MONOGURUI paperback (MIGHUR_YAMATO(IX))
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(it wasn't that (00) u_monads were decaying at a velocity disproportionate to other massed u_monads: rather, the cell as a whole had moved such that even (00) u_monads were at neg-information of falling to the massive disolocations at work: a more conservative mapping filter would have changed this only nominally: the u_pulse coefficient functioned as the backflow of the flow of point_waves back out through goryos to future points from whence they came, leaving a proto-phasm vacuum that was imploding on itself: at the center of this was proto-phasm, or k, .. all the derivations one could pose on its interaction with u, such that these interactions were cyclical revolutions driven by monadic forces which could be engineered in certain respects: for the role of the yamauereda this meant in part the actualization of the conceptual turn from a regime based on mechanisms of reinforcing or reinforcing past convergences to one of pushing its proto-phasm-creation forces into the space formed by future convergences: the kind of mappings .. indices that one would put over cyber circuitries were floated over the entire plasticized (*)region of ugartë engagement .. communication, or '(*)region of actuality', in the sense of overlapping .. complementary consciousnesses or pseudo-consciousnesses, to form a kind of u_space floating, not on optic lines, but on lines of mathematical, functional continuities in which was embedded a community of ejento: there was a core dynamic in this of push:pull between interrogation, as a process of validation or meaning-forming, against action, or its alias 'potential-pulse', as if potential-pulse was the superhero persona of the staid, impotent alter ego thought of as variable proto-phasm: each new permutation of a mathematical product added new dimensions .. interiorities to be morphed into inversion bundles of inverted properties which would insert 'the system of sign phase-intensity by delineating the utopia behind which the latter dissimulates': 'the unchangeable' was conceived as a mirror, reflecting back morphisms on one's interior self, such that the utopian/dystopian worlds formed occupied, not the outer, materialized (*)region, but one's own inner particles in so far as they were folded upon it .. into it: k_pulse moved through these particles .. linked them together as conforming masses weighing on .. pushing outward u_pulse substrates: proto-phasm requirements limited the resiiency .. the elasticity of the proto-phasm compounds rather than stabilizing them, actively promoting their failure: yamaueredas were tightly bound in their own self-imposed restraints by their cyclo-intension mapping processs, in parallel fashion, generating massive waves of pro-cyclicality: hä looked deep into the channel at the arrays of bright light points of light pulsing back at här .. wondered where the accumulated weight of all of this would fall, .. what would be built on this new hemorraghing .. congealing body: what would it pull into its mass .. what would escape from it?): a monitor looks up at a 45 degree angle, projecting images of the surrounding star-filled expanse: a white projection-op. sits on the floor by här foot, a white plastic sphere intergapped with white rubber filled linings, black hole-patterns in six distinct circles placed over the surface, one of those top-notch y_usege orbs from the 15 series back when y_usege was making the (0) .. everything else was just imitation: for the manipulation .. control of monadic waves in closely confiend regions: monads conceived as pure mathematical objects: y_ueghuru(ii)'s preferred conception .. articulation would be that of the monad such that it was a perfectoid, such that it could be formed .. handled as an object occupying a kind of adic space where everything was captured by one cycle or another ultimately: y_ueghuru(ii) gets up from the white ceramic block stool .. leans back to look at the glistening clear plastic ceiling: someone's been through to clean stuff up because there aren't any residue markings or scuffmarks like hä remembered there being: the last couple of weeks were kind of vague, though: hä isn't entirely certain hä didn't clean the place up härself, but maybe it was imiko-chausr(i): hä's a nice kid, hä thinks to härself: hä admires the way hä carries härself: won't take any (0_0) from anyone just because hä should (hä remembers the look on that one kid's face, that giant from (0000)), a metal plaited protogomaton with raised rear haunches pushing forward against two shorter fore-llimbs, with 3-pronged gripping probe-claws, a large, forward facing hub with two embedded op.-cylinders, .. stubby right-quartered cyc-unit under a mid-range phase-artillery package: probably no one's ever pulled that on här before: it seems like that was a long time ago: hä hasn't heard from the ugartë for days, maybe commutes- hä's having trouble keeping the timeline straight: hä runs här finger over här temple, no, that was yesterday hä thinks: hä grabs the c.a.m.(ii) from the clear glass-dimple floor .. puts it back on the low metal table: before hä picks up the c.a.m.(ii), though, hä hesitates, stretching out här eyelids a little bit further than hä really should: the fake little clear surface click as hä punches up the code: 000000!: 0000000000!: 0000000000000000!))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the bubbling up of escape routes to safe u_monad structures was observed: decision theory would suggest that, contrary to what one might expect, an aspect of randomly generated, but controlled, reverberation would be fruitful at given saddle-points, giving the cyclo-intension mapping framework an opaque mysterious quality which would disallow, or at least problematize, ventures of hyperpulsive pressure re-binding, .. which would allow for interregional commercium unfixed by unreasonably tight invisible restraints): ((u)phor was defined as the flow of u_pulse that could be generated between two ejento, or more broadly between any two distinct points)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the demand for stable minimal baseline u_pulse flows from material backed compounds to push up from to more robust returns was viewed as the uncontrolled exogenous component)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(where its interaction with the controlled exogenous component of the proto-phasm mass would push out as an endogenous regression binding the transformation of ergodic volume: at its most localized interactions (u)phor would even become visible as a shimmering almost invisible bulbous force bubbling up .. growing as a bulbous misformed force between two ejento in reverberation with one another: it was this basic force which was internalized .. countermanded as madhyamaka as a flux process: there was a failure to recognize the fact that a move of neg-information away from the major systematic institutions .. structures was simultaneously, (df), a move away from them of 'effective potential' .. into new channels: the design of the system as a whole did not innovate in pace with the actors within it .. became stultified .. anachronistic): ((00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00) (00_00)(00))."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(implosive reversion on immersive values was a shift of value-base from the compound operated monadic foundation, a form of reverse crystallization: to counteract this force the yamabushi pushed u_flows into the formation of phasm guilds tying together the monadic channels of interrelated micro-polders, a form which would grow to counterbalance the weight of interstellar polders .. slowly replace them: gray makeup covered här body .. här radiant eyes pushed through staring into här double's gaze as if to push through här, .. without pause hä began to vibrate, här body pulsing with restrained implosive force: (π=ΔU|ΔC)(df: where ergodic volume is u*=ΔU, or the velocity of change of the overall proto-phasm mass, such that π becomes a measure of the ratio between the doubling of u, where one part is in increase in *production of C, .. the other is the dispersion of the power over consumption of C: U contrasted from the more classical form of * in that U represented the corporeal embodiment of proto-phasm at a marked point in time, whereas u represented this form as a flow or spanning over given time period): (the u_ejento aimed for cyclo-growth in both u .. C, without overt concern over the balance itself, which they understood as a fluctuation with somewhat uncontrollable properties, with the understanding, though, that ° remain above 0, clear of implosive feedback loops which would devour the *pulse introgression: if ° pushed uncomfortably high the yamaueredas responded by producing c-pulse-bundled intensive compounds with volumes pushed off into the future .. wrapped in puts .. various reverse-0-point_shift mechanisms: their c.a.m.s ran constant floating U_CHROMA objectification spaces for this purpose: they put into place a system of moving around cyclo-reflective monads, on which they could hang u measurement as a function of u_pulse moves in synthetics tied to commodities .. futures compounds: you could assert control over the monadic waves .. their residuals in this way, a kind of discipline using reverb reverberations like a clear rubber mass, 'don't worry, you're going to like it': all fluffed up .. prettied with light pink fake fur bindings with fichu gaps, two light blue circular stickers: monads were bounced around in these spaces .. moved from one holding bin to another, in expanding or closing densities: suspension of fusion into the (*)region: waves proved to be an effective store for energy build-ups, with huge mega_dykes .. sluices .. inter-arranged culverts built into the ocean's depths: the U vs. C cycle was exploited for the propagation of mass works projects, using methods invisible to the compounds: mass works u_objects became regenerative: the two beings would soon morph into a new creature of disturbing, awesome power, existing in part in the gaps between u_pulse flows .. their potential mirrorings): (black lines curve over its pale gray cheeks where the pieces fit together tightly: black circles mark pivot points .. dispersed over the body six black rubber cylindrical vents open up for both output .. intake of air cycles: at här hip is a small logo printed in black, three spheres with a pattern of white circles running over their surfaces: the YAMAUEREDA encases them in its huge mass, pushing them through space as if a world unto itself, cut off from the star-formations around them .. their pulsing disturbances, as if calm .. peace are the norm: it pushes itself through one u_pulse shift after another, its phasm-insulator bending monadic channels .. pulling them inward: in its essence the YAMAUEREDA is a machine for pushing velocity morphologies, converting dark matter into controllable forces: gray plastic lips rest in calm repose against one another: it turns .. faces här .. opens its hands face-up .. lets them occupy the close space between them: its light blue grid-patterned goryo:suit with pink insignia over dark gray plastic bounces the glum white light off at various curves .. disturbances: y_ghyriu: 'commanders have re-emerged to endeavor to protect us: those of pure spirit from the ranks of the u_ejento have been turned to the cause .. the onnagatomaton are coming together in unity': y_ueghuru(ii) 'you are not an onnagatomaton': y_ghyriu: 'I … perhaps: you could think of me .. my kind as mygumuns for the onnagatomaton: we are their prehensions running over the inter-regions that have been hidden from them: we are many': y_ueghuru(ii): 'you are bound to them by u_phase transitions?': y_ghyriu: 'yes, in part: our connected consciousness-conduits are formed over u.-engines in diverse regions: there is considerable overlap .. folding of the u_force waves, such that it would be problematic to properly individuate us as unique parts, though in most respects we function as if we are interconnected units': y_ueghuru(ii) :'what is the purpose of this?': y_ghyriu: 'ultimately, we intend to interpenetrate the u.-yamaueredas, .. to take control of them by force: we do not intend to resume the …. we will drop the u.-yamaueredas into u_space .. disappear forever: it is to be our pure land, our white, calming peace: it will be our protectorate': y_ueghuru(ii)'s clear rubber proto:equipage over white cotton mech-girdle pushes back against här slow breath: the black rubber ½-mask over här face .. black 2-braided hair running over här head capture motes of dust .. light as hä turns här gaze over the floor .. struggles to form här response: y_ghyriu stands motionless .. inert before här, undisturbed by the closing proxemic space between them as y_ueghuru(ii) unconsciously shifts the weight of här body forward')." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "('(0_0)' reverberates on repeat from somewhere through the hallways .. rooms of the compound: y_ueghuru(ii) is certain hä is imagining it, but hä thinks that här heart is beating in precise sync with the beat of the phase-process)."
(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00 ) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00 ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))." (00)(00_00)(00)( 00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) )(00_00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) ( 00_00) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00)."(00)(00_00)(00)(00) (00_00)(00) 変更されました(ii)(00_00)((00_00))(ii): "((00_00) )((00_00 )(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00))."