MONOGURUI y-shirt(hooded): (HORRIBLE)(ii)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(if there was one thing the u_ejento loved doing in their free time it was randomizing residuals: the whole concept of the residual would make them catch their breath, in little emphatic pauses, the idea of the residual as a gap, .. the idea of gaps as the space between points on different planes)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(.. the idea of the different planes as different realities, other worlds where fantasy was layered upon fantasy in potential conception: one could then bend the intra to tie them off to one another): (they contained models (simulations) of new worlds: what did they call them?: future worlds: mirai(no)uchū: hä emerges again: staring at me, or through me to some distant point beyond me, gray black-blemished soft phurgur flesh .. forward gaze too symmetric, too still, too perfectly centered, as if machine-refined: arms folded together at här waist, hands clasped to forearms: a white cashmere hooded mini-cape covers the upper half of här upper body, fold over fold over fold: from underneath its hovering confines semi-opaque clear plastic pink blue red floral pattern gapped body-armor gripping the waist .. then down to cashmere overlaid white chaps to här bare ankles .. lithe white plastic sandals, androgynous .. cold: everything stops: it falls over my body: hidden: miraio(no)uchū were the formations of emergent worlds via c.a.m.-simulated realities that attempted to reconfigure the filters which our minds apply over apperceptive impulses .. to re-engineer the processes by which we interpret such inputs .. 'imagine' our insertion into the world, in order to pose the possibility of effective, consistent but wholely other-worldly modes of experience: there were maybe a handful of researchers pursuing such work: without exception they looked to the work of yumi(no)gosuto as being on the forefront, but none would claim to understand completely här methods: hä completes reports only occasionally .. with each new report här methods would seem to have broken off in a new direction which would contradict .. undermine the results of här previous efforts: the 'future' in the 'future worlds' term was by definition contradictory in the first place, as the first .. fundamental principle in any of these undertakings was to redirect or expand one's notion of temporal forward-backward directionality into one of purely mathematical dimensionality or curvatures: there were no future worlds …. or, in an identical sense, they were all future worlds, there was no present, no memory except as a fine overlay of potentiality upon counteractive points of experience or projection): the following concepts formed the centerpiece of their systems: 1) u growth: c:c: 2) u_projector: 3) u_pulse generator: 4) monadic phase projector: 5) β: c/c': 6) rate of curve: 7) ergodic volume: 8) α=β*r: 9) u_phantom: 10) (00-flux) mirroring: 11) proto-phasm morphisms: 12) inversion:itsuka 13) prototopia: 14) f:c range: 15) pu: 16) u_ejento as double: 17) c-pulse: 18) cyclomonadism: 19) multidimensional u_space: 20: mega_mcu: the u_pulse-out reversions pushed proto-phasm into pairwise equations, such that the underlying microdynamics was interwoven with a matrix of functions that interacted with one another recursively: y_ueghuru(ii) looked over the glass cylinders of water embedded in the ice, containing growth-forms of u_monad, occasionally triggering one to emerge upward from the surface so that hä could examine its contents before returning it to its enclosure: hä seems satisfied with their progress, .. makes only minor adjustments: hä measures the interactive force between them .. finds it to be consistently correlated to their mass .. distance from one another, as one would expect: there was something distracting här, hovering around the edge of här mind, .. hä seemed not wholely present in här work: there were moments where hä would pause between capsules, for an unaccountable delay in moving from to another, before resuming, but if one had asked what it was that perturbed här mind so, or what hä was struggling so hard to come to terms with internally, hä would have been hard pressed to provide an answer): (an ominous expression passed over y_usege(ii)(FUYO(NO)GOSUTO)'s face)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the mhega-PHUIMEN was put into place at the behest of u_ejento, allowing for real-time mapping .. a more fluid interconnectedness of goryos: glitches .. inconsistencies arose as a result of their use of this new system to pin off goryos .. later accusations of subversion or incompetence were thrown at its operators in an attempt to reconcile what were clearly cases of goryo runs which had previously been invisible become opened up to a new kind of observation: (m-PH) would form the recording surface for the mathematical flows of much of the monogurui operations)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(one could see clearly behind här gaze a wide expanse of barren cold steppe over which a storm was moving: everything was certain to fall before its power, to be destroyed: how many weak trite jokes had hä made in the preceding commutes with this coming imminent moment in mind: when everything is cleared to whiteness one sees inversion structures for what they are, circles folding in on themselves, but the root core primary point never changes, it always nets to 0: this is the pure point that u_ejento focus on when they pump their pharmaceuticals into their physical meat, a cheap chemical imitation perhaps of this pure material basis, filterd inward so far that it is not chemicals acting upon proteins): (u_ejento were reminded frequently at this time by outside participants of the function FUTOMAKI(_)(x) describing the probability that after x links have failed _ or more clusters have formed)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(FUTOMAKI(_)(x), etc.: clustering could be used, running this relationship in the reverse, to observe the invisible underlying pressures building up in a particular cell: u_ejento were then able to structure goryos so as to tap into this forward movement for steady substantive *production: in this way a pipeline formed from the upper uphic regions where many of these u_ejento were based, to the U(0) mini-pods, to the (00_u_iiii) point-flux cell, .. then finally commingling with the structured (00_00) product .. such: synthetics filtered the overflow out as this area became saturated: there were those, in hindsight, who advocated the use of individual-level models to replace the aggregate-level models used, but usually there is found to be little gain from such moves: one ends up tracking variations as opposed to the patterns they're springing forth from: micro-goryos, for measuring reverberations at their most incipient penetration, took the form of incentive imbalances arranged programmatically for the purpose of filtering out changes in movement in proto-phasm from their current flows)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(but the inverse, something from inside the lipids that pushes outward perversely .. changes reality itself: 0000 you, .. 0000 your little myopias: they're nothing now: y_usege was clearly confused, but not frightened: much study was given to the attempts by u_ejento to monitor .. channel the organisms commerce under their 'control' with counter-measures of a highly designatory nature: measures which varied between u_pulse changes, point-form in cyclostructure, .. changes to analytic structure: of course the evaluation or measurement of the madness is always retroactive: you don't observe it building up underneath surface)."
(00)(00_00)(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00) )(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) 変更されました )(00_00))( ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00) )( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00 )((00_00)(00_00)) ): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00))."(00)( 00) (00_00)(00) 変更されました(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00) (00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."