MONOGURUI y-shirt(hooded): (I AM YOUR GORYO)(iii)

Name: MONOGURUI y-shirt(hooded): (I AM YOUR GORYO)(iii)
Brand: (yumi)(no)(MONOGURUI)
SKU: 91707538
Price: 193.0 USD
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00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): (00_00)(MONOGURUI: y_ueghuru(ii))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)((00_00)(00_00))(ii): "(y_ueghuru(ii): the large glass wall shows off the large expanse of a white morning: ph((00_00)) contorts här upper musculature against y_ueghuru(ii)'s head)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(it was within this space of reverb where cell participants would curve or otherwise: u_ejento, on the other hand, were more concerned with the area outside of this space, the forces imposed upon it .. radiating out from it): (00_00)(MONOGURUI: y_ueghuru(ii))(episode 18: in the polymer-cem lined channel of the aqueduct pounding white rubber booted feet through occasional puddles of water, grass lined slopes above här: gray_phantom turns in the dark shadows under a bridge: hä leaps to come down on gray_phantom from above but hä unleases a wave of augma_wind, but shudders as it passes through här projection, thrown before här to confuse här attack, as här true otherworldy body swoops in behind här .. blows här apart from behind with a rush of arrayed powercrystal mass driving här crushed body deep into the ground: hä staggers in white u_defender proto:equipage, sweat thrown from head .. hands as hä collapses to a stop, feet digging into the powercrystal morphism)."(00_00)(MONOGURUI: y_ueghuru(ii))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)((00_00)(00_00))(ii): "(hä looks deep through the powercrystal to the crushed body of what hä thought was gray_phantom .. sees instead the fading particles of här cloned image: hä finds a glimmering image in här mind of yumi(no)phuma(i), life slipping from här frozen in stasis body: yumi(no)phuma(i): 'u_phuma, the mountains are calling you': strangely, it has begun to snow: hä looks up at the billowing clouds, .. turns to run, pounding back through the passage of the aqueduct .. forcing här way up the rocky edge of yamashita hill to its top, where gray_phantom stands over yumi(no)phuma(i)'s cold, lifeless body, encased in the shimmering transparent crystal force of augma stasis: gray_phantom lifts här from the ground with här mind, throwing här to the edge, against the rocks, stopping här motionless .. powerless to to reassert control): (y_usege(ii) had _ small bleach white boxwood combs placed delicately in här irregular misformed dark hair, contorted: as if to suggest a malignant controlled chaotic force in play: här dark lowered eyes diverted themselves from contact as they worked over the plants of the greenhouse, as if looking past their surfaces: här white with pastel blue .. pink floral pattern acrylic running shorts .. mid-riff acrylic blouse with white fake fur mini-mini-cape pushing against här shoulders, strapped at chrome discs to inverted folds against här clear rubber leg-bindings .. pushing down toward här black rubber strapped in slippers: a rough, dark scab distorts the left side of här gray-painted lips, causing här mouth to take awkward positions as hä murmurs to härself, picking up the glistening metal prongs .. stylus from the white plastic sheet covered surface beside här to prove the folds of the leaves .. the springy, succulent stems: for a moment hä laughs to härself: it is warm .. moist in the confined space .. sweat beads up on här flesh .. här hair grows sticky with perspiration: tiny drops gather on här brow, clinging irritably: (0_0): (it's invisible but hä can feel it behind här, hä can feel its breathing, hä can sense that its body is huge, massive, closer: y_ueghuru(ii) tenses, tries to numb any unnecessary motion: it whispers, 'you know *, don't you, y_ueghuru(ii)?': y_ueghuru(ii) pauses, tries to stop: 'yes': 'yes?: what is it, y_ueghuru(ii)?': …. : 'what is it?': y_ueghuru(ii): '…. you know … ….': 'yes, y_ueghuru(ii), I know …. but I want you to tell me': y_ueghuru(ii): (här eyes collapsing) 'it is u_pulse: a frequency, or certain vibration …. you know this …. it's always there …. underneath the surface …. even when you are not listening to it …. even when you close yourself to it …. when you disappear …. it's still there …. it's always there: u_pulse is a vibration: it repeats: it's brief, maybe 2 seconds: repeat: …. : that's it: that's all there is: there is nothing else'): (over the c.a.m.(ii) 'the idea of multiple worlds was always somewhat distortionary, a conceptual convenience: to be more precise, one would talk of different, perhaps even convergent, mappings for (*)spaces over one u_space: they are the same monads in each of these worlds: it is the difference-relations, which we call monadic waves, which make one or the other, overlapping .. passing through one another, various ways of mapping or indexing over the same ur_set of points: if they emerge from coordinates, of course, then the monads do, in fact, emerge from the continuum, rather than the other way around: this has been a point of conflict among mathematicians forever, but the more pristine developments suggest just such a foundation: the monadicists of the institute took this approach to develop an understanding of intradimensional interactions, such that 'individuals' were defined constructively as groupings of beings in reverberation with one another, such that they could be treated as objects for predictive purposes: monads presumed as conscious 'beings', with more complex conscious beings as bindings of these minimal instantiations: our ability to come up with analytic concepts is a projective force overlaid upon .. extending our powers of produce synthetic a priori constructions, .. this power has a relay effect, with analytic concepts as pseudo-foundations from which to propel forward new synthetic a priori constructions: the monad is projected as a particular coordinate precision over a polyhedral-collapsed space for dimensions p where the boundary surfaces or morphological functions for conversion of interacting variables: ultra-dimensionality is the spanning of one u.model-space to another: (CH.YUOGHOR CENTER): the fields of ambiguity are a massive island toward the southern pole, one of the few locations of the world not to have been engulfed by the slow emergence of the snowy fields: the fields of ambiguity are covered with thick, nearly unbreakable ice: it was in such clime that was located the district of the o, the former capitol of which, the city of the suomi, contains the refurbished underground hallways of a broken-down abandoned fortress that operates as the ch.yuoghor center: their agents were characterized, typically, by the adoption of black rubber ½-masks .. clear or gray:black proto:equipages, a fondness for 2 or 4-braided hair or collocations of 5 or 6 hair-bundles, .. a predilection for investigative moves into the outer regions: each one would claim an 'individualism' unbound by the disciplines of the lesser orders, all predictability of their moves aside, .. they would proclaim it even as proof of their uniqueness .. independence, that an agent would be expected to converge on a given pure ideal in the absence of prejudicial constraints: the projection or injection of image-content into .. over these mapping-congruences was pefected as a control mechanism, in the sense of a systematically crystalized joho shakai instrument: the 5 agents are a group of 5 individuals who conduct the affairs of the Institute: the 5 agents, currently, are 1) dr.c.:: (the ugartë of (0_0)): 2) (0_0) f.:: (the ugartë with an invisible head) 3) (0_0) i.:: (the (00_00)) 4) commander.c.:: (the ugartë who raises härself up into the air) 5) (0_0)(00).:: (the ugartë who foments the yun-kang: the ryojusen has select rooms with metal optic tubes/radiometers attached to the ceiling by which the 5 agents communicate with members of the institute of the defense')." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(här fingers sticking in frictive resistance against its surface: the (00_00) growls softly .. reaches its paw out, yawning, clear mucous-like fluid pushing out: isolated zippers suggest release outlets for the proto:equipage's contours: (00_00) moans in low discomfort, breathing heavily)."(00_00)(MONOGURUI: y_ueghuru(ii))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)((00_00)(00_00))(ii): "(the metal plates of här exo-equipage are stacked against one another in slightly irregular, misformed fashion, their contours bending inward at här body's slopes .. projecting outward at select curves, gray .. pierced with black rubber joinings: här eyes project white light: call me 'gridman', hä would pose internally, ½ in some dark sense of humor, but, when confined to här own resources .. ambitions, communicating an internal confidence in power of the grid to assert order on ambivalent processes: hä mushed through the murky, thick slop of the salt marsh against the gray, cloud-formed morning .. the backdrop of isolated bent, dystopian trees, grabbing samples in clear plastic vials .. popping them into black rubber packs strapped to här body: the smell pushes up into här nostrils .. knocks här back into focus: white light from gaps in the clouds bounces off här shoulders .. thighs)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):)." (THE (__0)00. (00_00)(MONOGURUI) (0000).(00_00): "(the assumption of stochastic behavior from the monogurui component relieves one of the impulse to find predictive patterns or relationships acting upon this process: rather, invisible processes can work as a calibration device to fill the gaps pushing or pulling flows into decadent movements: the form .. function of the implosion .. the question of its replicability was of critical import to the tactics of YAMAUEREDA: could one design, intentionally, an implosion .. enforce its perseverance until it achieved equilibrium, .. once having done so, how would one push out of it?): (much of the conceptual underpinning of u mapping work was founded on the expansion of the use of the moment generating function, reversing it out to transform it into the dependent variable .. worked out as a projection of neg-information build up, full of folds, inversions, .. all sorts of abnormal topological features)." 00. (00_00)(MONOGURUI) (0000).(00_00): "((00_00)).(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00))." (THE (0__)((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(in black eurostile letters, 'FUYO(NO)GOSUTO:' over "(00_00)" across här chest: här slow breath seemed forced): (* was the release for pressures that should have flowed into proto-phasm channels directly, in a more expansive regime): (in this instance, by the time these flows had been inverted .. worked out of fields only to work their way back in from mysterious invisible regions of residual proto-phasm flows): ((00_00) the closeness of the cold morning would assert itself .. the admonitions of cupcakes would be ignored: curved glass formed structures: the quiet hum of the wind: hä felt hä was sitting at the point from which all of the adrenaline of the preceding day had been pumped backwards from, leaving här emptied .. calm from the inability to care or question: super direction, but quasi-(0000)ed: accretions of motivational uncertainty pull inward)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(the recess is lit by white hydrophonic light: to the side of the recess are white plastic cabinets .. drawers inset into the white plastic walls: the air is cold .. slightly uncomfortable, with a barely noticeable stench like old vomit)." ((00)(00_) (00_00)(00_00)(00)(00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(hä shoves här hands in här poncho pockets .. works här gaze over the patterned stitching: the folds .. creases of the fabric turn against the movements of här lungs .. push up to här stomach: 0000: hä spits out här own flesh .. fluids from här mouth: god, här body ached with each pounding breath: the YAMAUEREDA compartments would be able to provide certain comforts: the (00))." 00. (00_00)(00_00)(00)(00_00) (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(hä begins to run här hand along the inside of här arm: white rubber bindings over coded designs of white .. clear rubber: y_ueghuru(ii))." (00_00)(MONOGURUI: y_ueghuru(ii))((00))((00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((000000): the u_pulse currents that from _00_ to _00_ were to blow open the control points: (00_00) (00_00) central to the control of u_pulse flows was the pinning down of points of u_pulse stillness: once one had a collection of static u_pulse points to 'push off' from one could assert control of a wide variety of related oscillations): (00_00)(MONOGURUI: y_ueghuru(ii))(episode 19: u_phuma in white rubber u_defender proto:equipage falls backward against the radiant blow of force from the augma_wind of gray_phantom: it wraps around här holding här at the edge of the precipice, the distant void reaching deep behind här: captured in the augma stasis, hä cannot move: gray_phantom's giant gray alien muscular body glowers over här in black rubber proto:equipage: hä reaches through här chest gripping the white glowing powerforce at här heart: gray_phantom: 'the future belongs to me: this is my moment': här fearsome eyes radiate with power: white bobbles of powercrystal circle around them furiously: u_phuma's eyes begin to roll back, but suddenly they stop, .. pull back into focus, intently bearing upward into the eyes of gray_phantom, här lips pulling open: 'this is your moment… but I don't have to be here for it': u_phuma's body begins glowing white .. everything slows down, .. begins to pull backward, until immanence is running in reverse, slowly at first, but with increasing velocity, rewinding through the preceding scenes until slowing .. converging on the moment at which the radiance completes its transformation .. hä opens här eyes in stunned abnormal calm): (the u_ejento viewed mathematics as the manipulation of conceptual matrix-like objects: a priority was placed on the ability to visually model one's mathematical entities .. processes)."(00_00)(MONOGURUI: y_ueghuru(ii))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)((00_00)(00_00))(ii): "(if you can't look at it .. turn it around in your hands you don't understand it, they would say: or, if it's not a body you can't 0000 it: to develop a kind of fearsomeness or powers of hyperstition: in this pursuit the u_ejento pushed up against a concept which came to be referred to as recursive impossibility, where processes which might, in theory, be possible to run, in a complete version, proved to be interminable, in practice, given the recursive property of pushing outward .. expanding the horizon of the domain for closure at a velocity faster than the process itself would run: so, even in some theoretical fantasy where one's c.a.u. power was unlilmited .. unbound, one's open, unresolved region of incompleteness, would always remain pushed off into the future, .. this property would suggest a functional limit for one's predictive powers in the absence of a conduit of reduction: the ceremonial opening of the first op. center in (0000) featured a u_pulse inversion blowing a wave of white clear light over the entire area for miles out: the restraint of filter components by compound analytic agencies had been, by this point, completely retired .. disgraced: there wasn't a community center which didn't double as a yamauereda, dotting point-centers for proto-phasm throughout both the developing .. developed worlds: it was upon this materialization .. physical realization of proto-phasm generation as an object or thing, .. upon being faced with it in its immanence, its own nubile pulsing body, that the conceptual experience of metaphysics became fully intuited as a routine .. bodily experience, coming into its own as an unconditioned universal in full power over its properties: MIMO was everywhere: you could still find u_ejento who would, in isolation, cover their bodies with gray body paint .. reach into the primal depths for their own purposes): (whether or not the effect of such movements could be determined or otherwise controlled was unclear: certainly there were gaps in the overlaying systems of coding via the material coordination of phasm op. .. their incipient consumption): (cold white light pushing through the clear plastic)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(the wind pushes against här body powerfully .. här clear rubber ice suit pushes in against white cotton hybrid proto:equipage .. white rubber bindings: här head hurts massively now: the damaged couplings of the u_connector hum quietly against the reverberating air passing over them underneath their white rubber tenting)."

00.おおおお。 yamegu(r)u(-(CR(00))): (C.A.M.に記録) "u.-P.: 'もっと近くに来て'白い雪/ 3 つの大胆で弱いスーパーレッドの半不透明なラインがマスクの顔に収束します/ w/ my yameghuru_uereda(ii): (C.A.M. を介して) 「私は今起きています、フィデユキ。すべてがとてもクリアです。それは可能性があります。これより恐ろしい. yameghuru_uereda(ii)/ The Institute of The Defense/ här virulent powers/ likea 0000ing baby/ OK/ dr. m. vs. 私たちは平和ですが、私たちはそれを知りません。ハルの頭に付けられた兜 5 つのスタブ付き/ yameghuru_uereda(ii)'/ yameghuru_uereda(ii): '(00)(00) (00) (00)(00) (00) (O) (O) now.'/二人の間に空気はまだある/ 青白 oh-so-blue/ 明るさ/ 透明な高分子の椅子/ 期待/ (00)(00) (00) (00)(00) (00) (00)(00) (00) (O) (O) (O) 白い部屋/ yameghuru_uereda(ii)/ 透明なポリマー原子の沈黙/ w/ かろうじて残っている黒い髪/ yameghuru_uereda(ii) .. C. さびれた街の通りを歩いて、dr. m. w / 世界のすべての忍耐: 世界は変わる. Dr. M. の鎧は常に白い. 常に白い." 00.おおおお。 yamegu(r)u(-(CR(00))): (C.A.M. に記録) "(00) それぞれの四角い白い壁が、すべてのターンでそれらをぼんやりと囲みます。här 黒いゴム製のミニ手袋をはめた手を här の唇に/ här clearゴム製のマスクが頭をきつく締める/ 大きな丸い目/ (-CR)(00)/ すぼめられたしびれ、ひび割れた唇/ yameghuru_uereda(ii): 'Oh insp. x. Why did you-?'/ dr. m. in här mini-プラスチックのメートルは彼にとって意味を持っています. この正方形の yameghuru_uereda(ii) は黒.. 白い縦縞の人工の dr. m. ボディ (イミテーション dr. m.) は、最も悲惨な状況での専門的な行動を意味するようになりました. . 白 .. 黒 YAMABUSHI の装備. (なるだろう) 自分の創意工夫には退屈すぎる/ この四角形はモナドを意味する.. よく考えられた. この yameghuru_uereda(ii) は、それらのそれぞれのために、ミニチュアの完璧なプラスチック製のけいれんキッチンを作りました.安らぎ/ ヘスクエアは鋭く知的な意味. 装飾されたボトルの意味白地に弱いブリリアントピンクのパターンはこれを勝利と見なした: (00) Cobalt_blue st各脇の下/ぐしゃもとの周りの熟した円。ぐしゃもと。ぐしゃもと。ぐしゃもと。身体操作（クラッシュ）のプロセス。恒久的な赤の肖像画ピンクに戻ります: 幽霊/凍った黒の「A」が存在する前に、微かに動く傾向があります。胸の真ん中/ yameghuru_uereda(ii): 'ずっとぐしゃもとでした。ぐしゃもと。ぐしゃもと。ぐしゃもと。背後からの肉体、演技、lt.の背後になること。目。ニヤリと笑った/呆然とした/不思議に思った/メガアカシャ: 行きたかった.それはとても輝かしいものでしたか?'/ C: 'ぐしゃもとではない.ぐしゃもとブームブームブームブームブーム。アナログなフォルム、未来。」黒い輪郭/マーキングクリアラバー 6-バンプボディスーツクリアラバーマスク付き/ (-CR)(00) 唇をゆっくり動かす: (00) 白い雪の斑点- 胸が張り裂けるような寒さで息をするのに少し苦労する/ クリアな山伏装備品ラバー 6-バンプボディスーツ w/ ブラックマーキング/ モナディックウェーブ 05. モナディックウェーブ 06. は、このイベントの無数の (OOOOOO) 誤解を示しており、モナディックウェーブ 00. モナディックウェーブ 08. モナディックウェーブ 09. (有理数) は配置されない可能性があります。 (00)だった？ Monadic Wave 010. Monadic Wave 011. をずっと準備していたのですか？彼との訪問を手配しなければなりません。モナディックウェーブ 012. モナディックウェーブ 013. 短く刈り取られた頭からの 5 つの小さな突起 .. ミニ C.A.M./ (-CR)(00) の冷たい麻痺した唇は、透明なラバーマスク/黒いラバーグローブをはめた手の後ろで鮮やかに震えます。静けさの中/ 5 つ以上のミニ突起のある頭ああ、とても炭素のような黒い髪/ 透明なゴムの束縛が疲れた足の痛み/ どこへ行くの?: ものぐるい白いゴム手袋 (JUST DO IT) (50.00): しかし決してyameghuru_uereda(ii) に気付きの言葉を吹き込みました.. これが彼に知られるようになったのはずっと後になってからのことです.後で、以前に行った作業でリグフォーメーションライダーに戻ったとき、皮肉な便利さがありました。まるで最初から自分の構造を弱体化させることを計画していたかのように、移行の影響:私の最初の動きの: 00_(00): 形成された .. モナド戦争の後に発効s はちぶしゅ: hä はタイトなゴム製の黒い手袋をはめています: メカニズムを慎重に調整して、モナド波の洗練されたキャリブレーションを行います: här 顔は冷静に挑戦的です: 透明なゴム製マスクの後ろで誇らしげです: 透明なゴム (00) här 膝まで: (-CR )(00) 麻痺した唇の荒れた口をぎこちなく動かす: 黒いゴム adidas スリッパ: モナド電流の管理者: du ka: モナド電流は単に、しかし決定的に首尾一貫した数学的フィクションである: 髪は 5- の 5 つのミニバンドルに引っ張られるタイトな透明なゴム製マスクの下の小さな突出した頭: 暗い目: 透明なゴム製マスクの後ろの黒い無精ひげの顔: 黒のアウトライン: マーク)."