MONOGURUI teacup: (GRAY PSEUDO-FLESH)
(00_00)(MONOGURUI: y_ueghuru(ii))((00))(00)(00_) (00_00)(00) y_ueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(viewed phenomenologically the * clearly had the character of a contractionary event, with tightnesses in proto-phasm as the motivating factor for all of the tremors .. damages popping up in one place .. then another, fulfilling 'in their succession the described conditions of the collection' as a reduction in quantity of flows of proto-phasm .. u_objects reverberations: u theory's conceptual history could be viewed as one of invisible ejento taking actions that u theory would predict to have a given effect, observing the occurrence of the effect, .. then incoherently attempting to amass an array of non quantity based theories to form a coherent matrix-filter: fictions of a distorted .. science fiction like character were regularly passed off as the most rigid .. sane of cold hard entropic contemporaneous theory)." 00. (00_00)(MONOGURUI) (0000).(00_00): '"(a big fold-over gray ghost-equipage with black circle-pattern): (certain of these flows would consist of high levels of reverb, tied back in to their representative ejento' goryos: the principle of indifference was applied freely to these effects, as their pursuant aims were driven primarily into probability sets: the white plastic module stood up from the glass surface, attached by metal screws, in one rectangular block on a pivot, with 3 glass rods set into its front face: it pursues a minimalist predictive model such that inputs are transformed into minor functions .. outputs are morphed into contorted shapes on an undulating surface plane: here, u_monad misformations can be viewed as flowing in from invisible effects in the modern form: behind the module in glass gridded case sit various forms of crystal (magnette, quartz, mesolite, oligoclase, rhodonite, kunzite): their perfect, vitreous inner reflected light settles into a kind of repose against the aggressive activity of the large bunker facility: in a kind of quiet agony hä puts här hand out toward them: off in the forefront ahead of här three squat white plastic mecha with assortments of radial cyclo-monadic propulsion cylinders make their way toward the large opening with cold, gray morning skies behind it: paranirvana (as reaching the transcendent or the beyond): (df) the folding over .. closure of monadic entelechy: the realization that we have already transcended: we exist (right here: right now) in the beyond, as transcendental objects, .. it is this very completion of the process of reaching out to the beyond .. then back into ourselves by which we conceive ourselves as 'ejento' of a higher or other plane: our bodies reach out to our surround environment, making of ourselves a micro-ecosystem of our flows, out on to the beyond, .. the beyond, .. the beyond… until we've converged upon the notion of the body as extending out to the phantasms that push in on us from the other regions: hä runs här hand over the white plastic forms of the collected contours intergressing, propped up from a little pod of water in metal, connected out from the white façade grid covering, behind which chambers run back into little greenhouse cisterns .. dew-collection pools: (0_0): 'enclose me in your hand for a moment: let me feel your pulse, your inner regions': y_ueghuru(ii): 'I had thought I wouldn't be able to return to you: the intensity of our endeavors picks up there are entire regions now which are crossed with battalions, waiting': (0_0): 'you wouldn't be able to: I am always pulling you back in: I have my onnagatomaton to arrange, to deploy to push you back to me: you know many of them have become ours, yes?: we take them in .. cultivate them, .. use them for our own purposes, .., ultimately, they devour us, or possess us, if you prefer, .. we morph into their ghost-forms that play under the bubble surface tension of the (*)region as we imagine it may exist or reform itself, as if it is our own interior MMORPG: **(00_00): u_ejento sought productive processes in the imaginative value of models, such that they generated predictions outside the range of conventional solutions, displaying a future-realism effectively retrodicted back on to the past, effectively producing phantoms which might transform the preceding data as forcefully as the proceeding: in such a way they reimagined themselves as artificial mirrored versions of their extant identities: u_plots for a wide array of property types were tied back into major institutions via back end proto-phasm channels that would not have been observable, at this time, to most observers, ultimately supported by implicit compound backstops: it was to these inputs into the op.-yamaueredas(::)'s proto-phasm portals that the u_flows constructed were ultimately aimed'): (hä realized, of course, that ultimately the one autarchic hä would need to defeat, the one that would stand in front of här when hä was closest to victory, would be härself)." ((00) y_ueghuru(ii)(00)(the YUGHUR::PHANTOM)(ii): "(the one effete bastard that could grip här inner organs in psychic power .. destroy här)."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "(a marking on här upper left chest just below the shoulder of a circle surrounded by _ smaller circles: the y_usege crouches low over the white plastic ground, it's six eyes set against its dark gray flesh .. powerful jaws, a four-legged beast with rippling muscles bound in black rubber with gapping: the y_usege are capable of c-ray communication over vast distances, via invisible light rays that are projected .. received by their clear orbular eyes: mykita-archon(i) has invited yumi(no)gosuto .. maha-kiso(iii) to meet här at the edge of this white polymeratomic .. steel aqueduct channel: they watch the clear water flow beneath them, surround by fields with plots of organic compounds: maha-kiso(iii) in light pink padded ghost-equipage with light blue stitching: här gray rubber features gaunt .. highlighted by darkened lips .. brows: här long, delicate fingers clutch the air at här side: black hair billowed up into three large bunches, .. interwoven with light pastel flowers bouncing about on lithe, black boughs: white rubber ice-slippers: yumi(no)gosuto realized hä was not an onnagatomaton at all, but rather a new form of c.a.m., the communications channels embedded in the particles of här body passing distortions in the u_pulse channels via wave morphings continuously: yumi(no)gosuto's semi-opague clear rubber yurisuit with clear rubber ½-mask, 2 black braids: hä shifts här feet .. examines maha-kiso(iii) carefully: yumi(no)gosuto: 'are you prepared to bring the op. into the fold?': maha-kiso(iii): 'we are prepared: we have been waiting': mykita-archon(i): 'we have all been waiting: but the time for patience has reached its end: it Is itme to push forward: we have several assemblages in place: they will be activated over the course of the next few days: I have asked for both to come here in order to confirm your cooperation: we must be united in this': yumi(no)gosuto: 'I will intervene with yarbois: we will bring several agents with us, .. do what must be done: we are able to infiltrate the YAMAUEREDAs at several points .. can assert control over a considerable portion of the fleet: once we have engaged you will be able to proceed with your movements unhindered': mykita-archon(i): 'may peace pass over us .. imbue us with clarity: the star-crystals are primed .. ready for formation'): (the low sound of (00)'s undulating voice: its white bulbous flesh contained in the clear plastic containment pod to här left, large, probably 3 or 4 times här volume .. mass, amorphous, semi-opaque clear balls of conglomerated tissue, glistening in the white light, moisture running over its curves: (00): 'where is (****yh****)?': y_ueghuru(vi): (distracted, mumbling quietly) 'I delivered här to y_usege(ii): I tried to pass it over as a kind of … an affront: I meant to challenge här …. to force a confession as to the (*), the ommission from the (u_u)-period episode: instead hä went into a quiet fury, hä wouldn't speak: hä grabbed my face in här delicate hands .. made as if to try to crush my head between them: there was a moment where hä relented .. sighed .. the pressure pulled back .. I could see här eyes go to distant places, but it was followed by a resurgence .. hä imprinted här fingers deep into my flesh .. contorted my head towards här: for a moment I thought hä might aim to follow it through to its conclusion .. destroy me, här body was imbued with cold forces .. I could not recognize här): (hä became something else: (****yh****) is with här: hä will care for här now: här little boughs .. leaves, the curve of här stubby branches .. mis-growths: I carry här with me only as a memory now: I would have told you but I …. I didn't want to accept these memories: I had renounced them, .. all the reminisces they brought with them'): (00_00): (00_00): (00_00): (00_00): (00_00): (00_00)): (.. the slightly pukish water was streaming over här glass monitor blinking with u_pulse analysis: on the other side of the clear plastic contours of här workspace the grayish, seething plasma of THE YAMAUEREDA(iii) pulses in sync with (00), clear fluid occasionally bubbling against the opposite surface of the plastic .. then quickly receding: its huge mass pushing back behind här, compared to the close arrangement of mechanisms .. process conduits in the pilot-hold: through the clear plastic of the contoured walls around här embedded metal cylinders with monad-chambers arranged just inside their outer circumferences: white rubber straps pulled down tightly over the synthetic contours, plush, of the access points, inset into clear plastic .. formed in co-opted complementary retrogression: the YAMAUEREDA(iii) pretends to collapse over här: hä can run through the processes which provide its propulsive inter-engines with their quiet force: hä's amassed debts to them which hä will now never repay, or perhaps this moment in of itself, insofar as it might be crystallized .. re-disbursed to the inter-engines as a present, or the prmise of uncollected potentials: crystal formations .. metal outcroppings inset with dim white effervescent lights are latched on to the interior, encroaching on the tight space along with three metal coolant units: (00): 'is it inopportune that we would be discussing this now?': y_ueghuru(vi): 'perhaps …. I find it disorienting ….'): (y_ueghuru(i), following the current adventure, is in the unusual .. awkward position of undergoing interpellation for four continuous periods at once: we were watching: the acquirement of information will always be a mode of binding, or domination: y_ueghuru(i), in this process, collapse: we were able to find a way inside': y_ueghuru(i): 'you have taken control of u_agents?': white rubber presses close to här joints as hä contorts här body as if in reflex): (only by facing the possibility associated with features of existence as contingent for their stability on a particular u_pulse flow could u_ejento reconcile positions generated by flows in widely disparate regions: even if this still took as given a particular framework of space .. time for the mapping of its probabilities it reflected a perspective suggestive of powerful shifts in the array of options in play: to go under this depth, to the *production of abstract forces pushing/pulling its contours as mere differential relations, would require the plunging of previously untouched invisible conceptual regions: u_ejento' use of u_pulse could be thought of in this framework as reversals .. misdirections of these regions of gravitational interaction: again, from an operationalist framework, one could look at the question pairing 'what was the goal pursued?': 'what was the outcome?': .. come to the conclusion that the regime of controlled, moderate low growth, low cyclo-intension was the result….): (everything the yamaueredas were pushing into the period of _00_-_00_ was being pulled back via goryos to the period of _000-_00_, inflating the mathematical compounds to massive proportions: the apparatuses of the compound managing the organization of proto-phasm flows): (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) y_ueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. y_ueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."
MONOGURUI PUBLICATIONS seeks fiction related to math, economics, machines, conceptual fashion, utopia:dystopia, .. the future, for print-on-demand publication.
Submit completed works to:
[email protected]