MONOGURUI equipage: (HACHIBUSHU)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yameghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yameghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (nodes were put into place in certain points perceived as critical in the institutional apparatus of the major mathematical states, just as monadic channel .. y_flux grids spread over the surface of the planet, allowing the flows of proto-phasm to be controlled to an unprecedented degree: semi-opaque clear bodysuit over white cotton underclothes, black rubber slippers, .. a black rubber half-mask: in an instance of this control being utilized for political goals, the (0_0)*pulse introgression was inflated quickly .. effectively during reunification in order to cover over the unrest .. undercurrents involved that had the potential to unsettle the venture, .., by extension, the (00_00) project as a whole: mysteriously, during the period of moderation there were a number of shocks which passed through without causing the kind of mapping collapse that was observed in the early (0_0) (0_0))." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "((00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(some of this was attributed to the interregional *pulse introgression having gained elasticity via the reverb of what was increasingly a dynamic interplay between interdependent ch.-forms, giving the system a bend but don't break quality: an understated, but perhaps more substantial, cause of the stability was the underlying huge (bubble) growth in *region trade .. *production that made the effects of smaller bubbles appear not to matter, a kind of stability that is the opposite of stability (but perhaps that's the point): in clear rubber goryo suit with medium blue .. pink logo on the chest .. clear rubber head-mask: här semi-opaque clear rubber bodysuit held här body tightly over white cotton underclothes): (the underground capacitor is designed such that, if it becomes necessary to discharge the neg-u_pulse from the system, two mega-resistors can be brought into contact with the monitors)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "((00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(there was serious consideration given to this option during the *, .. though it was ultimately foregone, there are those who feel that if this course of action had been taken early enough to nip the momentum in the bud the mass-effect of the * could have been avoided: but clearly there were extensive overvaluations of proto-phasm throughout the *pulse introgression at the time that made evaluating the effects of such a process difficult to measure: the weakness of the implementation of MYGHORI mim::::cell processes, in practice, meant that the actual proto-phasm in the system could have been determined to be at any number of wide ranges: .., in fact, there were those that argue now that had the u_pulse flows been brought to a slow-down the damage ultimately of the * would have been far worse: the UORUOP_PHANTOM): (cyclo-intension is a phenomenon of changes in the velocity of *production: there can be few methods of producing large increases in cyclo-intension more powerful than inducing *phasm)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(they walk through the grass .. trees of the circular park center of the campus, the low, submerged polished wood ribat buildings radiating out to form its circumference, bumping up against a large, calm harbor extensively developed with floating structures: the whole area being densely planted with trees .. grasses, with buildings' mass predominantly underground: mighu-c. .. preyumi_ph.*(v) guide yameghuru(ii) through a little park with rock formations creating maze-like walkways throuh which the wind hums: mighu-c. picks at the metal zippered gaps of här white acrylic bodysuit .. bows här white acrylic hood covered head as hä speaks: mighu-c.: 'the floating projections within which we operated allowed for a flux of potential actualizations: one was constantly caught wrong-footed by these movements: after a while, though, one came to accept .. expect this intuitively .. learned to work with it instead of against it, to let oneself be pushed even as one attempted to guide onself projectively: I found regions one would never imagine, huge civilizations of *beings with protocols which one could match up with one's own, but adopting particular strategies unlike anything we might ever conceive: but this ran both ways, .. we were able to engage in a kind of commerce of conceptual objects over .. above the material givenness of our collaborative efforts: the underlying affront of one's expectations comes from the understanding that one comes to regarding the atemporal nature of their apperceptive abilities: they do not project out apperceptively from a given deitic point pinning them to a particular moment in the way we do: their fixed material bodies are clearly merely an outreach to our own as a mode of adopted convention, but their inner being is characterized by massive collocations of floating deictic points over huge spans in parallel with one another, such that they 'perceive', if one wants to put it this way, from many different vantage points over time, combining them into one synthesized experiential whole which maps over their given material bodies as occupying complex folds of u_space: one picks up on this first from their incongruous grammatical forms: one has to constantly mark out multiple contextual spaces interacting with one another to follow their meaning: one sees it, too, in their mathematical forms, where placeholders for future values .. pre-formations of incompletely realized co-domains intersperse with bridge operations allowing one to tunnel through to fuzzy, indeterminate objects .. to manipulate them as pre-defined even though their arguments will only congeal potentially: these pre-objects, .. their constant engagment with them as if they were actual, form the foundation for even their routine conceptual processes': preyumi_ph.*(v) touches the weak pastel floral pattern of här jumper, stopping just short of interjecting before pulling back into quiet restfulness, looking far, far away for a moment .. then returning här gaze to mighu-c., perhaps glancing for a moment over yameghuru(ii)'s intent eyes .. the slow movements of här fingers as they walk, här body incongruously small beside mighu-c.'s large girth .. powerful but restrained form: they pass a series of white, concrete mini-conduits for run-off collection inset into the hard clay-like soil): (miyabi pauses .. reflects on the previous conversation .. the course of direction determined, eyes bearing down on a point far past the end of the room: semi-opaque dark goryo-suit with black pattern foliage: dark gray hair built into four blocks: occasional freckles dot här face: the seam of the goryo-suit incongruously prominent: miyabi: 'well, we'll be adding k-folds over the inputs .. poofing them up until we don't really know what they are anymore: whatever their a priori characteristics may be in a vaccuum we will be placing judgments over them pushing in considered directions: our concepts of the u_spaces imminent here will be driven highly by our choice of contours for their dimensionality: you should know this better than anyone': y_ghyriu's light blue grid-patterned goryo-suit with pink insignia over dark gray plastic body, 3 swooping partitions of black plastic hair: här gray plastic lips poise for just a moment over a response: tautly defined contours stretch over här thin arms at här side, balanced lightly: y_ghyriu: 'these will be recursive levels forming a number sequence .. its related derived spaces: the effect of any initial placement will disappear in the blurring from the averaging that will take place at glued perimeters in their connecting curvatures: once the over-derived partitions have played out we will be left with a nilpotency space: we can exploit the dark inversions populating the whole for our further endeavors': miyabi: 'this was your affair from the beginning: I take no consolation in any of this': the mirrored hold reflects their images back at them at distorted angles spreading the multiple points of white light in the background into the appearance of infinite space around them even as it pushes inward closely to confine them: over the metal edge the underground dam churns continuously in massive volume: the water flows down the channel .. through an opening in the metal .. rock formed enclosure): (madame yanagi, in big fold-over gray ghost-suit with black circle-pattern: in a strange way, this is the effective policy result of the combination of an increase in the y-compound .. u_pulse controls: there was little that would inspire the scorn .. insipid rectitude of u_ejento more so than proto-phasm control, unless perhaps it might be a refusal to cell-process: why would we want accurate information about u_pulse levels?, they would cuss off ironically, when we could just do this instead)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (recorded on the C.A.M.) "(followed by closing their eyes .. fumbling about with their outstretched hands awkwardly: anything that implied a resistance to models would get similar treatment, though so would the persistent .. endearing insistence of the failure to distinguish these models from reality: yameghuru(ii) was en route to the (00_00) to negotiate a trade package when hä first received the news of the umyghu encroachments: standing on the clear plastic contoured control deck with multiple large monitors in front of här, in gray plastic plaited armor, its curvatures bending .. distorting the shape of här body, gray plastic face mask covering här facial features .. 2-braided hair, eyes pushing forward intently: the curves of the plaited armor converge on 3 gray rubber circles at mid-chest: the report came in over the audio-filter, interrupting här check of an interior mapping, prompting the initiation of alert protocols: two bright white flashes of light burst through the ship's interior: 'hmm…' hä muttered to himself, .. quickly began to bring in all reports on the outer regions: the breakdown of the flow of y-morphs suggested a velocity shift in proto-phasm flows: this shift similarly prompted (00_00) chase to tighten controls on their 0-point_shift mappings: (0_0) .. u_pulse collocations stagnated, in direct proportion to the shifting contours of the synthetic mirrorings around them): (yumi(no)gosuto: 'infinite rapport: generative automorphism: the danger, of course, is that it will not come to an end': yagao_ueda(ii): 'you thought we would be cyranoids for you:': yumi(no)gosuto makes adjustment to the white synthetic ropes connected to the limbs of yagao_ueda(ii), from which hä is suspended: yumi(no)gosuto: (amid sounds of mechanical adjustments) '1 of the 6 modes of existence, sometimes reckoned among the higher modes .. sometimes among the lower: in the sense of a higher or a good mode of existence, it refers to the lower gods who dwell on the slopes or summit of the *region mountain or in fortresses of air: seen as a lower or evil mode of existence, they are the enemies of the gods: they belong to the sensual desire realm' (mechanical adjustments): weak blue circles surround yumi(no)gosuto's head .. pink lines boldly triumvirate: yagao_ueda(ii), suspended from the ropes .. with one shoulder turned awkwardly, light cobalt blue barium red-pink .. clear rubber bodysuit .. 6-stubbed gray-haired head, cold: myako:phuma sits with them in the clear plastic room with hinoki trim, surrounded by cavernous contoured steel .. the pieces of a white protein-fruit on the low metal table, in black rubber ½-mask, black braided hair on the steel with white fake fur mini-dais, clear rubber straps over white cotton undersuit, här eyes drooped shut .. breathing heavily: yumi(no)gosuto: (looking for a moment at myako:phuma) 'you are asleep!: wake up my dear': myako:phuma: (waking suddenly) 'oh, but I am so tired')."
(00)(00_00)(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00) )(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) 変更されました )(00_00))( ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00) )( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00 )((00_00)(00_00)) ): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00))."(00)( 00) (00_00)(00) 変更されました(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00) (00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."