(yumi)(no)(MONOGURUI)(ii): (u_623)
(yumi)(no)(MONOGURUI)(ii):
(YUMI(NO)GOSUTO vs. YUEGHURU(ii))(i:ii)
Pocket Book (4.25 x 6.875 in / 108 x 175 mm), Standard Black & White, 60# White, Paperback, Glossy Cover
(00)(00_00)(00)(00) (00_00)(00) yu_eghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yu_eghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yu_eghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (too many of the ex post critiques .. analyses omit the *'s inner nature as a violent rupture .. implosion that had ½-swallowed us before we knew it had arrived: vector norms everywhere were being turned inside out .. reemerging elsewhere as reconfigured normative flows unrecognizable on the face: here the u_objects cell can be thought of like the psyche or the codings .. flows of the yamabushi unconscious in the (00_00)-(00_00) framework, as a productive being, a collective amalgamation of productive processes rather than representative): (yu_eghuru(ii) realizes that someone is behind här in the confined space: ueda(00_00), a humanoid ghost-figure of grey contorted musculature .. clear rubber formed head crouches with mini-phasers strapped to the underside of wrists, each with eight rotating short metalic cylinders covering both yu_eghuru(ii) .. y_ch.'s inert body .. two shimmering, circular monad-fields poised before här: (00_00): metal circular studs inset into the clear rubber of the ½-armor promise u_object or preparedness: lines bound här body in space: ueda(00_00): 'what great distances I have come to find you': over the clear rubber head is a black rubber head-mask with gapping, cool, aloof eyes dropped low over the cold space the two suddenly motionless figures as yu_eghuru(ii) drops här breath to a slow calm: hä slowly turns to face ueda(00_00), här gaze passing through the monad-fields such that här perception of ueda(00_00) is disorted as it works its way through complexes of neg-entropic forces .. dissipated blurrings of phenomena: monads in the field convege on impulsive 0-components, such that any optic residuals are contorted into themselves: if there is, in fact, a point in time-space for each monad, this conjecture can only be softened or undermined by the semi-distinct .. undetermined coordinates of the monadic potentialities of these semi-opaque fields: yu_eghuru(ii) would be hesitant to consider them real at all if not for the piercing .. immanent hardness of här current predicament, one hä feels only now that hä should surely have anticipated: ueda(00_00)'s lips part, slightly moist, .. här gray flesh quivers almost imperceptibly: the clear acrylic fluid of y_ch.'s containment-unit vibrates slightly against the white mucous flesh .. här misformed, only semi-humanoid body: yu_eghuru(ii) guesses quietly at what is to come next): (the basic, unsettling flaw of characterizations of the u_objects cell in the aftermath of its blow up was their attributions to it of qualities of mirroring or an insubstantial ghost-like quality)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "((aka yumi(no)gosuto) of large build, ½-ughor ½-urakuomori, with dark black hair pulled into 2 braids, somewhat gaunt structure, micro-contorted musculature: (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yu_eghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00))." ((00)(00_) (00_00)(00) yu_eghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the u_ejento arose from the practice by THE YAMAUEREDA(CH.) of recruiting analysts from amidst the ranks of the mathematicians .. appropriating institute land .. structures for pseudo-military purposes: converging on but never reaching this pure compound: it was thought of in terms of reverberation, rather than a progression from one point to another point: our ability to push forward in this was conceived of as the *production of speculative futures, the mapping out of potentialities as opportunity channels to be seeded: their were multitudes of various forms of proto-phasm collapsing upon us: we could feel them approaching, .. then merging with our bodies, .. could sense that our distinct identities, cut off from these forces, were a matter only of temporal alignment or configuration, but that separation in space was always only imagined, they were always inside of us: the u_ghosts were emergent in this sense: as research into emergent phenomena progressed it became clear that emergence was, in most cases, only partially overdetermined: there were currents of effects that overlapped u_waves which could be mapped as holomorphic with the u_ghosts, up to a certain blurring: the boundaries between substance .. reason, .. their role in the bodily form of the u_ghosts, were clearly more porous than most analysts had previously been willing to acknowledge: hä turns .. favors här with a dumb glare of innocent refusal: bare arms punctuate the calm, cold air up to the white over-processed cotton: black hair falls in shining bunches over här face .. off to the side of här head, covering most of one eye .. the edge of här gray painted lips: white cotton arm-warmers cling to the lower curve of här bicep: creases pull in at mid-chest: the upper bound of här hip contorts against the shift of här upper body into a pose reflecting här gaze back at här, as if the collected forces of här corporeal body might be merely a repository for the contained potentiality of här psychic forces: each of these properties taken on its own .. combined in various ways might account for här low breathing .. discomfort but the causal powers imbued in them as a congealed whole possessing här with a cold powerless .. complete control could only be the product of future forces converging back inward upon them: this force grabs här inner organs .. inverts här: producive equivalent, or some kind of equivalent, pumped through our veins in throbbing, hurtful intrusion: metal circular studs covered the black acrylic over the contours of här body, covered partially by white devil's dust cotton which the studs push through, .. hä stuttered out an attempted plausible reply or apology: forgiveness?: hä knew hä could never be forgiven: hä was a perfect crystal, radiating out benificence .. sanctification to all ugartë, no matter how many horrific crimes hä found herself responsible for or accomplice to: hä ran här hands over one shoulder .. then the next, .. wondered where this all would lead to, what other *region would be converged upon?: hä'd acquired the habit of fits of crying, not for anything real, but for imagined dramas .. mournful episodes: här dark 6-braided hair .. grey paint in raw splotches under här här eyes .. delicately, incompletely covering här lips: hä put här mouth on the white ceramic cup .. felt its warmth push against här face, felt beads of sweat pop up on här rubber, .. imagined it turning into pulsing, cold white fluid filling one's mouth .. finding ways to push in: hä could never be good again): (rather than a recognition of it as the thing itself, its reality as a collection of invisible forces with real effects on the entropic powers that we harness .. cultivate: cell participants acted as contacts, such that densities were distributed through them without recourse to limitations regarding their monopulsive properties: flows moved around them according to their forces produced but did not pass through them): (thus, one was always capturing or observing these flows based on second hand properties: there was a proliferation of dummy variables into models serving as placeholders for options which might or might not exist): (the metal form of the air-filter hovers over the floor on a curved rod as a minimal base: the agonizing white light holds close to it: there are a number of black plastic modules connected to yu_eghuru(ii)'s body, round low disc-shapes: of these, a couple have a small metal cylinder projecting outward .. each of these contains a small ridge around the circumference: the form of the absolute, in this context, is that of apokrisis, as a response from the interminable lilmit that one sets oneself apart from: objectification, in the sense of making an object of apperception, driven backward .. directed at oneself .. then filtered down to the specific partial forms of oneself in question: once one makes an object of the things inside oneself one can remove them from the confines of the body .. observe them as an entity to come into commerce with, whether this be to erase, propagate, re-form, ….: yu_eghuru(ii) defines a concept, as distinct from a material object, as an entity which crosses over temporal flows, not in a persistence of existence sense, but in its very form, now, as perceived .. understood, with parts in the future ../or the past, with hypostasis (df) as the ultimate limit of such a process: accelerationalism is the notion of material objects achieving or converging on velocities so potent that, in practice, this distinction becomes blurred: much of this is a question of setting of proto-phasm rays, whether as articles of one's individual intentionality, or as a community action, such that the future end-points which they are aimed at correspond and co-populate: power is the ability to put permanent (or persistent) constraints on these processes over oneself .. others: yu_eghuru(ii) glares at yuri(no)amiCHIRGHYU(ii) with foreboding, impatient already with the intrusion, although eager perhaps to converse: air passes in .. out of the filter in regular rhythm, punctuated only occasionally by little hesitations or vibrations: (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."
(00_00)(モノグルイ: yagao_ueda(ii)(ii)((00))(00)(00) (00_00)(00) yagao_ueda(ii)((00_00)(00_00))(ii): "(自分を押す白いフィチューのドレスブラウスを着て断固として前進..謎の空気で: エンクレーブ生産の泡は、第 1 世代のウラクオモリの時間旅行の努力からの直接の影響であり、未熟でナイーブな人々によって地域に導入された残響減衰効果の最終的な平衡結果です。 . 第 2 世代の取り組みに関連した、細かく調整された制御を実施せずに、情報を元に戻そうとするおこがましい試み: この期間にさかのぼって行われたゴリョフィケーション マッピングで、エンクレーブ生産のパターンを観察できます。現在の観測可能な差異: 「質問!: 質問!」: 「私たちの誰かが提案された政治的消去を知っていた場合、すべての結果を考慮して、情報を提供するために行くか、家にとどまるでしょうか.. await events?: この点について意見が異なる場合があります: th質問への答えは、私たちが別れるべきか、それとも一緒にいるべきかを明確に教えてくれます.. この一晩よりもはるかに長い間: まずあなたに訴えさせてください. ': ': ': ': 'なぜなら、': 'なぜなら、': 'なぜなら、': 'なぜなら、'': 'なぜなら、'': 'なぜなら、'': ''なぜなら、'': ''なぜなら、'': 'なぜなら、'': ''なぜなら、'': ''なぜなら、'': 'なぜなら、'': ''なぜなら、'': ''なぜなら、'': 'なぜなら、'': 'なぜなら、'': ''なぜなら、'': ''なぜなら、'':' 「いいえ、それ以上正確に言えませんか?」:「私は秘密警察のエージェントになったことはありません」と後者は答え、これまで以上に身もだえしました: 「私たちをお待たせしないでください」: 不自由なウガルテは非常に激怒したので、彼は答えるのをやめました. ): 「もちろん、私はしません。」足の不自由なウガルテは 2 倍の大声で叫びました。 ((00))(00)(00) (00) _00)(00) yagao_ueda(ii)((00_00)(00_00))(ii): 「(『訴えさせてください、少佐: 知らせてくれませんか?』: phumaCHIRGHYU(ii) は続けました。 '.. 私は故意にあなたに訴えることに注意してください':警告?」:「はい、もちろん: しかし、それは私的な事柄であり、もう 1 つは政治的な機構です: 私は秘密警察のエージェントになったことはありません」: : 「それは不必要な質問です: 誰もが同じ答えを出すでしょう: ここには情報提供者はいません」: ブリトニー・スピアーズ(ii) は、より暴力的な戦いの 1 つを終えた後、アパートから出発し、yagao_ueda(i) を振り返りました。 00_00)(ii) 白いアクリル製のドアを通り抜けたとき、涙を拭うためにサングラスをかけ、引き返した.. 「闘争は現実のものである必要はない」とハーに言った): (citigroup の BIM:S(すべての (u(o: j), o=_,_,…,k) for j=_,…) のコレクションは、この時点で誰もが気付いていたよりも飛躍的に不安定でした: 誰かが知っていた.シティグループがおそらく誰かを救おうとしているという考えハイコメディーとして受け取られただろう: .. 余波のレポートを見ると、危機でひっくり返された弱点の一因となった特に穴の開いた、または繊細な行動を説明するときはいつでも、シティグループが常に見えることが印象的でした.柳将軍は、チェルシーにある自分の集合住宅に住んでいました。この大きな住居のほかに、その 6 分の 5 はアパートに貸し出されていました..下宿-将軍は、ブリュッセルにある別の巨大な複合施設の所有者でした。最初のものよりもさらに家賃が高い: これらの建物のほかに、範囲外の楽しい小さな不動産がありました.. 市の別の場所に資金を持ったディレクターでした..」(00_00)(モノグルイ: yagao_ueda(ii)(ii) )((00))(00)(00) (00_00)(00) yagao_ueda(ii)((00_00)(00_00))(ii): 「(柳大将は皆知っての通り、かなりの関係があった。特定の政府機関: hä は声でもあり、.. さまざまな説明の多くの裕福な公開企業の重要な声でもありました。実際、彼は多忙な習慣、多くの結びつき、.. 裕福な手段の裕福な芸術家であるという評判を享受していました.. BIM 間のハイブリッド.. D スペクトル、BIM スペクトルは、多くのことを可能にするように構築されました。記録される説明を逃れた動き.. マッピング.. 満足のいく方法で処理され、他に何もないとしても、ある程度の推定.. 完全な情報なしでさまざまな u_flow のランク付けが可能: u_agent の仕事は、大規模になった。部分的には、標準からの逸脱を拾い上げる: 十分早い段階でそうする.. 問題のある勢いが何らかの性質で構築される前に再調整するのに十分迅速に行動する: これは実際には、残差に非常に敏感なシステムを開発することを意味しましたある種の狭い範囲のハイパーボラティリティをもたらすほど過度に過度に過度に修正すること:これは常にu-agentsの危険でした。