MONOGURUI (00)-dress: (THE IMITATION CHOD DISPERSION)

(00)

(00_00)(MONOGURUI: yagao_ueda(ii))((00))(00)(00_) (00_00)(00) yagao_ueda(ii)(00_00)(the UORUOP_PHANTOM)(ii): "(viewed phenomenologically the financial crisis clearly had the character of a contractionary event, with tightnesses in credit as the motivating factor for all of the tremors .. damages popping up in one place .. then another, fulfilling 'in their succession the described conditions of the collection' as a reduction in quantity of flows of capital .. derivatives reverberations: quantity theory's conceptual history could be viewed as one of monetary agents taking actions that quantity theory would predict to have a given effect, observing the occurrence of the effect, .. then incoherently attempting to amass an array of non quantity based theories to form a coherent account: fictions of a distorted .. science fiction like character were regularly passed off as the most rigid .. sane of cold hard economic contemporaneous theory)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(a big fold-over gray dress with black circle-pattern): (certain of these flows would consist of high levels of reverb, tied back in to their representative agents' goryos: the principle of indifference was applied freely to these effects, as their pursuant aims were driven primarily into probability sets: the white plastic module stood up from the glass surface, attached by metal screws, in one rectangular block on a pivot, with 3 glass rods set into its front face: it pursues a minimalist predictive model such that inputs are transformed into minor functions .. outputs are morphed into contorted shapes on an undulating surface plane: here, asset misformations can be viewed as flowing in from monetary effects in the modern form: behind the module in glass gridded case sit various forms of crystal (magnette, quartz, mesolite, oligoclase, rhodonite, kunzite): their perfect, vitreous inner reflected light settles into a kind of repose against the aggressive activity of the large bunker facility: in a kind of quiet agony hä puts här hand out toward them: off in the forefront ahead of här three squat white plastic mecha with assortments of radial hyper-monadic propulsion cylinders make their way toward the large opening with cold, gray morning skies behind it: paranirvana (as reaching the transcendent or the beyond): (df) the folding over .. closure of monadic entelechy: the realization that we have already transcended: we exist (right here: right now) in the beyond, as transcendental objects, .. it is this very completion of the process of reaching out to the beyond .. then back into ourselves by which we conceive ourselves as 'agents' of a higher or other plane: our bodies reach out to our surround environment, making of ourselves a micro-ecosystem of our flows, out on to the beyond, .. the beyond, .. the beyond… until we've converged upon the notion of the body as extending out to the phantasms that push in on us from the other regions: we take them in .. cultivate them, .. use them for our own purposes, .., ultimately, they devour us, or possess us, if you prefer, .. we morph into their ghost-forms that play under the bubble surface tension of the world as we imagine it may exist or reform itself, as if it is our own private mprpg: 'level-1 or world space is an anthropomorphically scaled, predominantly vision-configured, massively multi-slotted reality system that is obsolescing very rapidly: garbage time is running out: can what is playing you make it to level-2?': u_agents sought productive processes in the imaginative value of models, such that they generated predictions outside the range of conventional solutions, displaying a future-realism effectively retrodicted back on to the past, effectively producing phantoms which might transform the preceding data as forcefully as the proceeding: in such a way they reimagined themselves as artificial mirrored versions of their extant identities: mortgages for a wide array of property types were tied back into major institutions via back end credit channels that would not have been observable, at this time, to most observers, ultimately supported by implicit state backstops: it was to these inputs into the states' credit portals that the u_flows constructed were ultimately aimed): (hä realized, of course, that ultimately the one fascist hä would need to defeat, the one that would stand in front of här when hä was closest to victory, would be härself)." ((00) yagao_ueda(ii)(00)(the UORUOP_PHANTOM)(ii): "(the one effete bastard that could grip här inner organs in psychic power .. destroy här)."(00_00)(MONOGURUI: yagao_ueda(ii)(ii)((00))(00)(00) (00_00)(00) yagao_ueda(ii)((00_00)(00_00))(ii): "(a tattoo on här upper left chest just below the shoulder of a circle surrounded by _ smaller circles): (everything the central banks were pushing into the period of _00_-_00_ was being pulled back via goryos to the period of _000-_00_, inflating the financial markets to massive proportions: the apparatuses of the state managing the organization of capital flows): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yagao_ueda(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yagao_ueda(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yagao_ueda(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yagao_ueda(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yagao_ueda(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."

(00_00)(モノグルイ: yagao_ueda(ii))((00))(00)(00_) (00_00)(00) yagao_ueda(ii)(00_00)(the UORUOP_PHANTOM)(ii):明らかに収縮イベントの特徴を持っており、すべての震動の動機要因として信用の逼迫があった.. ある場所で損害が発生し.. 次に別の場所で損害が発生し、削減として「コレクションの記述された条件を連続して満たす」.資本の流れの量における.. デリバティブの反響: 量論の概念的な歴史は、量論が与えられた効果を持つと予測する行動をとる金融エージェントの1つとして見ることができ、その効果の発生を観察し..一貫した説明を形成するための量に基づかない一連の理論: ゆがんだ.. サイエンス フィクションのようなキャラクターのフィクションは、最も硬直した.. 冷徹で堅固な同時代の経済理論の正気であるとして定期的に偽装されていた)。 00. (00_00)(モノグルイ) (0000).(00_00): '"(黒い丸模様の大きな折り畳みグレーのドレス): (これらの流れの一部は高レベルのリバーブで構成され、彼らの代表的なエージェントのゴリョス: 無関心の原則は、これらの効果に自由に適用されました. 3 つのガラス棒が前面にセットされたピボット: 入力がマイナー関数に変換されるようなミニマリストの予測モデルを追求します.. 出力は波状の表面平面上で歪んだ形状に変形されます: ここでは、資産の変形が流入として表示されます。現代的な形の金銭的効果から: ガラス格子ケースのモジュールの後ろには、さまざまな形のクリスタル (マグネット、クォーツ、メゾライト、オリゴクレース、ロードナイト、クンツァイト) が置かれています: それらの完全なガラス質の内部反射光は、大きな掩蔽壕施設の積極的な活動: 一種の静かな苦悶の中で、hä は彼らに向かって här の手を差し伸べる: här の最前線で離陸 放射状ハイパーモナディック推進シリンダーの組み合わせを備えた 3 つのしゃがんだ白いプラスチック製メカが大きな開口部に向かって進みます冷たくて灰色の朝の空を背景に: 傍涅槃 (超越またはその向こうに到達するとき): (df) 単項エンテレキーの折り畳み.. 閉鎖: 私たちがすでに超越したという認識: 私たちは存在する (まさにここに: 今すぐ)向こうでは、超越的な対象として..それはまさに、彼方に手を差し伸べるプロセスのまさにこの完了です..それから自分自身に戻ることによって、私たちは自分自身をより高いまたは他の平面の「エージェント」として理解します:私たちの体は手を差し伸べます私たちのサラウンド環境に、私たち自身の流れのマイクロエコシステムを作ります。反対側から私たちを押し込みますr地域：私たちはそれらを取り入れ..それらを栽培し..それらを私たち自身の目的のために使用します..最終的に、彼らは私たちをむさぼり食うか、あなたが望むなら私たちを所有します..私たちは彼らの下で遊ぶ幽霊の形に変身しますあたかもそれが私たち自身の私的な mprpg であるかのように、私たちが想像する世界の泡の表面張力は、存在するか、それ自体を改革する可能性があります。 u_agents は、モデルの想像力に富んだ生産的なプロセスを求め、従来のソリューションの範囲を超えた予測を生成し、未来リアリズムは効果的に過去にさかのぼり、前のデータを進行と同じくらい強力に変換する可能性のあるファントムを効果的に作成します。そのような方法で、彼らは現存するアイデンティティの人工的なミラーバージョンとして自分自身を再想像しました。幅広い種類の不動産が、バックエンドの信用チャネルを介して主要な機関に結び付けられました。現時点では、ほとんどのオブザーバーには観察できなかったでしょうが、最終的には暗黙の州のバックストップによってサポートされていました。州の信用ポータルへのこれらの入力に対するものでした。構築された u_flows が最終的に目的を持っていたこと): (もちろん、最終的に打ち負かさなければならないファシストは 1 人であり、勝利に最も近づいたときにハーの前に立つのはハー自身であることに気づきました)。 ((00) yagao_ueda(ii)(00)(the UORUOP_PHANTOM)(ii): "(心霊力でハーの内臓を掴み、ハーを破壊することのできる、無能野郎。)"(00_00)(MONOGURUI: yagao_ueda(ii) )(ii)((00))(00)(00) (00_00)(00) yagao_ueda(ii)((00_00)(00_00))(ii): "(左胸上部の肩のすぐ下にあるタトゥー_小さな円で囲まれた円の円): (中央銀行が _00_-_00_ の期間に押し込んでいたすべてのものは、goryos を介して _000-_00_ の期間に引き戻され、金融市場を大規模な比率で膨らませました: アパラ)."