(yumi)(no)(MONOGURUI)(ii):(THE MISTY WHITE VAPORS)(digital copy)
(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(flowing from the present point in time to the future: thus, the ergodic volume: proto-phasm relationship mirrored that of u_pulse: neg-u_pulse: in a situation like that of the (0_0) implosion, the decay-phase process (or in similar situations a more straight forward inversion) pushes proto-phasm backwards, turning it into ergodic volume: nothing could be more misleading then the convention of referring to these movements as convergences or *production for the system as a whole: conservation of value holds as firmly as mass: what matters is its movements .. their effects on the mass of flows of which the monadic channels fo the (*)region consist): (hä can feel här body swelling up, getting bigger, pushing against här yurisuit: hä had had to resist the temptation, for as long as hä could remember, to reach inside här body .. rip out här inner organs with här bare hands): (all of the growth properties of the u_pulse flows occur in the blurred spaces discarded (df) in standard time-continuous mathematical models, for the purposes of restrained minimality, where the interactions of abstract .. polymer-plasma pilot objects engage .. metamorphisize into independent (non-isomorphic) concepts: thus, any predictions produced by mathematical models which explicitly do not include the blurred spaces will fail to capture the breaks .. dislocations produced by u_pulse flows within them)." (00_00)(MONOGURUI: y_ueghuru(ii))((00))((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)(00_00)(the YUGHUR::PHANTOM)(ii): "(in black close cropped acrylic multi-gapped chrome studded yurisuit .. black rubber slippers: hä thought of the mountains—.. especially of a certain spot which hä used to frequent, whence hä would look down upon the distant crags .. fields, .. see the snow, far off, like an overpowering white force, .. the rock formations in the distance)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "((00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00))." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)(00_00)(the YUGHUR::PHANTOM)(ii): "(här 2-braided hair pushed against här head, .. här compact muscular body held the contours of a semi-opaque clear rubber yurisuit with white fake fur padding: I was most struck by här eyes, which were of unnatural clarity, pushing forward a disturbing form of uncomfortable peace in a peculiar way)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(yumi(no)gosuto wore a white cotton-hybrid cross-stitched uniform with white strapping with clear rubber hood over ice-gear: (00)'s broken body: här clear rubber short yurisuit with tight hood-mask pulled over här head with the eurostile word on it '*u(00_00)" in black outline, .. small circle logo in black, clear rubber arm warmers .. clear rubber slippers, tall white leggings up to här knees, vacant face staring upward)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(y_usege is perhaps best described as a professional onnagata, constructing a fiction of feminity .. voluptuous inverted force to pull in .. consume all of the cultural pretty decorative inanities of perfect destructive grace: the white cotton fabric of the jumper pushes back against här asserting its right to the material space här body is encoaching upon: discomfort was sometimes intended as a placebo for the kind of annihilating ruptures .. melodramas of psychic episodes: här body acts as the rayleigh-ritz ratio for a multitude of goryos, conceived of as the constraint that forms the convergence of a min max problem: the reversal of proto-phasm coefficient growth by the yamauereda was functionally equated with chrematism): (the light, black acrylic covering weaves in .. out of the turns of surfaces of the running monitors with spinning metal discs in clear plastic cylinders inset in the clear rubber walls: här dark, semi-vacant eys turn over the space cautiously: metal ringed eyelets allow passage of black cords binding the folds .. creases to the machines' forms: här black hair in 2 braids pulls inward: mannish lips .. facial features match här forward stance .. push of hips on the clear rubber dimpled floor, as y_ueghuru(ii) runs här hands over the controls .. pulls readings: y_ueghuru(ii)'s white cotton, bumped ghost-equipage with stiched grid, .. clear rubber mask over här weary, resilient face: the metallic words from the recording intone vacuously: 'multiple, overlapping worlds pin themselves to actuality over the 0-points: how does this function, in practice?: let us examine this functionality via the mechanics of the c.a.m.: the c.a.m. acts as a pseudo-perceptive filter over a mapping of potentiality points immateriallly positioned in a u_space of undetermined dimensions: we wil refer to a point in the full poly-isomorphism of this space as a u_monad: the u_monad is actualized insofar as it is bound by a mode of force to at least one other u_monad, .. will refer to such a bound u_monad as an (actualized) y_monad: the c.a.m. is calibrated to pull in information corresponding to the y_monads in question: in other words, the primary effective action of the c.a.m. is to recognize .. record the difference between a u_monad (as a potentiality) vs. a y_monad (as an actuality): but prior to any opportunity for this difference recognition the c.a.m. must initiate a process of 'throwing forward' of apperceptive force: essentially, this is the power to make productive hypotheses over the u_space, to imagine a possible collocation of monads which the c.a.m. can then test, with some substantive degree of accuracy, for u vs. y properties: the expectation for this accuracy should be such that, rather than an expectation that the judgement is never wrong, the expectation be such that it is correct within an acceptable range for a given accepted percentage: the notion of interconnected u_verses comes via an understanding of different of u_spaces as potentiality mappings over the u_monads, such that these overlapping worlds share identical u_monads at a foundational level but are differentiated via the modes of force running over them: yameghuru(ii), you are defined by a specific monad, or 0-point, from which the process-forms which define you evolve: you share this monadic point with other process-forms, overlapping with you but extending in in highly differentiated progressions, beginning ../or ending at different points from your own process-form: yun-kang: underground structure built into the rock surface of kaon!mtn.15: aka the indestructible::fortress: it is decorated by stiff, rigid, impressions of birds, flowers, aureoles, mechanisms, pumas, jaguars, .. rockets: the 20 permanent members of the yun-kang refer to themselves as the weathermen/women(1-20): operating on a system of deontic logic processes, domain/range agnostic: there are, for them, only modal relations as cutouts for accessibility functions, but only only of the most fuzzy variety: our experience of time as a mental construct is a gauge field pushing mappings to one place or another over the u_space, .. it is these pushes that represent gravitational .. other y_forces, pushing or pulling a given object into a 'future' u_space region: here an asymmetry presents its itself in that all spatiotemporal movements are future movements: the past exists always only as a potentiality construct of the conditions which would have allowed for present conditions to form, pushing back to an abstracted mathematical limit whose actuality becomes more improbable .. more uncertain, as its domains .. codomains blow up, as one moves backward or forward into its u_space: its directionality being defined only by a given object's current movement: conscious beings control these movements to the extent which they are able as a means of growing .. maintaining consciousness, until no longer able to do so: mass pertains only as a method of indexing collocations of force, such that a particle is a bound ball of force interacting with other forces in its region': y_ueghuru(ii)'s gray skin with black, painted faux-mask with lines converging to just over här gray-painted lips .. curving down over här body: dew clings to här flesh: bubbles froth on the fluids passing through the clear plastic channels submerged in the floor: from far off in the distance hä hears the background echoing of huge, low acoustic swells: the cold passes through här: the clear rubber walls pulsate slilght, bound by the white plastic channels of the **YAMAUEREDA dimly visible on far side: behind y_ueghuru(ii) in the confined space are 29 large objects on the floor draped over with black acrylic sheets, only vaguely hinting at the forms underneath): (y_ueghuru(ii)(00_00)(ch.) followed här: arrived at the compact dining-compartment, hä stopped: metal cabinets .. appliances fit into place against one another)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)(00_00)(the YUGHUR::PHANTOM)(ii): "((pause) y_usege(ii) grabs the (00_00)(ii) from här multi-bumped ghost-equipage .. rests it on the table before (00_00): the clear plastic surface trembles as hä runs här hand over it: (00_00)(00_0000): (00_00)(00_0000) (00_00)(00_0000): (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "((00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000) (00_00)(00_0000): c: (df) reverb between u_pulse points: c: (_0*(r+_)+_) :: (_0*(r-_)-_ : (_r(*)+_+(_(-_)(*)-_) : or a u-series such that (u0*(r+y)+y) :: (_0*(r-y)-p : (00_00) touches the (00_00)(ii): hä understands, in a theoretical sense, the u reverb confined within its interior, but its mere physical presence .. closeness pushes an indefinable foreboding into här body's core, a sense that even the unforgivables are being approached .. breached)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(allowing just enough space against a small metal table pushes against the small oven whose metal surface reflects back the light against them)." (THE (0__)((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)(00_00)(the YUGHUR::PHANTOM)(ii): "(cyclo-dense .. cyclo-distant mappings they had been corrupted: the goryo, re its role as a brownian bridge, tied off u flows into an ultimate culminating pre-determined point, anchoring reverberation in u to a bounded reality)."(00_00)(MONOGURUI: y_ueghuru(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)(ch.)((00_00)(00_00))(ii): "(without this control the destructive reverb would consistently lead to madness, in the u_ejento involved but also, in all probability, any ejento or actors within their direct gersgorin radius: in this way the goryo could be compared to the compound poles of monadism: from _00_ to _00_ the yamabushi were pulling proto-phasm from forward points in time back into the inversions cell so powerfully .. robustly that yamauereda processes of minimization were pushed to their effective limits: this built up force of contraction to contain the outward propagation of proto-phasm formation would then reverb backward violently .. in uncontrolled unexpected fashion)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(their plan made use primarily of a mathematical structure invented by (00_00), referred to as the u_pulse currents: mega_umorphs were essentially materialized u_pulse as protein-formations at massive scale sent out as fleets to reassert control over key control regions in distant space to respond to the counteroffensive: it took commutes to develop their formation .. deploy them at coordinated points, only to find them overturned .. turned back against the urakuomori with near immediacy: it was a chilling blow, one which challenged the resolve of all those present: the u_object PHUMIRUIGEN (PHMR) was on the forefront of efforts to change the program of analytic entities from proscriptive to productive, following in many ways the kinds of methodologies that had been found to be productive in the development of transformation grammar: they reenvisioned their role as one of endeavoring to provide clarity .. accurate information regarding the compound of the field of their analytic oversight: in their new role they aimed to provide robust .. powerful mapping functions of (m)::(p) flows: it was under their purview that cyclo-commodifcation processes took their initial hold .. generated their first momentum: there was a moment of recognition by cell participants when everyone (with uncanny near-simultaneity, as these kinds of realizations tend to take hold) became aware that one's domain had shifted, that one would be hard pressed to find a u_object that wasn't interwoven in some way with at least one, if not multiple, range or co-domains, .. for every u_object that one could hold in one's hands .. experience directly as a phenomenological object, there were countless mirrorings as synthetic offshoots that existed only in an a-phenomenological intermundia as pure crystallization of information, increasingly recognizable only as abstracted mathematical objects that one could only identify, not by mapping them in their entirety (as they existed in large part only in invisible ../or imagined space), but by inverting them or transforming them in some way, such that one could measure .. observe the movements generated by the process of their metamorphosis: u_ejento began indexing prototopia aims to this space, In the areas of protein-reorientation, education, justice reform, community development etc.): (här head hurt with the cold .. the pounding: the __ cycle allowed for the deposit .. movement in the brain's organic tissues proteins associated with the pushing forward or backward of u_pulse flows)."
(00_00)(モノグルイ: ユエグルイ(ii))((00))((00)(00_) (00)(00_00)_ユエグル(ゴースト)(ii): "(1つずつハーがユニットにカプセルを落とします) パック、地面から一つ一つを慎重に、まるで好奇心が強いかのように拾い上げます。カプセルはパック内で金属製のカプセルと、透明なプラスチック製の小さな球形の球体とに分かれています。透明なプラスチック製のカプセルは、透明なゴムのセグメント内の分割を示しています。 液体を含むフラスタとして、u_ejento の側で、形而上学的なオブジェクトに u_containment ユニットとしての物質的な体を与えようと試みます: yueghur(ii) はそれらをすべて集めることに慎重です.. それらの囲いを説明します: 分散すると、それらは空間を通して放射ボイドを推進します お互いの間で、イマルジョンフォースとして接触します。彼らがどのようにして u_ghost を倒すことができたのかは、yueghur(ii) にとって誰よりも謎でした。このレポートでは見つかりません: (phumiyugen)): (。 . 未来への投影によって定義される時間空間でのリバーブ .. 確率的な u_pulse 力の関数としての過去、u に対するこれらの力の尺度として *pulse を使用: 分析により、ネガティブ情報に関連付けられたさまざまな収束単位が除外されました/ 拡張グループ: ファズム .. 住宅レベルでのプロパティは、原始ファズムの力、力の浮遊に対する押し戻しとしての再接地モードに明示的に基づいた循環反射モードに基づいて、u_objects セルに対する独自の重力を形成しました。 それは、プロトファズムに投入された力の均衡を、財産基盤の均衡からプロトピア構造の均衡に押し上げた。社会的複合体を弱体化させるものとしてのこのプロセスの動機は、決して隠されておらず、明白に、社会的複合体として作用した。 公然と述べられた目標：社会の財産に基づく階級は、この時期に、収束圧力のトポロジカルな流れを伴う、時間的および空間的次元の広い領域にわたる利害のバランスとして、モナド力の u_agent 型構造を理解するようになりました。 y_c フレームワークでは、以前に主張されていたオータルキー空間を、加法代数ではなく、ある種のフラックス空間のシステムとして再マッピングするモナディズムを駆動する復号化/再符号化プロセスと呼ばれるプロセスに直接突き当たるスタシスから。 差分の流れの収束: 進歩的な作戦分析者が、原始相の分布が原始相の速度と * の余波における * 生産の値との比率として機能するという認識に達した場合、定着した工作員はすでに は、その開始/開発期にこの理解に基づいて取り組みを開始しました。r .. c 間の関係を制御するという概念は、この期間中に制御を実装するためのあらゆる数式に組み込まれました): (u_ejento は、自分たちのコピーをクリプトモーフと呼びました: (00_00)(ii) は、きらめく透明なファズマ室に入ります。白い下着の上に黒いゴム製のストラップが、湾曲した腰に置かれた 2 つの大きな u_pulse プロトユニットに取り付けられています。2 つの編みこみの頭が輝いています。白いふわふわした綿が、休んでいる大きな物体を包み込んでいます。 内部: クリプトモーフは u_C.A.M. 上で分散合成をコンパイルしました .. それらを通信として使用しました .. 開始システム: マテリアルセルは、当時の偽装プロトファズム化合物の裏打ちとして貴金属を置き換え、残響を生み出しました 空間: 流れ、有名な、反転: * 彼は生涯にこのような性質のものを何も見ていなかったと鋭く主張しましたが、もちろん、より長い期間にわたって、人はこの引き潮を定期的に見ます.. 蓄積を伴い.. それが崩壊します 比較的制御されていないプロセスを継続します: u_ejento のプロジェクトは、比重が内側に押し出され、それを自分自身に退行させることでした。関連する差異がハイパースティションのパルスで押し出されます: **情報は、一種の倒錯的でホラーフォニックなクレマティズムと関連付けられていました。 進行中の結晶化プロセスに遅れをとったものの、結晶化プロセスを強化したものである。ハは裸足でカウボーイスタイルで広くて冷たい空間によちよち歩き、歩きながら大きな重いユニットを持ち上げ、ゴム紐に体重を移してハーに引っ張られるようにした。 身体が分散した接触点にある: 咳き込んで.. 顔をしかめ、.. 最近の仕事の痕跡がないか周囲を見回す: よく理解できるように、このモジュールは数回の通勤で使用されていませんでした: 表面の下の空気には乾燥した腐食性の香りがあります: (00) のエンティティの問題点が消費の集合体に追い込まれた: それらが後々、余韻として飛び出すのを誰も望んでいませんでした: あらゆる種類の最も退廃的なフェティッシュに終結点が確立され、タイトなペースで周期的な内破が次々と行われました (00_00)(モノグルイ: (ft CAPT.R.) (00_00) (00_00) 00. おおおお。