MONOGURUI paperback (BIG HORROR)
(yumi)(no)(MONOGURUI)(ii):
(BIG HORROR)(i:ii)
Pocket Book (4.25 x 6.875 in / 108 x 175 mm), Standard Black & White, 60# White, Paperback, Glossy Cover
(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (in (00) _00_ some of the first visible repercussions of the yamaoroshi surfaced, when the (0_0) began having difficulty pinning their y-channels: the institutions behind them bound proto-phasm in to defend them in a clear attempt to enforce calm, but inavoidably from this point forward implosions were increasingly taking hold)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the YAMAUEREDA ejento were mindful of the model represented by (00_u_iiii) irrigation in the interwar period, in the context of its (unintended) promotion of autarchic regime change – studying particularly closely the binding of proto-phasm to dispersed/(00_00) entities – a model which was given the short-hand pseudonym of 'na koto' in their circles)."(00_00)(MONOGURUI: y_ueghuru(ii))((00))(00_00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(here the idea that the mathematical compounds were, by their very nature, a process of proto-phasm becoming 'deformedly deformed' came to the forefront: u_ejento occupied key places in the op.-YUERA from its start: .. an arrangement was made for a pipeline placing graduates of the (0_0) school at their disposal: the u_ejento were measuring movement, with their C.A.M.s rigged to measure proto-phasm as a function of speed, which in turn was conceived as, by definition, rates of change of u_pulse): (the defense of the (0_0) is designated by yumi(no)gosuto as här primary responsibility, .., as such, hä is in direct control of the YAMAUEREDA guards: the white ceramic form with gaps supports .. holds the white bulbous protein mass that pushes through its containment, breathing in .. out with glistening mucous covering: the ultimate is always conceived of as a return in y_ueghuru(ii)'s mind, as a reunion of those rays thrown outward in the monadic dispersion with the dominant(?) monad that defines härself as a 0-point: a grid of undulating curves roll over the u_space, each one numbered as a coordinate space: a causal binding between one monad to another, as intersections of monadic currents, pulls the space over itself in folds .. protrusions of actualizations of material being: this is y_ueghuru(ii)'s flesh: this is y_ueghuru(ii)'s body: later mathematicians were to associate the metaphysical with a space of dimensionality beyond one's given frame: overlapping spheres of non-zero properties as difference, or what would increasingly be referred to as velocities: hä scratches här ear .. squints här eye .. lets här lips come together: här favorite chair – hä's forgotten the name of the designer now – someone had lent it to här .. hä had never returned it: a block of wood with a gap in the middle at its base .. a sloping arc upward to a 2-curved broad head with the lining of the wood's opened-up grain .. ring-circles apparent, folding into its own holding shadow: hä probably never would: the white cotton pushes against här body softly, catching on disturbances as hä moves: hä regrets only the fleeting surface detail of the various comforts hä allows härself for certain moments of this restfulness: the near certain resumption of här adventures .. the pounding submissions which each turn or aggression will proceed to project over här seem only distant: y_ueghuru(ii) lets the invisible air run over här hands into the catch, turning them over mindlessly: the y_region is at war now, far off in the distance but closing in slowly, as one YAMAUEREDA after another is called in for the defense: this will be merely a brief respite before hä is deployed to gather information on the proto-phurghur positions: against här will, här mind has already begun to plot out each potential ingress .. to map out the moves of här ouf-of-bound intrusions: hä has already been in touch with yarbois to prepare här depature point, .. suffered yarbois' interminable admonitions against här carelessness to pretend some kind of confidence in här own pre-formed plans: the chair dominates här peripheral vision forcefully: it sits off in the corner of the metal contoured room: in between här .. its form is a low metal table with a few white cotton lace dollies .. a couple of low glass ewers with plant cuttings: hä coughs .. groans in a kind of prototopian rupture of awareness: the white cotton of the bare-armed white house coverall slips against y_ueghuru(ii)'s glistening shoulders: this idea of the 0-point as representing the self is complicated as one extends out one's awareness .. one's conceptualization of one's self to place oneself in a community-identity form whereby consciousness only emerges analytically as the closing off .. differentiation of a part of the whole, where the whole is considered as an absolute consciousness encompassing the interaction of all objects, the realized .. the potential: thus, taking oneself outside of this entirety to view it as a whole can only be a processes of interiorization, of inverting oneself to reverberate back outward: can one accomplish this without losing one's body to the commune or the flows of possession that intertwine it with its companion things or objects, without becoming a radiation back inward from the void?: perhaps, but only via a violent rupture with the self, an attack upon one's own dominion over one's self .. making of a pseudo-fictional double as a myrmidon for these forces which converge on one only from great .. various distances: six of them are positioned in a grid on the metal floor in the cold room enclosed by clear plastic contoured walls over massive steel, .. with white fluorescent light glimmering: two metal cabinet drawers inset into one of the walls are marked with black eurostile lettering: the u_ejento put in a function for the velocification of all inputs, a transformation of all quantities into pseudo_velocities (pseudo in the sense that the denominator was at times a temporal value but at times some other given measure of change): different ways of allowing for the dissolution of the individual into the growing, seething multitudinous organism of dispersed culture were theorized competitively over the (0_0): the extent to which poliical phasm-metric could define this relationship vs. the idea of natural forces as fundamentally inoperable formed a breach into conceptual equilibriums of hierarchy .. control .. the mechanisms of repression ../or pleasure put into place: the relationship between mathematical ejento .. rentiers makes for compelling minidramas in these developments: there is a kind of mutual resentment interwoven with a kind of under the surface psychotronic attraction in their dependencies: these reverberating pulses of psychic energy between these actors pushed into a feedback gap defined as a space co-linked to the r:c pseudo_velocity pushing .. pulling at proto-phasm formation: y_ueghuru(ii) crosses här arms .. looks at yarbois(ii) in dismay: p.vi .. comm. uko(v) wait impatiently for a rapport which is perhaps not forthcoming: y_ueghuru(ii): 'perspective .. dimensionality being intertwined: dr.u. argues that mathematical logic is a constraint to filter out the madness: but the madness is the noumenal reality, mathematico-logical formalisms are the imposed fantasy overlaid as a fiction: so the hebephrenic is the one for whom this filter is ommitted, who sees through the glass clearly: this is the change of perspective argument re the unreconciliability of the projections against the measurement or defined point, the idea that one's equations are misformed, at least in relation to one another, they occupy different dimensionalities .. thus cannot be bumped up against one another conceptually, .. if one tries one will inevitably find non-cummutative disconnects, dimensional homogeneity being what it is': yarbois(ii): 'you come to me with your silly little paradigmatic cases: I consume them all: my powers dwarf yours: if you come with gifts then bear them, otherwise disappear: I have no need of you': y_ueghuru(ii)'s cold flesh vibrates against clear rubber bindings: hä puts här hand inside one of these white ceramic forms to feel the white biomorphic curves' wet, succulent gripping force: it pulls at här .. hä tenses the muscles of här arm but resists the impulse to pull out, letting the eery object hold här for a moment): (_'_'in clear rubber yurisuit with black outline, black rubber ½-mask, _ braided black hair): (phumaCHIRGHYU(ii) in semi-opaque clear rubber yurisuit with black outline .. black rubber ½-mask, close-clipped head)): ((so where cultivators were asking the question, re u_monads, 'what is its volume', the u_ejento were responding, 'I don't give a 0000 – how fast is it moving?': YAMAUEREDA functioned by infusing massive amounts of neg-u_pulse into a particular segment, or segments, of the cell, .. then quickly pulling it out: the goryos operated as strange attractors for the u_flows: this idea of a mapping of bodies): (hybrid y_ghost entities were formed combining propagation flows from the interpellation of compound commissions with proto-phasm union based u_objects/futures agencies with the development of aquaculture entities .. large scale transportation initiatives in phantom form)."
00. (00_00)(00) (00_00)(00_00)(ii): "(黒いユーロ文字で、'ふよ(の)ごすと:')。"(00_00)(モノグルイ: ヤメグル(ii)(00_00)( ch.))(ii))((00))(00)(00) (00_00)(00) ヤメグル(ii)(00_00)(ch.)((00_00)(00_00))(ii): "( 胸を横切る「(00_00)」以上: ゆっくりとした呼吸が強制されているように見えました)。 ((00)(00_) (00_00)(00) ヤメグル(ii)(00_00)(ch.)(00_00)(the UORUOP_PHANTOM)(ii): 「(原始相の流れは、最終的には方向付けられた巨大な運動量の力を生成しました) 、(0_0) の未開発領域に向かって .. _00_ の終わり .. _00_ の初めに出血する前に phumiyugen: u_ejento は、最初は大きなオフセット残差のランダムなブリップであると想定されていたものをゆっくりと認識するようになり、動揺しました): (( 00_00) 寒い朝が近づくと、それ自体がはっきりと主張します。カップケーキの忠告は無視されます。湾曲したガラスの構造物。静かな風のハム音。前のアドレナリンがすべて出てくる地点に自分が座っていると感じました。 一日が逆流して、空っぽになった..気にしたり質問したりすることができずに落ち着く：超方向性だが、準（0000）化されている：一部のu_ejentoは膨大な非因果性の力を示すことができた：彼らは潜在性のマッピングを投影するだろう まだ実現されていない経路に展開する .. 時間的にも空間的にも切り離された点空間にその影響を引き戻す: このプロセスでは、原因となる要因は、粒子が衝突したかどうかではなく、粒子が衝突する可能性があるかどうかの可能性の程度になります。 将来の任意の時点: * は非因果的な方法で向こうからやって来ます: 6 つの白いゴム球が、関心のある領域のすぐ外側に閉じた実体として配置され、領域内の白いゴム球と一致するヌーメナ バージョンとして識別されると想像してください。 : 円の外側にある、同一ではないが識別できない 6 つの白いゴム ボールの活動は、円の内側の白いゴム ボールと因果的に結合しています。これらの 6 つのボールの活動に応じて、内側のボールは結果としてコースを取る場合と取らない場合があります。 内側の 2 番目の白いゴム ボールとの衝突の場合: このモデルで受けたボールの衝撃の方向は、閉じた領域内では不定です。その未来は、ボールの到達範囲を超えた外側の領域の関数としてのみ決定できます。 内部参加者: 動機の不確実性の増大が内側に引き寄せられる): (代わりに、波形が形成されました。「これは不可能です」または「これは起こっていません」が彼らの口癖になりました。 リニューアルはほぼ一夜にして巨大な逆流へと姿を変え、ゴリョを地面に突き落とした）：（大きくうねる白い華やかな装飾品を着て座り、身体の周りのポケットの空気の形成に対して白い綿を膨らませる繊細に形成されたゴーストスーツ、コム デ ギャルソン、その中で好戦的 内部空間を外へ出る機会に変える)。" 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(ポンチョのポケットに手を突っ込んで.. 見つめながら働く パターン化されたステッチ: 折り目 .. 生地のしわが肺の動きに逆らう .. お腹まで押し上げる: 0000: 自分の肉を吐き出す .. 口から液体が出る: 神よ、鼓動するたびに体が痛む (00_00)(モノグルイ: ヤメグル(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) ヤメグル(ii)(00_00) (ch.)((00_00)(00_00))(ii): 「(ヤマウエレダの区画は一定の快適さを提供できるだろう: ランガル野郎ども、(00)): (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00) (00_00)(00_00)) (THE (0__)((00)(00_) (00_00)(00) ヤメグル(ii)(00_00)(ch.)(00_00)(the UORUOP_PHANTOM)(ii): "(ヤメグル(ii)(00_00)( ch.) のコットンハイブリッドには、マルチバンプパッドが装備されています。ハーは、ハーに向かって押すかのように左手をひねります。または、ハーに向かってではなく、ハーに向かって後ろに引くかのように両手の間の空間に入れて、感触を和らげます。 2 つの物質のそれぞれから脈動する u_pulse の精神的な残響。しかしぎこちなく、刺激に耐えるが曲がる「ゴム製」の対物カウンターウェイトに対して痛いほど大きな力を及ぼすかのように、ヤメグル(ii)(00_00)(ch.)がそれぞれの呼吸を押し出す。 体外へ出すのは困難ですが、根気よくケアする必要があります): ((00_00)(00_00)(00_00)(00_00) 蛍光灯の凹部からの室内の白色光は、金属 .. ガラス、透明なプラスチックの表面で反射します。すべてがポップになります。 、ポップ、ポップ: 意図が冷たく (00_00) の息をハーに戻します: 彼はティーカップが目に見えて振動していると思っています.. 聞こえるようにですが、彼はこれが真実である可能性がないことを知っています: またはそれはフィクションです)。」 ((00) (00_) (00_00)(00) ヤメグル(ii)(00_00)(ch.)(00_00)(UORUOP_PHANTOM)(ii): "(物質的な現実を反転させる一種のフィクション...それを不可能なものに変える: 0000 これらすべて、ヤメグル(ii)(00_00)(ch.)は、u_pulseの流れの反転を自分自身で考えます。"