MONOGURUI y-shirt(hooded): (I AM YOUR GORYO)
(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(y_ueghuru(vi) had been asked to come before the proto_androgyne: hä stood before them in the narrow steel u-compound in the forefront of the multi-ringed base-ship, head slightly bowed, a series of slightly pulsing white lights holding the compact around them: the six proto_androgyne in clear rubber polymeratomic armor over white acrylic mech-harnesses, clear contoured face-masks over their heads .. their opaque black glass face-plated eyes .. little metal ringlets by which they are strapped tightly to the confines of clear acrylic fluid containment-units in a protruding from the steel walls around här: shivering before här is the quasi-image of the *-being, it's large gray misformed body .. head with three orb-protrusions, white misty vapors running over it, .. dark, embedded eyes, gray lips closed over what hä knows are rows of predatory teeth, stubby claws at the end of its thick, powerful arms .. legs: the proto_androgyne speak through it: 'thank you for attending to us in this matter, y_ueghuru(vi): we ask that you come to us': a glass plane stands between yueghuru(vi) .. their bodies: black metal fixtures clamping their armored bodies to the clear plastic wall in the enfolded, semi-protruding containment-units: pink medium blue red decals .. insignias over their clear polymeratomic equipage .. respectively: 'proto_androgyne.i': 'proto_androgyne.ii': 'proto_androgyne.iii': 'proto_androgyne.iv': 'proto_androgyne.v': 'proto_androgyne.vi': y_ueghuru(vi) waits patiently to hear more, uncertain of why they have called här to them at this time: '.. what is your role in this?': y_ueghuru(vi): 'I am yours to control': '.. you …. guide the YAMAUEREDA(iii)?: you pilot us through the depths?': y_ueghuru(vi): 'yes, this is my role': '.. us?: how do understand our role in this?': y_ueghuru(vi): 'it Is the role of the proto_androgynes to form the over-body for the ship, to place controls over the u_space of the YAMAUEREDA(iii), it's domain of …. other worlds': '.. the u.-engine?': y_ueghuru(vi): 'the u.-engine forms the overlay over the minds of the proto_androgyne: they are nodes for its upper level consciousness': '.. the participants in the mirai(no)uchū?': y_ueghuru(vi): 'proliferated base-nodes: they are a level of the consciousness of the u.-engine bound to the proto_androgyne': y_ueghuru(vi): 'the mygumun() are vacated bodies, provided to us by the, who collect/farm them from various regions: when they have accumulated enough to fill one of their barge-ships they rendezvous with the YAMAUEREDAs for delivery, in exchange for diversion of protophasm flows to their regions': '.. the role of ueghuruomo_ueda(ii)?': y_ueghuru(vi): 'ueghuruomo_ueda(ii) is effectively a free agent: the ueghuruomo_ueda(ii) was able to steal the u.-protocols from the (0_0): hä occasionally performs useful missions for the institute of the defense: the ueghuruomo_ueda(ii)'s motives are difficult to make cohere in any preset pattern': 'the YUN-KANG?': y_ueghuru(vi): 'underground structure built into the rock surface of kaon! mtn.(15): aka the Indestructible Fortress: it is decorated by stiff, rigid, impressions of birds, flowers, aureoles, mechanisms, pumas, jaguars, .. rockets: the 20 permanent members of the yun-kang refer to themselves as the weathermen/women(1-20): they are experts in mathematical psychology .. have developed a means by which the mind may be kept in perfect equilibrium as a defense against the emergence of the chod: this method they keep in strict confidence, allowing outsiders only glimpses of its theoretical underpinning: it was the yun-kang in which (00) deposited the u.-protocols during the war of the monads .. from which p.vi//the former proto_androgyne unruly::hair absconded with it': 'what are the yu-hsieh?': y_ueghuru(vi): ' the yu-hsieh are operatives of game theory, being developed to the point at which conflict rarely arises but requiring maneuvering .. preparation beginning many years before actual battle: assigned with the mission of protecting mathematical implementation against outside forces, the yu-hsieh operate out in widespread divergent formation to dictate the establishment of saddle-pts. in pre-arranged patterns: as your average yu-hsieh conducts one or two battles every ten commutes or so, they tend to be marked by their discipline, patience, .. diligence, their slow-moving push often mistaken for disinterest .. inactivity: equipped typically with an ophthalmoscope (mini, standard, or maxi) .. polymeratomic battle-armor: ophthalmoscopes scan the countryside for saddle-pts. .. obtain readings on their development which allow for deployment of safeguards .. cross-coordination': 'how does this relate to your role in this?': y_ueghuru(vi): 'it suggests a neutral monism view of the operations of the proto_androgyne, with the monads as both a-material .. a-mental: it is my role as caretaker for the YAMAUEREDA(iii) to culltivate the monadic phenomena of these processes based on the convergence of their after-effect currents on monadic fixed points as tie-offs: madhyamaka being the ultimate limit of such processes as a limit concept, but, in practice, the proto_androgyne as effecting control of these divergent reverberations over the u.-bodies as floating arrays of gersgorin discs with coherent properties: I am one of many u_ejento in this: collectively we form the yamabushi entity for the caretaking of monadic currents, but my immediate responsibilities are to help push forward the proto_androgyne impulses via the placement of deictic points over the YAMAUEREDA(iii) pathways, such that the YAMAUEREDA(iii) acts as an over-body for the proto_androgyne inner consciousness protocols .. the pursuit of the u.-engine plans that underly them': y_ueghuru(vi)'s dark eyes lower, här gray lips pressed together: the *.-being gazes with imbued force over här body): (yuri_bjorghama(v): 'I named my mini-carnations occam's razor: now they have to come when I call them: if these stoic, bare-residue types would bother getting out of bed in the morning .. looking around they'd see … what … around them?: nice, tidy, compact solutions or the most convoluted, disorienting output/input sequences possible: like one of those episodic dramas where one implausible complicating plot-point or rational gives way to another with increasingly fraught hope of ever tying back .. closing out to some underlying order: or comedy, I suppose: as if perhaps the universe is simply trying to keep us from checking out as long as possible, putting up a just good enough cover for the idea that we might find some dominant interior process at work that puts it all together in nice fitting pieces': hä laughs .. pushes här hands against the white plastic surface between them in their mini-compartment, accoutrements of their finished breakfast hachi .. white ceramic cups, white ceramic plates, the white yurisuit stretching itself over här body in a lightly stitched grid, just slightly padded, .. här dark black hair collocated in two large bunches, här semi-large body, powerfully muscled, large features: yuri_bjorghama(v): 'double-aspect theories place the monadic entity at a lower, more foundational level, under the surface of the outward effects that we gloss over empirically, making an ironic gesture of these hard realists, where the underlying fiction then is supposed to be the base truth: all your little maneuvers, for what, y_ueghuru(vi)?: you still end up coming to me: I still end up taking what I want from you': (laughing with awkward mouth movements as hä says this)): (hä had woken abruptly, awkwardly .. forcefully pulled from sleep, in här white plastic sleep-enclosure embedded into the wall, yuri_bjorghama(v) straddling här chest with thighs, här wrists .. ankles strapped in place with black acrylic bindings: hä was in the process of binding two white rubber phasm-balls to här upper chest, one strapped into här mouth already .. two to här upper legs: finishing the attachment, hä leaned back a little with här black-bunched hair pushed up against the low enclosure, här eyes missing här gaze, dropping intently over här cheeks .. jawline här shoulders: hä contorts här lower body slightly as hä engages the phasm-balls .. y_ueghuru(vi) feels their growing pulse throbbing through här flesh: their reverberations quicky replace any residual perception of heartbeat or breath, permeating här completely, hä loses consciousness: when hä wakes in the morning här body is bruised .. imbued with repulsive after-effect):
('you are dismissed: please return to your post': the *.-being shimmmers for a moment in the indistinct light .. then disappears: y_ueghuru(vi) turns .. departs through a low doorway whose narrow metal plates slide open for här .. then close behind här: här heart beats in steady rhythm as hä walks over the white rubber dimpled floor of the long, narrow hallway, här breath quickening but then subsiding to a re-focused calm, .. här body allows its controls to de-center): (rational actors on the micro level are discarded, conceptually, as a naïve .. ineffective fiction: (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00): on the contrary, the cyclo-concresence of the *pulse introgression bubbling out from the regional mega-commuting domain to the interregional mega-commuting compounds could be construed as being pushed out by constrictions in 'proper' channels: or, in other words, the mini-compound class was being asked to carry the weight of proto-phasm generation that could be considered the responsibility of the yamaueredas, in the absence of their sustained proto-phasm *production to meet the demands of *production: the reverb between the proto-phasm expansion potential of the y-cell .. the entropic growth which drives it is of an inherently feedback-loop pushed design)." 00. (00)(00_00)(MONOGURUI) (00)(00) (00)(00) (0000).(00_00): "(the phantom mega-commuting convergence works on the holomorphic mega-commuting model, with all the reverberation implied: these interactions were mapped out by YAMAUEREDA according to a u_matrix formed of inversion positions: jumps were indications of reversals in directional flows as goryos were moved in .. out of u_objects positions, a process referred to as gyaku-yunyu (go out .. come back): at this point there was far more mirroring in the *pulse introgression than any ur-object base: mirrorings were fanned out in multiple directions .. then defined as an entity which could then in turn be mirrored: it was more reverb than ugartë now, or a sort of blown up mysterious ghost made up of the arrangements of mathematical models): (you could index these arrangements against systems of material objects or fashion components such that an orderly theory of society was formed, replete with the value of *production lined up against proto-phasm/power distributions .. the functioning of class interactions, super-redundancy)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(independence of institutions, to the degree that they are generative of the proto-phasm mass, gave weight .. chremastic cover in terms of stability, in theory, but at the expense of control: the RYOJUSENs were pumping up * in ways, if not equivalent, then somewhat comparable to the system, so when they began to implode their weakening suggested a counterweight of growth elsewhere to be contemplated, but this proved unlikely in an environment of restriction .. perceived tightening of control over the ghostline): (u_pulse (acetylcholine-based drug for the induction of flicker-ghost effect, converging on the excluded middle of a u_pulse wave collocation), the induction of an acute hebephrenic compound paired with a goryo process, such that one becomes ones own goryo-ghost in a reverberation-effect between u_pulse points): (the RYOJUSENs .. the yamauereda(ch.) .. the interior mega-commuting sector, u_objects cell, point-flux cell, etc. probably should have been conceived as overlapping sets reverberating amongst one another: but even in the absence of a complex conceptual framework one can always pull back to the fundamentals, proto-phasm inflows are always suggestive of tight invisible processes: in perfect stasis proto-phasm would have no reason to move: none of the forecasting models contemplated the effects of constrained proto-phasm mass growth over time: (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00): (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)): acetylcholinic effects started rendering the proto-phasm-conduits into processes of blow-back .. blow-up)."
04. BOMB (OR BALLOONS)
mieko はマイクに向かって遠吠えし、引き裂かれた不信感を込めてマイクに投資します.. 郊外の土地の家の力に対する後悔。 här 黒い半巻き毛が här の上に壮大に突き出ている (この物語は知的洗練へのカットの前に行われている) .. här コミカルな可愛さが聴衆を征服する .. mickey .. minnie mouse が goofy と戦う .. 冥王星の相続をめぐって 地球。 claas .. unger 立って聴衆を見ている、 unger in här キャプテンのピーコート .. här 髪は mieko の髪に合わせて .. claas は灰色のコート、灰色のネクタイ、.. 灰色のショートパンツ.
クラース：あなたが名声を求めていたのか、それとも他の何かを求めていたのか、私にはわかりませんでした。 駐在員があなたのことを話してくれました。 極秘にすれば会えるって言ってたよ。 あなたが隠れていたアップタウンのガレージに連れて行ってくれました..あなたはあなたの哀れな小さな神のようなアイコンの世話をしていました..私たちはお茶を飲みました. 数日前にガレージを見に行きました。 現在は倉庫として使用されているようですが、年内にはペースビルの拡張計画の東棟に全面改装される予定です。 抗議は大声で叫んだ。
unger: 私は 1945 年 5 月にそこに到着し、1949 年まで滞在しました。 私はあなたに写真を見せましたか？ 私は本当に時間が必要です。 それはすべて文書化されており、私を怖がらせ..屈辱を与え、想像上のプライドを押しのけます。
クラース: それは研究センターの前で起こった- 私が出てきたとき..- 周りを見たら.. 全部変わっていた- ああ.. 嫌だった. go-to-hell」それについて.. 私は完全な反論のすべてで私の拳を優雅に振ったことさえ覚えています.. 完全な反論。 .. それはとてもうんざりしているように見えました.. それがそこで起こるのは当たり前のことです. なんてこった、クソ騒ぎ、この忌まわしき街の忌まわしき騒ぎ。 私は去っただろう。 だから、あなたは私のネクタイが本当に好きです..あなたはそれを言っているだけではないので、私はあなたの誇大妄想的な気まぐれに屈しますか
クラースは首を不思議そうに巻き上げながら、正確な手付かずの指でグレーのネクタイの端を調べます。 白いペットはステージ上で神経質に歩き回り、次のセットに当惑しながら準備をします。
unger: いいえ、いいえ、まったくありません。 それはあなたにきれいです、私はそれが好きです。
クラースは自分自身にも関わらず微笑む..老朽化した壁のメッセージを熱心に読もうとする. 音楽はそれに合わせてすべてを振動させます。 2人の共謀者は、シーンを調査している後ろの隅でちょっと離れています。
claas: わかりました、私から何が必要ですか?
unger: つながりがあります。 耳を地面に向けてください。 取るに足らないことを聞いたら、すぐに宮部に報告してください。 しかし、何か大きなことが起こった場合、実際に作戦を成功させたり壊したりする可能性のある何かが発生した場合は、私のところに来てください..それは私たち自身の問題になります.
claas: なぜすべての秘密.. 静寂? あなたはあなたの場所で私にこれを尋ねることができたでしょう。
unger: ええ、多分あなたは正しいです。 なんだか緊張します。 プロットを見始めています..どこでもダブルクロス。
クラース：気づいた。 あなたはちょっとびくびくしているようです。 それはあなたのようではありません。
ケルンの新しい郊外の奥地シーンにある静かな小さな庭で、ミスアンシーンを再開します。 ピンクのケシ色の明るい水色のエンドレアディダスのカシミアのVネックセーターは、ドーラの周りに腕を巻いて立っています。 här ショート グレーのポケット ショーツは、här をやや子供っぽく見せます.. här は黒のフェイク レザー サンダルを履いています. ドーラは腕を組み、白い服を着た身体を横切って立ち、かつての華麗なバレリーナのように見えます.. 髪は頭の上にきつく結ばれて形が崩れています. ポピーは、手入れの行き届いた小さな区画で、そのすぐ後ろで成長するために最善を尽くしています. アンガーは大胆な黒いプラスチック製の円形のサングラスをかけて、円形の傘で飾られたテーブルに座って、ボトル入りのコカコーラを飲みます.. 代わりにただそこに座っているライムを食べていたらよかったのに.
dora:教えて、あの木は何？
endre: rubrus aldus、ベイビー。 私はそれをすべて理解したとあなたに言いました。 あなたは私に任せてください。 一年後には、この庭はすべての隣人の羨望の的になるでしょう。 安心してください。
dora: そうじゃないなら誰のせい？ 私たちはできる限りのことをします。 果物は予測不可能です。 それを聞く？ 鳥の鳴き声ですか？
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