MONOGURUI digi-op: (RESPECT FOR THE KIND OF INTELLIGENCE THAT ENABLES GRASS SEED TO GROW GRASS)(ii)

Name: MONOGURUI digi-op: (RESPECT FOR THE KIND OF INTELLIGENCE THAT ENABLES GRASS SEED TO GROW GRASS)(ii)
Brand: (yumi)(no)(MONOGURUI)
SKU: 93806443
Price: 0.4 USD
Availability: InStock

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(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(the mhega-PHUIMEN was put into place at the behest of u_ejento, allowing for real-time mapping .. a more fluid interconnectedness of goryos: glitches .. inconsistencies arose as a result of their use of this new system to pin off goryos .. later accusations of subversion or incompetence were thrown at its operators in an attempt to reconcile what were clearly cases of goryo runs which had previously been invisible become opened up to a new kind of observation: (m-PH) would form the recording surface for the mathematical flows of much of the monogurui operations)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(one could see clearly behind här gaze a wide expanse of barren cold steppe over which a storm was moving: everything was certain to fall before its power, to be destroyed: how many weak trite jokes had hä made in the preceding commutes with this coming imminent moment in mind: when everything is cleared to whiteness one sees inversion structures for what they are, circles folding in on themselves, but the root core primary point never changes, it always nets to 0: this is the pure point that u_ejento focus on when they pump their pharmaceuticals into their physical meat, a cheap chemical imitation perhaps of this pure material basis, filterd inward so far that it is not chemicals acting upon proteins): (u_ejento were reminded frequently at this time by outside participants of the function FUTOMAKI(_)(x) describing the probability that after x links have failed _ or more clusters have formed)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(FUTOMAKI(_)(x), etc.: clustering could be used, running this relationship in the reverse, to observe the invisible underlying pressures building up in a particular cell: u_ejento were then able to structure goryos so as to tap into this forward movement for steady substantive *production: in this way a pipeline formed from the upper uphic regions where many of these u_ejento were based, to the U(0) mini-pods, to the (00_u_iiii) point-flux cell, .. then finally commingling with the structured (00_00) product .. such: synthetics filtered the overflow out as this area became saturated: there were those, in hindsight, who advocated the use of individual-level models to replace the aggregate-level models used, but usually there is found to be little gain from such moves: one ends up tracking variations as opposed to the patterns they're springing forth from: micro-goryos, for measuring reverberations at their most incipient penetration, took the form of incentive imbalances arranged programmatically for the purpose of filtering out changes in movement in proto-phasm from their current flows)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(but the inverse, something from inside the lipids that pushes outward perversely .. changes reality itself: 0000 you, .. 0000 your little myopias: they're nothing now: y.phuma was clearly confused, but not frightened: much study was given to the attempts by u_ejento to monitor .. channel the organisms commerce under their 'control' with counter-measures of a highly designatory nature: measures which varied between u_pulse changes, point-form in cyclostructure, .. changes to analytic structure: of course the evaluation or measurement of the madness is always retroactive: you don't observe it building up underneath surface)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(but you know, in the most perfectly defined clarity, just how big .. fearsome it has grown, .. all the little intricacies .. details of muscle .. tissue growth it has undergone over each specific moment preceding, at that moment that it emerges: one can only, at this one clear point, let go one's breath, .. perhaps say to oneself quietly, 'of course…, it was there all along': the * .. (00_00) blowout frightened the recipient members of the *pulse introgression just because it was evidently a case of low level implosion: dr.y.(i)'s system of control points was the model for the control of u_flows: no one would seriously entertain the proposition of controlling these flows in their every movement along the path of their course through the system: but one could put into place measurement protocols at clearly defined control points through which, at some point, they would be sure to filter: the u_objects cell, in this sense, was the cosmic force that the assemblage was opened up on to: none of this would be possible, in practice, without the monadic cyclostructure that comes with the compound apparatus of u_base .. protoplasms)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(perhaps, in principle, a kind of non-compound apparatus could fill the same function, .. perhaps even with advances in projective information this will come to pass, but we are far from this now: the mysterious interactions of competing ../or aligned ch.-forms still define the big interregional moves in proto-phasm .. their fundamental behavior: proto-phasm flows behave roughly according to the principles of adoption models: (or those of infection, if one wants to put it more ominously): full of non-adopter pools (*-N(t)) .. related sub-pools, flowing back .. forth between one another: this is the pure point that u_ejento focus on when they pump their pharmaceuticals into their physical meat, a cheap chemical imitation perhaps of this pure material basis, filtered inward so far that it is not chemicals acting upon proteins)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(reverberations .. pulsations were carried a long way in all directions)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(canonical two-factor models with independent brownian motions: of course, what was more fruitful at times was to generate models filled with high volumes of independent factors but brownian functions which were coordinated with one another)."

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(every goryo had built into it frozen martingale processes at control points: this was the irrigation function component, pushing flows via boundary condition limits: these processes were constructed as mott insulators, locking the photons of a given u_objects position into place via the repulsion to one another being generated: this could be managed at the u_pulse level): (in essence the micro-compound stood as the projector on a complex arrangement of intergressions to phasm entities pushed by a hybrid of the various parties' u_monads .. yamauereda ingressions: polders folded the residual while the micro-compounds bound the offset, pushed by u_arrays from the yamaueredas: in turn, the interstellar polders that had controlled the preceding cosmological epoch found themselves struggling to keep up with the phasm vehicles flooding the channels in between the overwhelming surge of mass cyclostructure point-form: most of these failed, but the survivors grew at profligate velocities, only, in turn, to themselves blow up, replaced by newly formed competitors before accumulating the kind of cell volume generated by the previous giants: op.-analysts bent over backward to decry the unsustainability of this growth)."

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(but the clear counterfactual of what mathematicians liked to condescendingly refer to as 'reality' blew persistently back at them: monadic op.flux, or u_pulse, closes the circle of apperception by changing it from a passive, receptive act to one of ejento-based action: perception, in this form, becomes an action characterized by taking possession of outward forces .. reversing them .. bringing them inward,taking them into oneself, .. making them part of oneself, bodily .. materialliy insofar as the immanent .. the metaphysical have been folded conceptually upon one another: cyclo-transcendence becomes becomes just such an action, but with the circle pushed out further, such that the beyond itself is inverted .. sprung forth from the unconditioned universal as the self within ourself: this conceptual closing of action as perception is, to the u_ejento, the internal definition of potential-pulse itself, conceived as the inversion of proto-phasm, or the overturning .. binding of the alien form: this is the conversion of the action into the hybrid ghostly:material form, as an embodiment of dark forces, but purified .. cleansed as providence-come-into-being, where the purity of ideals become bodily substance .. are pushed into the *region: the clearing of fields for agriculture .. their subsquent entrenchment of irrigation becomes the foundation for the development of civilization .. urban chremastic phasm-metric, .. becomes the principle that future developments continuously return to: the sloping curve of the pollished wood form reconciles itself to the base: här gray grid-pattern ghost-suit begins gripping här body more tightly .. hä releases här hand from the metal object which is suddenly ice cold to the touch: all the air stops .. everything goes perfectly quiet: hä feels the breath of something invisible on här shoulder pushing här backward .. hä feels something growing from inside här pushing up .. filling här: här tightly bound hair blows backward as if by some huge force: hä starts pushing härself just slightly forward on the seat: suddenly something lifts här up .. tilting här backward: hä begins throbbing in mid-air, hands reaching but failing to grip something: sometimes this was referred to as monogurui, the mirrored shimmering surfaces of complementary u systems): (yumi(no)gosuto in clear rubber bodysuit, attached by clear rubber tubing to a complex mechanical apparatus inset into the metal contoured wall: the (00): "(00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)":: (00): (recorded on the c.a.m.(ii) 'NIRODHA.: the violent radiant dispersion of one's monadic being: nirodha adheres to a 3 curve regression (mas-min-midi), dropping over the u.op.-monads in specialized, mechanical cases of questionable repute: if objects have merely their sparse properties than where does the rest come from - ha, 'other worlds' the adherent murmurs - but there is no claim being made on other worlds in actuality, but rather in immaterial, metaphysical terms: can one then accept this as transcendental space?: clearly, if one is to attempt to manipulate or observe or map the properties of these other worlds - .. if one is not pursuing this undertaking when doing math then one must question what is one doing? - then the suggestion that this exists only outside of our given immanent reality somehow becomes facile: we cannot have this cake .. eat it, too: nirodha is the process by which the plan takes effect, .. it is from the slow process of nirodha that the disappearances have occurred: there are four stages to the process: i) the random popping off from one's body of the individual monads making up one's material existence; ii) the emergence of protrusions .. misgrowths as one's body becomes deformed by its attempt to take its new form; iii) a brief period of super-powers which includes the acquisition of the power of teleportation; iv) disappearance (the chod): the u. formalisms bend the operations of the standard formalisms over a mapping to the u_monads as precursive: one is always pulling in from this completed conceptualization in equal measure to the force with which one is pushing out: 'chinese-handcuff mathematics' it has been quipped as a dismissive (?) pseudonym: madhymaka becomes in some way the theoretical convergence between these two processes .. powers any conception of nirodha: the nirodha is associated with the white::birds (refers to the individually popping off monads): also closely, but informally, associated with the u_ghosts, the nirodha similarly falls under the general class of chod-processes: there are conflicting theories among the mathematicians as to the precise mechanism by which the nirodha is kicked off: the particular placement of one's actions in time is not an inconsequential component': u_monad-engine: 'where did these recordings come from?': yumi(no)gosuto: 'it is unclear: yueghuru(ii) uncovered them .. provided access, but we have not determined their origin': clear plastic mini-armor grips clear rubber over yumi(no)gosuto's gray flesh in modular, gapped placement: occasionally black parallel markings accentuate the edges: through the large bay windows on all sides they receive views of the greenhouse interiors lined with various plotted vegetation .. fluid-receptacles: yumi(no)gosuto hovers over a floating monitor with pulsing semi-opaque optic images of dispersed regions: yumi(no)gosuto: 'yes, my pretties: yes my pretty ones...": the (00): "(00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)": yumi(no)gosuto: 'once there was a u_ejento(mega) who lived alone in the low depths of an abandoned grounded mega_ship long ago, many commutes before, hä had fought in the wars .. had journeyed all over the star systems in pursuit of the object of här faith: now only här memories keep här company, the wonders .. horrors which hä once came upon: not of one bird but of many': the (00): "(00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)": yumi(no)gosuto: 'there you are my pretty one: what are you doing?')."

(00)(00) (00_00)(00) yagao_ueda(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00) )(00) yagao_ueda(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00)(00)(00)(00_00)((00_00)(00_00)(00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_ 00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ))."(00)(00) (00_00)(00) やがおうえだ(ii)(00_00)((00_00)(00_00))(ii):"((00_00)((00_00)(00_00)(00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(0 0_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)(( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) (00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00) )(00) yagao_ueda(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00)(00)(00)(00_00)((00_00)(00_00)(00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ) (00_00)((00_00)(00_00) (00_))."