MONOGURUI paperback (774 pgs.): (BIG HORROR)
(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00)(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) yueghuru(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (too many of the ex post critiques .. analyses omit the *'s inner nature as a violent rupture .. implosion that had ½-swallowed us before we knew it had arrived: vector norms everywhere were being turned inside out .. reemerging elsewhere as reconfigured normative flows unrecognizable on the face: here the u_objects cell can be thought of like the psyche or the codings .. flows of the yamabushi unconscious in the (00_00)-(00_00) framework, as a productive being, a collective amalgamation of productive processes rather than representative): (a humanoid ghost-figure of grey contorted musculature .. clear rubber formed head: (00_00): metal circular studs inset into the clear rubber of the ½-poncho promise u_object or preparedness: lines bound här body in space): (the basic, unsettling flaw of characterizations of the u_objects cell in the aftermath of its blow up was their attributions to it of qualities of mirroring or an insubstantial ghost-like quality)." 00. (00_00)(00)(MONOGURUI)(00_00)(00_00)(ii): "((aka yumi(no)gosuto) of large build, ½-ughor ½-urakuomori, with dark black hair pulled into 2 braids, somewhat gaunt structure, micro-contorted musculature: (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00))."(00_00)(MONOGURUI: (ft CAPT.R.) (00_00) (00_00) 00. OOOOO. yueghuru(-(CR(00))): (recorded on the C.A.M.) "((00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00) (00_00))." ((00)(00_) (00_00)(00) yueghuru(ii)(00_00)(the YUGHUR::PHANTOM)(ii): "(the u_ejento arose from the practice by THE YAMAUEREDA(CH.) of recruiting analysts from amidst the ranks of the mathematicians .. appropriating institute land .. structures for pseudo-military purposes: converging on but never reaching this pure compound: it was thought of in terms of reverberation, rather than a progression from one point to another point: our ability to push forward in this was conceived of as the *production of speculative futures, the mapping out of potentialities as opportunity channels to be seeded: their were multitudes of various forms of proto-phasm collapsing upon us: we could feel them approaching, .. then merging with our bodies, .. could sense that our distinct identities, cut off from these forces, were a matter only of temporal alignment or configuration, but that separation in space was always only imagined, they were always inside of us: the u_ghosts were emergent in this sense: as research into emergent phenomena progressed it became clear that emergence was, in most cases, only partially overdetermined: there were currents of effects that overlapped u_waves which could be mapped as holomorphic with the u_ghosts, up to a certain blurring: the boundaries between substance .. reason, .. their role in the bodily form of the u_ghosts, were clearly more porous than most analysts had previously been willing to acknowledge: hä turns .. favors här with a dumb glare of innocent refusal: bare arms punctuate the calm, cold air up to the white over-processed cotton: black hair falls in shining bunches over här face .. off to the side of här head, covering most of one eye .. the edge of här gray painted lips: white cotton arm-warmers cling to the lower curve of här bicep: creases pull in at mid-chest: the upper bound of här hip controts against the shift of här upper body into a pose reflecting här gaze back at här, as if the collected forces of här corporeal body might be merely a repository for the contained potentiality of här psychic forces: each of these properties taken on its own .. combinded in various ways might account for här low breathing .. discomfort but the causal powers imbued in them as a congealed whole possessing här with a cold powerless .. complete control could only be the product of future forces converging back inward upon them: this force grabs här inner organs .. inverts här: producive equivalent, or some kind of equivalent, pumped through our veins in throbbing, hurtful intrusion: metal circular studs covered the black acrylic over the contours of här body, covered partially by white devil's dust cotton which the studs push through, .. hä stuttered out an attempted plausible reply or apology: forgiveness?: hä knew hä could never be forgiven: hä was a perfect crystal, radiating out benificence .. sanctification to all ugartë, no matter how many horrific crimes hä found herself responsible for or accomplice to: hä ran här hands over one shoulder .. then the next, .. wondered where this all would lead to, what other *region would be converged upon?: hä'd acquired the habit of fits of crying, not for anything real, but for imagined dramas .. mournful episodes: här dark 6-braided hair .. grey paint in raw splotches under här här eyes .. delicately, incompletely covering här lips: hä put här mouth on the white ceramic cup .. felt its warmth push against här face, felt beads of sweat pop up on här rubber, .. imagined it turning into pulsing, cold white fluid filling one's mouth .. finding ways to push in: hä could never be good again): (rather than a recognition of it as the thing itself, its reality as a collection of invisible forces with real effects on the entropic powers that we harness .. cultivate: cell participants acted as contacts, such that densities were distributed through them without recourse to limitations regarding their monopulsive properties: flows moved around them according to their forces produced but did not pass through them): (thus, one was always capturing or observing these flows based on second hand properties: there was a proliferation of dummy variables into models serving as placeholders for options which might or might not exist): (the metal form of the air-filter hovers over the floor on a curved rod as a minimal base: the agonizing white light holds close to it: there are a number of black plastic modules connected to yueghuru(ii)'s body, round low disc-shapes: of these, a couple have a small metal cylinder projecting outward .. each of these contains a small ridge around the circumference: the form of the absolute, in this context, is that of apokrisis, as a response from the interminable lilmit that one sets oneself apart from: objectification, in the sense of making an object of apperception, driven backward .. directed at oneself .. then filtered down to the specific partial forms of oneself in question: once one makes an object of the things inside oneself one can remove them from the confines of the body .. observe them as an entity to come into commerce with, whether this be to erase, propagate, re-form, ….: yueghuru(ii) defines a concept, as distinct from a material object, as an entity which crosses over temporal flows, not in a persistence of existence sense, but in its very form, now, as perceived .. understood, with parts in the future ../or the past, with hypostasis (df) as the ultimate limit of such a process: accelerationalism is the notion of material objects achieving or converging on velocities so potent that, in practice, this distinction becomes blurred: much of this is a question of setting of proto-phasm rays, whether as articles of one's individual intentionality, or as a community action, such that the future end-points which they are aimed at correspond and co-populate: power is the ability to put permanent (or persistent) constraints on these processes over oneself .. others: yueghuru(ii) glares at phumaCHIRGHYU(ii) with foreboding, impatient already with the intrusion, although eager perhaps to converse: air passes in .. out of the filter in regular rhythm, punctuated only occasionally by little hesitations or vibrations: (((00_00)) ((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."
(00)(00_00)(00)(00) (00_00)(00) ユエグル(ii)(00_00)((00_00))(ii): "((00_00)((00_00)(00_00) (00)( 00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00 )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)( (00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)): ((00_00)(( 00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00))."(00)(00) (00_00)(00) ユエグル(ii)(00_00)((00_00 )(00_00))(ii): "((00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) ( 00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)( (00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) (00 )(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00 ) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00))."(00)(00_00)(00)(00) (00_00)(00) ユエグル(ii)(00_00)((00_00))(ii ): "((00_00)((00_00)(00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) ( 00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00) )((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) ( 00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00 )(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00) (00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)( 00_00) (00_00) (00)(00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00)((00_00)(00_00) (00_00) (00)(00) (00_00)((00_00)(00_00)):): (事後的な批評が多すぎる .. 分析では、暴力的な破裂としての * の内部の性質が省略されている .. 私たちが気づく前に私たちを半分飲み込んだ爆縮 到着: どこにでもあるベクトル規範が裏返されていた .. 表面では認識できない再構成された規範の流れとして他の場所に再出現: ここで u_objects セルは精神やコーディングのように考えることができます .. (00_00) における山伏の無意識の流れ (00_00) フレームワーク、生産的な存在として、代表的なものではなく、生産プロセスの集合的な融合): (灰色の歪んだ筋肉組織の人型幽霊像 .. 透明なゴムで形成された頭: (00_00): 透明なゴムに差し込まれた金属製の円形スタッド 1/2 ポンチョの約束 u_object または準備: 空間で身体を結ぶ線): (爆破後の u_objects 細胞の特徴付けにおける基本的で不安を招く欠陥は、鏡像または実体のない幽霊の性質に起因するものでした。 -ような品質)。"