MONOGURUI y-shirt(hooded): (I AM THE HAUNTED)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((weak blue, pink, .. white), här dark low eyes): (y_usege(ii): 'what are the goryo patterns now on the (monogurui)C.A.M.s?')." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "((00_00): 0000YANAGI, in careful repose, in big fold-over clear rubber ghost-equipage with black circle pattern: här eyes drove into här even as hä seemed to focus on something far far away, as if hä had forgotten här presence there: hä crossed one arm over .. touched här forearm carefully: u was defined as (invisible value) over (time range): it had pushed downward over the course of ____ – ____, but this proved to be the calm before a new kind of upward surge: this represented something new in the sense that it was engineered, rather than being a byproduct of uncontrolled stochastic ebb .. flow: the coherent probabilities were gaining clarity .. were being fit into a formal structure that would allow for the development of the prediction of flows .. forces): (___this is the space where everything becomes ripped apart .. then recoded, .. it is this space which defines the velocity of the proto-phasm flows at work: everything else is either pulling proto-phasm back into the comfort of stasis, or pushing it so far off into the future that it becomes staid .. impotent)." (00_00)(MONOGURUI: y_ueghuru(ii))((00))(00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(yumi(no)gosuto .. y_usege(ii)(FUYO(NO)GOSUTO): a clear rubber ½-armor with mini-hood over här head: ueda(00_00), in clear, semi-opaque rubber yurisuit with black outline .. black rubber ½-mask pushed up into här): (here the two driving forces of proto-phasm generation become apparent: cyclo-intension pulls proto-phasm out from its backwards-driven hold, .. reverberation pushes back from the future, to this oscillating pitch or reverb center that drives everything forward: u_ejento were careful to differentiate their movements from fetish-driven maneuvers: it was a guiding principle that if it mattered whether there was movement up or down then one's position was set up incorrectly: you could, .. should, always back-flow in an offsetting synthetic flow: in a u_ejento's properly constructed u_objects position all that should matter would be that movement in one direction or another, does take place, .. accordingly the magnitude of it: the mathematical desakotification of the (*)region *pulse introgression was the contorted underbelly of what was referred to later as the interregional u-engorgement: more directly it was a interregional engorged proto-phasm flow pushing its way into the 'regulated' phantom compounds: the channelization of urban/op.-urban culture had blown up such that every calculation was commingled with flows of the mathematical compounds: not in a, oh I might push it someday, kind of way, but directly, to the moment: it wasn't just the phantom mega-commuting convergence that had grown to mirror the regional, but rather everything was mirroring everything, because it was all the same currents interconnected foundationally)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(disintermediation had reached the tipping point at which segmentation no longer had any meaning)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(regardless of attribution the key point taken for both experiences was that divergences tend to be brief .. the flows' proclivity is to reentangle: output gaps, which could only pertain to given accepted equilibrium levels, were discarded in favor of a renewed interest in raising or lowering the equilibrium levels themselves: dr.y.(i)'s work was drawn on heavily for the mapping of steady compound distributions for proto-phasm-to-power/*production ratios: the yamauereda(ch.), with its own procedural interests in u or its equivalents, went so far as mark u more like a 'mathematical u_monad' than a proper proto-phasm flow: the basic conceptual structure ran out as: *: (df) multiplier (monadic phase flux) * base (u-cell processes): (reverberation as pulling proto-phasm in from the future, out of the bonding compounds: moving proto-phasm into the monad-pulse compounds where it pumps up *production in entropic terms .. distributes resources): (y_ueghuru(ii): 'it wasn't my intention to drag you into this yamagoto(i): I apologize': yamagoto(i): 'so what is it y_ueghuru(ii)?': y_ueghuru(ii): 'I need you to find cowboy': the red/pink mini-carnations stare back at här propulsively, little folds .. overlaps of petals capturing the white light, springy, taut boughs budding with moisture: they whisper to här in low voices 'come ….')."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(congruence in the * sense .. in the (0) sense were intertwined but began to become disentangled somewhere around the mid-point of _00_: inversion structures were falling into inverted reverb patterns where proto-phasm was pulled out of the system vigorously .. put into u_objects .. shielded structured hybrids of mech compounds .. palliative collocations: free will itself became conceptualized in a *'s ghost kind of way, with the idea being that the decision process is foundationally the ability to control .. manage u_pulse flows: the urakuomori abilities in this area were a function of their being able to broaden the range:domain of this activity, .. rather than working within a confined deictic point): (y_ueghuru(ii): 'proto-phasm is flowing out from the u_objects compounds, producing outflows in the point-flux cell, which is turn weakening the interpellation .. U_MATRIX compounds’: dark eyes .. y_ueghuru(ii)'s clear rubber goryo-suit covers här awkward tendencies: a white ceramic block chair)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(to bubble this out such it could be applied to a whole array of u_pulse flows): (y_ueghuru(ii) in clear rubber goryo suit with black outline .. black rubber ½-mask: part of this meant reversing, or nihilating the information flows at work: such that one became a gap in the information flows within this u_pulse array)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(it is in these gaps that they were able to apply their work: their movements consisted, in effect, of jumping prehension potentials, by responding to passive rather than active effects): (y_usege(ii)'s face was calm, as usual: här glittering eyes watched y_ueghuru(ii) with an intent stare against the backdrop of the glass .. hinoki wood wall .. the two (monogurui)C.A.M.s: hä runs här fingers over the white rubber balls collected on the metal surface in their parallel grooves: fruculent plants decorate the hinoki wood wall on little metal outcroppings, along with porcelain dishware: y_usege(ii) staggers här steps a little as hä traverses the quiet space, här gray lips poised to speak but nothing comes: hä glances at the floating monitors .. assesses their movements: the calm is clearly full of misformations .. hidden pretences: y_usege(ii): 'the indeterminancy of the monadic level as pivots on u_space jumps: we should be examining the jumps themselves rather than their connection points: what do these gaps mean to us, that we can float over immaterial distances, where do we go when we pass over from one point to another?: do you know, y_ueghuru(ii)?: what comes of your body, when the monads it consists of jump from one point in u_space to another?: are you still y_ueghuru(ii), or something else? something which cannot be touched, or understood': they occupy a terrace of a huge megacity composed of modular white, plastic units ranging over the cold, barren steppes leading up to a collection of cliffs formed by huge gashes in the tundra formed ground .. extending deep beneath into chambers .. bays where their forces gather: moisture collects at various random surfaces of the room, little buds of moisture droplets forming .. unforming: white ceramic block-stools surround the low metal table which has been cleared of accoutrements .. waste .. reflects polished images upward, lined up in front a large window bay letting in the surrounding, vast outer regions: y_ueghuru(ii): 'these are our little futures: potentials for convergences: we are not the monads of our materials beings, we are the gaps .. the forms around them': y_usege(ii): 'where are you going?': y_ueghuru(ii) gazes at her intently .. then stops prior to responding, caught by här dark eyes .. foreboding withdrawal: the white balls move positions slightly at här touch, settling up against the cold metal at rest: a pattern of mysterious darkness against the white lights runs over här body on här clear rubber yurisuit (weak blue, pink, .. white), här 3-circled prussian blue hair: over the white cotton sheet walls gentle pulsations of air would flow periodically in a manner somewhat calming): (too many disturbing futures to count seemed to stare back at här): (if monadism is defined by it's push-back against u_pulse then it is always going to function by the resistance of pressures against one another, .., in sync with this, will run counter to the growth of information qualities that run in matched flow with u_pulse flows, or, in other words, there will always be a quality of mystery attributed to it because it operates in the gap between information accrual .. neg-u_pulse): (u_ejento were taken aback somewhat mysteriously when they came to realize that the mega_phurgur were able to communicate directly with their u_point-c.a.m.s, .. that some of the darker .. more opaque movements reflected on their C.A.M. monitors were the recording of such conversations: no one knew what to make of this)."
(00)(00_00)(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00) )(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) 変更されました )(00_00))( ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00) )( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00 )((00_00)(00_00)) ): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00))。)"