MONOGURUI chushingura-dress: (THE DEVOURING)

$6,043.00

(00)

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(.., in fact, was less controlled than they could act on: the receding mass of proto-phasm flows generated this effect .. brought isomorphism levels for individual sub-fields to points of weakness/systems:blowback-restraints: once caught up against these bindings proto-phasm ejento' proto-phasm flow generating capacities could swell up no further .. were pushed back down: the idea that blowup increases as a factor of decay release is flawed: decay release is zero-sum, for every input there's an output: instead this blowing up of outflow that is observed is the result of proto-phasm levels attempting to calibrate themselves to proto-phasm *production, as a factor of proto-phasm controls: discipline here is adamantly to be understood in a bondage sense, rather than anything remotely resembling a kind of staid conservatism): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(just remember what is building up beneath the surface of these bindings: the macro-fascists were left exhausted .. covered in bodily fluids as their restraints were undone for them by their (00_00) with only the most horrible .. ugly of semi-contorted satisfaction running over their lips .. their dull vapid eyes, as the * came to a close)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(här clear semi-opaque rubber jumpsuit over white cotton underclothes contained the pent up forces of här will, in check, for a moment, .. in this moment it was as if a ruptured dam was held in stillness, holding off collapse)."(00_00)(MONOGURUI: yueghuru(ii))((00))(00_00)(00_00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "(yueghuru(ii) had three immersed contacts among the onnagatomata: referred to in här reports covertly as op._1, op._2, op._3: the coded dot-pattern drifts down the surface of the c.a.m.(ii) vertically, sent over this morning by op._2, always the most adroit .. assertive of the three, eager to provide information which might overturn previous assumed conditions: hä knows hä hasn't always dealt fairly with här: there are psychic bindings .. attractions which one can pull at, even when one knows one should forego, for the sake of a kind of empathy with one's victims: but it was this empathetic response that always got hold of här, when it came to op._2, .. perhaps the rest as well, .. pushed här forward into här worst abuses, because it was härself hä wanted to punish, whose weaknesses hä most wanted to distort .. bend: op._2, with those clear, crystalline eyes .. soft clear rubber features, would look at här with the coldest underlying quiet furor of them all, even while begging that hä push forward, foregoing all hesitation: given a certain position, .. a certain momentum, could hä pull back .. reassert control, or was a sense of control the very thing binding här to här core impulses, the very filtering out of outward influences, was it the actual implosive purity of här intentions that dominated här .. caused här to submit?: could hä be so free of the constraints of material forces that här fetish objects took on metaphysical form?: could hä become them?: op._3 in white modular polymeratomic armor fitted for maximum mobility: over här eyes is a blank white plastic opaque piece contoured to här face, blocking off vision, running a mimetic filter .. hyper-optic monitor: dark hair shaved into a grid over här head with clear rubber hood: the many-one mapping to two microminiature beings fills här gaze for a moment before releasing to a 0-point wave:form: consolidated points are positioned: two metal cylinders inset in här abdomen vibrate in communication with distant pair-offs: op._3: ''these are compact subsets in their peripheral form only: each is composed of special properties interiorizing their circumferences into perfect spaces, not as a convergence or unique limit but as a power-imputation of remote bodies: your best chance to find yumi(no)gosuto(0) is to find the *beings: hä will be seeking them out, .. perhaps vice versa: hä will begin probably by distributing resources .. opening up channels of communication with other beings in the space in order to promote contact: we have not yet determined här *identity or *name, but have a few potential contact-points set up: we are proceeding carefully: if hä is aware that we are casting out for här hä will attempt a forward escape: are you prepared to confront här should we arrange the encounter?': yueghuru(ii): 'it is not a matter of confrontation, but rather of understanding: we are not pushing här withdrawal: we seek cooperation': venting releases run over the white polymeratomic curves of här back legs, up to padding at här buttocks .. shoulders: two bulky h-projectors are bound to här upper back: yueghuru(ii) can hear the air being pushed aggressively in .. out of the polymeratomic armor rhymically in steady flow: the space of the massive cold metal chamber pinches down on them: as they walk they pass by rows of assembled m-ships, their clear rubber over metal pulling in the dim white light): (one eye closed half-way in the pent up contortionary force of här face's conflicted movements, .. the small black collocated balls of här hair against här head trembled): (with chin turned upward m.-phuma(ii)(UERUOGHOMO) looks downward at the ocean: its pounding large masses pushes against the rock-formed cliff): (cyclo-intension, as a consequence, could be measured as a function of the monadic phase asserting growth forces on *_: invisible processes chased the reverb effects downward from _00_ to _00_): (yumi(no)gosuto: 'the monads are an inverted process in this sense: if one pushes one way (forward), one experiences the interiors of the close proto-phasm mini-regions as point-clustering, effected shapes of concresecence: if one pushes the other way (backward), one experiences the enclosing cavities as consciousness, or memory, as such: the result is a temporally fluid topological reconciliation of eigenvalues .. sequences, relying heavily on direction neutral 'sums' referred to as u_pulse flows, or U[u.0….u.I]'): sometimes these were referred to more casually as 'paths', referencing the space between _ or more of these given u_pulse points: there was -: what would it mean if one remembers the future?: could this be something that one regrets?: or would it simply be a force of consumption, bending one to its will: I've always taken those under my command with a sense of being joined in a propulsive wave which would carry us all'): (white mist runs over här head for a moment: 'you're lost yueghuru(i): …. do you understand?: do you feel it, when the proto-phasm pulse pushes its way back into you?: do you feel it inside of you?: the notion that it is a mutual interpenetration is a fiction, yes?: how do you push it back out, after it has completed the induction?: can you define or control which organs it populates, which futures?: I offer this to you as a protection, but also as a way out, a channel for you to submerge into, to hide in, where they will never find you, in these depths'): (the point-flux cell moved from 00-ueghurama proto-phasm into the y-cell as growth was bound by invisible contraction: material u_monads grew in flux as *pulse flat-lined: as interior proto-phasm imploded the need for monad-pulse could not be met by existing sources .. *pulse bulged out, pushing u_pulse processes down across the protectorate: point-flux became ineffective: from _00_ to _00_ yamabushi were creating over-permeated proto-phasm via a proliferation of goryos)."

00.おおおお。 yamegu(r)u(-(CR(00))): (C.A.M.に記録) 「(00)私の唇は、すべての点が定義によって定義されるような出来事に反対しています: the_00_(00)は白い光の下で昏睡状態でした」 , 詳細/ 冷水 一瞬: 大きな丸 : 確かにありません Dr. m.(miomoto): 球根状の鎧: 同時に、両端の透明プラスチック製の 13 円のヘッドピースが惨めに一貫性を保つことができません: 透明プラスチック製マスク: 明らかに取るに足らない流行で: 流行: グー! 神-(0_0)-それ: 6 つの隆起の多く クリア ラバー ボディスーツ 私の考えの数学的表現. スイミング プール: ホワイト: 後ろに誇りを持っている_クリア ラバー マスク: 澄んだ目:白い壁: 白い光: 寒さ: 黒い縁取りの透明なゴムが自分自身を引き締めている 私は寒さを恐れている: だから私は飛び込まない: または 0000 に飛び込む: または här の口に入る: hä はしたい0000 här 胃の内部、här の腸を食べる: här 唇への_手の反転: här p.i の短い短い半不透明な少年-(0000) と黒い偽のボタン: 透明なゴム製のマスク プラスチック: または、少なくとも睡眠不足の目: それはプロセスではありません。臆病に時を過ぎる。 3つのミニサークルのプルシアンブルーの髪: マッピングハールの弱い藍色の髪に暗い縞が白い体に冷たい汗のビーズを引っ張った: 後で, 執拗に続き, さらに: 私たちの (0000) 純粋に (0000) オイボックス): (0000 ) は興味深い報告を見つけました: メナドスは yameghuru_uereda(ii)(gushamoto) の主張の最初のステップでした: または来る: アンチ 30 の女の子によると: 彼がここにいたら、おそらく.しかし、そうではありません (CAPT. R.(GUSHAMOTO)): 本当のこと。すべての 1000 w/ ショットガン: 貧しい r: o: 知っている – 言うまでもなく、プールの冷たい水を育てるハーの評判が悪いことは言うまでもありません。セレクター pt.: (血の代わりに静脈が入った白いプラスチック ボール。体の筋肉 (3/4 酔っている) ジン .. トニック (3/4 酔っている) 黒い円形のコース、おそらく少し緊張しています。ホワイトメタルの騒音だけを記録する (2/4 酔っ払った) 彼らの操作センターが the_gun よりも多い: 機械の音. かわいそうな野郎. その巨大なドキドキする口がケーキを押している - 素敵な白身の肉 (0000_00) (00): 圧力- pt. 管状注射: 私のサイドテーブルの här 右後方リーチボタンに付いているアンチコッドアーマー, 圧力ベース, それは私が正確に選ぶことができる通常の頭です (それは冗長ですか?) (00_00): 白light:. component (0000): これらは (00).s? 開発されたモナド構造: yameghuru_uereda(ii)(gushamoto) (½-ughor-1/2-mhyghori albino): 13-circled: the半透明のプラスチックがハールの体の輪郭にフィット: アディダス: マルチフォーム (00) ヤマエレグの構造 ブラック ラバー ハーフマスク: : 6 つの黒いボールド サークルで装飾されたハール クリア ラバー ボディスーツの 6 つの隆起s: ゴム状: 複数のプロセス 定義: 開始曲線は 0000ed 5 円の髪 すべてが間違っていた。影響。 phideyuki(i) .. yameghuru_uereda(ii)(gushamoto) さよならパーティ: the_bathwater ものぐるい やまぶしドレス でっかいホラールーム: the aufbauhaus: (chrmc) (400.00): 動きます: but k.-mitsu said ??.??.? ?.??: 午前 4 時 34 分。凍りついた口が開いたままになった: そのは、k.-mitsu には小さな乗組員がいました。 5-circled hair: yameghuru_uereda(ii)(gushamoto): deooooed 原モナドは、空間を占有しないものとして扱われます 0: 5-circled black hair: 白い光は永続的ですが、_mask の顔として扱われます: 6 ゆがんだ抽象的なまぶしさ: white: clear plasticヘルメット: 椅子に接続された光を反射する透明なプラスチック製の突起: 0: 21 個のミニ前髪: どこか: the_metal カップリング上の単一の椅子装置: Y. の機械体の機械は、すべての弱い恒久的な青い黒い無精ひげの顔の瞬間を記録します。イベント: 博士の y. の説明。 m.(miomoto)さんの裏クリアラバー山伏装備、黒枠:マーキングhärクリアラバーhä敗北: y: '31.逍遥六。 50 ビート: ミニメートル: 32. h. (タオシン)。 23 ビート: 最小 m.: 33. insp. n.鎧 (00)e 実質的な動きよりも: 弱かった体から: (0000) här 手 (木陰松濤) を置きます。 98 ビート: ミニメートル: 34. ブッダガヤ。 the_baby: insp とともに持ち込まれました。バツ。使用 50 ビート: 最小 m.: 35. dr. f. (素山本尺)。情報提供者としての k.-mitsu: この栽培の här 03 ビート: mini-m.: 36. den'e. 85 ビート: mini-m.: 恥ずかしがり屋のフィッシュ ファームを無期限に、アウト イン ヒム: 30 だった。 98 ビート: ミニメートル: 38.ディヤーナ。ちっちゃいけど効くラジオパーツです。 00 ビート: ミニメートル: 39. avatamsaka-sutra. 98 ビート: 線形遠近法/その上のアーキテクチャ: .. 最小 m.: 40. ヴァーサナ。 01 ビート: ミニ-m.グループまたはマトリックスとして表示されます。)."