MONOGURUI poncho-dress: ( (00_00) THEM ALL: VSECKH NE PROEBYOSH)

(00)

(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(här gray-painted lips frozen still: with two large round op.-filters attached to each side .. black-rimmed tight contoured chrome visor set into a gray rubber face mask whose gaps impel the cold, unyielding features of här placid face: här lips twitch momentarily .. här flesh shimmer .. flutters, as if the light is turning itself out from här body as an inverted ray coverging back on its ultimate origin: hä pushes här gaze forward, intent on penetrating beyond the edge of här gaze: the quiet, almost whispered words float up from här c.a.m.(ii): '…. the question then is why is our consciousness bound .. finite rather than infinite .. unbounded: what makes us an object, as distinct from other objects: the question takes as given what is given, .. instead tries to approach an understanding of why what is not actualized does not come to be: all of this floats over the notion of tense, where introducing a range of time undermines .. subverts notions of modal incompatibility, allowing for sets of world-pairs which contradict one another: it is the breaking apart of these world-pairs then, in a synthetic world-building process, by which indeterminancies are introduced .. partitions are formed ….': the 6-bumped white cotton ghost-suit is strapped tight by white cotton bindings running up här neck to the metal head-piece: phuma-head(ii) turns on the machine .. a blip-pattern begins to come forth in pseudo-random process: the machine: (B/2) O O O O O : (D/2) O O O O O : (D/2) O O O O O : (D/2) O O O O O (B/2) O O O O O : (B/2) O O O O O : (D/2) O O O O O : (D/2) O O O O O (C/4) O O O O O : (C/4) O O O O O : (C/4) O O O O O : (C/4) O O O O O (D/3) O O O O O : (A/3) O O O O O : (A/3) O O O O O : (A/3) O O O O O (A/4) O O O O O : (A/2) O O O O O : (A/2) O O O O O : (A/2) O O O O O (A/1) O O O O O : (A/1) O O O O O : (A/1) O O O O O : (A/1) O O O O O (B/3) O O O O O : (B/3) O O O O O : (B/4) O O O O O : (B/4) O O O O O (C/2) O O O O O : (C/2) O O O O O : (C/2) O O O O O : (B/2) O O O O O (C/3) O O O O O : (C/3) O O O O O : (C/3) O O O O O : (C/3) O O O O O (D/1) O O O O O : (D/1) O O O O O : (D/1) O O O O O : (D/1) O O O O O (B/4) O O O O O : (B/4) O O O O O : (B/4) O O O O O : (B/4) O O O O O (B/3) O O O O O : (B/4) O O O O O : (B/4) O O O O O : (B/4) O O O O O): (200 *. by 50m., containing solid ice in thick glass walls: into which the mega_phurgur would push their white bulbous flesh through u_pulse currents: they were able to communicate with the urakuomori who cared to via a method of control of acoustic waves, such that their 'voice' would emerge as waves directly in the ears of the recipient/s: the effect was disconcerting, as if the voice was coming from one's own head, .. with a somewhat hollow, metallic tone, but allowed for a relatively comfortable exchange of communication: their interest in urakuomori affairs was of mildly piqued interest, .. they were able to pass on only vague suggestions of their own concerns)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(though not so much from discretion as from rather innate limitations in generating a comprehensive understanding)." (THE (0_0)((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(u_ejento had a tendency to go on uninvited abut their petty little microfascists, as if they were their petite pets in bows .. ribbons, frivolous diamonds: or, at times, it was almost as if they were referring, in admisssion unacknowledged .. perhaps unaware of themselves, to their goryos, as the master of their bodies .. their subsequent intermission into the affairs of the *region, .. the more gone they would get into their imagined phantasms the more clearly .. distinctly the features .. image of the dominant being in play would take shape in this direction: most u_ejento would have in quiet .. hidden reserve at least one medicine cabinet with arrays of carefully arranged .. polished, disinfencted, metal objects or implements of mysterious purpose: as polders .. mass instituitions merged into their joint ventures, mass officials morphed into hybrid cyclo-points, .. one would become hard pressed to find a YAMAUEREDA which was not filled with rows of prop.-monitors of u_C.A.M.s, packed as densely as any point-form firm: projects popped up .. out with uncontrolled .. disturbing velocity, such that no actor could effectively monitor their outcomes at an individual level, .. any perceived control could only be at the level of flow of point_waves between various compounds .. concerns: such that as they slow or are cut off pressures build up for militarization .. regimes of force: the (00_00) monad::war provided an experimental-like basis for comparison of divergent proto-phasm structures for military-political equilibrium, with the (0_0) on one end of the spectrum .. the implicit proto-phasm implosion architecture of the post-(0_0) regime on the other: psychological misformations on the micro level functioned off of these overpowering mirrored movements on the macro: u_points, as possibilities of system deterioration, function probabilistically as flow control, with identity relationships converging on completeness providing push/pull forces: the u_ejento treated, in their planning derivations, u_pulse as an inversion indexed to cyclo-intension with a term structure with a 0 flux convergence based on the probabilistic return to equilibrium)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(such that the expansive value of the c-inversion could be expected to fluctuate around that of a given deictic moment: their analysts plugged in proto-phasm processes for invisible processes, .. thought of u theory, at least functionally, as reverb theory, such that cyclo-intension points mapped to their projections were functions of the expanding or restricting of the monadic phase: in ____ urakuomori ejento partnered with the agriculturist(0_0)(ii) to develop their irrigation projects for u filtering, serving as early (00_00) prototypes: over the following ___ commutes this model of hybrid u-filtration-like structure propagation the buildup of irrigation cyclostructure for u_pulse flow control purposes)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(alongside the buildup of agricultural .. then residential/phasm development pushed forward urbanization .. desakotification, with the urakuomori becoming active in (ch.), in particular, following the wars): (wearing clear semi-opaque poncho with hood .. black rubber straps pushing its folds down against här body .. against the bumps of här white acrylic chrome studded clothes in awkward agglomerations)." (THE (0__)((00)(00_) (00_00)(00_00)(00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(their mappings treated cyclo-intension as reverse-co-emergence .. vice-versa, constructing a statistical mechanics of proto-phasm, with these concepts in parallel roles to neg-information .. **information, for the implementation of the time-symmetric op.flux framework that underpinned the u_objects cell): (math farms put into place within the phasm development lining the (ch.) canal projects pushed forward the cultivation of the probabilistic mathematics that formed the mechanical interworkings .. processes of the systems at work)." 00. (00_00)(00)(00_00)(00_00)(MONOGURUI)(00_00)(00_00)(ii): "(six mega_phurgur, protein formed membranes glistening: passageways, .. egress corridors overlooking vast underground expanses of budding mini urban growth .. development): (looking over vast rows of clone hybrid poplar dogwood saplings)." 00. (00_00)(00_00)(00)(MONOGURUI)(00_00)(00_00) (00_00)(00_00)(ii): "(a mega_phurgur bay, in the large front window of which were exposed _ mega_phurgur in semi-opaque fissured ice: the mega_phurgur, on occasion, would choose to settle in with the urakuomori, usually for a period of a few periods or so): (a huge expansive white light)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "(much of the u_ejento' conceptual foundations was based on a somewhat phenomenological reversal of causation suggested by conventional monadics, while accepting correlation of the given relationships, prioritizing productive forces over representational, particularly where forces could be empirically observed to be under the influence of ugartë made movements: (00_00) (00_00) (00_00) (00_00) (00_00)(00_00) (00_00)(00_00))." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "(they originally focused on land reclamation system/ water conservancy works: the u_ejento, while not engaged in engineering works, were encouraged to grow crops in military colonies: black visquine was pulled tightly over soft bulges .. padding against här head .. distinct points of här body, tied off by black rubber straps: exposed gray flesh in between these plush-points pulsed quietly .. calmly with här breath against the imposed pressure: här bare shoulders glistened in the white light: hä approached slowly, in implied perturbed gravitational pull, as if falling back into a trance disintegrating material mappings .. implications .. the taking control of här body by alien forces: a small u_chrema logo decal was pasted to här little curving belly, bouncing just slightly with each step: the mega_phurgur were found to be using the u_ejento' u_point-matrices in (0_0) as augmented synapse repositories, bound to them as extensions of the proteins of their mental processes to expand their powers: cytoplasm entities were grown in vast colonies until they covered much of the u_verse .. were submerged in the oceans, co-linked with these mega_phurgur processes: human bodies were seeded into these protein masses .. incorporated into virtual worlds, generated .. maintained by the imagined sub-processes of the mega_phurgur, of huge scope, encompassing civilizations .. populations of a multitude of expanding star systems, where power .. entropic force functioned as a product of the processing power pulled in for their formation .. developments from these moist white glilstening uber-microsomic forms pushing into the crevices .. mountains of the u_verse like a pungent mold growth: the ugartë .. ugartë of these uber-future civilizations acted in full cognizance of the fact that their material worlds had been replaced by immaterial fantasy-constructs, but this did little to change the human interpersonal dynamics at either a micro or macro level for mankind: entropic struggles .. wars persisted, pushed out at a scale without material limitations, but bound simply by the limit velocities of information flows: individual lifespans were constrained only by their ability to control .. pull in these information flows, but continued to ebb .. flow as they always had: the shuttle maids(1-500), ranging from 20 to 00* proliferated .. pushed proto-phasm expansion: virtually all of it pushed into (00-flux) with tightly defined interpulse controls, pushing high reverb into this mass, almost like an alternative op. point_waves cell where offsetting obligations could coagulate: floating c-pulse ingressions of both op.-yamaueredas(::) .. polders were pushed into newly formed futures exchanges where they would mirror (00-flux) .. other u_objects concrescences: for the major u_continuums this meant, in practice, that the vast majority of their proto-phasm ingressions were crossing over their borders, finding cyclo-ship .. point-form opportunities in the most obscure regions): (midimute-ch.: 'there is only the one material body, or bodies, in the universe, dear: the monads: .. they are just imaginary points, a convenient coordinate system for the forces that hold between them: it is these forces that form our reality, that form our bodies: hold on to this: everything else will ultimately slip away: you'll turn to grip it at your moment of darkness, .., poof(!), it will be gone': phuma-head:crystal: 'what is this project you wanted to discuss?': midimute-ch. hovers into somber repose for a moment: midimute-ch.: 'ah, …: not a project so much: a personal matter'): (in a dim room the cold dark grey opaque visor covers the upper half of phuma-head:crystal's face: hä sub-vocalizes 'print()' .. it comes up in crisp black sans serif on the overlay: 'you should just be grateful you are still alive': but I suppose this is true for all of us, hä imagines with dark humor: it becomes a process of changing phase-space density, bending it form y.i to y.u until it is unrecognizable: the passage of time being just one deformation after another: I am not causing this to happen: I am being deformed: I am a rubbery plane of curves .. contours being pushed .. pulled by forces inconceivable to me, just outside the range of any potential perception: but, of course, one says the categories push past this boundary: I suppose we've embraced the consequences of this aside, this neglected intuitive grasping of other, unpursued passageways, that affords us entrance to foreign, alien planes: one can always find one's way back, one deceives oneself: I am become a center: I am become a self-orientation: I am a coordinate system for fuzzy phase-spaces arriving from the future, .. other directions: I probably should have pushed back harder: acceptance is for the meek): (midimute-ch. looks over .. här eyes drift off: midimute-ch.: 'ah, yes, ….': hä drifts off into sleep, här heavy breaths pushing här body .. the clear fluid: phuma-head:crystal waits patiently for a few minutes .. then gets up cautiously from the chair: hä runs här hand over the white waiting towels, their soft bumps: with one more backward look passing over midimute-ch. .. the ripples passing from här through the clear fluid surface, phuma-head:crystal walks back into the dim passageway at the rear of the room: at its end are two white doors .. hä passes through the first to the right, bringing här into a kitchen space with white fluorescent light .. metal appliances, .. hä opens a couple of metal cabinets .. begins to make herself some tea, with practiced, unconscious movements: a large window sliding-door opens out on to a little polymer-plasma balcony looking over the polymer-plasma grounds with inset empty irrigation channels: phuma-head:crystal: 'house-op., are you there?': house-op.: 'yes, phuma-head:crystal?': phuma-head:crystal: 'could you tell me about this project that midimute would like me to look into for här?': assume bodies without extension: let us think of them as attached to forms of consciousness: would we describe them as imbued with intentionality?: the purity of statistical mechanics, as a machine for convergence on equilbrium, belies the challenges of defining equiibrium itself, which is taken more or less a given: can we justify this?: what does it mean for one phase-state to be in equilibrium relative to another: comparative equilibria are difficult to conceptualize without first establishing a coordinate system which, at least implicitly, fixes the terms of engagement of the points of the state, .. implies the forces between them as a measure of 'closeness' to another given phase-point: the movement toward a given terminal phase-state as the equiibrium state is then given as a function of the presumed directionality of changes to the phase-state as given by the coordinate system, as free variables imbuing the process with a define momentum: once you've set up your probability space the 'most likely' outcome of the functions you lay over it come out in circular fashion: thus are we are as likely to find ourself far from any given phase-state which might be subsequently conceived as equilibrium, prior to defining it, particularly if the process itself of putting the coordinate system into place is to be thought of as a projection forwards (from the phase-state where we are now) (to another distinct phase-state): (for the mega_funj the process of metamorphosis was one of complete implosion, point by point, of one's material body: each equation rewritten to reflect the effect of each wave such that the jump in the characteristic variable placed one precisely in the cross-mapping of the temporal fold desired: they used to travel along the rivers in the guise of yose performers: this was the cheap trick that they all yearned for): (vague though this sounds, it was perfectly comprehensible to yueghuru(ii), though hä knew that it was but a feeble expression of här sensations: that there was, indeed, perfection in those abnormal moments, that they contained the highest crystallisation of understanding, hä could not doubt, nor even admit the possibility of doubt)." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(so, for example, where an increase u-reverb might be suggested by observers to represent an increased accommodation on the part of ejento for future growth, u_ejento suggested that the u_pulse was itself pushing growth forward as a propagated force, .. commented on the observed correlation between an expansion of expansive proto-phasm volume with such an effect as evidence for its being, at least theoretically, manageable)."

(00_00) (00_00) 00。 yamegu(r)u(-(CR(00))): (C.A.M. に記録) 「(00) 社会的/反社会的役割を試みた者が 1 人. up w/ här. 黒そばかす .. (0/_) (00) (00) (00) (00) (00) (00) O : (0/_) (00) (00) (00) ( 00)精巧なフォルムをじっと見つめる制服姿の美脚 (00) (00) (00) (00) (00) (00) (00) (00) (00) (00) (00) (00) (00) (00) me any way hä like. Lola w/ a white porcelain cup of inpatient. 髪の毛を 5 つのミニ束に引き込み、5 つのミニ突出した頭をタイトな透明ラバー マスクの下に/暗くした目/黒い無精ひげの顔を透明ラバーの後ろにマスク/黒い輪郭/マーキングが上に走る(-CR)(00)の透明なゴム製の6バンプボディスーツ/大きな灰色の雲が形成されている/大量の頭上風乱気流があらゆる方向に超強力/ F.:「氷を試してみてください」クリームバー. 彼らは (00) (00) O/ (0/_) (00) (00) (00) (00) (00) (00) O : (0/_) (00) 老化/疲れた(00) (00) (00) (00) (00) O O.' 菊茶を手に。 (00_00) (00_00) 00。 yamegu(r)u(-(CR(00))): (C.A.M.に記録) 「会話は素晴らしいです。hä はタイトなゴム製の黒い手袋を着用します/メカニズムを慎重に調整して、モナド波の洗練されたキャリブレーションを行います/ här 顔は冷静に反抗的/透明なゴム製マスクの後ろで誇らしげ/透明なゴム (00) 膝まで / (-CR)(00) 麻痺した唇のひび割れた口をぎこちなく動かす/黒いゴム製のアディダス スリッパ/さまざまな種類のフレーバーがあります..色 (00) (00) (00) (00) (00) O/ (0/_) (00) (00) (00) (00) (00) (00) O : 白く塗装されたミニチュアの鉄のテーブル. yameghuru_uereda(ii)(0) .. yameghuru_uereda(ii): '(00) (00) (00) (00) (00) (00) (00) (00) (00) (00) (00) バンあちらからの素早いミニマル (0000) ミュージックにぶつかります。 (0/_) (00) (00) (00) (00) (00) (00) O/ (0/_) (00) (00) (00) (00) ピデユキは大白を飲んでいる-w/ -black-line-(00) (00)./ phideyuki: '(00) (00) (00) (00) (00) (00) (00) (00) (00) 周囲の放射計.' F.: 「はじめまして。(00) (00) O : (0/_) (00) (00) (00) (00) (00) (00) O.」 1012 (00_00) (00_00) 00.おおおお。 yamegu(r)u(-(CR(00))): (C.A.M. に記録) 「((00) 私が折れるまで私にバッジを付けるという愛らしい習慣.. 研究所の気象装置の仕事を選びました. または、ハでした. . 短く切り取られた頭からの 5 つの小さな突起 .. ミニ C.A.M./ (-CR)(00) の冷たくて麻痺した唇が透明なゴム製マスクの後ろで鮮やかに震えている/ 黒いゴム製の手袋をはめた手が静止している/ 5 つ以上のミニ-突き出た頭 炭素質の黒い髪/ 疲れた脚に透明なゴムの束縛/ 透明なプラスチック製のフィギュアと 6 つの歪んだ抽象的な透明なプラスチック製の突起が金属カップリングの椅子装置に接続されている/ うらまきの倒れた体を見ている) 私は här の肩に触れて、här の顔に向かって押し上げたのを不快に感じさせました. yameghuru_uereda(ii): 'こんにちは.' Dr. L.: 'それは新しい施設の不在を取得する触媒を提供します. 私は寒かった.生地は乾いた..汚れています。あなたに会えてうれしいです。私は態度を完全に空白にし、再構築しようとします.. まだ現存するものの維持を改善します。」 (00_00) (00_00) 00。 yamegu(r)u(-(CR(00))): (C.A.M.に記録) 「何の価値もない男たちがこのドレスを汚したとしたら? 言わないで、率直​​な描写を試みることを拒否する.この領域に焦点を当てた単一電流の (Rin-zai-roku)/分反射/ THE WHITE ROOM. (18)/ yameghuru_uereda(ii)(0) här 手を här blueredwhite (00) (00) (00) ( 00) (00) (00) (00) (00) (00) (00) (00) (00) (00) (00) 柄の磁器のお茶碗 理由は不明(00) (00) ( 00) (00) (00) O O. 思いっきり楽しんで?真っ白な 0000 渦巻く: 黒いゴム製のミニ手袋をはめた手を唇に当てる/ 透明なゴム製のマスクで頭をきつく締める/ 大きな丸い目/ (-CR)(00)/ すぼめた麻痺したひび割れた唇/ 私はこれを説明した前はフィデユキだったけど、ちょっと前だったけど無理だった。今は頭が痛い。かわいいケーキだよ」 (00_00) (00_0 0) 00。 yamegu(r)u(-(CR(00))): (C.A.M. に記録) 「(00) 泣いて、x さんも、ろくでなし、Dr. P. 以外は / 失踪したように見えるので、出発しました。脇に追い払うために、しばらく冷静に私たちを見ました/一種の厳しい/最も恐ろしいことを決意した/正義の迅速さ/世界からのすべての過度の美しさ.白い部屋の空の静けさへ/静かな/遠い/間違いなくその 1 つ/ (0000)(0000)(00)(00)/ 改装された地下室から私たちが運営した飛んだ男 K.-Mitsu w/ 2 つのミニ サークル黒髪の淡い唇/ に落ちるAway W/ The Birds/ Op. 114/ yameghuru_uereda(ii) は、壊れた廃墟となったダンスホールの廊下から自分自身を押し上げます/ The white Room/ 3 つの大胆で弱いスーパーレッドの半不透明なラインが、マスク/弱い永久的な青い半不透明な円は、ヘッドピースの透明なプラスチックボールのそれぞれを概説します/透明なプラスチック)."