MONOGURUI teacup: (PERHAPS MOVED BY DARK FORCES)

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00. (00_00)(MONOGURUI) (0000).(00_00): '"(the cotton pushes against här body against the pressure of här fingers, lightly initially but pushing harder as hä pushes each breath against the cold air, .. some kind of awareness or foreboding of something ominous comes upon här: where it comes from is mysterious to här, whether from y_ueghuru(ii)'s muscles or organs themselves or some kind of pyschological entanglement within här, or perhaps somewhere out there from yumi(no)gosuto or from här various grotesque constructions, or perhaps from within härself: här 2-braided hair pulls with micro-gravity force against här head as hä leans it over slightly, .. här lips feel cold: hä can feel the clear rubber of här yurisuit pushed up against här body awkwardly as it has shifted out of placement just so, pushing it upward weakly but persistently: the clear rubber pushes up agianst här intrusively)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(discarding most of the conceptual architecture that had been built up upon this foundation previously: if necessity is the mother of invention then proto-phasm is its bunny, u_ejento would coyly remark: YAMAUEREDA formed as a grid of u_ejento with a plan for the overthrow of the mathematical system .. the assertion of a process of control for the formation of a hybrid yamabushi-u_ejento compound: at times the would refer to this hybrid system lightly as 'phasm-force, but the way capt.y. would do it')."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(at its core the proposed model functioned off of the conceptual conclusion that the realization of a u_ejento compound could, in practice, be implemented, not by its archetypal command phasm-metric apparatuses, but rather by powerful control of invisible forces: conceptually this plan reached for an actualization of the core u_agent principle of distribution of the means of *production)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(certainly one couldn't expect the u_pulse flows to tie up in neat little bows that would comfort one: (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000) (0000): a delicately disced neckline serves as the fulcrum for pushes of air .. gathered up rubber: (00_00) wonders what it is about the mini-carnations that aggravates här so much: one could write it off as ingratitude, or the carefully miasma of a complete egoist whose disregard for one's victories could be assessed as a kind of unformed misanthropy): (hä wore a clear rubber cross-stitched poncho with white strapping with clear rubber hood over ice-gear: här clear rubber goryo suit with clear rubber head-mask pulled over här head, too small for här body — with the eurostile word on it '*y_ueghuru(ii)" in pink .. manganese blue outline, .. small circle logo in pink, .. white cotton-hybrid short cut yurisuit underneath .. white rubber bindings, tall white banded stockings up to här knees: copula are equated with the folds of cloth in this scenario: the white plastic of the formed seats): (the first phase of the implementation of this plan was the implosion of the control over proto-phasm of the yamaueredas)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (a large humanoid, 2.65m with white-ish pink .. light blue veined rubber covered with clear fluids, 3-circle-protrusioned head: contorted towards the white light, in horror: the powerful nauseous stench of its entrails forces its way into här .. then bubbles up against the muscles .. organs of här body: hä surveys the three u_agents before här in the small chamber, mirror-reflecting walls .. floor probing back at them: the u_agents in clear rubber black outlined y-suits over white cotton underclothes, black rubber ½-masks, .. gray hair balled up in messy collocations: hä deploys them to the underground RIUCHU-fortress, anticipating the convergence there of forces: yumi(no)gosuto(ii): 'my cute rogue outfitters: when you encounter y_ueghuru(ii) impress upon här my apprehensions regarding här recent activities: I want här closer to me: hä must be under my control for these incipient maneuvers: remind här of where här commitments lie in this matter': with flat, emotionless faces the u_agents nod there heads slightly .. disperse)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the mathematical cell sought after, at all times, mathematical instruments of a perfect brownian bridge nature: (0)-cyclo-intension binding seemed to promise such: the question of what would happen to the forces closed off from flowing into cyclo-intension, as one expanded, were prominent: one theory was that, in the absence of exogenous *production growth, interior cell concresence would be tightened: or perhaps the process would fail to calibrate .. the u_pulse level would float, bringing the indexed proto-phasm velocity with it: clearly runups in productive powers seemed, paradoxically, a neg-information to the system by increasing the denominator faster than the numerator could match .. forcing a minimization feedback): (y_ueghuru(ii): AKA the meghu_urenghyu): (pushing out against the white rubber is a small metal stunt, positioned to just prevent the muscles touching, with a diamond fastened on each end)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(inside the white cotton of the jumpsuit här body breathes heavily: hä can feel the pulsing of fluids .. air pumping through it: här hand pushes up against här lips: there is a rawness, or a physical weight to their touch that belies their apparent delicacy or weakness: somehow in between two breaths hä briefly imagines the pulsations of air begin to reverberate against här mouth): (trying to process the ramifications of the preceding blur of moments: everything is so slow .. cold now)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(I attempt to push my mind back to the overspace, to the study of irrigation, systems of polders, control): (in a white cotton black line square-patterned capri goryo-suit structured to pull white rubber strapping around här lower body as hä walked, .. with metal disc closed strapping that framed an upward movement toward här black braided hair .. dark eyes, with white close hood: but hä felt deeper, colder reasons in place, presentiment perhaps): (the large antechamber of the compound: u_phuma(ii) was standing at the farthest monitor on the right looking intently at the dim glow of the pulsing plots: hä was alone in the clear plastic lined room, behind which the contoured steel shimmered slightly, unevenly: hä was wearing the acrylic jumper—a very tight light gray fichu jumper, flesh visible behind circle-hole pattern in commingled orbs: hä went up to the monitor again .. pressed här forehead against the cold pane)."

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(hä is a friend of (00_00)'s, .. one of the few to be aware of its absence from the YAMAUEREDA: här failure to impart this piece of information to yumi(no)gosuto is indicative of a certain malevolent streak in her character: the clear plastic runs over the metal foil, latched into the white plastic at two distinct points: hä rests här hands on the two protruding contoured forms hesitantly: the question had little draw from quantity values, acting instead as an inversion of 'the division of productive proto-phasm', where this division into distinct .. variously engineered reservoirs .. channels drove op.flux-like passages: the ebb from the *production of compound proto-phasm flowed into yamauereda u mappings, whose u-cell processes played catch-up on monadic reverberation that was blowing past them .. inflating proto-phasm values .. decaying crystallization surpluses: officially provided maps of the surrounding regions cover the walls: no matter how far inward one recedes in reflective dispersion the pursuit as a wave of these processes comes with one: the low white dimple plastic floor with black rubber gapping stretches out in multiple directions converging on the wood panel gridded ceiling .. the windows opening up on to greenhouse atriums: op._m, an onnagatomaton of clear rubber humanoid form with circle-protrusion growths, moves through the room putting the polished wood curving forms into place at regular intervals: white circle-pattern sections of printed overlay run over här body between .. over the outward pushing forms: här clear eyes with black focal irises .. specks look over each object carefully: four little clear rubber circles protrude partially from här head: three blue .. pink insignias decorate här upper chest up to the lower curve of här shoulders: memories of other worlds float through här head, particularly the (00_00) region where hä had spent many commutes working on a collocation of farm-units, living in underground bunkers whose tightly confined spaces put the communities in the close pressure of continued daily contact as colleagues .. co-workers but also as a kind of co-conspirators to a unique .. undisturbed communion: hä never wholely gave up this bond, .. would reminisce on its particular imbued formalities .. cultivate its presence in här forethoughts .. purposes: hä breathes slowly .. softly: the pushes the three ewers together: later they will be filled with flowers): (mathematical institutions do issue claims on commodities, whether those commodities take the form of yamauereda proto-phasm ingressions, (0_0) ingressions, precious metals, a basket of indexed object classes, …., …., …., .. so on .. so on: actors conversion their proto-phasm because it represents a claim on some u_object deemed of equal or greater value in the future: these commodities can be inverted out of the cycle as fetish value, in which case the value of the proto-phasm mirrorings is deflated: u_ejento pulled a multi-directional regression over the plane for the generation of pulses between various points: everyone was driven headlong into the brightening, the illumination of radiant potentialities via transcendental transformations: ph._COMM.(ii) put up cyclobolic (00_00)-nets, via cosmic ray mapping, softing accumulated accelerators into pools of untapped insulators: these floated out in surrounding space, linked to ground receptors by relays, where they could be drawn in .. focused on controlled points)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) " ((00) MEGHA_YAMAGAORO U_OPERATORS. u_ejento promoted to the next level by the Institute of the Defense become megha_yamagaoro u_operators: prototopia as reducing necessary labor time (labor value), thus expanding relative ergodic volume: thus, the draw on ergodic volume via u_op for prototopia is balanced by an increase in the overall volume of ergodic volume, hence smoothing out distributions of labor value, but not affecting its overall volume, the effect netting to 0: re the difference between chrematism or its multi-distributive forms (as redistributive chremastic phasm-metric) vs. phasm-force (as the direct resetting of the equilibrium function determining possession of the means of *production): the use of the chrema for the purpose of transfer Is almost 100% imaginary .. discursive, representing movements of proto-phasm through spheres of *production .. circulation without affecting the overall circuit as a whole: this becomes even more apparent as one plots the effets on to atemporal point-arrays binding, without spanning, given periods of collocated proto-phasm movements: one must remember that it is the underlying conditions that determine rankings, so any push/pull that intends to effect the total output levels must matrix-filter for its simultaneous effects on the variable inputs: hä looks into the mirrror-walled corridor, with the large glass pane overlooking the hydro-pod greenhouse behind här, with black hair pushed up into three large vertically protruding bunches at various angles, .. här white acrylic ghost-equipage over här large body, misshapen, forming all kinds of distraught crevices .. bumps: här dark eyes underlined by gray painted marks over black scars: multiple versions of härself stare back at här defiantly, as if in disgust: här large disfigured feet covered by white rubber slippers against the white rubber dimpled floor)."

(00)(00) (00_00)(00) ヤメグル(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)( 00) (00_00)(00) ヤメグル(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) ヤメグル(ii)(00_00)((00_00)(00_00))(ii): " ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) ヤメグル(ii)(00_00)((00_00))(ii): "((00_00)((00_00) )(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00 )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00 )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00))."

do you want to play?: (y)(n)