(yumi)(no)(MONOGURUI)(ii):(MYGUMUN(i:ii))(digital copy)(ii)
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(by calibrating multiplier effects via the floating (0) coefficient the practical upper bound on u-reverb was expanded: it functioned as a combinatory model, effectively consisting of, at its core, (0), r', r'', .. y, with a gravitational factor built in for smoothing: a point their analysts emphasized, in putting these practices into place, was the question of what would emerge as the mirroring formation in the interior compounds, in the sense that the monad-pulse cell point_waves emerged in response to controls on these types of flows, in different ways, earlier: mygumun-regression applies similarity scores to the velocities' u_rays, which are then regressed upon via the ranks of the r series variables: these were all flowing into the (0_0), decaying the u_monads of the conversion at disturbing velocities: one could not merely shrug them off): (dr.c. exclaims in quiet satisfaction as hä picks out from the mechanical equipment a miniature (__) mapping with '(00_00)' printed on it in white letters: hä hands it to unger .. grabbing a metal case of tools pushes här hurriedly out the opening: dr.c. .. unger drag themselves out into the cold biting air of the courtyard pulling clear rubber head-pieces over their heads in defense: the m.e.v. waits for them languidly .. they immediately set to work on its repairs: dr.c. digs into the engine .. unger hands här tools .. peers over här shoulder curiously: dr.c. puts on thick clear plastic cypher-goggles: on the other hand, there were few options for recourse, .. the proto-phasm outflows punctuating the system via the neutering of the yamauereda(ch.)'s moves from its own u-cell processes suggested that the flows were unlikely to subside, regardless of the particular direction they might be coming from: everyone was advised to just hold on .. have faith, but what this meant 'materially' was unclear: the pink red blue stripes over the blue swirling patterns of the ceramic, punctuated by darker hues or billowing white, imposed order .. calm on the abstract protuberances of the object: yamauereda(ch.) commander(ii) would wake regularly throughout the night, with white cotton sheets contorted around här body .. a look of horror on här face, while dr.p. plotted här escape: analysis was packaged for the following, all of which was believed to push into the conception as a whole: (u growth .. the proportion of c .. c embedded in it): (u projection): (u_pulse generation): (monadic phase projection): (β projection): (rate of curve development): (surplcore-intensity generation): (α projection): (u_phantom development): ((00-flux) mirroring): (proto-phasm morphisms): (inversion): (prototopia modeling): (f:c range modeling): (pu measures): (the role of the u_ejento as double): (c-pulse development): (cyclo-phasm-force modeling): (multidimensional u_spaces): (mega_mcu planning): the vast majority of accommodation development was pushed underground, with diffuse white light flowing in through surface coverings consisting of clear plastic, whose surface was gridded out with greenhouses: water holding basins were similarly contained in clear plastic or glass walled structures, .. utilized for both irrigation .. energy retention, driven in part by vast fields of wind farms: u_ejento were hesitant to acknowledge the implosion effects embedded in all this: usually they were glanced over or explained away as innocuous petty recreation: hä sometimes could feel the weight of the (00_00) bearing down on här even when it was not materially present)." (00_00)(MONOGURUI: y_ueghuru(ii))((00))(00)(00_) (00_00) (00_00) (00_00) (00_00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(through a form of psychic reverb that appeared to detach from its former embodiment .. cling instead to the immediate presence of här body): (u_ejento complemented in their models ergodic volume with inversion, or proto-phasm retention/stasis, .. equated it with the concept of growth value, as a force for the distribution of the means of *production in the form of proto-phasm): (underground are two vertical cases driven by _ mass condensing units: solenoids control the levels: these are to control u_pulse growth: to some degree u_pulse bubbles are planned for as release fields for the buildup, but they are carefully managed): (unforeseen shocks would fold in features of hyletic reverb pushing against the internal-external limit of the processes which had become completely permeated by this time: the time-continuous model is equated with the minimal limit of the period spacing as it disappears): (YAMAUEREDA focused branches at a number of these data centers on the pursuit of such developments, with the ultimate *production of * filters mapped on to the u_objects cell as their resulting concrescences: the velocity of conceptual discourse itself took new forms, as frictions .. control points for the dissemination .. inoculation of the process of research to packaging movements were circumvented or removed in response to the proliferation of flow-channels that mapped *production functions on to new overlaid arrays of interaction: data centers for the distribution of conceptual research became so densely packed in the space between the research centers that bundlings of closely interacting data centers themselves became sources of gravitational pull independent even of any u-agency pass-through)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(reflecting this reorganization of convergences, eventually u-agency participation on the part of u_ejento .. y_chosa-in became migratory, as boundaries between institutions became fluid, .. personnel would move from one u-agency center to another in response to the motivations of their research program: bunker compounds opened up at these data centers as demand for proximity to particular flow-channels emerged, .. data centers came to look like micro-ryojusens themselves, mirroring the social merging functions of cafetaria spaces .. botanical parks, with temp dorms functioning more or less as hostels interwoven with their perimeters: white bio-plastics in distressed plate-units sloped over the low rooftops .. protrusions: gapped with huge windows .. ingresses for venting .. water circulation: light was pushed into mott-conduits .. then re-pushed out for various uses, spanning from interior illumination, to hydrology, to computation: it was only much later that the effects produced by these complex systems were recognized as imbued with a type of consciousness very different from our own: the absence of a spatio-temporal filter, along with the dissemination of various dimensionaities as conceptual units, contributed to this failure of recognition: additionally, it was dificult to reconcile these entities' aims .. motivations with out own, despite an absence of confilct: the fact that their aims, almost without exception, did not bump up against our own afforded these emergent communities with a form of conceptual invisibility, .. their presence was only determined via a degree of poking .. prodding into the form of the flows of otherwise unanticipated residuals: the mega_phurgur were in communication with them from the begnning, though, .. were able to provide clarification on occasional distinct points in the process of coming to undestand their presence, but their contributions were, as usual, irregular .. sometimes somewhat confounding: shuttle maid programs acquired modality in these new entities or mirrored their propagation in synthetic packages, helping to move the u_monad developement of these proto-phasm functions into a wider landscape of community resources): (such that given a relatively large u space in _00_ .. a smaller u space in _00_, u flows would tend to flow from the former to the latter as compressible, inviscid flows: the YAMAUEREDA processes allowed for computational flows/points to be mapped out .. controlled .. influenced with predictable effects: u flows functioned according to properties of fluid density, pushing .. pulling in various areas: it was usually a question of controlling the potential flow approximations rather than attempting to affect the flows directly, constructing interior spaces for flows to occupy of their own accord: these were multidimensional flows, so they resulted in misformed, mysterious cross folds)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the concept of u_pulse rests on the placement of convergence regions in spaces tightly confined enough so as to reduce stillness to imperceptible reverb over a small enough time period)."
(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(giving a u equilibrium approximation that could easily be confused with an imperceptible 0-space: demand for interior cell compounds flowed in directly from a mirroring of the insufficiency of supply of constructable mass proto-phasm which had progressively pushed down u levels over the preceding aeons: mathematical innovations .. the ever increasing intertwining of complex mathematical concrescences .. institutions was a function of the demand for proto-phasm-generative channels to fill the gaps produced by decay in the overall supply necessary for the growth of the (*)region phasm-metric: filtering out the nuances this meant fundamentally an increase in concresence of the mathematical institutions driving the growth – the inevitable end point of the math on this point doesn't change regardless of how one gets there: .. almost as inevitably, with greater concresence of the interior proto-phasm compounds comes greater reverberation .. fragility: without the substantive reservoir of the large scale monadic foundation .. proto-phasm-producing properties of the modern compound the mathematical institutions stepping into this role operate by design as actors contingent upon the stochastic properties of the proto-phasm flows: implosive reversion in this framework functions in rough parallel to the monadic channel of u_op, but at a significantly lower level .. with much greater inconsistency associated with it: u_flows countered these tendencies via their mirroring properties, such that goryos floated on wide arrays of isomophisms with synthetic vehicles implemented to flow back from the future: in some sense, these goryos were constructed as two or more interlocked propositions, in syntactic structure, such that the flow of one would imply the interconnected flow/s of the other/s)." ((00_00) (00) 00: OOOOO: y_ueghuru(ii)(-(00(00))): (00_00))) "(the white plastic contours of the construction bend .. pull back upward, in parallel configuration: yumi(no)gosuto: 'the generative form passes through cycles of climaxes which return to the 0-point': mieko_op: 'it is the 0-point which concerns me: how do we remain confident that our binding will hold?: once it floats free there is no foundation to resolve to .. our probability-forms become too rubbery to be of much practical use: this will only get us so far: there was… I remember complaining to you about the flowers: you remember this?: it was before I became a u_ghost, before I gave in to the white mass': there is little to suggest that they might return .. conform to the base, but in their own course the glistening polymeratomic beams do resolve in a solid modular foundation, pushing through the closely confined space of pulsating clear biomorphic surrounding mass: airy passageways are formed: the white plastic of the architectural forms stretch out from the structures, lined by metal irrigation indentation, whose clear water pops in points of white light periodically: the four sit on low steel forms in its slit-patterned shadows: dark gray pockets of shadows reverberate with moisture upon the arrayed white plastic flooring .. structures: plots of plantlings surround the unit, some open, but many covered over with white plastic tenting, pinned with metal clamps to white plastic modular piping: the beams of the white polymeratomic structure push up in diagonal .. changing format with offset rhythmic protrusions punching up for outlets: Its foundation pushes down around them into the clear protein-based mass, packed with layers of white rubber hydro-pump mini-mygumun**, pulsating against their taut surfaces, held by clear intricately knotted .. dispersed clear cables interrupted by metal access ladders .. gangways for maintenance purposes: mieko_op's fat, gray flesh body is encased in semi-opaque clear rubber… with pockets of air bubbling up around it in tightly packed conformity, overlaid by clear rubber poncho: a clear rubber hood encloses här close-buzzed, framing här dark-freckled .. pocked face with bright, clairvoyant eyes with overlaid sheen of disturbed humor against black rubber ½-mask: clear rubber ½-gloves pinch in on här tightly held hands in här folded lap: här breathing exhibits slight, occasional tremors: hä possesses the curious quality of aged affected weariness laid over a buoyant, purely naïve youthfulness: hä blows air into här hands prosaically .. as if with mysterious purposefulness: (00_00) drops over the stillness in diluted particles: the artificial light plays over their features giving them a certain ghostly cgi appearance: the surrounding YAMAUEREDA(vi) pushes through dark matter outer regions: the surface of mieko_op's clear rubber yurisuit over white acrylic mech-harness is run over with a grid of metal circles capturing each shift of the arrogant, interrupting low generative light: hä lifts här head up slowly, dropping här hands to här side, letting här gaze pull back into whatever imagined psychopathic structures .. conspiracies hä's chosen to pull forward versus the overwhelming birth of ruptured, punctured .. perceptive grace that hä still cannot escape, despite all of här attacks .. grotesque whispered affronts upon it: (* as if with perfect, pure enlightenment or revelation, in the open capsules of illumination pouring out of your sweat .. pores, your nauseous vomit, the underlying core or stench of the tainted oxygen you pump through your meat, the bodily fluids you fail to retain: you are the paranoid point of contact for all the dark forces arraigned against us): (the calm was an admission of error)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(here we apply the concept of defining the proper mathematical object, as an abstracted but also material entity, as 'that which withstands the hypothesis of non-existence', or, aka, the unconditioned universal, as we like to refer to it: hä seemed flush, as if white light was radiating out of här body: (INTERPELLATION ROOM): each of the 10 ryojusen units is equipped with an interpellation room, used by the 5 agents to investigate the readiness of individuals to participate in the defense: the subject is attached to a white polymeratomic mechanical chair in the middle of the white room: the white blank-masked head-piece wired to the chair covers här face, strapped tight around här head to a white helmet attached with five white plastic stubs: the interpellation unit possess action at a distance properties as derived from the hidden measurement of the u_frame: the spin of the universal u_frame itself as a relative property is embedded within the measurement, .. it is this value which correlates the information homology of the dispersed points .. it is this value which identifies their binding to a given, cohabited inertial frame: this provides the 'instantaneous' co-phase over their distributed coordinates: a perfume emanates from här body .. hits the gentle, peaceful hue of the surrounding, densely packed plants of the huge, white underground greenhouse space: här white white rubber gapped yurisuit with metal discs collapses over här body, här hands at hips surveying the units in här care, 2-bundled black hair pushing over här head .. black rubber ½-mask over här face, pursed lips, little white rubber ½-gloves, white rubber arm-warmers up to här forearms leaving a bare gap for här gray flesh, taut, gaunt twitching muscle, .. bare legs down to white rubber ice slipers, six metal clasp-lines closing up the yurisuit tight over här vibrant form: meu(v) listens to the hum of the c.a.m.(ii) .. decides that perhaps it is now time to contact y_ueghuru(ii), to bring här in to the folds of här projective actions)." (00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the high-level equilibrium implosion features of the program of pulling inward were incapable of being overcome by 'internally-generated forces', it was argued: the flows of these goryos from forward points in time provided the outside reservoir of proto-phasm required to overturn .. reverse the equilibrium, .. this was done with such force that momentum was generated for the overturning of the interior/mass mirroring, such that the basic program of pumping up interior proto-phasm channels of the mathematical institutions based on a foundation of the augur-op. mass proto-phasm of the yamaueredas .. chrema was overturned to become the converse: from the mathematical compounds perspective input became output, output became input, .. a highly volatile .. fragile core supply now functioned to drive a robust, powerful expansive force generating massive upturns in the flows pushed into monadic reverberation: the YAMAUEREDA mathematicians modeling these systems worked closely in the intermundia space produced by the difference between the domain .. codomain of the log-link)."
(00)(00) (00_00)(00) 変更 (ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( ( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)(( 00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)).」(00)(00_00)(00)(00) (00_00) )(00) 変更 (ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) ) (00_00) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)(( 00_00)(00_00) (00_00)((00_00) )(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00) ) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) )."(00)(00) (00_00)(00) 変更 (ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) )( (00_00)(00_0 0) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) )((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( ( 00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) ) (00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) ( 00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)( 00) 変更 (ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00) ) )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) ) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) ( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00) )(00_00) (00_00))."
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