metal screws bind THE WHITE ROOM. period communication-processes was the pieces of the clear polymeratomic armor (00) primarily of a mathematical structure assessed with a ugartë: I am a good ugartë, .. intermittently: selecter-press: just this morning invented by (00)?, referred to as the monadic currents: oh-so-carbonaceous black-stubbled yet somehow my cold business associate: I had about to exterminate all the excessive this face 5-circled hair beneath the clear plastic no-objects were mathematical stuctures for puts här black rubber mini-gloved hand to unwelcome image. cerulean blue oh-so-red/ 13-circled head-piece clear plastic mask w: which material qualities simply wouldn't stick: här lips: här clear rubber mask restricts The white Room/ 6 bumps of här 3 convergent weak super-red semi-opaque but couldn't be construed as events because här head tightly: big round eyes: (-CR)(00): clear rubber bodysuit decorated by 6 black bold lines: weak permanent blue semi-opaque they lacked any interactive component: pursed numb chapped lips: pressure-pt. circles: rubber-formed: (1244) här perhaps they could have as easily been clear plastic mini-cylinder injections pop oh-so-carbonaceous 5-circled hair: y_ueda(i) at one point, this was hours later .. hä had discarded the large 3-circled black wig .. här black hair bundled into 3-mini--circles was bouncing slowly atop här pretty little head, was blowing a bubblegum bubble when hä noticed that ueghuruomo_ueda(ii)(gushamoto) had left här tea unfinished, something out of character for här: hä picked up the 2 white ceramic cups .. carried them to the kitchenette where hä washed them .. set them aside to dry: pulls at the white ceramic with här tongue: (-CR)(00) moves här numb chapped-lip mouth awkwardly: (gray_phantom's giant gray alien muscular body glowers over här in black rubber bodysuit: hä reaches through här chest gripping the white glowing powerforce at här heart: gray_phantom: 'the future belongs to me: this is my moment': här fearsome eyes radiate with power: white bobbles of powercrystal circle around them furiously: u_phuma' eyes begin to roll back, but suddenly they stop, .. pull back into focus, intently bearing upward into the eyes of gray_phantom, här lips pulling open: 'this is your moment… but I don't have to be here for it.': u_phuma' body begins glowing white .. everything slows down, .. begins to pull backward, until the image is running in reverse, slowly at first, but with increasing velocity, rewinding through the preceding scenes until slowing .. converging on the moment at which the radiance completes its transformation .. hä opens här eyes in stunned abnormal calm): (the u_ejento viewed mathematics as the manipulation of conceptual matrix-like objects: a priority was placed on the ability to visually model one's mathematical entities .. processes)."(00_00)(MONOGURUI: capt.r.(yamegu(r)u(ii))(ch.))(ii))((00))(00)(00) (00_00)(00) (00_00)((00_00)(00_00))(ii): "(if you can't look at it .. turn it around in your hands you don't understand it, they would say: or, if it's not a body you can't 0000 it: you could still find u_ejento who would, in isolation, cover their bodies with gray body paint .. reach into the primal depths for their own purposes): (termed no-events, occupying a constrained outline each of the clear plastic balls of plastic/ metal mini-opthalmoscope sits in:out at select pts. of ueghuruomo_ueda(ii)(gushamoto)'s body oh-so-carbonaceous black mini-bundled hair non-complementary space. the headpiece: pressure-pt. tubular injections: uncomfortably in här hands, hä never really from the anti-chöd armor: 5 mini-protrusions atop 5 mini-protrusions: (clear rubber 6-bumped from här close-cropped head .. a mini-C.A.M.: bodysuit equipage w: clear rubber mask over(0) comfortable using one). ((-CR)(00)'s cold numb lips quiver vibrantly 5-mini-protrusioned head: circles outline each of the clear plastic balls multi-dimensionality effect: the monadic with black circular disc, pressure-based, behind the clear rubber mask: black rubber oh-so-carbonaceous black hair: big round eyes: of the headpiece: black plastic circular discs currents took outro-dimensionalities into it is a regular component of the gloved hands in stillness: over 1 raised eyebrow for a moment: big round eyes: up ueghuruomo_ueda(ii)(gushamoto)'s white short-shorts: monads are account: hä wears tight rubber black gloves: YAMABUSHI OI Box): ueghuruomo_ueda(ii)(gushamoto) found himself 5-mini-protrusioned head the clear rubber black-outlined (00): ((1656) sub-atomic mathematical points: the concept carefully adjusting the mechanism for refined distant, or destroyed: it's not a theoretical oh-so-carbonaceous black hair: clear rubber will be that if it comes to the head of into the of no-objects was studied by Dr. U. .. given calibration of monadic-radiant acitvity: dicussion if the prescribed points are already bindings up här sore tired legs. implosion-chamber for ueghuruomo_ueda(ii)(gushamoto) cadmium red/ development by dr.c.: Dr. U. postulated that weak permanent blue semi-opaque circles set: rather than something practical: the clear pressure-pt. tubular injections: anti-chöd armor: cancer, office door .. entered, clear rubber intense mind had always seemed too (00) in other 6-bumped 0000 staying home. hä isn't entirely clear rubber (00): black rubber slippers: (at this moment hä had in mind the * joke a friend had relayed to här, although why hä thought to consider it at this particular moment was unclear: 'what was the defining characteristic of the *?': 'mini-crystals got (0000)ed')): (whether or not the effect of such movements could be determined or otherwise controlled was unclear: certainly there were gaps in the overlaying systems of coding via the material coordination of interior goods .. their incipient consumption): (cold white light pushing through the clear plastic)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(the wind pushes against här body powerfully .. här clear rubber ice suit pushes in against white cotton hybrid bodysuit .. white rubber bindings: här head hurts massively now: the damaged couplings of the u_connector hum quietly against the reverberating air passing over them underneath their white rubber tenting)."
(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): (for nearly _0 commutes everything was slowing down, but this process was working against huge weights of forward momentum: by the time it was flaccid .. inert the u_object (0_0) had been reduced to cheap desperation .. a sterile impotent cold had fallen over everything: it was underestimated by massive amounts just how much proto-phasm would need to be re-injected to get the reverberations moving the right direction: trying to rein in the cold, if nothing else)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the models start with finite-factor short-velocity factors for which stochastic differential equations are derived outputting an op.flux determining neg-information-neutral mapping formulas for u_objects: from there one can infer from the gaps the neg-information in the system, or at least measure out how it is being imbued: again, as pointed out in a chremastic phasm-metric, if you care about the foundational u_monads, you probably shouldn't: there's probably no more comical picture of the * than that of the (00) douches scrambling to group up with panicked lips to reform the 'conditional u_monads': every mathematician who ever lived probably received a headache simultaneously, rolling their eyes, 'wait, what?')."
05. パーティー (ポップソング) 01
ライトグレーのショートパンツにライトブルーピンクの花柄のフジマ..ライトブルーピンクの花柄パーカーはピンクを見つめる..しかめっ面、額に片手でタバコ。 重複する合同で.. 彫刻された形のフジマは、本当の幸せな.. 元気な征服者として外れる.. 何も落ち込むことはない.. ピンクはUの店員です。 フジマの営業を行う窓口で待っているビル。
あなた。 建物は、米国の安全な預金を行うためにフジマ自身が位置している米国の保管センターです。 ブリーフケース。 ピンク色は、持ち物を適切に検査するかのように、右手の人差し指..親指で片方の目を丸く囲みます..här顧客の人物.. 3 つの白いピスモダンな彫刻がロビーを飾っています..藤島はその素晴らしさを浴びて立っており、薄いカーペットが敷かれた床の上で、自分自身が似たようなポーズをとっているのを想像しようとしています. 彼女の短い髪は、それ自体でかなり絡み合っています..冒険の準備ができています. här スタイルの良いスーツを着ている här 両手を後ろに折りたたむ ブリーフケース、..、誇らしげに浮いた髪を後ろに投げると、ピンクが本当に素晴らしい輝きを放ちます。
藤島：幸せの秘訣は、世界が恐ろしいという事実と向き合うことです。
ピンク: 戦争で殺された若い男性..女性が何らかの形で、またはどこかで幸せを達成するための 2 度目のチャンスを与えられないというのは、ひどく不当に思えます。
藤島:しかし、宇宙は不当です。 幸せの秘訣は、世界が恐ろしい、恐ろしい、恐ろしいという事実に直面することです...あなたはそれを深く感じなければなりません..それを脇に置いてはいけません...あなたはそれをここで感じなければなりません.
(hä が言うように här の胸を強くたたきます) .. そうすれば、また幸せになり始めることができます。
ピンクは、白いシャツに対して黒のネクタイをまっすぐにしようと、疑わしそうに目を転がします。
藤島：宇宙についての伝統的な信念が関係している場合、勇敢な恐怖は賞賛に値すると見なされますが、知的な勇気は、戦いの勇気とは異なり、感情的ではないと見なされます..唯物論.
藤島は力強く拳を握り締める。 他の常連客は自分のビジネスを気にします..保護的に歩き回ります。
fujima going: 歓迎されない何かを支持して証拠に直面することを拒否する言い訳ができるとは信じられません。 人類が繁栄できるのは、どんなに崇高なものであっても、妄想によってではなく、真実を追求する揺るぎない勇気によってのみです。
ふじまはペンをじっと見つめる..カウンターの事務処理..意識的な計画につまずく..感性..
藤島：これを拒絶することは、価値のない恐怖に根ざした膨大な思考体系を刺激します。
藤島は自分がさらに引き込まれて事務員との会話に夢中になっていることに気づきますが、それほど遠くないところで、彼は商取引を最大限迅速に迅速に処理する必要があることを痛感しています.. そうしないと問題があることを知っています. .
ピンク: 今日の預金はいくらですか?
fujima: 最近釈放された精神病患者の現代的なリフを精巧に撮影。 ユーモラスで空想的で、悲しい部分もありますが、楽観的です。
ピンク: それで… "____________" の近くにファイルするのかな?
藤島：えー、みたいな。 でも、それよりも良い会社を維持してくれることを願っています。 私の本では、本当にうまくいったことはありません。 här のプロットラインには、私たちが常に切望している中心的な曖昧さ、タイプ性が欠けているといつも思っていました。 とにかく、それはただの男の意見です、ピンク、あまり気にしないでください. 私はあなたが重要なクライアントであることを知っています..あなたのすべて.. やっぱり仕事は面白い。 特に________________は、100分間の激しい映画のエンターテイメントになる可能性があります.
ふじまは真剣な..優しい目で少し考えた後、微笑む。
ふじまはついにその会話を笑い飛ばす。
oku:くそっ！ たわごとがダウンしている ！
と叫ぶ oku, här 声は本当に哀れで、彼らはミニチュアのエアポンプの仕掛けでドアを吹き飛ばし.. 突入し、銃を空中に飛ばした.
りうく：ほらほら！ あれは何でしょう？！ 私がボタンを押す番でした！ バカ！
ロビーでは、ビジネスから中断された当惑した常連客が、書類仕事..ブリーフケースから顔を上げて、少なくとも気づいたふりをします。
ふじまはうろたえたように手を頭に当てて..少し笑う。 もし私がジャンプされると知っていたら、今朝ひげを剃っていただろう。 ピンクが片目を不吉に覆う..息を切らしてつぶやく、
ピンク：くそ。
カットオフ グレーのカーハートを着たミニマル パンク ロックの子供である hursi .. 黒の長袖の上に黒のディーター ラムズの T シャツを着て、ミヤベと一緒にハイラインの下、街灯が薄暗い夜に立っています。 ハは、スタイルポイントのためだけに大きな円形のメガネをかけています..半分剃った頭.. 商品が入っているミリタリースタイルのバックパック..
hursi は miyabë のポケットに何かを入れ、微笑み、.. ウインクします。
miyabë: なぜこのギグ hursi に入ったのですか? 米田は天体の幻影に打ちのめされたと聞いた.. 美しい街並みへの憧れ。 本当？ それは標準ですか、それとも異常ですか? アル