PLAYER:(miyoshi()

(00)

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))): (the emphasis on cyclo-points rather than proto-phasm belied the possession-like quality of the processes: the removal of a particular yamabushi from a flow had no other effect than to cause the 'ghosts' in question to rush into some other swine): (the u_ejento method for diverting proto-phasm consisted of moving point_waves from a forward point in time backward, diverting it through their body, to 'the present', where it would be put, typically, into a u_object: after a given period the removed point_waves would be diverted back to the forward point in time from which they were originated, with the *production retained)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(y_usege(ii)(op.): 'thank you': hä adjusts the fit of här semi-opaque clear rubber ghost-equipage with bold white outline over white cotton gp-formed bumps up to här bare shoulders, multi-layered .. bound in bunches with large thick obi-wrapped skirtage, thickly packed .. built up hair wrapped in clear rubber bouncing slightly with each movement, the shimmering dim white light folding over the curves of metal apparatuses: each underground little offshoot of the residence holds one of the onnagatomaton permutations of y_usege: y_usege(ii)(op.)'s gray midori flesh pushes against the white cotton misformations .. hä sets här fingers over the surface of the white ceramic ewer, empty, resting on the metal surface: extensions of the maitri-house run off radially in various directions, submerged in the cold concrete ground, each one allowing in white light through filtered air-vents running up to the surface .. mirrored surfaces curving over each distorted image: the (00)-org had shifted its resources into a pursuit of the chrema channels in order to consolidate their position in the *-dispersion, relegating the cultivation of backorder hydroponics on recent settlements to their counterparties: y_usege(ii)(op.)'s image circles back to här as an unclear merging of lines .. shapes running off into conflicting perspectives: här dark eyes glower over the cutting as hä turns it over in här hand: nine more sit in a bunch waiting on the metal surface: hä looks into the depths of one of the ventilation units, a white plastic assortment of tube endings arranged in a circular grid inset into the clear plastic wall, separated by white, plush cushioning, each one numbered in a sequence by tiny black labeling: amorphic vibrations push through each rhythmically: each gathering of the white cotton pushes against the tightly bound clear rubber .. pulls back, .. här little white rubber slippers grip the white rubber dimpled floor, clinging slightly, such that if hä focuses här body's weight downward hä can feel its sticky resistance .. distributive force): (u::hoshi-miroku: 'one could see there was a hidden program to it but one could never illuminate what it was: for in this one conversation it seemed that y_ch. was attempting to conceive actuallty as a communion (or partial communion) between two or more objects'): (thus are we are as likely to find ourself far from any given phase-state which might be subsequently conceived as equilibrium, prior to defining it, particularly if the process itself of putting the coordinate system into place is to be thought of as a projection forwards (from the phase-state where we are now) (to another distinct phase-state) the growth of u_discs forming over convergence layers: one starts with the morphology of a line on multi-dimensional space to a curve over the 2-dimensional plane (re the converted norm): one's activation function is essentially then a transformation of moduli over dimensions): 'hä was talking about constructing non-cantorian models of transfinite numbers, in much the way one might think of non-euclidean geometries: I think hä had always viewed riemann as a figure to imitate: but then, strangely, hä segued into the grayforms, .. how one might be opened up to new potentialities by the accidental introduction of alien technologies: I was only vaguely aware of dr.m.'s work at the time: it was considered such an eccentric .. abnormal pursuit even when it was first introduced, .. it had been years at that point since anyone had heard anything from här: there had been no further developments for so long that it had been largely forgotten: but I felt like I had heard similar ideas before, even as I tried to follow y_ch.'s thoughts, even if I could only identify their precursors later: hä was suggesting that perhaps beings from other worlds might adopt the abiity to convert time-dimensions to space-dimensions (with limit cases being the inf-dimensional space frozen at one unchanging moment – one spatial point "moving" through an infinite number of time orientations: .. in between would be an immense range of potential worlds, thought of as indices, almost, of constraints over one's degrees of freedom over the monadic field: if one thought of the individual object or being analysed as a function of the group behavior of a population of monads each with their own force or power determining directionality of their processes over a u_space could one shift phase to become something other, something which might interact or even occupy these other noumena-domains: .. then hä was gone: for years nothing: .. then recently, out of nowhere, at a procurement meeting with a client, hä walks into the room: hä took no notice of me, or if hä did hä hid it from me: though hä must have recognized me, .. there could be no doubt that it was här: hä walks up to my counterpart, whispered some update into här ear, .. then turned .. walked out: I asked about här .. was given a different name, miosukuo(-), .. told that hä was one of the researchers for the (0_0): my counterpart apologized for the interruption, saying that they had received some unexpected information re one of their ventures, .. then we resumed our business'): (the lack of reverberation itself was found to have minimization pressures: the u_ejento were fairly open in their love of unpredictability .. range in cyclo-intension: 'really dear, (0000_0000)' they would remark, or something to that effect: y_ueghuru(ii)(00_00)(ch.)'s tongue starts to ache: the ghost flow regulated via a system of reversing valves .. an accumulator, in conjunction with a compressor: ghost flows are placeholders for surfaces or boundaries, such that the condition d(u(x.L,t))=d(0): here it is the interface between the real .. the ghost flows that is of the moment: the ghost flow contains a rubbery quality such that it can be pushed inward against but reverse-flow pressures are created in the process: the potential for blowback arises: YAMAUEREDA's process consisted of the coordinating of a series of these ghost flows applied to the (00_u_iiii) mathematical compounds .. the arrangement that they blow back simultaneously: _ yamabushi were responsible for _ to _0 ghost flows respectively: ___the proto-phasm injected into these ghost flows was moved back forward to the points in time several commutes into the future from which they were drawn, via a series of u_objects: having been propagation the point-flux cell heavily, their withdrawal resulted in a decaying of point-flux, which, in turn, had been propagation the U_MATRIX cell, with a corresponding inversion: this process of reversing out the ghost flows occurred during (00) _00_): (chaur(00)): (conduits were set up to run sd curves through u_pulse arrays for proto-phasm concrescences that were imbued as a source of u_pulse flux but designed to siphon off modality: there was initially considerable debate as to whether to set up controls at the macro or micro level, with a hybrid model eventually adopted that allowed for control of the overall u levels as a macro determination while pushing control of the dispersion into micro units within a very free range of activity: mapped over all of this was u_pulse feedback for the identification .. denoting of density spaces, tracking pressures .. flows over a giant accumulated physiotemporal domain: här hooded rubber mech:suit was a field of blank white covered with blue pink floral pattern, white rubber hood closing tightly on a clear rubber mask: clear rubber gloved hands pushed up against här face in consternation .. uncertainty: hä seemed to be on the verge of perhaps a great leap, but the air itself closing in on här body sutured closed potentiality space after potentiality space, .. with each moment of hesitation the great leap forward, just on the cusp, transformed inward toward the great void within här, .. darkness .. mystery confounded här: hä imagined future versions of härself conspiring against här): (during this time period analysts measuring flows were forced to resort to cyclo-constructions or incorporeal transformations in their modeling, .. faced with the awkward prospect of explaining their models to the plebs in murmuring, apologetic restraint, um, ok, something like this pattern is emerging, but – obviously – it couldn't be, but, uh, yeah: from a cyclo-intension or monad-pulse reservoir perspective one could only look at this data .. say 'wait, what? – (0000)?': it caught out the basic inadequacy of measuring cyclo-intension, or inversion, as a measure of u_pulse processes: ultimately u_pulse processes are just an index of an underlying process, an index which has, historically, been in sync with the underlying, but once you unwrap an index .. begin applying pressures to it ceases to be a measure of naïve responsiveness .. becomes something which will push back: or, in other words, an index is good only so long as one is confident of the directionality of the flows, from a causal perspective): (but somewhere a convergence to a pulsating equilibrium is evoked, madhyamaka: this limit pulls in all inversions: this is dynamics at its coldest point, its most nihilistic .. hollow, where underneath the surface of kinematic functions the domain .. codomain binding itself controls the ultimate teleological utopian/dystopian processes at work to dominate us all, unforgivingly): (consuming our bodies for the *production of some crystal future: nevermind the suggestion that this 'utopia' is not for us but for our masters, or for our doubles who will have replaced us: we were even yet only pre-embryonic beings, or pre-formations of beings, vehicles to push forward the growth of u_pulse flows whose emergence .. decay lie far outside the span of our own preferred mortality: the use of growth-plastics was extensive in YAMAUEREDA, biological plant-based materials used for the development of biomorphic entities: u_ejento would at most mouth 'implosion' as a whisper, as a suggestion that was understood only to be a murmur of some underlying decay/growth process: there would be no reemergence of blown up entities .. facilities passed through at this time): (hä used to call här strong-ghost, because hä would pick här up .. put här on här shoudlers .. carry här through the mountains, finding deep gorges with mysterious enclosures .. vertical outlooks which dwarfed everything in sight:: white plastic modules submerged into the sides of the cliffs .. sloping contours, with dark cylinder entryways: their investigations took them far .. wide through the mountains: they would stop .. visit the residents of these little enclosures, .. pretend they were 'investigating' them: all of these little mysteries that accumulate: the more one finds oneself engaged in pursuing information .. the resolution of its uncertainties the more one finds it to be a process of uncovering motives .. aims, .. their resultant shortcomings, until the 'perps' that make up material being fold .. reveal themselves: they mapped their findings out as homological coverings)." ((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "((0_)(inversion positions were designed such that when preset pressure points were met matching synthetic positions were open to offset: if a counterposition imploded, or if their proto-phasm potential was reduced, this counter-flow would be slowed, so care was taken to spread this operation across a diverse range of unconnected participants)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00) YAMAUEREDA. AKA the Guardians/ Defenders of Yugen: they represented the most powerful .. vigorous of the u_ejento of the Institute of the Defense: their members were placed in positions in the community associations that were formed as loose collections of mini-communes in the new developments: the community associations would form the residual core of the propagation for the project with a congruence-map like framework applying dematerialization rules to their collocations: it was the community associations' role to push continued crystallization, .. to resist against stasis: this endeavor took the form in large part of proto-phasm projects that extended far off into the distant future: some were so secret that even those working on them didn't know what their ultimate form would take, or more than a generalized notion of their aims: if fictitious proto-phasm were the part that swelled up .. bulged out the curves of u over p as the realization of productive monadic capacity, then ultra-proto-phasm was that part of u that had undergone, or would undergo, transformation from one cycle to another .. back again: large hadron colliders were put into place beneath neary all of these new communities, each tied together by feedback propulsion, co-linking these rings over the surface of the u_verse, .. built as submerged floating structures in the ocean masses: it was sometimes heartbreaking to think of the potential for congruence: u_ejento preferred to think of their particles as shimmering balls, held just on the cusp of touching, forever: usually the community associations would oversee the teams of u_ejento running their facilities: colliders were stacked on top of each other pushing deeper under the surface, some running 200 layers deep: if enough were running simultaneously one could feel the low level vibration/hum throughout the city): (every path-dependent .. path-independent u_object was not conceivably being hedged out by the models as constituted because they did not matrix-filter for flows escaping out via YAMAUEREDA channels, nor could they have under the assuptions they were operating under: the jumps in Q(t) occur at the same times as the jumps in N(t), but whereas the jumps in N(t) are always of size _, the jumps in Q(t) are of random size: all of this would, in the normal course, get subsumed under monadic process, or 'malediction consumption' as they say, such that these outflows get tied up in little bows as presents to pretty ugartë:ugartë .. such until they play out in leg-bindings .. (0000) .. girdles .. strappings .. such until they become imbued with such proto-phasm that they either dissipate or fructify, but, again, this is under normal circumstances: there seemed to be invisible forces at work beneath the surface: such that the coherance between cell flows were breaking down, or, rather, that a new previously unobserved order of coherance was being grafted on to the existing flows)."

00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(ueghuru watches här as hä walks tightly in a small circle, här dark eyes pounding at här)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(the proto-phasm contained within the goryo's could be expected, given the model of their behavior, to fluctuate around the baseline of the weighted average reverberation between 0-points: from this one could incorporate an approximation of expected reverberation by running the p-value against the randomization control for the ratio of cell mapping values against future anticipated free u_pulse flows: the measurement of proto-phasm, in the mathematical system as a whole, became the dominant force in the calibration of models for mathematical movement: proto-phasm was defined in this schema as backwards-flowing u_pulse flows against the forward flow of u_pulse)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "((00_00)): (y_ueghuru(ii): 'what is a *monad?': crinkled clear rubber covers the upper torso .. forearms of y_ch.'s gray rubber contoured outro-suit, picking up the white light .. flicking it back agains the surrounding walls: black rubber folds in the joints .. crevices of the suit pull in the vacuous cold air: y_ch.: 'this is not my world: no matter how far forward into it we push we must not forget this: nor is the mygumun-space the (*)space itself, but rather an intermundia fiction binding the two (*)spaces together, allowing u_pulse flows to pass from our world to theirs .. vice versa, .. for the morphing of their perceptive forces into interpretable forms: they … it took many aeons in mygumun-time for the *beings to understand the mygumun-space in this way .. to understand the encroachment it represented, .. to use it for the own purposes: they'll have their own interpretations of this, their own way of describing these distorted .. convoluted forces: you are here now: perhaps you understand: the *beings were able to, in some cases, pull the flow back to its source, to take control of u_agents themselves, to control their pass-throughs to their *forms: (these get referred to casually as) closed loop cases/players: it was at this point tht the *war began to form, our struggles to dominate the mygumun-space in turn: they developed massive forces of their own, entire civililzations cultivated for entrenchment in the mygumun-space, to take hold of it: .. then, of course, unexpectedly there was peace: the mygumun-civilizations began to do commerce with one another, finding mutual growth patterns, .. the mygumun-space began to be cultivated as an ultimo of its own: I have not forgotten our adventures, our struggles against one another, vs.: this point of convergent rays of actuality will tie off, implode, something else will emerge in its place, a new growth, unpredictable'): ('the calm mountains')." (00_00)(MONOGURUI: y_ueghuru(ii))((00))((00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the implied reverberation in the goryos was pushing against bounds as early as _00_, with cell u_pulse processes beginning to become deformed in respect to the models that the u_ejento were using: these underlying forces tend to be undervalued, as being merely 'theoretical', because cell participants tend to make a point of overlooking the degree to which the real cell u_pulse processes are being intentionally bound .. constrained from movement by active parties with an interest in doing so)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "((00_00)): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."

(00_00) (00_00) 00。 yamegu(r)u(-(CR(00))): (C.A.M. に記録) "(00) pressure-pt. yameguuru_uereda(ii) の選択したポイントで、透明なプラスチック製のミニシリンダーの噴射がポップ イン/アウトします。アンチ・チョード・アーマーからの身体/ マスクの顔に収束する3本の弱いスーパーレッドの半不透明な線/ ヘッドピースの透明なプラスチックボールのそれぞれの輪郭を描く弱い永続的な青い半不透明な円/ 透明なプラスチックの鎧が彼を取り囲んでいる円形のフォーメーション / 透明なプラスチック マスク 13 個の円形 / yameghuru_uereda(ii) の体が透明なプラスチック製のマルチバルバス アーマーの下に半透明 / 右腰のすぐ上にある黒の adidas 3-figured ロゴ / ミニ黒の丸い頂部の金属ネジ透明なポリマーアトミックアーマーのピースを断続的にバインド/セレクタープレス/黒い輪郭/マーキング/透明なゴム製ボディスーツ/透明なゴム(00)/黒いゴム製スリッパ/非常に炭素質の黒い髪の5つのミニ突起ヘッドスタブ/クリア ラバー ハイアップ アンクル ミーティング pt. w/ ブラック アウトライン クリア (00)/ ブラック ラバー スリッパ." 0412 (00_00) (00_00) 00。 yamegu(r)u(-(CR(00))): (C.A.M. に記録) 「Y には一定の要素 k があります。頭を下に向けてうねっています。ミディアム ピンク oh-so-blue 非対称抽象パターン / 黒ダーク灰色の煙が複数の成長で立ち上る白いゴム製スリッパ、ひざまでひもで締める/反転; その後ろに/散らばった腸のねじれた体 (14)/白い f(-1)、xfy iff yf(-1)x など。 (すべてのセットは、打ち負かされたゴム製の暴力的な獣からびしょ濡れである必要はありません。逆を持っています。) 5 つのミニ突起/透明なゴムの上に非常に炭素質の黒いミニ束ねられた髪/透明なゴム製の 6 個のバンプ付きボディスーツ装備 / 5 個以上の透明なゴム製マスクミニ突起ヘッド: ああ、とても炭素質の黒い髪/大きな丸い目/博士. m.: (via yameghuru_uereda(ii) (.r.tpac) '(00) 白いゴムの力 yameghuru_uereda(ii) w/ black-液体に染まった下部 rt. 白い鎧.': yameghuru_uereda(ii): '-しかし、ほら、当時は歩きながらモナドの複雑さが少しよろめき、アドレナリンはまだより完全にポンピングされていました.'" (00_00) (00_00) 00. OOOOO.ヤメグ(r)u(-(C R(00))): (C.A.M. に記録) 「6 つの黒い太い円で飾られた här クリア ラバー ボディスーツの 6 つの隆起/ゴム状/ här oh-so-carbonaceous 5-circled hair/ 1 一瞬眉を上げた/大きな丸い目/黒く縁取られた透明なゴム (00)/ 絶え間ない力で髪の頭に取り付けられた 5 つの金属製光学チューブ/ 天井に近い白い/ (THE DEVOURING.) yameghuru_uereda(ii) の白いゴム手袋をはめたhands yameghuru_uereda(ii): 「かろうじて次から次へと食事をまとめて、どこにも苦労したり-.'/ (正式な定義);ゆっくりと、純粋な輪郭のゴムで均一な塊を、または 1 フィートずつ交互に動かします。黒い輪郭の丸い円 暗く重い目の周り 透明なプラスチック マスク 13 円のヘッドピース/ hä は透明なプラスチック/磁器の大きな椅子に座る/ じっと見つめる .. 周りを見回す/ 13 円のヘッドピース/ här 透明なラバー ボディスーツの 6 つの隆起6 つの黒い太い円で飾られた/ゴム状." (00_00) (00_00) 00. OOOOO. yamegu(r)u(-(CR(00))): (C.A.M. に記録) "(00) for Y.の死にかけている .. すべて (0) .. 騒々しいユーモアから陰気な救助完了までの感情的な意味があればどうなるかを考えています.. Y. にはサプライズギフト/ 人工体だけが保護部門に加わりました.情報の悲劇の代わりに/ ¾ 時間で書かれました/ (00)(00000000)/ 私の白い透明なプラスチックの装甲/ ゲームに戻ってジャンプするため/ 透明なポリマー原子アンチコード アーマー (00_00) 傷ついたハード/ソフト ボディ ホワイト黒いボタンのショートパンツ/マスク/ヘッドピースの上に弱いパーマ パターン 13 の円/非常に炭素のような黒い無精ひげの顔の大きな目 透明なプラスチックの下に 5 つの円の髪/黒いゴム製のスリッパ/ヤメグル_ウエダを睨みつける(ii) f.範囲; (00) (0000) Interpretation.2 f./透明なプラスチックの輪郭 a (00) (0000) in E Flat, Op. 50/思慮深い白い光を外側に/上向きに効果なし/6-Mouth は椅子のその弓を曲げていた/しなやかな唇/朝の白いパッド入りの装備." (00_00) (00_00) 00. OOOOO. yamegu(r) u(-(CR(00))): (C.A.M. に記録) 「yameghuru_uereda(ii) 透明なゴム製のマスクの上に 5 つの円をかぶせて oh-so- The wire ..tubes doesn't connect him w/ The carbonaceous hair inspects the carbonaceous hair巨大な白いモナディック エンジンですが、バイタルをいくつかに吸い込みます 3 つの太い弱いスーパーレッドの半不透明な線がマスクの表面に収束します/弱い永続的な青い半不透明な円がヘッドピースの透明なプラスチック ボールのそれぞれの輪郭を描きます/ 13-丸で囲まれた/半透明のプラスチックは、体の輪郭にフィットします/ adidas/ multi-formed/ yameghuru_uereda(ii): '(00)(00) (00) (00)(00) (00) (00)(00) (00) Yarbois/じゅっかい(嘆き)/むかしマスターのラバーボディ、無関心エンジン。 (00)(00) (00) (00)(00) (00) (00)(00) (00) (00)(00) (00) (00)(00) (00) (00) )(00) (00) (00)(00) (00) (O) (O) (遠い昔) オイ (時代)/ 白雪 (白い雪)/ 落下を味わって現在の状態の境界 (00)( 00) (00) (00)(00) (00) (00)(00) (00) (00)(00) (00) (00)(00) (00) (O) (O).'" 0416 (00_00) (00_00) 00.OOOOO.ヤメグ(r)u(-(CR(00))): (記録)."

(*): (0)(0)