MONOGURUI poncho: (COMME DES GARCONS)
(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): (for nearly _0 commutes everything was slowing down, but this process was working against huge weights of forward momentum: by the time it was flaccid .. inert the u_object (0_0) had been reduced to cheap desperation .. a sterile impotent cold had fallen over everything: it was underestimated by massive amounts just how much proto-phasm would need to be re-injected to get the reverberations moving the right direction: trying to rein in the cold, if nothing else)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(the models start with finite-factor short-velocity factors for which stochastic differential equations are derived outputting an op.flux determining neg-information-neutral mapping formulas for u_objects: from there one can infer from the gaps the neg-information in the system, or at least measure out how it is being imbued: again, as pointed out in a chremastic phasm-metric, if you care about the foundational u_monads, you probably shouldn't: there's probably no more comical picture of the * than that of the (00) douches scrambling to group up with panicked lips to reform the 'conditional u_monads': every mathematician who ever lived probably received a headache simultaneously, rolling their eyes, 'wait, what?')."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(the little ugartë in the ugartë, in this case, spends all här better moments doing the runs through the invisible *region, the process of decoding: recoding, so that it becomes entirely a matter of one function against another, .. each entity is reduced to the prettiest of mathematical statements, ugh: subjective-conduits vs. objective-conduits (intensive waves vs. growth-formations): subjective-conduits being the u_pulse waves that form the dominant portion of a 'body', in a this is this that is that kind of way, so, for yueghuru(ii), for ex., maybe these __0 dominant channels dictate här identity from one moment to the next: .. provide the pattern of continuity that represents här self, whereas, these objective-conduits, much less dominant but also less self-contained, fill in the gaps .. represent the u_pulse waves that, rather than form the forward momentum contained by the body, pass through one, passing through multiple bodies, again, through the gaps. .. it is here in the domain of these objective-conduits that one finds the 'micro-fascists', little (00) .. (0_0) that they may be, or not: an aspect of this that your given u_agent/u_ejento failed to incorporate into their model was the progressively decreasing sum of potential-pulse, .. the slow, faltering realization of this sort of basic underlying (0_0) in the system is what now gets the cute name post-reflective cognitive monadism, deriving from the intrinsic inversion to the relationship of potential-pulse with u_pulse: (your given yamabushi being habitually unable to mouth the phrase 'potential-pulse' without a small smirk or inflection that makes it sound like an indignant question): (yueghuru(ii) hadn't noticed at first but här cloak-poncho contains a number of discreet metal zippered pockets at the sides: hä only finds här attention drawn to one of them by a quick glint of reflected light that momentarily disorients här: 'you remember, perhaps?: it was an institute case, regarding the resupply of mech equipment: you were asked to determine where the materials were being sourced .. under what arrangements the procurements were being made': yueghuru(ii) recalls the case vaguely, something about polystyrene byproducts: there had ended up being a few distinct entities working in coordination underneath it all, .. hä had helped illuminate their connections: the project was formitive in här education, in the development of här methods: hä had made some unexpected leaps, almost by accident, which hä would later mimic rotely: 'the conclusion, from the institute's point of view, was satisfactory: your information was very helpful: highly complete .. accurate: I've checked up on you, on occasion, over the commutes, with your contacts: I've found that their experiences with your work have been consistent with that which you provided us: of course, perhaps I was naïve then, to think that there was something unique about you, about your abilities: but, I think I've been proven correct, whether by intuition or mere chance': little creases form up the bindings of the black acrylic material over här bunched up hair: yueghuru(ii) becomes fascinated with the way the white light plays over it, forming runs .. collocations .. then disappearing quicky: in open bays inset into the concrete walls four inactive u.-mech units sit, metal contours bouncing back intense circles of the white lilght, each one a metal flattened orb with black plastic attachments .. clear-tipped cylinders lining each edge: a pattern of circular-holed black rubber packs ingresses in parallel: y.phuma turns a shoulder inward .. looks around the room, slowly surveying each detail as if inattentive of yueghuru(ii)'s presence, or forgetting: här gaze stops at each of the u.-mecha in turn, in apparent recognition, but then moves on to the surface of the concrete walls, .. a catalog of the sparse collection of objects accumulated in the minimally furnished interior: hä looks back at yueghuru(ii), avoiding här eyes, passing här gaze quietly over här lips: 'I never did become 'detached', as they say: instead my memory merely crystallized .. became small, .. was tucked away: one learns to manage these things, to 'compartmentalize': yueghuru(ii) looks closer again: 'your name is y.phuma ….': concerned understanding comes over här face .. hä pushes down more intently with här fingers at the edge of the metal work-table: 'ah, my insightful friend: you do remember, how nice of you': hä leans forward slightly toward här, contorting the taut black acrylic: y.phuma: 'my …. collaborator, shall we say …. hopes to enlist your help finding a certain individual of interest to här: an individual, who as a young ugartë, caught här attention .. of whom hä became rather fond but who disappeared with no trace many commutes ago: hä has recently re-encountered this individual, briefly, in the course of a certain project hä is involved with, .. though hä immediately lost the trace of här again following this brief encounter, hoped that an agent of your particular proclivities might be able to pick up the path from the information hä is able to provide: of course, you would be well provided for, should you adopt this endeavor, .. though you have a reputation for being of not entirely mercenary persuasions, we hope to find this incentive enough for you in this matter': hä turns .. the bunched up hair shifts against the weight of här head: här eyes narrow darkly at times, as if hä is considering far off .. distant concerns, but the narrow curve of här neck .. shoulders remain directed .. centered at the focal point of här chest without hesitation or any slight suggestion of the kind of indecision that promotes little deviations .. flutters in one's body's center of gravity .. act as a tell of sorts for unfocused attentions: hä is certain that hä is bearing down on the matter with all the intensional scope of här powers, such that any suggestion of casual favor is merely counterfeit: y.phuma: 'perhaps, though, before we begin to pursue this rather vague pursuit, you could fill me in on the particulars of your methods, at least in some outline, if you wouldn't mind: this is as much for my own curiosity as anything else, as we are rather confident of your outcomes regardless of method, otherwise we would not be reaching out to you in the first place, but sometimes one likes to pretend one is being convinced, even, perhaps, against one's preferred persuasion': yueghuru(ii) becomes increasingly aware that hä has already been drawn in, .. that any pretense of reponse other than a muted 'oh god, yes' has already passed for här decidedly, .. before här question even här mind had begun to range over the methodological considerations of the matter: yueghuru(ii): 'my hope, in such matters, is usually that a basic mapping of projectors for u against y will define the working space: everything else then becomes a function of manipulations within this range: one finds that only a few particular points of information are sufficient to provide a counterintuitively precise filter that ends up doing much of the work for one: in the end one must always deploy to the field .. do the real work of pursuing the material embodiments …. this is not to be considered lightly …. but one must first impose certain lilmits on the possible conduits, otherwise one's task is impossible: I've always emphatically believed that one must approach matters in this order, though obviously there are those who suggest the opposite, that the mathematical field of consideration is itself founded on material coordinates as an ultimate limiting point: I feel this is fundamentally .. disturbingly wrong, as an approach: to make any attempt at mapping material domains we must clearly first conceptualize the possible worlds of which one's own world is merely a random blip, a tiny subset, such as the rationals to the reals, such that it can be taken most clearly like an unlikely .. unprecedented coincidence: or, to put it another way, the material points of one's conception are mapped to the mathematical, as opposed to the other way around: matter is only a particular …. partial …. instance then of this mapping over unreal .. unactualized potentiality at its most pure: of course, we can experience only the intuitive understandings brought to us by our perceptions, but we can do so only after we have pre-intuited their possible form, .. these possible forms are themselves truly .. purely metaphysical, in that they far exceed the material immanent realizations which we can , in practice, achieve')." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(y.phuma in an operations room of (00_00)(ii) in YAMAUEREDA in a clear plastic immersion-unit with rubber straps, with short dark hair in bunches, in bodysuit consisting of white rubber short-shorts .. two straps connected by little chrome clasps over här body pulling up white against här stomach, här dark eyes pushing down against härself: one of the operations ugartë allows här to use this equipment space on occasion: on one end of the room a large walled window looks over the course of the main collider tubing: inside the room are __ u_point-matrix arrays .. _ cooling units, multiple lines of piping, over a metal contoured floor: __ (00)lights push white light down from rigging on the ceiling (eliminator rpt)): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) 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