MONOGURUI (pre-close)-binding: (GET YOUR SKATES ON)
(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(rational actors on the micro level are discarded, conceptually, as a naïve .. ineffective fiction: (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00): on the contrary, the cyclo-concresence of the *pulse introgression bubbling out from the regional mega-commuting domain to the interregional mega-commuting compounds could be construed as being pushed out by constrictions in 'proper' channels: or, in other words, the mini-compound class was being asked to carry the weight of proto-phasm generation that could be considered the responsibility of the yamaueredas, in the absence of their sustained proto-phasm *production to meet the demands of *production: the reverb between the proto-phasm expansion potential of the y-cell .. the entropic growth which drives it is of an inherently feedback-loop pushed design)." 00. (00)(00_00)(MONOGURUI) (00)(00) (00)(00) (0000).(00_00): "(the phantom mega-commuting convergence works on the holomorphic mega-commuting model, with all the reverberation implied: these interactions were mapped out by YAMAUEREDA according to a u_matrix formed of inversion positions: jumps were indications of reversals in directional flows as goryos were moved in .. out of u_objects positions, a process referred to as gyaku-yunyu (go out .. come back): at this point there was far more mirroring in the *pulse introgression than any ur-object base: mirrorings were fanned out in multiple directions .. then defined as an entity which could then in turn be mirrored: it was more reverb than ugartë now, or a sort of blown up mysterious ghost made up of the arrangements of mathematical models): (you could index these arrangements against systems of material objects or fashion components such that an orderly theory of society was formed, replete with the value of *production lined up against proto-phasm/power distributions .. the functioning of class interactions, super-redundancy)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(independence of institutions, to the degree that they are generative of the proto-phasm mass, gave weight .. chremastic cover in terms of stability, in theory, but at the expense of control: the RYOJUSENs were pumping up * in ways, if not equivalent, then somewhat comparable to the system, so when they began to implode their weakening suggested a counterweight of growth elsewhere to be contemplated, but this proved unlikely in an environment of restriction .. perceived tightening of control over the ghostline): (u_pulse (acetylcholine-based drug for the induction of flicker-ghost effect, converging on the excluded middle of a u_pulse wave collocation), the induction of an acute hebephrenic compound paired with a goryo process, such that one becomes ones own goryo-ghost in a reverberation-effect between u_pulse points): (the RYOJUSENs .. the yamauereda(ch.) .. the interior mega-commuting sector, u_objects cell, point-flux cell, etc. probably should have been conceived as overlapping sets reverberating amongst one another: but even in the absence of a complex conceptual framework one can always pull back to the fundamentals, proto-phasm inflows are always suggestive of tight invisible processes: in perfect stasis proto-phasm would have no reason to move: none of the forecasting models contemplated the effects of constrained proto-phasm mass growth over time: (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00): (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00)): acetylcholinic effects started rendering the proto-phasm-conduits into processes of blow-back .. blow-up)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(compounds were quickly unwrapped, as it became clear that the u_objects were immaterial, one could pass one's hand right through them): ('the thing that falls away is myself': yueghuru(ii) used to repeat this little mantra to calm här paranoias: but hä knows now there is nothing of paranoia in här fears .. uncertainties: rather than subdue them, they are to be cultivated: somewhere in this potentiality there was a truth to be found, a clear vision of a future that might unfold before här: hä fingered här c.a.m. with the intention of beginning a recording but the monitor opened instead .. hä found himself gazing back at the image of här own face against a background of white rubber tenting folds slit to allow a dim light: in theory, hä supposed, the light was not one thing but a series of ongoing pulses arriving .. passing over här in succession: hä wondered what, if hä were to follow them back to their origins, hä would find: it was här intent to record a depositon detailing här findings, though hä knew hä would never reveal it to anyone: hä imagined it would form a kind of closure for these events, at most: the visitor had stood before här in this very place, just a few commutes before, it's dull white, shimmering body only ½-visible in the dim morning light: at times the image would catch .. hä could understand it to be a large humanoid with strange contours .. a head from which four spherical formations protruded, small, such that one might easily cup them in one's hand: its eyes pierced här with otherworldly calm: there was a slight pulse to the solidity of the image, .. the emergence .. disappearance of weak white vapors, such that hä could for moment allow här gaze to pass right through it: 'so you (*)exist … in the sense of multiple worlds?', hä questioned with an anomalous quietude: the visitor replied with a pause .. what appeared to be a slight slowing or deepening of its breath: '…., yes .. no: imagine a system of monads as many-dimensional points: then fold multiple worlds on to these points such that they overlap .. interpose with one another: it is in the sense of being (*)mappable on to such a conception that we claim to (*)exist in your world': (00_00)): (((00) (re hyakhiru::Iii)): primary to the concept of the goryos were the two concepts that, for one thing, the system of u_dynamics was not objectively confirmable, or even definable, but rather a convention that holds to our circumstances in rote fashion, .., for another, the recognition that was referred to in certain circles as extraditionary u_pulse movements (to contrast it with the routine moment to moment u_pulse flows routinely experienced) operated in much the same fashion as this 'routine' u_pulse movement: the hebephrenia-body was a body of material substance but amorphous form produced as a by-product of u_pulse flows resulting from u_movements in the absence of a proper goryo body for containing this release)." (00_00)(MONOGURUI) (0000).(00_00): "(u_ejento looked with a kind of horror on them, if not disgust .. repulsion, .. would grow cold at the mere thought: the throbbing curves of the muscled flesh, full of pumping fluids .. even a kind of vacuous breath, seemed to represent a kind of condensed version of material madness or voluptuousness: running one's hand over one would set off a reverberating repulsion .. attraction such that one was drawn in .. overcome, as its fleshy organs shifted .. gave up resistance, as if it might consume one's entire body if given the opportunity: on a large hinoki (00_00)-table against the wall are four white c.a.m.'s .. a recording in four languages, (00_00), (0), (0_0), .. (0_0): it contains analysis of _ goryos that yueghuru(ii) is running: on här walls are graphs showing containment flows .. projections, .. a venn diagram of related external u_flows .. their interactions)."(00_00)(MONOGURUI: yueghuru(ii))((00))00. (00_00)(MONOGURUI) (0000).(00_00): "(temporary markings in an abstract pattern run over yueghuru(ii)'s right wrist .. the top of här hand: on the inside of the wrist is a permanent marking, in black, "(00_00)": hä breathes heavily, closing up the white folds of hybrid rayon cotton: the two white vertical bands meet up with metal clasps at här waist, attached to the white close-folded dampening, from which they pull tautly upward: hä pushes här tongue against här jaw hungrily: dr.p. approaches här, glistening, reflective white plastic: hä wears a white plastic dress with pink .. llght blue markings: white .. black inked tight-lipped mask: här head is bound by 9 white uniquely placed polymeratomic flowers: hä decorates her cakes with pictures of ashubha, 10 forms 10-fold, each with slight personal variations of her own: dr.p. got into the game via monadic constructivism, developed a few deviant property patterns, .. quickly rose up the ranks of the mathematicians as a true ingénue quick-thinker: hä made her career on the assessment of isomorphisms between optics .. information theory: the YAMAUEREDA(x) surrounds them in its modular clear plastic restraints .. seething plasma, white morphic, pulsing with a kind of (deliverance?): each pulse running through the white plasma is an optic wave as a kind of r-function proving an isomorphism of optics over time in a statistical mechanical sense or probability function producing a mathematicla object of inter-universal dimensions: the question could only really be does it commute or does it not commute?: but the gaps formed by anti-commuting processes produce objects of their own, ghost-entities which can be manipulated .. coerced: this, as much as anything could, makes them real, a realism enforced by disturbances .. propulsions of material flesh of someone claiming to be an observer, but not an observer so much as a victim or conquest, an object in the grammatical sense: här one yearly outing is for the (**)party, the operation of which hä is unwilling to relinquish, keeping här attached to the field, for now: caring for u_objects in the field as an operator or purveyor of distributive forces is still a role or cause worth imbuing oneself in, as far as hä is concerned: hä is by no means ready to make the immaterial or theoretic break into purely imaginative discourses .. quietly judges those who justify such endeavors: 'care' being the operative word here: outro-models suggest for här (0)-spaces of minimal convergence, where models fail to be bodies, .. bodies fail to be actual, .. are instead poised only to exist as potential beings: do these drive measurable growths?: hä is convinced that they do: each white polymeratomic flower affixed to här head captures u_pulse .. pushes it through här body aggressively, with each breath: on their return they would pass through the mech compounds for replacement modules .. units required for maintenance of their cyclostructure, occasionally coming through with mass transport mecha for pickups for large expansion projects, though this was infrequent: (00_00) became involved in a project with these mountain merchants for the implementation of large hydraulic drops built deep into the mountain cores that provided for cyclopulse reverb capture: yueghuru(ii) clings to u_phuma(vi), each with arm over the other's shoulder, mouth slightly open in surprise: u_phuma(vi), calm, glares slightly upward: yueghuru(ii)'s clear rubber ½-jumper with hood over head, with black circle-pattern offsets u_phuma(vi)'s medium gray fake fur bodysuit with gapping up to här 4-black-circled hair: gray lips slightly moist, disfigured black markings over här cheeks: the glass-cylindered cybernetic entity at the end of the steel-contoured chamber hums with various pulses feeding to nearby connected modules: several white light orbs float in the air before it, rotating slowly: nearly the entirety of this region is devoted now to the *production of protein-growths, perhaps as high as 90%, yueghuru(ii) estimates: neighbouring regions are similary imbalanced: though the invisibles have attempted to assert control .. confine the protein-growth *production to the use of a more comfortable 20%, there was little other than phantom interference here, with u_ejento dispatched in cursory .. erratic fashion: the op.-chiasm communications quickly disperse .. awareness of the pair's encroachment is made pervasive: the op.-chiasm: 'there will be those who object to us keeping you here: but we find your presence… comforting(?), or perhaps we are indifferent: would you care to… interpellate(?)': u_phuma(vi): 'u_ejento are careful to expunge their monadic systems of all notions of time or space: though they can be efficient as concepts for the forming of an intelligible or useful structure, an over-dependence ont their particular forms can lead to a subconscious attachment: u_flows are bound, not only as directionally agnostic, but as agnostic even to the number of dimensions in play: the result is the formation of systems of u_flows which bind topological forms solely to covarience across phase_points, where phase_points are empty spaces in potential arrays: our monitoring of this region suggets that your projects are effecting a kind of channeling of flows in conformity to a pseudo-temporal point-flow converging on given fixed 0-points in the near future: we came here to investigate as to your motivations for doing this': clear plastic encased crystal surfaces push through gaps in the steel contoured walls periodically: yueghuru(ii) plays two fingers over the black cotton dots just over här hip disinterestedly: 2 black-line spherical yamabushi logos on clear circular decals are stuck on u_phuma(vi)'s upper abdomen)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(it was through their introduction that hä became closely involved with (00_00), eventually spending the bulk of här commute in the confines of här outpost tucked into the ice conglomerations of the (00_00) mountains: goryos .. other u_pulse phasing operated according to productive induction, the principle that one is never predicting the future, an activity with built in failure due to the stochastic nature of the component input flow, but rather is engaged at a more basic compilation level in producing the future, pushing the arrangement of components to effect a receptive conduit to a naively conceived array of potential inflow, .. pulling in one's compulsive forces, via the continual *production of a conceptual model that maps to potential future events as a hypothesis-generating process: the selective model pushes one toward reduction: yamaueredas were taken off guard when u_ejento reversed prior practice by making on-site visitations: their monitors would show the build up of reservoirs of proto-phasm along with the potential conduits for dispersion: over .. over during this time yamauereda development was prioritized, .. community based expansions were saturated with propagation: the three of them converged, their white rubber moist bodies pushing close, heads bowed slightly, conversing in whispered tones: around them the white with blue red pink pastel floral pattern cotton sheets hung as dividers fluttered lightly: dotted gridded plastic white surfaces: there was a hollow, echoing background of wind or venting: on the wall in black eurostile type-face "(00_00)": hä felt här gray flesh bump up against the cold air .. effortfully to push repose against the convulsive forces building up within här: u_mappings were conducted according to the carefully formed assumption of analytic impotence: it was taken as given that analytic changes or reforms could move proto-phasm flows from one place to another over time, or shift their direction)." (000 (___)00. (00_00)(MONOGURUI) (0000).(00_00): "(but were incapable inherently of affecting the overall volume or force of the flows themselves in the ultimate measure)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(the overall monogurui in the system was the product of the confluence of micro decisions which were stochastic in principle but formed according to probabilistic channels: hebephrenia-bodies were kept in chambers at cold temperatures to prevent growth .. covered in tightly strapped down cotton coverings, sometimes with floral patterns suggestive of some future uncovering or release, or, at other times, in acrylic fabrics or even clear rubber similar to goryo-suit material, or patterned semi-opaque lace/nylon hybrids: the imaginary, conceived of as a product of the absence of verification, played an important role in the derivation of u_mappings: yrato_kuchiwa(*), in white cleansuit, peered into the two probing cylinders of the projector_scope, clear rubber gloves over här hands, trying to form a foundation to fall back upon in the midst of this holistic decay: life-force: (df) the ability to generate processes that decrease neg-information: white rubber hood over head: why did this remind här of the edge of the aqueduct, its white polymer-cem slopes .. interiors: the light gray floor is dotted with circles made up of collocated smaller black circles with a thin line membrane shaping their outer contour: hä performs one more reverse-neg-information regression: with each pass-through the monadic data reshapes slightly, reverberates toward a repositioning of increased order: protrusions pushing back inward toward cold equilibrium are pulled back into an emerging form: hä suspects the entity coming into being is of a biomorphic nature, only because of the slight digressions that seem to form around its point-cultivator regions, but hä cannot be certain: hä bins it .. there appears to a classification pattern coming in, probably: hä glances over the white metal filter .. probes the arrangement with two small metal hachi-like tools: it's closed, hä assures härself: the u_space in these constructions was populated densely by both realized .. unrealized functions)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(each corresponding to an actual or potential goryo: inversion positions were conceived of always as the convergence of more than one probabilistic entity into a given space: likewise u_ejento attributed much of the vagueness of notions of u_pulse to conceptual hesitations regarding its foundations: the question, for them, of the degree of conceptual overlap or consistency between u_pulse in u_dynamics, statistical mechanics, information theory, …., was moot: it's all u_dynamics they would confide: the rest is just different words to mean the same thing, (0000): pushing out against the white rubber is a small metal stunt, positioned to just prevent the muscles touching, with a diamond fastened on each end)." 00. (00_00)(MONOGURUI) (0000).(00_00): "(inside the white cotton of the jumpsuit här body breathes heavily: hä can feel the pulsing of fluids .. air pumping through it: här hand pushes up against här lips)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yumi(no)gosuto(-(CR(00))): (recorded on the C.A.M.) "(there is a rawness, or a physical weight to their touch that belies their apparent delicacy or weakness: somehow in between two breaths hä briefly imagines the pulsations of air begin to reverberate against här mouth: the u_space is constructed such that f.I(a,f.I(b)) where a is the entry point pushed forward in time .. b is the point where the release of the proto-phasm flow is pulled backward for a domain of a, b, … over a conglomerate of potential u_objects: u_ejento had arrayed the u_points in their positions such that they tended to fall toward the middle of monogurui-gap swells so they consisted of considerable reverb between points clustered in the _0_0 region .. _00_,_)." (000 (00_00) (0000).(00_00): "(a series of synthetics, VARIATOR(I – x) was put together by YAMAUEREDA to facilitate this bridging: the yamabushi recognized the mathematical compounds as joho shakai reduced to its pure form, where movements of catallactic action .. information .. point-form .. u_pulse variation converge on a perfect theoretical model by which they clear only in the most deliberate .. impossible sense: or, in other words, one could gain the greatest control by giving up control, even of proto-phasm flows in their reduced form, .. focusing one's powers instead merely on the process of reverb .. convergence that dominated .. determined them: yueghuru(ii) put a collar on a conglomeration of positions that pulled proto-phasm in to the u_objects positions in cotton *production futures .. then reversed them .. sent them backwards within a few day span at the onset of the yamaoroshi): (no one would have looked for it there, of course: by the time it arrived at the _00 different tiers of indexed (00_00) spread over various u_matrices it had populated .. entangled itself with positions all over the (*)region in an array of different sectors)."
(00)(00) (00_00)(00) 変更 (ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( ( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)).」(00)(00_00)(00)(00) (00_00) )(00) 変更 (ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) ) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)(( 00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) ) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) )."(00)(00) (00_00)(00) 変更 (ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_0 0) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( ( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) ) (00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) ( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)( 00) 変更 (ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) ) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) ) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) ( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00) )(00_00) (00_00))."
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