MONOGURUI digi-op: (YOUR PHANTOMS ARE LYING TO YOU)
00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): (00_00)(MONOGURUI: y_ueghuru(ii))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)((00_00)(00_00))(ii): "(y_ueghuru(ii): the large glass wall shows off the large expanse of a white morning: ph((00_00)) contorts här upper musculature against y_ueghuru(ii)'s head)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(it was within this space of reverb where cell participants would curve or otherwise: u_ejento, on the other hand, were more concerned with the area outside of this space, the forces imposed upon it .. radiating out from it): (00_00)(MONOGURUI: y_ueghuru(ii))(episode 18: in the polymer-cem lined channel of the aqueduct pounding white rubber booted feet through occasional puddles of water, grass lined slopes above här: gray_phantom turns in the dark shadows under a bridge: hä leaps to come down on gray_phantom from above but hä unleases a wave of augma_wind, but shudders as it passes through här projection, thrown before här to confuse här attack, as här true otherworldy body swoops in behind här .. blows här apart from behind with a rush of arrayed powercrystal mass driving här crushed body deep into the ground: hä staggers in white u_defender proto:equipage, sweat thrown from head .. hands as hä collapses to a stop, feet digging into the powercrystal morphism)."(00_00)(MONOGURUI: y_ueghuru(ii))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)((00_00)(00_00))(ii): "(hä looks deep through the powercrystal to the crushed body of what hä thought was gray_phantom .. sees instead the fading particles of här cloned image: hä finds a glimmering image in här mind of yumi(no)phuma(i), life slipping from här frozen in stasis body: yumi(no)phuma(i): 'u_phuma, the mountains are calling you': strangely, it has begun to snow: hä looks up at the billowing clouds, .. turns to run, pounding back through the passage of the aqueduct .. forcing här way up the rocky edge of yamashita hill to its top, where gray_phantom stands over yumi(no)phuma(i)'s cold, lifeless body, encased in the shimmering transparent crystal force of augma stasis: gray_phantom lifts här from the ground with här mind, throwing här to the edge, against the rocks, stopping här motionless .. powerless to to reassert control): (y_usege(ii) had _ small bleach white boxwood combs placed delicately in här irregular misformed dark hair, contorted: as if to suggest a malignant controlled chaotic force in play: här dark lowered eyes diverted themselves from contact as they worked over the plants of the greenhouse, as if looking past their surfaces: här white with pastel blue .. pink floral pattern acrylic running shorts .. mid-riff acrylic blouse with white fake fur mini-mini-cape pushing against här shoulders, strapped at chrome discs to inverted folds against här clear rubber leg-bindings .. pushing down toward här black rubber strapped in slippers: a rough, dark scab distorts the left side of här gray-painted lips, causing här mouth to take awkward positions as hä murmurs to härself, picking up the glistening metal prongs .. stylus from the white plastic sheet covered surface beside här to prove the folds of the leaves .. the springy, succulent stems: for a moment hä laughs to härself: it is warm .. moist in the confined space .. sweat beads up on här flesh .. här hair grows sticky with perspiration: tiny drops gather on här brow, clinging irritably: (0_0): ((it's invisible but hä can feel it behind här, hä can feel its breathing, hä can sense that its body is huge, massive, closer: y_ueghuru(ii) tenses, tries to numb any unnecessary motion: it whispers, 'you know *, don't you, y_ueghuru(ii)?': y_ueghuru(ii) pauses, tries to stop: 'yes': 'yes?: what is it, y_ueghuru(ii)?': …. : 'what is it?': y_ueghuru(ii): '…. you know … ….': 'yes, y_ueghuru(ii), I know …. but I want you to tell me': y_ueghuru(ii): (här eyes collapsing) 'it is u_pulse: a frequency, or certain vibration …. you know this …. it's always there …. underneath the surface …. even when you are not listening to it …. even when you close yourself to it …. when you disappear …. it's still there …. it's always there: u_pulse is a vibration: it repeats: it's brief, maybe 2 seconds: repeat: …. : that's it: that's all there is: there is nothing else'): (over the c.a.m.(ii) 'the idea of multiple worlds was always somewhat distortionary, a conceptual convenience: to be more precise, one would talk of different, perhaps even convergent, mappings for (*)spaces over one u_space: they are the same monads in each of these worlds: it is the difference-relations, which we call monadic waves, which make one or the other, overlapping .. passing through one another, various ways of mapping or indexing over the same ur_set of points: if they emerge from coordinates, of course, then the monads do, in fact, emerge from the continuum, rather than the other way around: this has been a point of conflict among mathematicians forever, but the more pristine developments suggest just such a foundation: the monadicists of the institute took this approach to develop an understanding of intradimensional interactions, such that 'individuals' were defined constructively as groupings of beings in reverberation with one another, such that they could be treated as objects for predictive purposes: monads presumed as conscious 'beings', with more complex conscious beings as bindings of these minimal instantiations: our ability to come up with analytic concepts is a projective force overlaid upon .. extending our powers of produce synthetic a priori constructions, .. this power has a relay effect, with analytic concepts as pseudo-foundations from which to propel forward new synthetic a priori constructions: the monad is projected as a particular coordinate precision over a polyhedral-collapsed space for dimensions p where the boundary surfaces or morphological functions for conversion of interacting variables: ultra-dimensionality is the spanning of one u.model-space to another: (CH.YUOGHOR CENTER): the fields of ambiguity are a massive island toward the southern pole, one of the few locations of the world not to have been engulfed by the slow emergence of the snowy fields: the fields of ambiguity are covered with thick, nearly unbreakable ice: it was in such clime that was located the district of the o, the former capitol of which, the city of the suomi, contains the refurbished underground hallways of a broken-down abandoned fortress that operates as the ch.yuoghor center: their agents were characterized, typically, by the adoption of black rubber ½-masks .. clear or gray:black proto:equipages, a fondness for 2 or 4-braided hair or collocations of 5 or 6 hair-bundles, .. a predilection for investigative moves into the outer regions: each one would claim an 'individualism' unbound by the disciplines of the lesser orders, all predictability of their moves aside, .. they would proclaim it even as proof of their uniqueness .. independence, that an agent would be expected to converge on a given pure ideal in the absence of prejudicial constraints: the projection or injection of image-content into .. over these mapping-congruences was pefected as a control mechanism, in the sense of a systematically crystalized joho shakai instrument: the 5 agents are a group of 5 individuals who conduct the affairs of the Institute: the 5 agents, currently, are 1) dr.c.:: (the ugartë of (0_0)): 2) (0_0) f.:: (the ugartë with an invisible head) 3) (0_0) i.:: (the (00_00)) 4) commander.c.:: (the ugartë who raises härself up into the air) 5) (0_0)(00).:: (the ugartë who foments the yun-kang: the ryojusen has select rooms with metal optic tubes/radiometers attached to the ceiling by which the 5 agents communicate with members of the institute of the defense')." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(här fingers sticking in frictive resistance against its surface: the (00_00) growls softly .. reaches its paw out, yawning, clear mucous-like fluid pushing out: isolated zippers suggest release outlets for the proto:equipage's contours: (00_00) moans in low discomfort, breathing heavily)."(00_00)(MONOGURUI: y_ueghuru(ii))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)((00_00)(00_00))(ii): "(the metal plates of här exo-equipage are stacked against one another in slightly irregular, misformed fashion, their contours bending inward at här body's slopes .. projecting outward at select curves, gray .. pierced with black rubber joinings: här eyes project white light: call me 'gridman', hä would pose internally, ½ in some dark sense of humor, but, when confined to här own resources .. ambitions, communicating an internal confidence in power of the grid to assert order on ambivalent processes: hä mushed through the murky, thick slop of the salt marsh against the gray, cloud-formed morning .. the backdrop of isolated bent, dystopian trees, grabbing samples in clear plastic vials .. popping them into black rubber packs strapped to här body: the smell pushes up into här nostrils .. knocks här back into focus: white light from gaps in the clouds bounces off här shoulders .. thighs)." (THE (0__)((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(in black eurostile letters, 'FUYO(NO)GOSUTO:' over "(00_00)" across här chest: här slow breath seemed forced): (* was the release for pressures that should have flowed into proto-phasm channels directly, in a more expansive regime): (in this instance, by the time these flows had been inverted .. worked out of fields only to work their way back in from mysterious invisible regions of residual proto-phasm flows): ((00_00) the closeness of the cold morning would assert itself .. the admonitions of cupcakes would be ignored: curved glass formed structures: the quiet hum of the wind: hä felt hä was sitting at the point from which all of the adrenaline of the preceding day had been pumped backwards from, leaving här emptied .. calm from the inability to care or question: super direction, but quasi-(0000)ed: accretions of motivational uncertainty pull inward)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(the recess is lit by white hydrophonic light: to the side of the recess are white plastic cabinets .. drawers inset into the white plastic walls: the air is cold .. slightly uncomfortable, with a barely noticeable stench like old vomit)." ((00)(00_) (00_00)(00_00)(00)(00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(hä shoves här hands in här poncho pockets .. works här gaze over the patterned stitching: the folds .. creases of the fabric turn against the movements of här lungs .. push up to här stomach: 0000: hä spits out här own flesh .. fluids from här mouth: god, här body ached with each pounding breath: the YAMAUEREDA compartments would be able to provide certain comforts: the (00))." 00. (00_00)(00_00)(00)(00_00) (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(hä begins to run här hand along the inside of här arm: white rubber bindings over coded designs of white .. clear rubber: y_ueghuru(ii))." (00_00)(MONOGURUI: y_ueghuru(ii))((00))((00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((000000): the u_pulse currents that from _00_ to _00_ were to blow open the control points: (00_00) (00_00) central to the control of u_pulse flows was the pinning down of points of u_pulse stillness: once one had a collection of static u_pulse points to 'push off' from one could assert control of a wide variety of related oscillations): (00_00)(MONOGURUI: y_ueghuru(ii))(episode 19: u_phuma in white rubber u_defender proto:equipage falls backward against the radiant blow of force from the augma_wind of gray_phantom: it wraps around här holding här at the edge of the precipice, the distant void reaching deep behind här: captured in the augma stasis, hä cannot move: gray_phantom's giant gray alien muscular body glowers over här in black rubber proto:equipage: hä reaches through här chest gripping the white glowing powerforce at här heart: gray_phantom: 'the future belongs to me: this is my moment': här fearsome eyes radiate with power: white bobbles of powercrystal circle around them furiously: u_phuma's eyes begin to roll back, but suddenly they stop, .. pull back into focus, intently bearing upward into the eyes of gray_phantom, här lips pulling open: 'this is your moment… but I don't have to be here for it': u_phuma's body begins glowing white .. everything slows down, .. begins to pull backward, until immanence is running in reverse, slowly at first, but with increasing velocity, rewinding through the preceding scenes until slowing .. converging on the moment at which the radiance completes its transformation .. hä opens här eyes in stunned abnormal calm): (the u_ejento viewed mathematics as the manipulation of conceptual matrix-like objects: a priority was placed on the ability to visually model one's mathematical entities .. processes)."(00_00)(MONOGURUI: y_ueghuru(ii))(ii))((00))(00)(00) (00_00)(00) y_ueghuru(ii)((00_00)(00_00))(ii): "(if you can't look at it .. turn it around in your hands you don't understand it, they would say: or, if it's not a body you can't 0000 it: to develop a kind of fearsomeness or powers of hyperstition: in this pursuit the u_ejento pushed up against a concept which came to be referred to as recursive impossibility, where processes which might, in theory, be possible to run, in a complete version, proved to be interminable, in practice, given the recursive property of pushing outward .. expanding the horizon of the domain for closure at a velocity faster than the process itself would run: so, even in some theoretical fantasy where one's c.a.u. power was unlilmited .. unbound, one's open, unresolved region of incompleteness, would always remain pushed off into the future, .. this property would suggest a functional limit for one's predictive powers in the absence of a conduit of reduction: the ceremonial opening of the first op. center in (0000) featured a u_pulse inversion blowing a wave of white clear light over the entire area for miles out: the restraint of filter components by compound analytic agencies had been, by this point, completely retired .. disgraced: there wasn't a community center which didn't double as a yamauereda, dotting point-centers for proto-phasm throughout both the developing .. developed worlds: it was upon this materialization .. physical realization of proto-phasm generation as an object or thing, .. upon being faced with it in its immanence, its own nubile pulsing body, that the conceptual experience of metaphysics became fully intuited as a routine .. bodily experience, coming into its own as an unconditioned universal in full power over its properties: MIMO was everywhere: you could still find u_ejento who would, in isolation, cover their bodies with gray body paint .. reach into the primal depths for their own purposes): (whether or not the effect of such movements could be determined or otherwise controlled was unclear: certainly there were gaps in the overlaying systems of coding via the material coordination of phasm op. .. their incipient consumption): (cold white light pushing through the clear plastic)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (the emphasis on cyclo-points rather than proto-phasm belied the possession-like quality of the processes: the removal of a particular yamabushi from a flow had no other effect than to cause the 'ghosts' in question to rush into some other swine): (the u_ejento method for diverting proto-phasm consisted of moving point_waves from a forward point in time backward, diverting it through their body, to 'the present', where it would be put, typically, into a u_object: after a given period the removed point_waves would be diverted back to the forward point in time from which they were originated, with the *production retained)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(y_usege(ii)(op.): 'thank you': hä adjusts the fit of här semi-opaque clear rubber ghost-equipage with bold white outline over white cotton gp-formed bumps up to här bare shoulders, multi-layered .. bound in bunches with large thick obi-wrapped skirtage, thickly packed .. built up hair wrapped in clear rubber bouncing slightly with each movement, the shimmering dim white light folding over the curves of metal apparatuses: each underground little offshoot of the residence holds one of the onnagatomaton permutations of y_usege: y_usege(ii)(op.)'s gray midori flesh pushes against the white cotton misformations .. hä sets här fingers over the surface of the white ceramic ewer, empty, resting on the metal surface: extensions of the maitri-house run off radially in various directions, submerged in the cold concrete ground, each one allowing in white light through filtered air-vents running up to the surface .. mirrored surfaces curving over each distorted image: the (00)-org had shifted its resources into a pursuit of the chrema channels in order to consolidate their position in the *-dispersion, relegating the cultivation of backorder hydroponics on recent settlements to their counterparties: y_usege(ii)(op.)'s image circles back to här as an unclear merging of lines .. shapes running off into conflicting perspectives: här dark eyes glower over the cutting as hä turns it over in här hand: nine more sit in a bunch waiting on the metal surface: hä looks into the depths of one of the ventilation units, a white plastic assortment of tube endings arranged in a circular grid inset into the clear plastic wall, separated by white, plush cushioning, each one numbered in a sequence by tiny black labeling: amorphic vibrations push through each rhythmically: each gathering of the white cotton pushes against the tightly bound clear rubber .. pulls back, .. här little white rubber slippers grip the white rubber dimpled floor, clinging slightly, such that if hä focuses här body's weight downward hä can feel its sticky resistance .. distributive force): (hä used to call här strong-ghost, because hä would pick här up .. put här on här shoudlers .. carry här through the mountains, finding deep gorges with mysterious enclosures .. vertical outlooks which dwarfed everything in sight:: white plastic modules submerged into the sides of the cliffs .. sloping contours, with dark cylinder entryways: their investigations took them far .. wide through the mountains: they would stop .. visit the residents of these little enclosures, .. pretend they were 'investigating' them: all of these little mysteries that accumulate: the more one finds oneself engaged in pursuing information .. the resolution of its uncertainties the more one finds it to be a process of uncovering motives .. aims, .. their resultant shortcomings, until the 'perps' that make up material being fold .. reveal themselves: they mapped their findings out as homological coverings)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "((0_)(inversion positions were designed such that when preset pressure points were met matching synthetic positions were open to offset: if a counterposition imploded, or if their proto-phasm potential was reduced, this counter-flow would be slowed, so care was taken to spread this operation across a diverse range of unconnected participants)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00) YAMAUEREDA. AKA the Guardians/ Defenders of Yugen: they represented the most powerful .. vigorous of the u_ejento of the Institute of the Defense: their members were placed in positions in the community associations that were formed as loose collections of mini-communes in the new developments: the community associations would form the residual core of the propagation for the project with a congruence-map like framework applying dematerialization rules to their collocations: it was the community associations' role to push continued crystallization, .. to resist against stasis: this endeavor took the form in large part of proto-phasm projects that extended far off into the distant future: some were so secret that even those working on them didn't know what their ultimate form would take, or more than a generalized notion of their aims: if fictitious proto-phasm were the part that swelled up .. bulged out the curves of u over p as the realization of productive monadic capacity, then ultra-proto-phasm was that part of u that had undergone, or would undergo, transformation from one cycle to another .. back again: large hadron colliders were put into place beneath neary all of these new communities, each tied together by feedback propulsion, co-linking these rings over the surface of the u_verse, .. built as submerged floating structures in the ocean masses: it was sometimes heartbreaking to think of the potential for congruence: u_ejento preferred to think of their particles as shimmering balls, held just on the cusp of touching, forever: usually the community associations would oversee the teams of u_ejento running their facilities: colliders were stacked on top of each other pushing deeper under the surface, some running 200 layers deep: if enough were running simultaneously one could feel the low level vibration/hum throughout the city): (every path-dependent .. path-independent u_object was not conceivably being hedged out by the models as constituted because they did not matrix-filter for flows escaping out via YAMAUEREDA channels, nor could they have under the assuptions they were operating under: the jumps in Q(t) occur at the same times as the jumps in N(t), but whereas the jumps in N(t) are always of size _, the jumps in Q(t) are of random size: all of this would, in the normal course, get subsumed under monadic process, or 'malediction consumption' as they say, such that these outflows get tied up in little bows as presents to pretty ugartë:ugartë .. such until they play out in leg-bindings .. (0000) .. girdles .. strappings .. such until they become imbued with such proto-phasm that they either dissipate or fructify, but, again, this is under normal circumstances: there seemed to be invisible forces at work beneath the surface: such that the coherance between cell flows were breaking down, or, rather, that a new previously unobserved order of coherance was being grafted on to the existing flows)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(the wind pushes against här body powerfully .. här clear rubber ice suit pushes in against white cotton hybrid proto:equipage .. white rubber bindings: här head hurts massively now: the damaged couplings of the u_connector hum quietly against the reverberating air passing over them underneath their white rubber tenting)."
00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(c.a.m. モニターは、潜在的な u_objects の領域の 0 次元セクションを表すオーブとしてモナディック波面をプロットします: u_objects (df): 時間 .. 空間の与えられたモナド チャネルのプロパティにマッピングされるモナド コロケーションとして考えられるオブジェクト: ここで、時間 .. 空間は、純粋なモナド空間上の 2 つの与えられた任意の軸として扱われます。 参照点に従って自分の位置を生産的にプロットします。ただし、それらは、この目的のために選択できる無限の多数の曲線の中の 2 つの曲線であることを理解しています。u_objects は、指定された 0 点の参照点から中心としてマッピングされます。 問題のモナド波面の半径を特定する: モナド波面球の内部領域によって表される u_space 内の速度は、中心を基準とした位置の変化で構成されます。 閉じ込め面: phurgur_ship は、 この内部の u_space 領域は、モナディック波面の外側の閉じ込めを突き抜けて、曲がったモナディック波面が強制的に押し出されるのに十分な力でそれ自身を閉じ込め球のバブルまたはディンプルに押し込むような環状粒子速度の達成を介して形成されます。 phurgur_ship を波面から内部モナド ポテンシャル領域へと後方に推進するように、ピンと張った状態で引き戻します。 内部領域に入ると、phurgur_ship は自身の位置を決めることができます。.. モナド微分制御を介して u_space を「移動」します。 モナディック波面は、モナディック波面の封じ込めに漂流し、そのさまざまな力の束によって再捕捉され、生体形態の質量形態として再結合されるようにする、より穏やかな手順で構成されます。モナディック ウェーブレットがパルス出力されます。 侵入ポイントと再突入ポイントの両方から、影響を受けた領域に y 粒子を拡散的に送り出します。フルグルシップは、液体を含む透明なタンパク質細胞の塊で構成され、所定の乗員の封じ込めエリアとして機能する内部空間を覆っています。 : これらの動きに従事するエジェントとして、人は自分自身を循環反射または反転モナドとして想像することができ、その人の行動は目に見えない、または純粋な可能性としての力の波になります: 白い球体の眺め .. 白い光学ディスプレイグリッド 奇妙なことに、お互いを鏡のように映します。. ヤメグル(v) は、白い球体が近づいてくるにつれて、徐々に注意を払うようになります。 「いいえ、それは一種の物体のようで、プロトン絶縁体を押し出す収束する回転円盤波で構成されています。そのアプローチは、私たちがそれに何らかの引力を加えているか、少なくともその興味をそそっていることを示唆しています。」 : yameguru(v) のような探索用の山伏船は、研究の目的で内部 u_space を通過します。.. 制御のための実験モジュールの適用.. u_object の消費: メガシップは 1 点から移動する手段として通過します。 パススルーとして、モナド波面から別の波面に移動します。メガシップは大規模な開発プロジェクトで新しい領域に居住し、資源集約型の領域に前哨基地を建設します。これらの前哨基地間の輸送は当初試みられましたが、比較して生産性が不十分であるため、徐々に放棄されました。 前哨基地を分岐した自己完結型の存在として扱うことへ: 情報チャネルを介して、孤立しているが相互に関心を持っている参加者のコミュニティとしての束縛が保たれたが、前哨基地の規模が大きくなるにつれて、前哨基地間の距離が拡大し、個々の保護が強化された 軍隊はますます自己完結するようになり、..これに伴い、情報の分散が徐々に減速していきました..残留と孤立の増加が残りました。」 (00_00)(モノグルイ: ヤメグル(ii)(00_00)(ch.))(ii))((00))(00)(00) (00_00)(00) ヤメグル(ii)(00_00)(ch.) ((00_00)(00_00))(ii): "(このプッシュは、よく u_pulse 波と呼ばれるもの、別名最初の特性ファミリーの形式をとり、前方と後方の両方の位置を取るフローをマッピングします: これより 単位行列 .. 逆行列の流れを記述する任意の関数の操作の下でヌル行列を構築できます)。 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): 「(myako:phuma(ii)(UERUOGHOMO)) の切り込みのある白いパッド入りの綿のボディスーツが、荒い息をしながら身体に押し付けられました。 . 集まった、半醜い半うらくおもりの唇、下に2つの黒い縦の傷跡がある.. 強烈な鋭い目、斑点のある灰色の肌、しっかりと編まれた黒い髪が頭を囲んでいます：指を手のひらに軽くかざします）。"