MONOGURUI u::field-equipage: (THE deFORMITIES)(iii)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(there were finitely many jumps per period, but they could begin anywhere .. were certainly not constant between jumps: but the ergodic nature of the problem, on average, mitigated many of the conceptual problems involved, .. even, once the shift was made, much of the difficulty in calculation afforded: concerns about the open-drive compressor were associated with the delicy of the alignment between compressor .. driving force: but this very delicacy allowed for highly refined control)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the standard repertoire of goryo techniques consisted of root solvers, linear systems of equations, least squares fitting, gersgorin disc functions, matrix inversions, etc, .. the goryos functioned effectively as feeder wires between the branch breakers .. the main panel breakers): (y_ueghuru(ii) faked här own erasure (using the Imitation y_ueghuru(ii), a double of härself created secretly by yumi(no)gosuto), .. plotted to make amends for här failed defense: potentiality-crystals were formed by regressing against the temporal gap (in both directions) for a kind of deictic reverb space where the point in the time series was a variable with a coefficient applied like any other variable: it was a constant point of emphasis on the part of u_ejento to overtly break the impulse to treat time as distinct from other spatial or pseudo-spatial quantities: cultivation equipage for ejento for polders became exclusively materialized, such that ejento' rankings were directly tied to modality .. to u_pulse flows at a given ratio: the concept of possession in place of property was written into the contractual codes .. analytic structure such that these cultivation equipage were required to evenly .. completely distributed the modality of the compound among its ejento: when an ejento left the organization their modality was reabsorbed by the remaining 00-ueghurama mass: multiple smaller polders would sometimes bind these cultivation equipages via circular u_matrix bid streams in order to attempt to smooth out point flows,with varying degrees of success: increasingly this deployment took the form of the agency, from an engineering or coding vantage point, of modular robotic mini-units whose gray plastic forms .. metal swivel joint designs .. air filtration sub-units were trending toward a standardization equiibrium over this time period): (hä stands in front of här, hands on hips, in large black acrylic poncho inundated with metal zippers, with close hood over two bumps .. ½-cut gloves, .. a black rubber ½-mask over här face, lips poised in challenge, folds bouncing the white light in chaotic directions, eyes glowering over each point of här body forcefully: metal clasps punch in the poncho's folds at distinct points over här poised form): (yumi(no)gosuto: (shimmering image over the dark white circle-gridded u_projection field) 00::00) '*beings generate 0-points for divergent paths through the u_space, .. are thus able to control, to some degree, their directional flow: this allows them to pass over into the (*)spaces of other *beings, .. it is such that they came to communicate with us: but it is challenging for them to uncode the precise forms of our particular immanent experience .. translate it to their own, so this communication is cloudy .. uncertain: it is hard to tell whether our interpretations of their messages truly or directly correspond to their intentions: further exacerbating these conditions is their tendency to perceive actuaiities via potentialities, in the sense that they tend to view objects as that which they will become at some point in the future, rather than in the form that they take in the present moment: probably this is because they conceive objects as forces derived from bounded fields, in a fully developed packet sense, .. find our notions of matter as a material entity unsettling .. mysterious: clearly though they have an understanding of our *future as one among many overlapping *futures mapping over a given shared domain of reverberating monads that drive ontologies via various, continuous, degrees of excitation: here their understanding convergences with our own conceptions of u_flux, allowing us to find common ground on which to base some limited form of communication .. commerce: I inform you of this so that you will be prepared for the eventualities that are coming, .. for the role that you will be required to play'): (all labor, in respect to the ugarte bodies involved, was converging to a large degree on data analysis: these robotic mini-units could be seen regularly scurrying along vast polymer-cem banks of the irrigation channels in small groups engaged in one maintenance or developmental role or another: the mega_phurgur began speaking via these mini-units .. even, if certain reports were to be believed, taking control of their actions at times: for what purposes was unclear, .. their communications took the form more of interrogations .. inquisitive pursuits of curious insights into the activities of these civilizations, than any kind of offering of information re their own endeavors or culture: the mini-units, aka, pseudogomaton, established pattens of community amongst themselves in insular fashion: each one would be a design of multiple cylinders arrayed outward from a small rounded core, with black rubber bindings contracting over their cervo-amplifiers: typically four or six-limbed with sharp metal proboscides, acephalous over clear rubber breathing mini-vessels: black markings in intricate, overlaid pattern would mark their undersides .. outer edges: perceptrons as monadic reverberation allowed them to pull in data from over large distances: hovering on its metal-point edge limbs with four taut bindings of black acrylic protrusions, the pseudogomaton grabbed y_ueghuru(ii)'s body with a proto-pulse centered on här chest as its companions moved in around it with reinforcing probes: y_ueghuru(ii), pushed backward as här mobility became completely restrained, floating a meter aobve the metal plaited surface as they surround här, här eyes turning inward as hä realizes hä is defenseless, approaching the calm of submission: här clear rubber yurisuit over white acrylic mech-harness, black outlines .. black rubber ½-mask, 6-circled black hair: the pseudogomaton close in: pur(v): (in low humming vibrational ½-sound tones) 'what brings you here to us, y_ueghuru(ii)?': y_ueghuru(ii)'s body glistens a little with dew: the early morning cool air, gray with mist: one can just make out the flowing clear water of the irrigation channel beside them: blurred semi-images of low-growth trees break the monotony of the distance of minimal metal-lined aqueducts, submerged into the cold, broken ground .. rocky outcroppings: in places a form of white moss clings to the surfaces: y_ueghuru(ii): 'you have me at a disadvantage: I had intended to bring gifts, in formal offering of reunion': pur(v): 'you tease us, y_ueghuru(ii): where are these gifts?': pur(ii): 'perhaps you do care for us': these gray plastic formed units, arrayed in modular service-form, developed systems for the management of their holdings .. distributed control via access-points: it became difficult to discern whether their system represented a process for the implementation of their cultivation mandate or an overturning of it to establish their own communities for the own purposes: either way, it was clear that any attempt to assert dominion over them would be faced with practical limits: they established an identiy for themselves, calling themselves the 'inner powers' .., of their own course, implemented a newly designed logo of 3 circles of light blue, light red, .. pink, striated by curving white linges over there surfaces, as a marker of their new identity as they pushed forward in their expanded role): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)))."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (the emphasis on cyclo-points rather than proto-phasm belied the possession-like quality of the processes: the removal of a particular yamabushi from a flow had no other effect than to cause the 'ghosts' in question to rush into some other swine): (the u_ejento method for diverting proto-phasm consisted of moving point_waves from a forward point in time backward, diverting it through their body, to 'the present', where it would be put, typically, into a u_object: after a given period the removed point_waves would be diverted back to the forward point in time from which they were originated, with the *production retained)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(y_usege(ii)(op.): 'thank you': hä adjusts the fit of här semi-opaque clear rubber ghost-equipage with bold white outline over white cotton gp-formed bumps up to här bare shoulders, multi-layered .. bound in bunches with large thick obi-wrapped skirtage, thickly packed .. built up hair wrapped in clear rubber bouncing slightly with each movement, the shimmering dim white light folding over the curves of metal apparatuses: each underground little offshoot of the residence holds one of the onnagatomaton permutations of y_usege: y_usege(ii)(op.)'s gray midori flesh pushes against the white cotton misformations .. hä sets här fingers over the surface of the white ceramic ewer, empty, resting on the metal surface: extensions of the maitri-house run off radially in various directions, submerged in the cold concrete ground, each one allowing in white light through filtered air-vents running up to the surface .. mirrored surfaces curving over each distorted image: the (00)-org had shifted its resources into a pursuit of the chrema channels in order to consolidate their position in the *-dispersion, relegating the cultivation of backorder hydroponics on recent settlements to their counterparties: y_usege(ii)(op.)'s image circles back to här as an unclear merging of lines .. shapes running off into conflicting perspectives: här dark eyes glower over the cutting as hä turns it over in här hand: nine more sit in a bunch waiting on the metal surface: hä looks into the depths of one of the ventilation units, a white plastic assortment of tube endings arranged in a circular grid inset into the clear plastic wall, separated by white, plush cushioning, each one numbered in a sequence by tiny black labeling: amorphic vibrations push through each rhythmically: each gathering of the white cotton pushes against the tightly bound clear rubber .. pulls back, .. här little white rubber slippers grip the white rubber dimpled floor, clinging slightly, such that if hä focuses här body's weight downward hä can feel its sticky resistance .. distributive force): (u::hoshi-miroku: 'one could see there was a hidden program to it but one could never illuminate what it was: for in this one conversation it seemed that y_ch. was attempting to conceive actuallty as a communion (or partial communion) between two or more objects'): (thus are we are as likely to find ourself far from any given phase-state which might be subsequently conceived as equilibrium, prior to defining it, particularly if the process itself of putting the coordinate system into place is to be thought of as a projection forwards (from the phase-state where we are now) (to another distinct phase-state) the growth of u_discs forming over convergence layers: one starts with the morphology of a line on multi-dimensional space to a curve over the 2-dimensional plane (re the converted norm): one's activation function is essentially then a transformation of moduli over dimensions): 'hä was talking about constructing non-cantorian models of transfinite numbers, in much the way one might think of non-euclidean geometries: I think hä had always viewed riemann as a figure to imitate: but then, strangely, hä segued into the grayforms, .. how one might be opened up to new potentialities by the accidental introduction of alien technologies: I was only vaguely aware of dr.m.'s work at the time: it was considered such an eccentric .. abnormal pursuit even when it was first introduced, .. it had been years at that point since anyone had heard anything from här: there had been no further developments for so long that it had been largely forgotten: but I felt like I had heard similar ideas before, even as I tried to follow y_ch.'s thoughts, even if I could only identify their precursors later: hä was suggesting that perhaps beings from other worlds might adopt the abiity to convert time-dimensions to space-dimensions (with limit cases being the inf-dimensional space frozen at one unchanging moment – one spatial point "moving" through an infinite number of time orientations: .. in between would be an immense range of potential worlds, thought of as indices, almost, of constraints over one's degrees of freedom over the monadic field: if one thought of the individual object or being analysed as a function of the group behavior of a population of monads each with their own force or power determining directionality of their processes over a u_space could one shift phase to become something other, something which might interact or even occupy these other noumena-domains: .. then hä was gone: for years nothing: .. then recently, out of nowhere, at a procurement meeting with a client, hä walks into the room: hä took no notice of me, or if hä did hä hid it from me: though hä must have recognized me, .. there could be no doubt that it was här: hä walks up to my counterpart, whispered some update into här ear, .. then turned .. walked out: I asked about här .. was given a different name, miosukuo(-), .. told that hä was one of the researchers for the (0_0): my counterpart apologized for the interruption, saying that they had received some unexpected information re one of their ventures, .. then we resumed our business'): (the lack of reverberation itself was found to have minimization pressures: the u_ejento were fairly open in their love of unpredictability .. range in cyclo-intension: 'really dear, (0000_0000)' they would remark, or something to that effect: y_ueghuru(ii)(00_00)(ch.)'s tongue starts to ache: the ghost flow regulated via a system of reversing valves .. an accumulator, in conjunction with a compressor: ghost flows are placeholders for surfaces or boundaries, such that the condition d(u(x.L,t))=d(0): here it is the interface between the real .. the ghost flows that is of the moment: the ghost flow contains a rubbery quality such that it can be pushed inward against but reverse-flow pressures are created in the process: the potential for blowback arises: YAMAUEREDA's process consisted of the coordinating of a series of these ghost flows applied to the (00_u_iiii) mathematical compounds .. the arrangement that they blow back simultaneously: _ yamabushi were responsible for _ to _0 ghost flows respectively: ___the proto-phasm injected into these ghost flows was moved back forward to the points in time several commutes into the future from which they were drawn, via a series of u_objects: having been propagation the point-flux cell heavily, their withdrawal resulted in a decaying of point-flux, which, in turn, had been propagation the U_MATRIX cell, with a corresponding inversion: this process of reversing out the ghost flows occurred during (00) _00_): (chaur(00)): (conduits were set up to run sd curves through u_pulse arrays for proto-phasm concrescences that were imbued as a source of u_pulse flux but designed to siphon off modality: there was initially considerable debate as to whether to set up controls at the macro or micro level, with a hybrid model eventually adopted that allowed for control of the overall u levels as a macro determination while pushing control of the dispersion into micro units within a very free range of activity: mapped over all of this was u_pulse feedback for the identification .. denoting of density spaces, tracking pressures .. flows over a giant accumulated physiotemporal domain: här hooded rubber mech:suit was a field of blank white covered with blue pink floral pattern, white rubber hood closing tightly on a clear rubber mask: clear rubber gloved hands pushed up against här face in consternation .. uncertainty: hä seemed to be on the verge of perhaps a great leap, but the air itself closing in on här body sutured closed potentiality space after potentiality space, .. with each moment of hesitation the great leap forward, just on the cusp, transformed inward toward the great void within här, .. darkness .. mystery confounded här: hä imagined future versions of härself conspiring against här): (during this time period analysts measuring flows were forced to resort to cyclo-constructions or incorporeal transformations in their modeling, .. faced with the awkward prospect of explaining their models to the plebs in murmuring, apologetic restraint, um, ok, something like this pattern is emerging, but – obviously – it couldn't be, but, uh, yeah: from a cyclo-intension or monad-pulse reservoir perspective one could only look at this data .. say 'wait, what? – (0000)?': it caught out the basic inadequacy of measuring cyclo-intension, or inversion, as a measure of u_pulse processes: ultimately u_pulse processes are just an index of an underlying process, an index which has, historically, been in sync with the underlying, but once you unwrap an index .. begin applying pressures to it ceases to be a measure of naïve responsiveness .. becomes something which will push back: or, in other words, an index is good only so long as one is confident of the directionality of the flows, from a causal perspective): (but somewhere a convergence to a pulsating equilibrium is evoked, madhyamaka: this limit pulls in all inversions: this is dynamics at its coldest point, its most nihilistic .. hollow, where underneath the surface of kinematic functions the domain .. codomain binding itself controls the ultimate teleological utopian/dystopian processes at work to dominate us all, unforgivingly): (consuming our bodies for the *production of some crystal future: nevermind the suggestion that this 'utopia' is not for us but for our masters, or for our doubles who will have replaced us: we were even yet only pre-embryonic beings, or pre-formations of beings, vehicles to push forward the growth of u_pulse flows whose emergence .. decay lie far outside the span of our own preferred mortality: the use of growth-plastics was extensive in YAMAUEREDA, biological plant-based materials used for the development of biomorphic entities: u_ejento would at most mouth 'implosion' as a whisper, as a suggestion that was understood only to be a murmur of some underlying decay/growth process: there would be no reemergence of blown up entities .. facilities passed through at this time): (hä used to call här strong-ghost, because hä would pick här up .. put här on här shoudlers .. carry här through the mountains, finding deep gorges with mysterious enclosures .. vertical outlooks which dwarfed everything in sight:: white plastic modules submerged into the sides of the cliffs .. sloping contours, with dark cylinder entryways: their investigations took them far .. wide through the mountains: they would stop .. visit the residents of these little enclosures, .. pretend they were 'investigating' them: all of these little mysteries that accumulate: the more one finds oneself engaged in pursuing information .. the resolution of its uncertainties the more one finds it to be a process of uncovering motives .. aims, .. their resultant shortcomings, until the 'perps' that make up material being fold .. reveal themselves: they mapped their findings out as homological coverings)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "((0_)(inversion positions were designed such that when preset pressure points were met matching synthetic positions were open to offset: if a counterposition imploded, or if their proto-phasm potential was reduced, this counter-flow would be slowed, so care was taken to spread this operation across a diverse range of unconnected participants)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00) YAMAUEREDA. AKA the Guardians/ Defenders of Yugen: they represented the most powerful .. vigorous of the u_ejento of the Institute of the Defense: their members were placed in positions in the community associations that were formed as loose collections of mini-communes in the new developments: the community associations would form the residual core of the propagation for the project with a congruence-map like framework applying dematerialization rules to their collocations: it was the community associations' role to push continued crystallization, .. to resist against stasis: this endeavor took the form in large part of proto-phasm projects that extended far off into the distant future: some were so secret that even those working on them didn't know what their ultimate form would take, or more than a generalized notion of their aims: if fictitious proto-phasm were the part that swelled up .. bulged out the curves of u over p as the realization of productive monadic capacity, then ultra-proto-phasm was that part of u that had undergone, or would undergo, transformation from one cycle to another .. back again: large hadron colliders were put into place beneath neary all of these new communities, each tied together by feedback propulsion, co-linking these rings over the surface of the u_verse, .. built as submerged floating structures in the ocean masses: it was sometimes heartbreaking to think of the potential for congruence: u_ejento preferred to think of their particles as shimmering balls, held just on the cusp of touching, forever: usually the community associations would oversee the teams of u_ejento running their facilities: colliders were stacked on top of each other pushing deeper under the surface, some running 200 layers deep: if enough were running simultaneously one could feel the low level vibration/hum throughout the city): (every path-dependent .. path-independent u_object was not conceivably being hedged out by the models as constituted because they did not matrix-filter for flows escaping out via YAMAUEREDA channels, nor could they have under the assuptions they were operating under: the jumps in Q(t) occur at the same times as the jumps in N(t), but whereas the jumps in N(t) are always of size _, the jumps in Q(t) are of random size: all of this would, in the normal course, get subsumed under monadic process, or 'malediction consumption' as they say, such that these outflows get tied up in little bows as presents to pretty ugartë:ugartë .. such until they play out in leg-bindings .. (0000) .. girdles .. strappings .. such until they become imbued with such proto-phasm that they either dissipate or fructify, but, again, this is under normal circumstances: there seemed to be invisible forces at work beneath the surface: such that the coherance between cell flows were breaking down, or, rather, that a new previously unobserved order of coherance was being grafted on to the existing flows)."
00. (00_00)(00)(モノグルイ)(00_00)(00_00)(ii): 「(腕の内側に沿って手を動かし始める: 白いゴムのバインディングがコード化された白いデザインの上に.. 透明なゴム: ( 000000): _00_ から _00_ まで制御点を吹き飛ばす u_pulse 電流: (00_00) (00_00) u_pulse の流れの制御の中心は、u_pulse の静止点をピン留めすることでした: 静的な u_pulse のコレクションがあれば さまざまな関連する振動の制御を主張できることから「押しのける」ことを指します。u_ejento は数学を概念的な行列のようなオブジェクトの操作と見なしました。優先順位は、数学的実体を視覚的にモデル化する能力に置かれました。.. プロセス: もしそれを見ることができないなら..手に持って回してみても、それが理解できない、彼らはこう言うだろう：あるいは、もしそれが肉体でないなら、あなたはそれを0000することはできない：あなたはまだu_ejentoを見つけることができるでしょう、誰が、 孤立し、灰色のボディペイントで体を覆い、自分たちの目的のために原初の深みに到達します): (この瞬間、彼は友人が彼に伝えた * ジョークを念頭に置いていましたが、なぜこの特別な機会にそれを考えようと思ったのか 瞬間は不明瞭でした: '* の決定的な特徴は何でしたか?': '(00) は (0000) されました')): (そのような動きの影響が決定できるかどうか、あるいは制御できるかどうかは不明瞭でした: 確かにありました それは、ファズム商品の物質的な調整を介したコーディングのオーバーレイシステムのギャップでした...その初期の消費)：（透明なプラスチックを突き抜ける冷たい白い光）。"(00_00)(MONOGURUI: yamegu(r)u(ii))( (00))00。 (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(風が身体を強く押します。.. 透明なゴム製のアイススーツが白い綿のハイブリッドボディスーツを押し込みます。.. 白いゴム製のバインディング: 頭 今すごく痛い): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))。"(00)(00 ) (00_00)(00) やめぐ(r)u(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) (00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))。"(00)(00_00)(00)(00 ) (00_00)(00) やめぐ(r)u(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00))."