(yumi)(no)(MONOGURUI)(ii):(YAMAUEREDA)(digital copy)
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(00)(00) (00_00)((00_00)(00_00))): (to cut off/ cut thru: Its theoretical basis was to generate massive ergodic volume by acceleration of u by the combined means of u_pulse currents, the implementation of y_phantoms, .. careful cultivation .. development by the u_ejento: u_adic rings were generated binding curves to the conceptualization of u as a measurement of emergent proto-phasm velocities: essentially, a u_pulse wave was a residual curve off of these rings: the purpose of the u_yamabushi was to find .. produce convergences: where one had multiple convergences one could form a u_object: the u_object, or, more potently, the interaction of multiple u_objects, was a device for control of monadic flows: one could map out the process such that the monadic flows would push toward a u_object as a potential outcome: once one had arrayed these potential outcomes .. had them under one's control, one was in a position of choosing among them for the optimal: sometimes this process of choosing was in turn interflluxed to where various options could be tried .. optimized: there was a double-binding of math .. physics here, where particles were correlated to various dimensions .. then accepted as one's foundational ur-objects for a mathematical model: the only difference between this new way of doing math vs. the old being that the existence of one's mathematical objects was material instead of immaterial, .. the consequences of one's functions were actual effects on actual bodies: predictor variables focused on (0_0) or (00_00) curves, .. a variety of relationships between them, while outcome values focused on u_monad *production, cyclo-intension, .. the proto-phasm mass measured as a function of the two: one still ended up with models or sets, or, as they were referred to now, possible worlds or u_spaces, which could not be determined or pinned down by the convergences of one's model, but this was accepted as productive of the possible worlds methodology they were attempting to achieve, rather than an undermining of it: what once were thought of as paradoxes were reconceived as protodoxa: u_spaces which cannot exist in this u_space but might be actualized by one or more u_jumps outside of this one: if each was a hypercurvature of the other then returing to one's initial u_space was a matter of bending one's u_jumps back to an origin point: what disturbed the u_agents was that this re-binding or double-overlap promised a doubling of one's own body, of one's intentions, such that one could come up in competition vs. oneself, one's own being could proliferate, .. the question was raised was this something to be achieved, was this a new kind of power, or was this a detachment from oneself until one was nothing but phantom versions of oneself almost existing but not quite?: from these one could plot out the chremastic forces conceptualilzed by the u_ejento, whose movements dominated their mapping of real (*)region potentialities to the flows of the mathematical compounds: the (00_00) plan was a 6-phase document codifying a reorganization of the yamaueredas analytic structures to allow for the redeployment of their functions toward para-objectification, ultimately pushing toward a consolidation of invisible .. (0)-gauge departments under a more powerful domain of monadic channel engineering: when the up-..-out call gets knocked out what happens?: arguably each of these little flutters is a tightening of the proto-phasm mass, .. u_ejento treated it as such: more critically, this could be seen as a particular case of the more general phenonemon of a u_monad's u_pulse pull around a 0 u_pulse point, where a u_monad could be conceived as a transformation from 0 value which would ultimately, on a given range, curve back to return to 0: the function for each u_monad v(t,x) would cross a precise ring at one .. only one point, .. this point itself could be used to generate curves further outward: a u_ejento could cite at any given moment this precise point on which their entire range of goryos was founded): (miughu_op .. yumi_ph.*(v) walk through the grass .. trees of the circular park center of the campus with y_ueghuru(ii), the research buildings radiating out form its circumference: their low voices underly the calm, .. the light cooling breeze: miughu_op: 'it was all these emergences floating on top of one another: you didn't really notice in when you were inside, the mappings were such that one could experience the (*)region with a slight hint of artificiality or impermanence, but otherwise as if one was entrenched in the material world: it would only be afterward, thinking back on one's experiences, that one could analyse the differences .. start to put together a picture of macro-properties interacting with micro-properties in ways so as to distort them: one unconsciously took to accounting for these distortions in one's runs .. plays automatically: but continuity was clearly running along angles .. immersed introgressions in ways one was not accustomed to experiencing: sometimes it was no more than that – just a hint of something feeling wrong: after a while I began to pick up on the underlying processes, to some degree .. realized that the primary feature was that of causality features being run over all kinds of unusual u_monadizations: it wasn't just that it ceased to be asymmetric, it wasn't fixed to any directionality at all: there were clearly bindings there, but where they were coming from was impossible for me to imagine': the white acrylic creases against the two tight collocations of hair over här head, bouncing just slightly one way or another as hä walks: här eyes are low, but a little to vividly directed somewhere off too far ahead, as hä pulls back the details of these memories)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(there is a relationship between reverberation in the proto-phasm flows as a whole .. intensions in the *pulse introgression: given low reverberation members of the *pulse introgression will be required to take on increasing neg-information to gain given residuals, .. vice versa: YAMAUEREDA: resulting in a pattern where, counterintuitively, higher reverberation (within a given range) increases stability: cyclo-intension mapping processs, in their role as injectors of 'rationality' .. 'efficiency', rein in these flows .., over time, have a dampening effect on the potency of the mathematical flows: gripping itself around each curve .. ridge: white strapped up ice slippers .. gray ½-opaque knee-leg-bindings over tightly constricted clear acrylic thermal gear: här white acrylic with circular metal discs): (clothing slightly too small for här body with multiple disc-clasps over the course: white outlines .. cleavages decorate it, .. the acrylic clings to här body with sweat: the increase in size of institutional point_waves since ___0 had been palpable, as the flows through YAMAUEREDA became more robust: studies in schizophrenia among twins show that there is a difference, (00_00), between the left hippocampus volumes of the unaffected .. the affected twin, to a degree which is determined to be statistically significant: in close fitting acrylic poncho, white with thin medium gray lined grid-pattern .. white strapping: the point being that the condition of schizophrenia does not require either a complete or pervasive closure of flow)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(it is a sufficient condition for hebephrenia for a mere downturn in the limit of the flow at a given process-range: given the foundational factor of a forward u_pulse flow of proto-phasm once it gets turned around it will blow up in velocity at rates inconceivable going the reverse, .. this is inherent to the system's design .. more or less unchangeable: (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000) (00_0000))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(a methodology comparable to the plan: which was, of course, about the integration of equilibrium, reverb, flows, .. tension-release, or, in other words, people like to refer to 'the madness', but more to the point meant that the strata was about to get (0000)ed: boring (00_00)s go on .. on about the re-equilibrium part while never mentioning the others, but a calm equilibrium does little for anyone: this is just injecting impotence .. sterility into the system, which, sometimes, is the right medicine but shouldn't be some kind of aspirational baseline: the ghostline people can sit around having tea parties .. cupcakes: cyclo-intension is the mechanism by which the system pulls in, with a sort of gravitational force, proto-phasm: reverberation allows the mathematical institutes to fulfill their role as a conduit for this, their residuals being a function of the movement of proto-phasm from one u_pulse point to another: all this flutter, in other words, functions as foreplay anyway for more substantive movements): (yumi(no)gosuto looks down over här light blue rubber yurisuit with red outline .. pink insignia at the middle of här chest, här taut muscles over long body, perched up shoulders, gray-ish skin, .. 2-braided head, contorted face, eyes low .. imposing over här hands, which hold the small clear plastic capsule of (00_00): confined in a tight white porcelain unit, sitting a low metal block-chair: white fake fur epaulets .. chaps are bound to här body by white rubber, clear plastic gapped ½-mask: to här right a small sink inset into the wall, with, to its side, a set of metal discs set into the wall: hä hesitates: 3 white flow-fields, contoured semi-cylindric pulsing masses float in the cold air befor här: to här left a white fake fur cot: behind här the walls are glass, closing off 3 separate sections holding massive metal rounded bulbous objects set into glass flooring, whose semi-opaque residual depths pulse with white light: här face is a strange combination of age .. naïve youth, several slight dark marks over the cheeks under här sullen eyes: här lips' whispered murmur pushes back at här): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."
(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00 ) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00 ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)( 00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) )(00_00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) ( 00_00) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00)). )(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00 ) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00))."